Quotes about picture
page 6

“I am thinking of painting for the coming Salon a picture [probably the large and unfinished painting 'Botzaris' by Delacroix] whose subject I shall take from the recent wars between the Turks and the Greeks. I think that.... this would be a way to attract some attention. I should therefore like you to send me some drawings of the country round Naples, a few quick sketches of seascapes or picturesque mountain sites… Why not also send a few of the studies you have in your portfolio? You don’t need them while you are out there, and it would oblige you to make some more of them.”

Eugène Delacroix (1798–1863) French painter

Quote in his letter to Charles Soulier - 15 September 1821, Paris; as quoted in Eugene Delacroix – selected letters 1813 – 1863, ed. and translation Jean Stewart, art Works MFA publications, Museum of Fine Art Boston, 2001, p. 105
1815 - 1830

War, Way, Mountain, Thinking

“The picture story fantasy cuts loose the hampering debris of art and artifice and touches the tender spots of universal human desires and aspirations. Comics speak, without qualm or sophistication to the innermost ears of the wishful self.”

William Moulton Marston (1893–1947) American psychologist, lawyer, inventor and comic book writer

"Why 100,000,000 Americans Read Comics", The American Scholar, 13.1 (1943): pp 35-44. as quoted in The Ages of Wonder Woman: Essays on the Amazon Princess in Changing Times, edited by Joeph J Darowski, p.9; in the essay "William Marston's Feminist Agenda" by Michelle R. Finn,

Art, Universe

“I must admit to being increasingly deranged by the kinds of bizarre myths which have grown like moss around my name in comics fan circles - I keep coming up against this idiot savant image; me reflected back at myself as a shambling, incoherent drug addict, wanking and drooling out meaningless gibberish which can only be understood by 'those lying bastards' who claim they can see 'Magic Eye' 3-d pictures and wee men reading the news on the TV.”

Grant Morrison (1960) writer

2004
https://web.archive.org/web/20041012215227/http://www.popimage.com/content/grant20042.html Popimage interview
On himself

Men, Lying, Reading

“I have spared no effort to establish upon a solid and enduring basis those sentiments of union and concord which are so indispensible for the progress and advancement of all those who dwell in my native land, and, so long as I live, I propose to use all the means at my command to see to it that both races cast a stigma upon the disagreeable events that took place on the Sonoma frontier in 1846. If before I pass on to render an account of my acts to the Supreme Creator, I succeed in being a witness to a reconciliation between victor and vanquished, conquerors and conquered, I shall die with the conviction of not having striven in vain. In bringing this chapter to a close, I will remark that, if the men who hoisted the “Bear Flag” had raised the flag that Washington sanctified by his abnegation and patriotism, there would have been no war on the Sonoma frontier, for all our minds were prepared to give a brotherly embrace to the sons of the Great Republic, whose enterprising spirit had filled us with admiration. Ill-advisedly, however, as some say, or dominated by a desire to rule without let or hindrance, as others say, they placed themselves under the shelter of a flag that pictured a bear, an animal that we took as the emblem of rapine and force. This mistake was the cause of all the trouble, for when the Californians saw parties of men running over their plains and forests under the “Bear Flag,” they thought that they were dealing with robbers and took the steps they thought most effective for the protection of their lives and property.”

Mariano Guadalupe Vallejo (1807–1890) Californian military commander, politician, and rancher

As quoted by George Mason University's History Matters: “More Like A Pig Than a Bear”: Mariano Guadalupe Vallejo Is Taken Prisoner During the Bear Flag Revolt, 1846
Historical and Personal Memoirs Relating to Alta California (1875)

Men, War, Effort, Animals

“I have a lot to be sad about. Not bitter in any way. But I think it can be fairly said that I've been in on the beginning, the rise, peak, collapse and end of the talking picture.”

