Quotes about pink
page 2
The Last of the St. Aubyns
Heath's book of Beauty, 1833 (1832)
In Scalia, criminal defendants have lost a great defender: Paul Clement https://www.usatoday.com/story/opinion/2016/02/19/scalia-funeral-constitution-defendants-jury-paul-clement-column/80575460/ (February 19, 2016)
"The Daily People" editorial, "Trimming the Poodle" (November 2, 1908)
Complete online text of "Trimming the Poodle" http://www.marxists.org/archive/deleon/works/1908/081102.htm
The Guardian 9 February 2009. http://www.guardian.co.uk/commentisfree/2009/feb/09/twitter
Guardian columns
“…her breasts swam towards me like two pink-nosed fish and she let me hold them.”
Source: Goodbye, Columbus (1959), Chapter 2
Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated
Intro to "Dancing Nancies", Live at Luther College (1999)
Quote from Anthologie de l'humour noir, André Breton; as cited in Arp, ed. Serge Fauchereau, Ediciones Poligrafa S. A., Barcelona, Spain, 1988
after 1930
(12th June 1824) Stanzas
The London Literary Gazette, 1824
Étude Réaliste.
Undated
Quote in 'Tissue of Truth, Tissue of Lies', Max Ernst; as cited in 'Room 7, Max Ernst', the exhibition text of FONDATION BEYELER 2 - MAX ERNST, 2013, texts: Raphaël Bouvier & Ioana Jimborean; ed. Valentina Locatelli; transl. Karen Williams
Max Ernst is referring to a childhood experience in 1906, when Max Ernst was c. 15 years old
posthumous
“And in my flower-beds, I think,
Smile the carnation and the pink.”
"The Old Vicarage, Grantchester" (1912)
translation from the original Dutch, Fons Heijnsbroek
version in original Dutch / citaat uit de brief van Breitner, in het Nederlands: Laatst heb ik van jelui [de kunstenaar Herman van der Weele en zijn vrouw] gedroomd en dat jelui heel rijk waren en prachtig woonden en dat ik met U en Herman in een vertrek daarvan zat, met zulke prachtige stoffen en behangen, dat ik mij niet kan verzadigen er naar te kijken en gij hadt een zwarte bril op net als ik nu, maar die was zo verbazend mooi en stond U zoo goed, als dat alleen maar in een droom mogelijk is en uw costuum was prachtig diep rood blauw zwart met exotische figuren daarin geweven en de wanden waren geel en rose, enfin het was een wonder van pracht en ik wou dat.. ..mijn oogen weer heel waren en dat we ieder honderdduizend gld in de week te verteren hadden, dan lieten we een mooi jacht bouwen en zeilden allemaal naar het land van den Mikado, om daar eens te kijken.
Quote of Breitner, in a letter to Herman van der Weele, c. 1892-96; as cited in Meisjes in kimono. Schilderijen, tekeningen en foto's van George Hendrik Breitner (1857-1923) en zijn Japanse tijdgenoten, J.H.G. Bergsma & H. Shimoyama; Hotei Publishing, Leiden 2001, pp. 15-16
1890 - 1900
Eminent Historians: Their Technology, Their Line, Their Fraud
[The Star staff, Pricasso's the name, painting the game, 28 September 2012, 3, The Star, South Africa, Independent Online]
About
“He's big and pink, and not like me.
He sees no light.
He sees no reason for the fighting…”
Song lyrics, The Dreaming (1982)
Esquire, in the column "The Resident Rock Star: JOHN MAYER" http://www.keepmedia.com/pubs/Esquire/2004/07/01/484084?from=search&criteria=john+mayer (July 1, 2004)
“"Sheep" (paraphrasing Psalm 23) on Animals (Pink Floyd, 1977)”
Source: 1880's, Renoir – his life and work, 1975, p. 161-162 : (1882), in a letter to Vollard
NEWSWEEK 1999 http://www.jeremycaplan.com/SarahChangInterview.htm, Interview with Barnes & Noble.com June 2003 http://music.barnesandnoble.com/features/interview.asp?NID=706502&z=y
"Bellamy Young: The First Lady of Scandal Talks Animals, Veganism and Random Acts of Kindness", interview with The Pet Press (November 2013) http://www.thepetpress-la.com/bellamy-young.html.
