Quotes about picture
page 7

“At each stage I reach a balance, a conclusion. At the next sitting, if I find that there is a weakness in the whole, I make my way back into the picture by means of the weakness — I re-enter through the breach — and I reconceive the whole. Thus everything becomes fluid again.”

Henri Matisse (1869–1954) French artist

Statement by Matisse to Tériade; as quoted by Tériade in 'Constance de Fauvisme', in 'Minotaure' (15 October 1936), translated by Jack Flam in Matisse on Art (1995)
1930s

Way

“Scientific realism in classical (i. e. pre-quantum) physics has remained compatible with the naive realism of everyday thinking on the whole; whereas it has proven impossible to find any consistent way to visualize the world underlying quantum theory in terms of our pictures in the everyday world. The general conclusion is that in quantum theory naive realism, although necessary at the level of observations, fails at the microscopic level.”

Ravi Gomatam (1950) Indian academic

R.Gomatam's paper Physics and Commonsense - Reassessing the connection in the light of the quantum theory http://arxiv.org/abs/0708.1536, 2004.

World, Way, Thinking

“Standing in a new space,
Waving at the sun…
So you probably back in darkness
To where I belong.
Just by being with you
Pictures flow out of my mind…
Have we danced before
Long ago or in another time?”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Elements - The Best of Mike Oldfield (1986)

Time, Sun, Dance

“I thought only of one thing, to account to myself for the laws of light and perspective. I did not attach any importance to what they found original, new and romantic in me, I sought the picture.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

as quoted in Barbizon days, Millet-Corot-Rousseau-Barye by Charles Sprague Smith, A. Wessels Company, New York, July 1902, p. 141
Th. Roussseau took little part in the French art-discussions of the day between Classicists and Romanticists, in the 1830's
undated quotes

Law, Light

“The Book [of Judges] as a whole gives a coherent picture of an era and propounds the thesis that the institutions of pre-monarchic Israel were so chaotic… that centralized, hereditary kingship was necessary.”

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VIII Further Observations on the Bible

Books

“I want to offer a little ode to the importance of studying history. We’ve seen the assertion of “alternative facts” – meaning, essentially, a denial of actual facts. We’ve see the proliferation of “fake news,” along with the suggestion that it’s impossible to differentiate between “real” and “fake” news. Studying history responsibly does some handy things. It compels you to confront and consider ugly realities as part of a bigger picture. Studying history compels you to investigate, evaluate, compare, and analyze evidence to help you piece together ACTUAL facts. And in teaching people to evaluate evidence in search of facts, it trains them to logically analyze and interpret news for themselves. [F]or those insisting that the humanities has no value, we are getting daily examples of how the study of history offers practical tools for understanding not only the past, but the present.”

Joanne B. Freeman (1962) US historian and tenured professor of History and American Studies at Yale University

Twitter (6 Mar 2017) https://twitter.com/jbf1755/status/838897292132421632

People, History, Search, Understanding

“The subject detects the presence and interrelationships of the basic components of one of the two-dimensional drawings - particularly, the variously oriented straight lines, the several types of vertices by which they are connected and, presumably, something of the structural relationships among these components within the two-dimensional pattern. Then, on the basis of some higher-level processing of these extracted features and their interrelationships, an internal representation, code, or verbal description is generated for each picture separately that captures the intrinsic structure of the three-dimensional object in a form that is independent of the particular orientation in which that object happens to be displayed.”

Roger Shepard (1929) American psychologist

Source: Mental images and their transformations. 1982, p. 64; as cited in: Keith K. Niall, "‘Mental rotation’, pictured rotation, and tandem rotation in depth." Acta psychologica 95.1 (1997): 31-83.

Drawing

“Holists, either irredundant or redundant commit mistakes due to simple over-generalization (for example, that (β) always implies "Bushy Tail" which is true for only some subspecies) or systemic over-generalization to render the classification scheme more rational or symmetrical than it actually is (for example, falsely naming a subspecies "Bit QL" on the evidence that Q stands for "4-legged" and L stands for "Linear" together with the valid inference that a 4-legged linear creature exists.
A serialst is prone to list the subspecies by examining picture cards in Class A. If he is to be successful, he checks the relevance of the information entering his list by forming single predicate hypotheses.”

Gordon Pask (1928–1996) British psychologist

Source: Learning Strategies and Individual Competence (1972), p. 275.

Success, Falseness

“You see the button with the picture of the guy with the tray, and you push it, AND HE ARRIVES WITH A SANDWICH! …And you think: "Yes! Yes! I control sandwich monkey! I live in magic land, magic land, magic land."”

Dylan Moran (1971) Irish actor and comedian

On hotel room telephone.
Monster (2004)

Guy, Thinking

“In my figures [of his famous painting 'Vision After the Sermon'] I have achieved a great simplicity, which is both rustic and superstitious….. In this picture the landscape and the struggle [between Jacob wrestling with the angel ] exist only in the imagination of the people whom the sermon has moved to prayer. That's why there is a contrast between the people, depicted naturally, and the struggle in its unnatural and dis-proportioned landscape.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), p. 24: quote in his letter to Vincent van Gogh, c. 1888

People, Angels, Imagination, Nature

“I saw a picture of Prince William, HRH William, in the paper today. He's going bald. I reckon by the end of next year he will be bald and I'm glad about that. Because of his playboy prince status and that, it makes me feel insecure about my own looks.”

Russell Brand (1975) British comedian, actor, and author

6 Music Show

Feeling

“The sky is the 'source of light' in nature, and governs every thing. Even our common observations on the weather of every day, are suggested by them, but it does not occur to us. Their difficulty in painting both as to composition and execution is very great, because, with all their brilliancy and consequence, they ought not to come forward, or be hardly thought about in a picture… I know very well what I am about, and that my skies have not been neglected, though they have often failed in execution, no doubt, from an over-anxiety about them, which will alone destroy that easy appearance which nature always has in all her movements.”

John Constable (1776–1837) English Romantic painter

Letter to Rev. John Fisher (23 October 1821), as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 229 and also in Richard Friedenthal, Letters of the great artists – from Blake to Pollock (Thames and Hudson, London, 1963), p. 42
1820s

Nature, Light, Appearance, Painting

“When I paint an abstract picture (the problem is very much the same in other cases), I neither know in advance what it is meant to look like nor, during the painting process, what I am aiming at and what to do about getting there. Painting is consequently an almost blind, desperate effort, like that of a person abandoned, helpless, in totally incomprehensible surroundings – like that of a person who possesses a given set of tools, materials and abilities and has the urgent desire to build something useful which is not allowed to be a house or a chair or anything else that has a name; who therefore hacks away in the vague hope that by working in a proper, professional way he will ultimately turn out something proper and meaningful.”