Joseph L. Mankiewicz (1909–1993) American film director, screenwriter, and producer

"Joseph Mankiewicz, Master of the Movies," interview by Paul Attanasio, Washington Post (1986-06-01)

Sadness, Way, Thinking

“Roger: i'm stoked that we have such hard core fans but I've never thought about it. It's been there all along,, and I think we are really lucky. I think all of the singles, and picture diskc, and toys and that sort of stuff has kept the collectors out there stoked.”

Roger Manganelli (1973) American musician

Thinking

“[Theophile] Gautier's article is very good. I begin to feel a little more contented. His remarks about my thick colours are also very just. The critics who see and judge my pictures are not forced to know that in painting them I am not guided by a definite intention, although I do my utmost to try and attain the aim which I have in sight, independently of methods. People are not even obliged to know why it is that I work in this way, with all its faults.”

Jean-François Millet (1814–1875) French painter

Quote of Millet in his letter of 23 March 1851; as quoted by Julia Cartwright in Jean Francois Millet, his Life and Letters, Swan Sonnenschein en Co, Lim. London / The Macmillian Company, New York; second edition, September 1902, p. 112
the most famous painting of Millet 'The Sower', reviewed in an article then by Gautier, was exhibited for the first time in 'The Salon' of Paris, at the End of 1850
1851 - 1870

People, Way, Feeling, Painting

“It might help if you imagine an inner living dimension within yourself in which you create, in miniature psychic form, all the exterior conditions that you know. Simply put, you do exactly this. Your thoughts, feelings and mental pictures can be called incipient exterior events, for in one way or another each of these is materialized into physical reality.”

Jane Roberts (1929–1984) American Writer

Source: The Nature of Personal Reality (1974), p. 35

Way, Feeling, Imagination, Reality

“My house got robbed in New York. I didn't even call the police. I wanted to, but I couldn't. My crib is too nice. It's not that it's too nice, but it's too nice for me. You know how the police are in New York. Soon as I open the door, they'll be like, "He's still here! Open and shut case, Johnson. Apparently this black guy broke in and hung up pictures of his family everywhere. Never seen anything like it."”

Dave Chappelle (1973) American comedian

Comedy specials, HBO Comedy Half-Hour: Dave Chappelle (1998)

Family, Guy, Housing

“I was like a gravedigger while I painted these corpses [of the dead Baader-Meinhoff members]. It was just work. If I felt one of them looked too theatrical, I painted over it… I was afraid more of the reaction on the left than the right. It was still very dangerous to deal with this subject in Germany. There was fear that the museum where I showed them might be bombed. All my friends were on the left, but I was not. They said: 'Someone with the right mentality could do this, but not Richter - he is too bourgeois. He steals Baader-Meinhof away from us.' To me, they were part of the problem. I was standing outside watching how people, on both sides [left / right], ignored the truth because of their beliefs, beliefs that made them crazy. That was the point of the pictures.”

Gerhard Richter (1932) German visual artist, born 1932

In 1988, Richter painted a series of 15 works titled 'October 18, 1977.' It shocked Germany, especially left. The series was based on photographs of the anti-capitalist Baader-Meinhof group, which called itself the Rote Armee Fraktion (Red Army Fraction) and were in prison and died in 1977.
after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

People, Truth, Fear, Problem

“From the day that the impressionists liberated painting, the modern picture set out at once the structure itself on contrasts; instead of submitting to a subject, the painter makes an insertion and uses a subject in the service of purely plastic means.... [the contemporary painter] must prepare himself in order to confer a maximum of plastic effect on means that have not yet been used. He must not become an imitator of the new visual objectivity, but be a sensibility completely subject to the new state of things.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 14
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Painting

“For the sake of research,
the big picture
and definitive conclusions,
one would have to transcend time,
in which everything scurries and whirls.”

Wisława Szymborska (1923–2012) Polish writer

"We're Extremely Fortunate"
Poems New and Collected (1998), The End and the Beginning (1993)

Time

“We are all inclined to accept conventional forms or colours as the only correct ones. Children sometimes think that stars must be star-shaped, though naturally they are not. The people who insist that in a picture the sky must be blue, and the grass green, are not very different from these children. They get indignant if they see other colours in a picture, but if we try to forget all we have heard about green grass and blue skies, and look at the world as if we had just arrived from another planet on a voyage of discovery and were seeing it for the first time, we may find that things are apt to have the most surprising colours.”