Quote from 'Mon amie et la plage' [My girlfriend and the beach], Salvador Dali, 1927; as quoted in Dali and Me, Catherine Millet, - translation Trista Selous -, Scheidegger & Spiess AG, 8001 Zurich Switzerland, pp. 47-48
Quotes of Salvador Dali, 1920 - 1930
Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 179
2012-03-29
Santorum: ‘Friends don't let friends use pink balls’
Think Progress
http://thinkprogress.org/lgbt/2012/03/29/454470/santorum-friends-dont-let-friends-use-pink-balls/
2012-04-15
to a boy using a pink bowling ball, at a campaign stop in Wisconsin
"My Word! You Do Look Queer" monologue http://lyricsplayground.com/alpha/songs/m/mywordyoudolookqueer.shtml
My Word! You Do Look Queer!
1990 Interview with Des Lynam https://www.youtube.com/watch?v=duOUcH7xFrg]
Germany: Ukrainian nationalists are being used by the EU - Nick Griffin http://www.youtube.com/watch?v=Q6Ir2rWzkFk
“"Free Four" on Obscured by Clouds (Pink Floyd, 1972)”
From Monteux, Fifi (1962). Everyone is Someone. New York: Farrar, Straus & Cudahy. OCLC 602036672, pp. 13–15
“I sure do like the color brown. And pink. Pink and brown. If I had to choose, pink would lose.”
AOL Interview
The Never-Ending Wrong (1977)
Source: 1990's, Rauschenberg, Art and Live, 1990, p. 206
Penthouse Magazine, September, 1988
Music
In a letter from Frauenkirch, Jan. 1919; as quoted in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 48
Some time later Kirchner would made a colored wood-cut: 'Moonlit Winter Night' https://upload.wikimedia.org/wikipedia/commons/2/25/Kirchner_-_Wintermondnacht.jpg
1916 - 1919
“"Set the Controls for the Heart of the Sun" on A Saucerful of Secrets (Pink Floyd, 1968)”
“They paved paradise
And put up a parking lot
With a pink hotel, a boutique
and a swinging hot spot.”
"Big Yellow Taxi"
Songs
“"Take up Thy Stethoscope and Walk" on The Piper at the Gates of Dawn (Pink Floyd, 1967)”
Hayley on her Tumblr talking about Nikki Simmons (lead singer of the rock/metal upcoming band Morningside http://www.facebook.com/themorningside) who was being cyber-bullied because she looks like Hayley. http://yelyahwilliams.tumblr.com/post/8459667145
“My favorite color is light pink. I also like baby blue because it brings out my eyes.”
Attributed to a Teen Vogue interview
" Frances Bean Cobain: 'I'm a Different Person' http://www.people.com/people/article/0,,1101912,00.html" (2005)
Dick Hebdidge (1979). . p.106-12
“"Sheep" on Animals (Pink Floyd, 1977)”
Source: Time Scout (1995), Chapter 9 (p. 173)
Canyon, Texas, (October 30), 1916, pp. 209, 210
1915 - 1920, Letters to Anita Pollitzer' (1916)
“Beyond are greens where pink chestnuts, may trees and copper beeches flaunt themselves gaily.”
Page 69, Harpenden.
The King's England: Hertfordshire
Act IV, scene i. Compare: "Take, O, take those lips away, That so sweetly were forsworn; And those eyes, the break of day, Lights that do mislead the morn: But my kisses bring again, bring again; Seals of love, but sealed in vain, sealed in vain", William Shakespeare, Measure for Measure.
Rollo, Duke of Normandy, or The Bloody Brother, (c. 1617; revised c. 1627–30; published 1639)
“I'm drinking lots of rum and popping pinks and greys.”
Letter to his wife (1967) as quoted in L. Ron Hubbard: Messiah or Madman? (1989) by Bent Corydon and L. Ron Hubbard, Jr (Ronald DeWolfe).
“"The Final Cut" on The Final Cut (Pink Floyd, 1983)”
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 174
1910, Manifesto of Futurist Painters,' April 1910
On Literature, Revolution, Entropy and Other Matters (1923)
Context: The law of revolution is red, fiery, deadly; but this death means the birth of new life, a new star. And the law of entropy is cold, ice blue, like the icy interplanetary infinities. The flame turns from red to an even, warm pink, no longer deadly, but comfortable. The sun ages into a planet, convenient for highways, stores, beds, prostitutes, prisons: this is the law. And if the planet is to be kindled into youth again, it must be set on fire, it must be thrown off the smooth highway of evolution: this is the law.