Gerhard Richter (1932) German visual artist, born 1932

Notes, 1985; as cited on collected quotes on the website of Gerhard Richter: on 'Abstract paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/abstract-paintings-7 <br class="br">1980's

Hope, Way, Problem, Effort

“The expression of satisfaction at the acts of torture one is inflicting on helpless, trussed, naked victims is only part of the story. There is the primal satisfaction of being photographed, to which one is more inclined to respond not with a stiff, direct gaze (as in former times) but with glee. The events are in part designed to be photographed. The grin is a grin for the camera. There would be something missing if, after stacking the naked men, you couldn't take a picture of them.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Regarding the Torture of Others (2004)

Men, Time, Parting

“I started those [the 'Elisabeth Taylor' pictures, Warhol made from a publicity photo of her 1960 film 'BUtterfield 8 a long time ago when she was so sick and everybody said she was going to die [but she recovered]. Now I'm doing them all over, putting bright colors on her lips and eyes. My next series will be pornographic pictures, they will look blank; when you turn on the black lights, then you will see them - big breast and... If a cop came in, then you could just flick out the lights or turn to the regular lights. How could you say that was pornography?... Segal did a sculpture of two people making love, but he cut it all up, I guess because he thought it was too pornographic to be art... The thing I like about it is that it makes you forget about style and that sort of things; style isn't really important.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Love, People, Making love, Art

“Perhaps our ultimate understanding of scientific topics is measured in terms of our ability to generate metaphoric pictures of what is going on. Maybe understanding is coming up with metaphoric pictures.”

Per Bak (1948–2002) Danish physicist

[Per Bak, How Nature Works: the science of self-organized criticality, Springer, 1996, 0387947914]

Understanding

“In a picture every part will be visible and will play the role conferred upon it, be it principal or secondary. All that is not useful in the picture is detrimental.”

Henri Matisse (1869–1954) French artist

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 410

Parting

“It is impossible to repristinate a past world picture by sheer resolve, especially a mythical world picture, now that all of our thinking is irrevocably formed by science. A blind acceptance of New Testament mythology would be simply arbitrariness; to make such acceptance a demand of faith would be to reduce faith to a work.”

Rudolf Karl Bultmann (1884–1976) German theologian

Source: New Testament and Mythology and Other Basic Writings (1941), p. 3

World, Faith, Thinking, Science

“Professor Smith has kindly submitted his book to me before publication. After reading it thoroughly and with intense interest I am glad to comply with his request to give him my impression.
The work is a broadly conceived attempt to portray man's fear-induced animistic and mythic ideas with all their far-flung transformations and interrelations. It relates the impact of these phantasmagorias on human destiny and the causal relationships by which they have become crystallized into organized religion.
This is a biologist speaking, whose scientific training has disciplined him in a grim objectivity rarely found in the pure historian. This objectivity has not, however, hindered him from emphasizing the boundless suffering which, in its end results, this mythic thought has brought upon man.
Professor Smith envisages as a redeeming force, training in objective observation of all that is available for immediate perception and in the interpretation of facts without preconceived ideas. In his view, only if every individual strives for truth can humanity attain a happier future; the atavisms in each of us that stand in the way of a friendlier destiny can only thus be rendered ineffective.
His historical picture closes with the end of the nineteenth century, and with good reason. By that time it seemed that the influence of these mythic, authoritatively anchored forces which can be denoted as religious, had been reduced to a tolerable level in spite of all the persisting inertia and hypocrisy.
Even then, a new branch of mythic thought had already grown strong, one not religious in nature but no less perilous to mankind — exaggerated nationalism. Half a century has shown that this new adversary is so strong that it places in question man's very survival. It is too early for the present-day historian to write about this problem, but it is to be hoped that one will survive who can undertake the task at a later date.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Foreword of "Man and his Gods" by Homer W. Smith
Attributed in posthumous publications, Einstein and Religion (1999)

Truth, Books, Fear, Religion

“At Queen Philippa's court his fastidious eyes were spared the sight, which was moving Langland to realism, of the disbanded soldiery begging their bread along the countryside. Most of his busy days were spent with princes and potentates, and it is idle to ask how far this experience suits the impartial muse of history…He possessed, too, a prodigious memory; and his keen eye for detail and the wealth and colour of his narrative produced such a record of the fourteenth century as Langland could never have composed. Posterity can but return thanks that the picture has been drawn from both aspects.”

Jean Froissart (1337–1405) French writer

Laurie Magnus A General Sketch of European Literature in the Centuries of Romance (1918) p. 89.
Criticism

History, Business, Memory, Wealth

“The tragedy of Africa seemingly has no end. Viewing it from afar, the casual Western onlooker can be forgiven if the scenes begin to meld: Ethiopian famine in 1987, Somalian civil war and ensuing famine in 1992, and now Central Africa in 1997. The pictures and footage assume the role of media footnotes: snapshots of hopelessness, disaster, and death that seem as far away as the moon and as unrealistic as some science fiction film. Yet, like the African crises before it, the tragedy of Central Africa is very real and, in a global age, perhaps not as distant as some would like to think. With a foreign policy appropriately rooted in some sense of humanitarian decency, the Central African crisis will not be easily ignored by American policymakers. It screams for remedy.”

Michael Johns (1964) American businessman

"Africa Deserves a Closer Look," The World and I, February 1997, by Michael Johns.

Death, War, Age, Thinking

“I didn’t like what I was seeing, so I decided that was it. I never thought I was a good actress in pictures—but later I became an actress on TV. I kept every W2 for every show or film I did. I had them in a huge box which I took to SAG, dropped on their desk and asked for my pension!”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

Box

“With your Elvis Presley and wasp-waist and swivel-hippy, show you had, and I must say it showed it first self in pictures with the rhythmic contrapole of the wobbling of the hipper, sideways with the head and tilty, gave him that expression both also with a little doggy-lublike in the eyebold which he conveyed to the smaller femailode of the specie, coupled with his music because he did trittly-how fine on the strims, helped him along the roamer […. ] I heard it first of all on a record in the early mordy: I was doing the shavit-huff with my razor blade, which of course is a safety one, and suddenly, suddenly he did a little syncopole or a drop-it and how, or something he did and caused a jerkit over a pimplode and I've been suffering ever since!”

Stanley Unwin (comedian) (1911–2002) British comedian

On Elvis
Rotatey Diskers with Unwin (1960)

Music, Suffering, Help

“I had eventually come to understand that friendship was a delicate, gradual process that mustn't be rushed or seized upon but allowed and encouraged to take its course over time. I pictured it as a butterfly, simultaneously beautiful and fragile, that once afloat belonged to the air and any attempt to grab at it would only destroy it.”

Daniel Tammet book Born on a Blue Day

Source: Born on a Blue Day (2006), Chapter 8: Falling in Love.