Ernst Gombrich book The Story of Art

Source: The Story of Art (1978), p. 26.

Children, People, World, Star

“Rubens, when past fifty years of age, used the time he did not give to the business of his mission to the King of Spain in copying the superb Italian originals he found in Madrid... Accuracy of the eye, sureness of the hand, the art of carrying the picture on from the indications of the lay-in to the rounding out of the work, and so many other matters which are all of primary importance, demand application at every moment, and the practice of a lifetime.”

Eugène Delacroix (1798–1863) French painter

Quote in Journal of Delacroix, Crown Publishers, New York, pp. 543-544
1831 - 1863

Age, Art, Business, Time

“The pace of life has increased in the last few decades just as the speed of the motor bicycle has been exceeded many times over by the aeroplane. After art passed through a whole series of intermediate stages it reached cubism where for the first time the creative urge to construct instinctively overcame conscious resolve.... from this point the picture started to gain stature as a new world of reality and in this way the foundation stone for a new representation of the shapes and forms of the material world was laid.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

Life, World, Art, Way

“Then the white man hates him [the Native American], and hunts him down like the wild beasts of the forest, and so the red-crayon sketch is rubbed out, and the canvas is ready for a picture of manhood a little more like God's own image.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

"The Pilgrims of Plymouth" http://www.unz.org/Pub/BrainerdCephas-1901v02-00267 (Oration, December 22, 1855), in Cephas Brainerd and Eveline Warner Brainerd (eds), The New England Society Orations: Volume II. New York: The Century Co., 1901, p. 298.

God, Hate

“You get the picture. And so did BMW. When they bought the company they could have fitted a new body to one of their 7 Series. That's what Mercedes did to create the Maybach. But instead of wandering around the BMW spare-parts division saying, "What do we want?" the engineers fired up their computers and asked, "What do we need?". Plainly they looked at what Henry Royce and Charles Rolls were trying to achieve a hundred years ago, and thought, "Zis is vot ve must do also."”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

And as a result the Rolls-Royce Phantom is quite simply the best car in the world.
Rolls-Royce, p. 24
I Know You Got Soul (2004)

World, Cars, Parting

“Well, I once wrote in - it's in Joan Mitchell Paints a Picture, as I remember, Irving Sandler, a long time ago, that I hated the word 'Nature' with a capital 'N.'... But now I accept it, I suppose. I mean, I really like trees and flowers and dogs and all that much more than.... a lot of other people [do]... You know, I really do get pleasure out of... Great pleasure. Out of just looking at... But I have fun here [New York] too, you know.”

Joan Mitchell (1925–1992) American painter

Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

Hate, People, Pleasure, Dogs

“Under these circumstances, men lose sight of themselves and escape into the security of work or sociability or other forms of what Vidich and Bensman have called the “externalization of the self.” Vidich and Bensman sketch a troubling picture of such men: “What is left of the personality is the dulled, autonomic ritualization of behavior where … no disturbing interferences are allowed to enter into thought. … Personal and social life becomes barren, and the personal mechanics and daily routine of living become the end-all of existence. All types of activity whose operation is based upon an objective, external, automatic rhythm to which an individual can bend himself serve the function of enabling him to lose himself in an objective ceremony.””