The flame will cool tomorrow, or the day after tomorrow (in the Book of Genesis days are equal to years, ages). But someone must see this already today, and speak heretically today about tomorrow. Heretics are the only (bitter) remedy against the entropy of human thought.
The Golden Man (1954)
Context: The chamber was an inferno of energy. The figure had completely disappeared. Wisdom waited a moment, then nodded to the technicians operating the cube. They touched guide buttons and the muzzles slowed and died. Some sank back into the cube. All became silent. The works of the cube ceased humming.
Cris Johnson was still alive. He emerged from the settling clouds of ash, blackened and singed. But unhurt. He had avoided each beam. He had weaved between them and among them as they came, a dancer leaping over glittering sword-points of pink fire. He had survived.
Letter to F.W Weber (1950); as quoted in Maxfield Parrish by Coy Ludwig (1997)
Context: It is generally admitted that the most beautiful qualities of a color are in its transparent state, applied over a white ground with the light shining through the color. A modern Kodachrome is a delight when held up to the light with color luminous like stained glass. So many ask what is meant by transparent color, as though it were some special make. Most all color an artist uses is transparent: only a few are opaque, such as vermillion, cerulean blue, emerald green, the ochres and most yellows, etc. Colors are applied just as they come from the tube, the original purity and quality is never lost: a purple is pure rose madder glowing through a glaze of pure blue over glaze, or vice versa, the quality of each is never vitiated by mixing them together. Mix a rose madder with white, let us say, and you get a pink, quite different from the original madder, and the result is a surface color instead of a transparent one, a color you look on instead of into. One does not paint long out of doors before it becomes apparent that a green tree has a lot of red in it. You may not see the red because your eye is blinded by the strong green, but it is there never the less. So if you mix a red with the green you get a sort of mud, each color killing the other. But by the other method. when the green is dry and a rose madder glazed over it you are apt to get what is wanted, and have a richness and glow of one color shining through the other, not to be had by mixing. Imagine a Rembrandt if his magic browns were mixed together instead of glazed. The result would be a kind of chocolate. Then too, by this method of keeping colors by themselves some can be used which are taboo in mixtures.
"The Common-Sense View", pp. 184–185
The Universal Kinship (1906), The Psychical Kinship
“One white rose... or is it pink, to-day?”
They pause and smile, not caring what they say,
If only they may talk.
The crowd flows past them like dividing waters.
Dreaming they stand, dreaming they walk.
The House of Dust (1916 - 1917)
What if you're wrong about the great Juju at the bottom of the sea?
Answering audience questions after a reading of The God Delusion http://www.youtube.com/watch?v=6mmskXXetcg, Randolph-Macon Woman's College,
Posed question: "This is probably going to be the most simplest one for you to answer, but: What if you're wrong?"
“If life hands you a lemon adjust your rose colored glasses and start to selling pink lemonade.”
Anonymous, 1917, THE CONDUCTOR AND THE BRAKEMAN
For Paris I am very busy - To Vienna a painting will be send.. .A second large painting has gone to Brussels - A [xxxx?] will offer drawings of us [drawings of him and his wife] and , at this moment they are crossing the Great Water, with destination to New York where they will be exhibited - we hope with success - Two beautiful paintings has enriched our collection again, one of Dupre and one of Rousseau. (translation from original Dutch: Fons Heijnsbroek)
(original Dutch: citaat van Hendrik Willem Mesdag, in het Nederlands:) Waarde Zwager – Zuster. Wij sukkelen ook weder de winter goed door, altijd bezig en werkende. Jammer dat de gelegenheid tot nieuw studien [maken] nog niet is gekomen het is altijd een aardige afwisseling. Nu is het altijd zee en pinken enz. [de onderwerpen in zijn schilderijen] - Voor Parijs ben ik druk bezig - Naar Weenen gaat een schilderij.. .Naar Brussel is een tweede groote schilderij gegaan – Een [xxxx?] zal teekeninge van ons [van hem en vrouw Sientje] bieden, zijn op dit oogenblik op den wijden Oeveren met bestemming naar New York waar ze geexposeerd zullen worden – naar wij hopen met succes – Een paar prachtige schilderijen een van Dupre en een van nl:Théodore RousseauRousseau onze collectie weder verrijkt
In a letter from The Hague, 15 Feb 1882 to Brother-in-law and Sister (Hindrik van Houten and Alida Cornelia Christina van Houten ten Bruggencate) from the original text in Dutch R.K.D. Archive, The Hague https://rkd.nl/explore/excerpts/707073
after 1880