Friendship, Beauty, Understanding, Time

“I have lately been reading Modern Painters, and I have derived from the work much genuine pleasure and, I hope, some edification; at any rate it made me feel how ignorant I had previously been on the subject which it treats. Hitherto I have only had instinct to guide me in judging of art; I feel now as if I had been walking blindfold — this book seems to give me eyes. I do wish I had pictures within reach by which to test the new sense. Who can read these glowing descriptions of (J. M. W.) Turner’s works without longing to see them? However eloquent and convincing the language in which another’s opinion is placed before you, you still wish to judge for yourself. I like this author’s style much; there is both energy and beauty in it: I like himself too, because he is such a hearty admirer. He does not give Turner half-measure of praise or veneration; he eulogizes, he reverences him (or rather his genius) with his whole soul. One can sympathize with that sort of devout, serious admiration (for he is no rhapsodist) one can respect it; and yet possibly many people would laugh at it. I am truly obliged to Mr. Smith for giving me this book, not having often met with one that has pleased me more.”

Charlotte Brontë (1816–1855) English novelist and poet

Charlotte Brontë, on Modern Painters, Vol. 1 (1843), by John Ruskin. Letter to W. S. Williams (31 July 1848) The Letters of Charlotte Brontë

People, Pleasure, Books, Beauty

“His picture to me seems always to have the enthusiasm and freshness of youth, moved with the high-minded and patriotic purpose of maturity. He displayed the same ambition for faithful service, whether he was leading his soldiers in the last charge for American liberty at Yorktown or rebuking the mob at Paris for its proposal to make him king. His part in the French Revolution is well known. He served the cause of ordered liberty in America; he was unwilling to serve any other cause in France. His admirers might say of him on the first anniversary of Bastile Day, 'He is galloping through the ages' But he refused to be a man on horseback. He knew that the welfare of his country lay in moderation. The people trusted him, but the extremists, whether Jacobin or Royalist, feared him. He urged the National Assembly to establish by constitutional guarantees what the Revolution had gained.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ordered Liberty and World Peace (1924)

People, Youth, Age, Fear

“I don't care a straw for your newspaper articles; my constituents don't know how to read, but they can't help seeing them damned pictures.”

William M. Tweed (1823–1878) United States politician

On the political cartoons of Thomas Nast in Harper's Weekly, as quoted in "Article IV: An Episode in Municipal Government" by Charles F. Wingate in The North American Review (July 1875), p. 150

Reading, Help

“Better be careful, Jason warned himself. Why should I be careful? A nagging thought just below the surface of his mind gave him an uneasy feeling again, the feeling that something was wrong, that things were not what they seemed. Was that his imagination or just being in this small office, no air-conditioning, not even an electric fan? For some reason, the blank walls bothered him. No pictures. And no windows. I want to get out of here. He realized that he could get out of there. He could simply get up and leave. He didn't have to even speak to anybody. Hadn't they said this was voluntary? He was a volunteer. Well, he didn't feel like being a volunteer anymore. He wanted to go home.”

Robert Cormier book The Rag and Bone Shop

Source: The Rag and Bone Shop (2000), p. 99-100

Feeling, Home, Imagination

“The Jew can take the credit for having corrupted the Graeco-Roman world. Previously words were used to express thoughts; he used words to invent the art of disguising thoughts. Lies are his strength, his weapon in the struggle. The Jew is said to be gifted. His only gift is that of juggling with other people's property and swindling each and everyone. Suppose I find by chance a picture that I believe to be a Titian. I tell the owner what I think of it, and I offer him a price. In a similar case, the Jew begins by declaring that the picture is valueless, he buys it for a song and sells it at a profit of 5000 per cent. To persuade people that a thing which has value, has none, and vice versa—that's not a sign of intelligence. They can't even overcome the smallest economic crisis!”

Adolf Hitler (1889–1945) Führer and Reich Chancellor of Germany, Leader of the Nazi Party

5 November 1941.
Disputed, Hitler's Table Talks (1941-1944) (published 1953)

People, World, Art, Intelligence

“It was not the inexperienced art public that became American Scenists. It was the artists themselves, a highly sophisticated group, thoroughly familiar with the art work and the art traditions of the world, who had flocked to Paris to participate in the great cultural center, who were very conscious of the Impressionists and Post-Impressionists revolutions, who fell for this propaganda [to strive for a pure national American art]. It is upon them that responsibility falls. Their support of this reactionary philistinism is an inexcusable betrayal... It is time for the artists to wake up and re-examine their aesthetic foundations; to rid themselves of the millstone that has made art in America an expensive picture postcard-factory... It is time that artists refused isolationist money, repudiated the art dealers, the favor of the museum directors. It is time artists forgot about success..”

Barnett Newman (1905–1970) American artist

Quote of 1942; in Barnett Newman', by Thomas B. Hess, museum of Modern art, New York 1971; as cited in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 124-125
1940 - 1950

Money, World, Art, Support

“"But this would be a beautiful place for a fight," he began again persuasively. "These great bare rolling Downs for the arena, — and me in my golden armour showing up against your big blue scaly coils! Think what a picture it would make!"
"Now you're trying to get at me through my artistic sensibilities," said the dragon. "But it won't work. Not but what it would make a very pretty picture, as you say," he added, wavering a little.”

Kenneth Grahame book The Reluctant Dragon

Dream Days (1898), The Reluctant Dragon

Beauty, Thinking, Fight

“In order to properly understand the big picture, everyone should fear becoming mentally clouded and obsessed with one small section of truth.”

Xun Zi (-313–-238 BC) Ancient Chinese philosopher

Quoted in: Joan Klostermann-Ketels (2011) HumaniTrees, p. 96.

Truth, Fear, Understanding

“It is easy to create an interstellar radio message which can be recognized as emanating unambiguously from intelligent beings. A modulated signal (‘beep,’ ‘beep-beep,’. . . ) comprising the numbers 1, 2, 3, 5, 7, 11, 13, 17, 19, 23, 29, 31, for example, consists exclusively of the first 12 prime numbers—that is, numbers that can be divided only by 1, or by themselves. A signal of this kind, based on a simple mathematical concept, could only have a biological origin.. . . But by far the most promising method is to send pictures.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Smithsonian magazine, May 1978, pp. 43, 44. Quoted in Awake! magazine, 1978, 8/22.

Intelligence, Mathematics

“One of my conjectures was solved in six months, a second in five years, a third in ten. But the basic conjecture, despite heroic efforts rewarded by two Fields Medals, remains a conjecture, now called MLC: the Mandelbrot Set is locally connected. The notion that these conjectures might have been reached by pure thought — with no picture — is simply inconceivable.”

Benoît Mandelbrot (1924–2010) Polish-born, French and American mathematician

A Theory of Roughness (2004)

Effort

“I think of my pictures as dramas; the shapes in the pictures are the performers. They have been created from the need for a group of actors who are able to move dramatically without embarrassment and execute gestures without shame. Neither the action nor the actors can be anticipated, or described in advance. They begin a an unknown adventure in an unknown space... Ideas and plans that existed in the mind at the start were simply the doorway through which one left the world in which they occur. The great cubist pictures thus transcend and belie the implications of the cubist program.”

