Robert A. Heinlein book The Cat Who Walks Through Walls
Richard Ames; chapter 3, p. 27
Source: The Cat Who Walks Through Walls (1985)
Edward Epstein, "S.F. Finds Its Voice", http://sfgate.com/cgi-bin/article.cgi?file=/chronicle/archive/1998/08/12/MN76094.DTL San Francisco Chronicle, 1998-08-12. <br class="br">On Laurence Ferlinghetti becoming San Francisco's first poet laureate. <br class="br">1990s
Robert A. Heinlein book The Cat Who Walks Through Walls
Richard Ames; chapter 3, p. 27
Source: The Cat Who Walks Through Walls (1985)
“I'm not going to buy my kids an encyclopedia. Let them walk to school like I did.”
Yogi Berra (1925–2015) American baseball player, manager, coach
Michael Joyce (1945) American academic and writer
Interview with Michael Joyce in Pif (January 2000) http://www.pifmagazine.com/vol32/i_m_joyce.shtml <br class="br">Context: I was just telling my students about first reading D. H. Lawrence and having that feeling: it is done, I need not do more or attempt to... I would have to say – and this is less hubris, I swear, than a humble recognition from what others say about reading my work – that I have a way of shaping the experience of the text so that it becomes like a maze of mirrors set at angles to each other, not a funhouse labyrinth exactly nor the mirror in mirror, but rather an angularity wherein the mirror mirrors the blue opening as well as the opposing surface so that surface and opening multiply and intertwine.
“Must be a full moon,” she said.”Lawrence is turning into an asshole.”
Robert Charles Wilson book A Bridge of Years
Source: A Bridge of Years (1991), Chapter 8 (p. 143)
“I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.”
Bob Dylan (1941) American singer-songwriter, musician, author, and artist
Interview http://www.expectingrain.com/dok/int/shelton1978.07.29.html with Robert Shelton, Melody Maker (29 July 1978)
Robert Penn Warren (1905–1989) American poet, novelist, and literary critic
The Legacy of the Civil War (1961), pp. 49–50
Context: We are right to see power prestige and confidence as conditioned by the Civil War. But it is a very easy step to regard the War, therefore, as a jolly piece of luck only slightly disguised, part of our divinely instituted success story, and to think, in some shadowy corner of our mind, of the dead at Gettysburg as a small price to pay for the development of a really satisfactory and cheap compact car with decent pick-up and road-holding capability. It is to our credit that we survived the War and tempered our national fiber in the processs, but human decency and the future security of our country demand that we look at the costs. What are some of the costs?
Blood is the first cost. History is not melodrama, even if it usually reads like that. It was real blood, not tomato catsup or the pale ectoplasm of statistics, that wet the ground at Bloody Angle and darkened the waters of Bloody Pond. It modifies our complacency to look at the blurred and harrowing old photographs — the body of the dead sharpshooter in the Devil's Den at Gettysburg or the tangled mass in the Bloody Lane at Antietam.
John Taylor Gatto book The Underground History of American Education
Source: The Underground History of American Education: An Intimate Investigation Into the Prison of Modern Schooling (2001), pp. 105-106
Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer
Appearance on The Howard Stern Show (1987).