Mark Rothko (1903–1970) American painter

Source: after 1970, posthumous, Abstract Expressionism, Creators and Critics', 1990, pp. 167-168

World, Idea, Thinking

“I get accused of many things, promoting pedophilia and stuff like that. I find that extraordinary. I dress myself like I would paint a picture. I try to use that to project how I feel inside. I'm a complete romantic as well, but within traditional romantic images you have so much blatant sexism. So it's all those contradiction mixed up. But that's OK. We should embrace all that instead of tearing each other apart for it. That's what I'm admitting to.”

KatieJane Garside (1968) English singer

On her persona and lyrics, The Los Angeles Times (1992)

Feeling, Tear, Painting

“Mars is essentially in the same orbit. … Mars is somewhat the same distance from the Sun, which is very important. We have seen pictures where there are canals, we believe, and water. If there is water, that means there is oxygen. If oxygen, that means we can breathe.”

Dan Quayle (1947) American politician, lawyer

Press comment on Mars exploration http://bobpark.physics.umd.edu/WN89/wn090189.html (11 August 1989), televised on CNN, and referenced in "A Quayle Vision of Mars" in The Washington Post (1 September 1989)

Water, Sun

“I have added some ploughmen to the landscape form the park pales which is a great help, but I must try and warm the picture a little more if I can… but I look to do a great deal better in future. I am determined to finish a small picture in the spot for every one I intend to make in future. But this I have always talked about but never yet done – I think however my mind is more settled and determined than ever on this point.”

John Constable (1776–1837) English Romantic painter

Quote in his letter to John Dunthorne (14 February 1814), as quoted in Constable (Tate Gallery Publications, London, 1993), p. 151
1800s - 1810s

Thinking, Future, Help

“A Keyes speech on the moral erosion of America is one of those transcendent experiences where you just have to be there. It's hard to explain how he touches the soul of an audience, and saying that he's 'silver-tongued' (as everyone does) only tarnishes the picture by inadequacy.”

Alan Keyes (1950) American politician

David R. Boldt, writing in The Baltimore Sun, Nov. 29, 1995.
Miscellaneous

Soul

“As I watch television films on my own set I am continually aware that I do not have a complete control of the end results. For there is an engineer in every television station control booth who can change the screen image according to his instructions and depending upon the condition of his equipment. And there are the TV viewers who are their own "engineers." I believe that the time is not too distant when the only engineers will be the technicians who actually create the film that is transmitted. Only when that day arrives will we really have film quality comparable to motion picture standards as we know them today.”

Karl Freund (1890–1969) German film director and cinematographer

Filming The Lucy Show (December 1953)

Distant, Change, Time, Dependency

“Character is the product of daily, hourly actions, and words, and thoughts; daily forgivenesses, unselfishness, kindnesses, sympathies, charities, sacrifices for the good of others, struggles against temptation, submissiveness under trial. Oh, it is these, like the blending colors in a picture, or the blending notes of music, which constitute the man.”

John Ross Macduff (1818–1895) Scottish religious writer

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 46.

Music, Color, Forgiveness

“But none of that kept me from picturing what a tsunami might look like if it did rise up and roar toward my little boat like some watery blue version of the Great Wall of China.”

Abby Sunderland (1993) Camera Assistant, Inspirational Speaker and Sailor

Source: Unsinkable: A Young Woman's Courageous Battle on the High Seas (2011), p. 97

“The cover pirated the pictures on the Southern pamphlet and headlined a story whose title, “Invasion from Infinity!,” bore witness to a brash disdain of doing right as much as of blithe contempt for having been proved wrong.”

Ken MacLeod book Learning the World

Source: Learning the World (2005), Chapter 16 “The Anomalies Room” (p. 264)

“In the depths of the mirror the evening landscape moved by, the mirror and the reflected figures like motion pictures superimposed one on the other. The figures and the background were unrelated, and yet the figures, transparent and intangible, and the background, dim in the gathering darkness, melted into a sort of symbolic world not of this world. Particularly when a light out in the mountains shone in the center of the girl's face, Shimamura felt his chest rise at the inexpressible beauty of it.”

Yasunari Kawabata book Snow Country

Snow Country (1948)

World, Beauty, Girl, Mountain

“.. I think the thing that hit me most of all [at the Pollock-show, 1951] was that while I knew it was a fact, it became a physical necessity to get pictures off the easel, and therefore for me not even on a wall but the reach or fluidity of working from above down into a field [so: on the floor].... But it really registered [later] when I saw his [Pollock's] studio and he unrolled his paintings on the floor that he had painted them on. Now I was never drawn to the idea of a stick dipped in a huge can. One thing I have never liked is a drip, I mean.. it's a kind of boring accident to me, a drip. There are many accidents that are very rich that you use, but if you exploit a drip it's very boring and familiar to begin with. Drips are drips. Whereas blocks have never been drips, and haven't been, but, people don't know blocks the way they know drips. And blocks can become lines, and drips become lines in a very facile, easy way.”

Helen Frankenthaler (1928–2011) American artist

quote about Pollock's drip-painting, 1951
1960s, Interview with Barbara Rose', Archives - American Art, 1968

People, Way, Idea, Thinking

“In the next episode you’ll see two people draw a picture of an angel and notice when they do that they draw the angel from a particularly secular perspective. And I’m certainly not one to begin to criticise the religio-artistic viewpoint of my two charming volunteers but it does make you stop and think what spiritually vacuous times we live in when two young people instinctively draw an angel with a halo attached to the back of its head with a stick.”

Derren Brown (1971) British illusionist

Other TV and web appearances, E4 Mind Control Night

People, Angels, Thinking, Time

“The President's proclamation is intended to give heart to, and rightly does give heart to, the Right to Life movement. It does so by identifying the right to life of the unborn with the first of the rights mentioned in the Declaration. It does so as the free soil movement and the Republican party, in the antebellum United States, had identified the right to liberty in the Declaration as the principled ground of its opposition to slavery. Then it was understood that the principle of equal rights for all in the Declaration of Independence was, as Lincoln said it was, "the apple of gold in the picture of silver" that gave life and meaning to the Constitution. Then it was understood that the original intent of those who framed and those who ratified the Constitution was to "secure these rights," the rights that defined the moral order which the legal order was to implement.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, Bush's Lincolnian Challenge (2002)

Life, Heart

“I had a letter from the Marquis, day before yester day. He writes me he is endeavouring to represent every thing in the most favorable colors to the Court of France, in order to wipe away the prejudices that the letters of some of the more indiscreet may make upon that Court, All the French officers are extravagantly fond of your Excellency; but the Admiral more so than any of the rest. They all speak of you with the highest reverence and respect. General Hancock made the Admiral a present of your picture. He was going to receive it on board the fleet by the firing a royal salute. But General Hancock thought it might furnish a handle for some of the speculative politicians to remark the danger of characters becoming too important. He therefore dissuaded the Admiral from carrying the matter into execution.”

Nathanael Greene (1742–1786) American general in the American Revolutionary War

Letter to George Washington (September 1778)

Color

“You cannot teach painting because everyone's colour sense is different. But drawing.. you either get it right or wrong. You can tell whether people have drawn from life from their pictures.”

L. S. Lowry (1887–1976) British visual artist

Tynes Tees Television Interview 1968

Life, People, Sense, Drawing

“At a very young age I found I could irritate people with this born ability to mimic just about anything I hear. I listened to sparrows outside my bedroom window and then could talk to them and other birds, and squirrels, horses, cows and an occasional human. Some folks refer to this as a special talent to me it was a fortunate aberration that has been a great tool in this biz. I try to be authentic in reproduction of animals. When it comes to the creatures it was usually an open page and I really enjoyed creating sound for them usually to picture on screen in a sound studio…what fun!!! Also, this is sometimes punishing to the vocal cords thus the three days.”

Frank Welker (1946) American actor

Frank Welker Talks TRANSFORMERS PRIME, Voicing Megatron Throughout His Career, How the Voice-Acting Industry Has Changed and Working with Peter Cullen http://collider.com/frank-welker-transformers-prime-interview/ (November 1, 2012)

People, Age, Bird, Animals

“Under its first two Indian editors [The Illustrated Weekly] became a vehicle of Indian culture devoting most of its pages to art, sculpture, classical dance and pretty pictures of flowers, birds, and dencing belles. It did not touch controversial subjects, was strictly apolitical and asexual (save occasional blurred reproductions of Khajuraho or Konarak). It earned a well-deserved reputation for dull respectability. I changed all that. What was a four-wheeled victoria taking well-draped ladies out to eat the Indian air I made a noisy rumbustious, jet-propelled vehicle of information, controversy and amusement. I tore up the unwritten norms of gentility, both visual and linguistic…. And slowly the circulation built up, till the Illustrated did become a weekly habit of the English-reading pseudo-elite of the country. It became the most widely read journal in Asia (barring Japan) because it reflected all the contending points of view on every conceivable subject: politics, economics, religion, and the arts.”

Khushwant Singh (1915–2014) Indian novelist and journalist

In Khushwant Singh's editor's page http://books.google.co.in/books?id=sNBOAAAAMAAJ, IBH Pub. Co., 1981, p. 4

Religion, Art, Flowers, Bird

“The idea that humans form pair bonds, and that males often invest in their young, has a long history in biological anthropology. Early incarnations of the idea were criticized for painting an overly simplistic picture, according to which “Man the Hunter” provisioned his dependent wife and children with meat in a stable nuclear family, suspiciously reminiscent of a 1950s-style Western family. However, with appropriate amendments and qualifications, the idea that pair bonding and biparental care are a central part of our evolutionary endowment appears to be viable.”

Steve Stewart-Williams (1971)

Source: The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013), p. 145

Children, Family, History, Idea

“The original idea, the sketch, which is so to speak the egg or embryo of the idea, is usually far from being complete; it contains everything, which is simply a mixing together of all parts. Just the thing that makes of this sketch the essential expression of the idea is not the suppression of details, but their complete subordination to the big lines, which are, before all else, to create the impression. The greatest difficulty therefore is that of returning in the picture to that effacing of the details which, however, make up the composition, the web and the woof of the picture.”

Eugène Delacroix (1798–1863) French painter

quote in 1854, in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 234 – 235
1831 - 1863

Idea, Parting

“The camera hound of the future wears on his forehead a lump a little larger than a walnut. It takes pictures 3 millimeters square, later to be projected or enlarged, which after all involves only a factor of 10 beyond present practice.”

Vannevar Bush book As We May Think

As We May Think (1945)

Future

“Many of the founders of quantum mechanics, including Einstein, Erwin Schrödinger, and Louis de Broglie… were realists. For them quantum theory… was not a complete theory, because it did not provide a picture of reality absent our interaction with it. On the other side were Niels Bohr, Werner Heisenberg, and many others. Rather than being appalled, they embraced this new way of doing science.”

Lee Smolin (1955) American cosmologist

The Trouble With Physics: The Rise of String Theory, The Fall of a Science, and What Comes Next (2007)

Way, Reality, Science

“I use emacs, which might be thought of as a thermonuclear word processor. It was created by Richard Stallman; enough said. It is written in Lisp, which is the only computer language that is beautiful. It is colossal, and yet it only edits straight ASCII text files, which is to say, no fonts, no boldface, no underlining. In other words, the engineer-hours that, in the case of Microsoft Word, were devoted to features like mail merge, and the ability to embed feature-length motion pictures in corporate memoranda, were, in the case of emacs, focused with maniacal intensity on the deceptively simple-seeming problem of editing text.”

Neal Stephenson (1959) American science fiction writer

"OS Shock"
In the Beginning... was the Command Line (1999)

Beauty, Problem

“A man who leaves memoirs, whether well or badly written, provided they be sincere, renders a service to future psychologists and writers, giving them not only a faithful picture, but likewise human documents that may be relied upon.”

Henryk Sienkiewicz book Without Dogma

Leon Ploszowski in his first entry in his diary, "Rome, 9 January"
Without Dogma (1891)

Faith, Future, Sincerity

“The eye projects and focuses the inner image (idea) onto the physical world in the same manner that a motion picture camera transfers an image onto a screen. The mouth creates words. The ears create sound. The difficulty in understanding this principle is due to the fact that we’ve taken it for granted that the image and sound already exist for the senses to interpret. Actually the senses are the channels of creation by which idea is projected into material expression.”

Jane Roberts (1929–1984) American Writer

Source: The Seth Material (1970), p. 13

World, Idea, Understanding, Sense

“For some variation it would be better
to place the donkey seen from behind
[to avoid] all faces looking out of the picture [forward]
And the tree could also have more foliage.
1. Joseph has been portrayed too fat and too recklessly
2. Mary should hold the child more gently
because a vulnerable child can't stand being held so firmly
Joseph is too short fat - his head is growing from his trunk
and both [Joseph & Mary] their heads are too big”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

1640 - 1670

Tree

“Tsenov is famous in Italy for his logical Bulgarian erudition and in Germany, with his previous work, he has revolutionized the origin of the Bulgarians and the other Slavs in the Balkans … The thesis on the Thracian-Bulgarian origin of the Bulgarians was supported by Tsenov with a great controversial liveliness, sometimes quite brave, always resting on arguments that can not be denied without an absolute competence, because the author who has devoted his entire life to this study does not allow concessions … He establishes in a complete picture Irvine inhabit life, the language of the Thracians and Illyrians, ethnic influence they exercised on the development of peoples-conquerors in the Balkans, to reach aboriginal character of the Bulgarians, which is comprehensively addressed and clearly and accurately exposed. All this work has been examined with a critical chronological and convincing method. He deserves praise. Mr. Tsenov shows that he is a man who has a deep knowledge and a great skill, a man who has put all his love and his whole excitement, always inspired by a belief that undoubtedly gives him the right to delight.”

Gancho Tsenov (1870–1949) Bulgarian historian

quotations for him
Source: prof. dr. Antonio Baldaci, член на Италианската АН, сп. „Светоглас”, юни (June), 1937 г., стр. 6

Love, Life, People, Exercises

“.. Is it indisputable that several aesthetic declarations of our French comrades (the Cubists) display a sort of masked academicism. It is not, indeed, a return to the Academy to declare that the subject, in painting, has a perfectly insignificant value?... To paint from the posing model as an absurdity, and an act of mental cowardice, even if the model be translated upon the picture in linear, spherical and cubic forms..”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Source: 1912, Les exposants au public', 1912, pp. 2, 3.

Painting

“He wedded a wife of richest dower,
Who lived for fashion, as he for power.
Yet oft, in his marble hearth's bright glow,
He watched a picture come and go:
And sweet Maud Muller's hazel eyes
Looked out in their innocent surprise.”

John Greenleaf Whittier Maud Muller

Maud Muller (1856)

Fashion, Wedding

“I guess the only jewels of my life were the pictures I made with Fred Astaire.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Rita Hayworth in Hallowell, John. "Rita Hayworth: Don't Put the Blame on Me, Boys." New York Times October 25, 1970, sec. 2, pp. 15, 38. (M).

Life

“My father was an engineer and I intended to follow in his footsteps, but movies became my real passion. Careful planning is important in engineering, so I used that experience to focus on film preproduction. With the low budgets I had, I couldn’t afford to have the cast and crew waiting around for days on a 10-day picture while I figured out how and what to shoot.”

Roger Corman (1926) American film director and film producer

Roger Corman still the Cult Classic King http://www.thespectrum.com/story/entertainment/2016/10/17/roger-corman-still-cult-classic-king/92296836/ (October 17, 2016)

Passion, Waiting

“We are frequently faced with the necessity of looking for the picture required for the visualization of an object, not in the perception of this particular object, but in a different perceptual image. …we can assert the discrepancy between the perceived picture and the objective state. This discrepancy… proves absolutely nothing against the fact that all visualizations are merely sense qualities of the perceptual space. …If the parallelism is …to be visualized, we must supplement our assertion by the description of certain qualities with which we are familiar from perceptual space.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Sense

“These things inside me, they repeat like broken recordsSpinning pretty things behind my eyesAnd when I can't look at youI can paint your picture perfectly in my mindAnd when I get oldI'm gonna miss you all the time.”

Ryan Adams (1974) American alt-country/rock singer-songwriter

Friends
29 (2005)

Time, Painting

“Edward Smith: Would you like to see your pictures on as many walls as possible, then?Andy Warhol: Uh, no, I like them in closets.”

Andy Warhol (1928–1987) American artist

1975 - 1987, BBC interview (1981)

“Anything having to do with food is pleasurable for me. Any conversation about food, review of food, story of food, picture of food, thought of food…”

Sarah Jessica Parker (1965) American actress

Interview for Allure magazine, February 2008

Pleasure, Food

“…skies and clouds were still regarded as something quite apart from the rest of the picture, and, indeed, are still so regarded by the less advanced.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Clouds. Their use, and practical instructions as to how to photography them, p. 92

“The use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings. Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight. Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

Walerian Krasiński (1795–1855) historian

Introductory dissertation to John Calvin's Treatise on Relics (1854)

God, People, Way, Imagination

“… not only that, but it can instruct us as to what may be the limits of desirable knowledge and risks of unbridled curiosity. This world-picture could also show that far from being a series of mindless accidents, history has directions and conceivably end-points.”

Simon Conway Morris (1951) British palaeontologist

The Boyle lecture (2005)

World, History, Knowledge

“The successors of Charles the Fifth may disdain their brethren of England; but the romance of Tom Jones, that exquisite picture of human manners, will outlive the palace of the Escurial and the imperial eagle of the house of Austria.”

Edward Gibbon (1737–1794) English historian and Member of Parliament

Memoirs (1796)

Housing

“I must stop to lament, that we cannot evince an admiring gratitude towards other excellent things by a like readiness of quotation: that we cannot, for instance, quote a star that we have been watching; or a hue of sunset; or a friend's voice, and his shake of the hand (I had almost said heart); or a beautiful picture—a Claude or Titian, for example.”

Samuel Laman Blanchard (1804–1845) British author and journalist

"Quotations"
Sketches from Life (1846)

Beauty, Quotes, Star, Heart

“I am no longer in pictures for money. I am in them because I love them. I am not in vain. I do not care about giving a smashing personal performance. My one ambition is to create fine entertainment.”

Mary Pickford (1892–1979) Canadian-American actress

Herbert Howe, "Mary Pickford's Favorite Stars and Films". Photoplay, January 1924, p. 28-29. (Photoplay Publishing Company). https://archive.org/stream/pho26chic#page/n31/mode/2up

Love, Money, Personality

“When I use a direct manipulation system—whether for text editing, drawing pictures, or creating and playing games—I do think of myself not as using a computer but as doing the particular task. The computer is, in effect, invisible. The point cannot be overstressed: make the computer system invisible.”

Donald A. Norman book The Design of Everyday Things

Source: The Design of Everyday Things (1988, 2002), Ch. 6, p. 185.

Game, Thinking, Drawing

“Few buildings are vast enough to hold the sound of time, and now it seemed to George that there was a superb fitness in the fact that the one which held it better than all others should be a railroad station. For here, as nowhere else on earth, men were brought together for a moment at the beginning or end of their innumerable journeys, here one saw their greetings and farewells, here, in a single instant, one got the entire picture of the human destiny. Men came and went, they passed and vanished, and all were moving through the moments of their lives to death, all made small tickings in the sound of time--but the voice of time remained aloof and unperturbed, a drowsy and eternal murmur below the immense and distant roof.”

Thomas Wolfe book You Can't Go Home Again

Book I, Ch. 5: The Hidden Terror
You Can't Go Home Again (1940)

Death, Men, Distant, Time

“Now at least 'artists have the upper hand' in the town (Vitebsk). They get totally engrossed in their disputes about art (between constructivists and suprematists), I am utterly exhausted and 'dream' of 'abroad'… After all, there is no more suitable place for artists to be (for me, at least) than at the easel, and I dream of being able to devote myself exclusively to my pictures. Of course, little by little one paints something, but it's not the real thing.”

Marc Chagall (1887–1985) French artist and painter

Chagall was director of the Art School of Vitebsk, including many conflicts
Quote in his letter to Pavel Davidovitch Ettering, 2 April, 1920, as quoted in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, p. 74
1920's

School, Dreams, Art, Painting

“I consider my painting finished when my eyes goes to a particular spot on the canvas. But if I put the picture away about thirty feet on the wall and the movements keep returning to me and the eye seems to be responding to something living, then it is finished.”

William Baziotes (1912–1963) American painter

Source: 1950s, Artists' Session at Studio 35, (1950), p. 213

Painting

“Yes, a man ought to be courageous enough, loyal enough, and rich enough, not to produce but one prodigious work, in order that this work should be a chef-d'oeuvre, and glorify the man in his creation... If I could have my wish, I would be a millionaire for nothing else save to effect the genesis of a single and unique picture, to consecrate myself thereto and to find my pleasure therein, to suffer and joy in it, until, content with my work, after years of trial, I could sign it and say: 'There my powers stop and there my heart ceases to beat.”

Théodore Rousseau (1812–1867) French painter (1812-1867)

as quoted by Charles Sprague Smith, in Barbizon days, Millet-Corot-Rousseau-Barye publisher, A. Wessels Company, New York, July 1902, pp. 160-61
undated quotes

Pleasure, Courage, Suffering, Heart

“I think you just have to space out selfies with not too many professional photos. Followers want to see you and get to know you. Posting consistently is important, and with captions I try to talk about what I’m doing. I use quotes, but only if they aren’t cliché. I do less group pictures, because followers want to see what you’re doing and not what other people are doing. So not too many group photos. You have to cater to your audience, remember why they followed you.”

Antje Utgaard (1994) American actress

Antje Utgaard Spills The Top Mistakes You're Making On Instagram https://galoremag.com/antje-utgaard-spills-the-top-mistakes-youre-making-on-instagram/ (November 3, 2016)

People, Quotes, Photo, Thinking

“We say, 'We think you are a talented, functioning person, and we are hiring you because of your abilities, and whatever you come up with, we're going to take.' If we make a mistake, it will be in picking the wrong person. What we're striving for is total freedom, where we can finance our pictures, make them our way, release them where we want them released and be completely free to express ourselves. That's very hard to do in the world of business. In this country, the only thing that speaks is money and you have to have the money in order to have the power to be free. So the danger is — in being as oppressive as the next guy to the people below you. We're going to do everything possible to avoid that pitfall. But if we fail, it's another saga in the history of man…”

George Lucas (1944) American film producer

On how American Zoetrope functions
1970s, Interview with Judy Stone (1971)

Money, People, World, Way

“I find myself in situations that I know would be unbelievable pictures and I have to gauge, Is this worth taking the camera out? Am I gonna lose the moment? Am I gonna get a dirty look from Sting?”

John Mayer (1977) guitarist and singer/songwriter

On the split-hair decisions of photography <br class="br">Ellwood, Mark (2007). "Nikon Podcast #3: Exclusive Interview with John Mayer" http://press.nikonusa.com/2007/09/nikon_podcast_3_exclusive_inte.php ( listen http://press.nikonusa.com/podcasts/Nikon_John_Mayer_Podcast_3.mp3) NikonUSA.com. Retrieved September 10, 2007

Gauge

“I have not seen Thee, yet I tell Thy praise,
Nor known Thee, yet I image forth Thy ways.
For by Thy seers' and servants' mystic speech
Thou didst Thy sov'ran splendour darkly teach,
And from the grandeur of Thy work they drew
The measure of Thy inner greatness, too.
They told of Thee, but not as Thou must be,
Since from Thy work they tried to body Thee.
To countless visions did their pictures run,
Behold through all the visions Thou art one.”

Yehuda he-Hasid (1140–1217) German philosopher

Shir Hakovod, trans. from the Hebrew by Israel Zangwill

Art, Way

“Filmmakers of Cinema Verité resemble tourists who take pictures amid ancient ruins of facts.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Minnesota declaration (1999)

“It was a dark, clean-cut face, with a three-inch scar showing whitely down the sunburned skin of the right cheek. The eyes were wide and level under straight, rather long black brows. The hair was black, parted on the left, and carelessly brushed so that a thick black comma fell down over the right eyebrow. The longish straight nose ran down to a short upper lip below which was a wide and finely drawn but cruel mouth. The line of jaw was straight and firm. A section of dark suit, white shirt and black knitted tie completed the picture.”

Ian Fleming book From Russia, with Love

Source: From Russia with Love (1957), Ch. 6 : Death Warrant

Parting

“If, then, the things achieved by nature are more excellent than those achieved by art, and if art produces nothing without making use of intelligence, nature also ought not to be considered destitute of intelligence. If at the sight of a statue or painted picture you know that art has been employed, and from the distant view of the course of a ship feel sure that it is made to move by art and intelligence, and if you understand on looking at a horologe, whether one marked out with lines, or working by means of water, that the hours are indicated by art and not by chance, with what possible consistency can you suppose that the universe which contains these same products of art, and their constructors, and all things, is destitute of forethought and intelligence? Why, if any one were to carry into Scythia or Britain the globe which our friend Posidonius has lately constructed, each one of the revolutions of which brings about the same movement in the sun and moon and five wandering stars as is brought about each day and night in the heavens, no one in those barbarous countries would doubt that that globe was the work of intelligence.”
Si igitur meliora sunt ea quae natura quam illa quae arte perfecta sunt, nec ars efficit quicquam sine ratione, ne natura quidem rationis expers est habenda. Qui igitur convenit, signum aut tabulam pictam cum aspexeris, scire adhibitam esse artem, cumque procul cursum navigii videris, non dubitare, quin id ratione atque arte moveatur, aut cum solarium vel descriptum vel ex aqua contemplere, intellegere declarari horas arte, non casu, mundum autem, qui et has ipsas artes et earum artifices et cuncta conplectatur consilii et rationis esse expertem putare. [88] Quod si in Scythiam aut in Brittanniam sphaeram aliquis tulerit hanc, quam nuper familiaris noster effecit Posidonius, cuius singulae conversiones idem efficiunt in sole et in luna et in quinque stellis errantibus, quod efficitur in caelo singulis diebus et noctibus, quis in illa barbaria dubitet, quin ea sphaera sit perfecta ratione.

Marcus Tullius Cicero (-106–-43 BC) Roman philosopher and statesman

Book II, section 34
De Natura Deorum – On the Nature of the Gods (45 BC)

Art, Feeling, Star, Intelligence

“To devise these living pictures with simple well-known flowers seems to me to be the best thing to do in gardening.”

Gertrude Jekyll (1843–1932) garden designer, artist

Colour in the Garden Country Life Library, George Newnes Ltd, London, 1908
Colour in the Garden

Flowers

“The movie industry is run by accountants in Hollywood and it's as simple as this; everyone has a number on their computer. They can look up Jeremy Irons and see what my last five movies have made. Say you want to make a $20m picture, which is relatively cheap. If Jeremy makes $9m, the director makes $5m, then you need a leading lady, and they just go through those figures - that's how casting happens. And none of my movies has made a lot of money.”

Jeremy Irons (1948) English actor

Lipworth, Elaine, "King of all his castles"

Money

“In 1990, the MPAA introduced the NC-17 rating to provide an outlet for legitimate adult fare — non-pornographic motion pictures with content deemed too strong for the under-17 crowd. The first movie released with an NC-17 was Henry & June, whose financial failure was widely blamed on the new rating. After that, all potentially-lucrative films receiving an NC-17 made the cuts required by the MPAA to earn an R. Now, in 1995, there's Showgirls, the most significant test of the NC-17's commercial viability to date. Helmed by Paul Verhoeven (Total Recall, Basic Instinct) and written by Joe Eszterhas (Jagged Edge, Basic Instinct), this movie is going into wide release with the adult rating. Too bad it's one of the worst films of the year.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=221 of Showgirls (1995). <br class="br">Half-star reviews

Failure, Strong

“We thought about the movie as a global piece of work, not picture, then voices, then music.”

François-Eudes Chanfrault (1974–2016) Composer and musician

Twitchfilm.com interview (September 10, 2008)

Music

“Hollywood to me, I never get the real glamour and romance. I look at an old picture of Veronica Lake, you know, looking glamorous, and I just look at her and think, "Maybe she had her period that day."”

Tracey Ullman book Tracey Takes On...

Tracey Takes On... (1996–99)

Thinking

“The fact that I myself, at the moment of painting, do not understand my own pictures, does not mean that these pictures have no meaning; on the contrary, their meaning is so profound, complex, coherent, and involuntary that it escapes the most simple analysis of logical intuition. To describe my pictures in everyday language, to explain them, it is necessary to submit them to special analyses and preferably with the most ambitiously objective scientific rigour possible. Then all explanation arises a posteriori; once the picture already exists as phenomenon.”

Salvador Dalí (1904–1989) Spanish artist

Source: Quotes of Salvador Dali, 1931 - 1940, My Pictorial Struggle', S. Dali, 1935, Chapter: 'My Pictorial Struggle', pp. 11-12

Understanding, Painting

“Painting, in the beginning, was a trade like any other. Some men became picture-makers as others became glaziers or carpenters. Painters painted shields, saddles and banners. The primitive painter was more of a craftsman than we are; he learned his trade superlatively well before he thought of letting himself go. The reverse is true today.”

Eugène Delacroix (1798–1863) French painter

13 January 1857 (p. 339)
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Men, Learning, Painting

“In the appreciation of a work of art or an art form, consideration of the receiver never proves fruitful. Not only is any reference to a particular public or its representatives misleading, but even the concept of an "ideal" receiver is detrimental in the theoretical consideration of art, since all it posits is the existence and nature of man as such. Art, in the same way, posits man's physical and spiritual existence, but in none of its works is it concerned with his attentiveness. No poem is intended for the reader, no picture for the beholder, no symphony for the audience.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

Nirgends erweist sich einem Kunstwerk oder einer Kunstform gegenüber die Rücksicht auf den Aufnehmenden für deren Erkenntnis fruchtbar. Nicht genug, dass jede Beziehung auf ein bestimmtes Publikum oder dessen Repräsentanten vom Wege abführt, ist sogar der Begriff eines "idealen" Aufnehmenden in allen kunsttheoretischen Erörterungen vom Übel, weil diese lediglich gehalten sind, Dasein und Wesen des Menschen überhaupt vorauszusetzen. So setzt auch die Kunst selbst dessen leibliches und geistiges Wesen voraus—seine Aufmerksamkeit aber in keinem ihrer Werke. Denn kein Gedicht gilt dem Leser, kein Bild dem Beschauer, keine Symphonie der Hörerschaft.
The Task of the Translator (1920)

Art, Way, Nature

“An artist using statistics as a brush could paint two very different pictures of our country. One would have warning signs: increasing layoffs, rising energy prices, too many failing schools, persistent poverty, the stubborn vestiges of racism. Another picture would be full of blessings: a balanced budget, big surpluses, a military that is second to none, a country at peace with its neighbors, technology that is revolutionizing the world, and our greatest strength, concerned citizens who care for our country and care for each other.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Address to Joint Session of Congress on Administration Goals (February 2001)

World, School, Peace, Painting

“There will… be natural propriety in using an eastern light for bedrooms and libraries, a western light in winter for baths and winter apartments, and a northern light for picture galleries and other places in which a steady light is needed; for that quarter of the sky grows neither light nor dark with the course of the sun, but remains steady and unshifting all day long.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter II, Sec. 7

Nature, Light, Winter, Sun

“My brother [the sculptor artist Raymond Duchamp-Villon had a kitchen in his little house in Puteaux, and he had the idea of decorating it with pictures by his buddies. He asked Gleizes, Metzinger, La Fresnaye, and I think Leger [all Cubist painters, then] to do some little paintings of the same size, like a sort of frieze. He asked me too, and I painted a coffee grinder which I made to explode.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote from: Entretiens avec Marcel Duchamp, 1965; as cited in Futurism, ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 198
Duchamp's quote is referring to his painting 'Moulin a café', 1911 - many times reproduced from the lithography, made for the 1947 re-edition of Gleizes and Metzingers book 'Du Cubisme'
1951 - 1968

Coffee, Idea, Thinking, Painting

“I had to find a way in each picture to change the drawing, shaping and tactile qualities to make these elements expressive; as the color had subsumed the possibility the possibility of these parts being on a equal basis of expressiveness.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 10
Conversation with Karen Wilkin' (1986-1988)

Color, Way, Change, Parting

“The 'Grey Pictures' were done at a time when there were monochrome paintings everywhere. I painted them nonetheless... Not Kelly, but Bob Ryman, Brice Marden, Alan Charlton, Yves Klein and many others.”

Gerhard Richter (1932) German visual artist, born 1932

In an interview with Benjamin H.D. Buchloch, 1986
Richter was asked about his 'Monochrome Grey Pictures and Abstract Pictures' and their connection with the artists Yves Klein and Ellsworth Kelly.
1980's

Time, Painting

“Bit by bit, as the legend unfolds, the reader gets a more accurate picture of the human race. By degrees, one gains the conviction that here is a race which can be little more than pure fantasy. It is not the kind of race which could rise from humble beginnings to the eminence of culture with which it is gifted in these tales. Its equipment is too poor.
So far it lack of stability has become apparent. Its preoccupation with a mechanical civilization rather than with a culture based on some of the sounder, more worthwhile concepts of life indicates a lack of basic character.
And now, in this tale, we learn of the limited communications which it possessed, a situation which certainly is not conducive to advancement. Man’s inability to understand and appreciate the thought and the viewpoint of another man would be a stumbling block which no amount of mechanical ability could overcome.”

Clifford D. Simak book City

Notes on the Fifth Tale (p. 119)
City (1952)

Life, Communication, Understanding, Learning

Quotes about picture page 7

Quotes about picture
page 7