Benjamin R. Barber (1939–2017) US political scientist

Source: Forced to be Free (1971), p. 69, quotation is from A. J. Vidich and J. Bensman, Small Town in Mass Society (New York), p. 315

Life, Men, Behavior, Personality

“If I was accused of neglecting my art, or sacrificing my ideas for the sake of stupid ambition, then I would understand the critics; but as that isn't the case, there is nothing to be said. I sent a picture to the Salon for purely commercial reasons. Anyway, it is like some medicines – even if it does no good, it does no harm.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

other impressionist artists then refused to send in their work to the Salon
Source: 1880's, Renoir – his life and work, 1975, p. 128 : in a letter to art-dealer Durand-Ruel, March 1881

Stupidity, Art, Idea, Understanding

“Towards the end of 1958, I greatly increased.... the works done with what is called poor material. I felt the need to persist and go deeper with the entire message of what is insignificant, worn or dramatised by time... In fact, it was the most conscious resumption of subjects that had often attracted me. In my research, I had discovered this material, one I find loaded with strange suggestions, which is cardboard. A grey, anonymous material that won't be easily manipulated, for which very reason the slightest mark of the hand torments it and destroys it. But the piece of cardboard, the box, the lid, the tray.... dirty clothes (socks, T-shirt, underpants…), old furniture, everyday objects; not used as a representation or theme in the picture but as real bodies, objects.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

as quoted in 'Tàpies: From Within', June/November 2013 - Presse Release text, Museu Nacional d'Art de Catalunya (MNAC), pp. 7-8
1971 - 1980, Memòria Personal', 1977

Time, Clothes, Box

“…when the experiment was attempted by Michelson and Morley it failed, thus showing that space and time assumed in the picture were not true to the facts of nature. …the pattern of events was the same whether the world stood at rest in the supposed ether, or had an ether wind blowing through it at a million miles an hour. It began to look as though the supposed ether was not very important in the scheme of things… and so might as well be abandoned. But if the bell-rope is to be discarded, what is to ring the bell?”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

World, Nature, Time

“When I was…. in the surroundings of pictures and things of art… I then had a violent passion for them… And I do not repent it, for even now, far from that land, I am often homesick for the land of pictures. Now for more than five years already, I do not know exactly how long, I'm more or less without employment, wandering here and there… But you will ask what is your definite aim? That aim becomes more definite, will stand out slowly and surely, as the rough draft becomes a sketch and the sketch becomes a picture…. my only anxiety is: how can I be of use in the world, cannot I serve some purpose and be of any good, how can I learn more and study profoundly certain subjects?”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to brother Theo, from Cuesmes, Belgium July 1880; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 133) p. 19 1880s, 1880

World, Art, Study, Learning

“Hey, when Vicky sends you the picture, send it to me. Listen to me, listen to me, Vicky, I don't wanna hurt you. I know you got a condition, and I don't want you to feel bad, but I'm gonna die before you have a toothache and that's the truth, you understand. I got nothing. I got no group picture. I got group picture. Let me tell you where I got the group pictures from. I got a group picture from Maria DeMaria. She sent me all her four grandchildren together in a picture. I got it from Georgia Corozza, she sent me her group picture. You want me to go on. I didn't get nothing from mine.”

John Gotti (1940–2002) American crime boss

To his daughter
The Smoking Gun videos (2004)

Truth, Feeling, Understanding, Hurt

“About the cover of "The world wont’ listen"
It represents the band to me. On the front you've got four guys who look like, if not the band, then Smiths fans. On the back you've got the female side of it - individually they really look like the Smiths: Morrissey on the far right, me on the second right, Andy [Rourke, bass] on the second left and Mike [Joyce, drums] on the far left. To find a picture like that is really clever. We didn't discuss it, but I understood.”

Johnny Marr (1963) musician

from "The 100 best record covers of all time", Q (June 2001).

World, Guy

“I love computer graphics, but every system I've seen to try to turn programming into pictures has lost that syntactic element. There's something about syntax that makes it very precise for reading. I love photography. A photograph will tell a story. But words tell a story even better. Words are more versatile. You can paint a verbal picture that's much richer than you can photograph.”

Ward Cunningham (1949) American computer programmer who developed the first wiki

A Conversation with Ward Cunningham (2003), To Plan or Not To Plan

Love, Reading, Painting

“The range of his sympathies and interests makes Handlyng Synne the best picture of English life before Langland and Chaucer.”

Robert Mannyng (1275–1338) English chronicler

Kenneth Sisam (ed.) Fourteenth Century Verse and Prose ([1921] 1955) p. 3.
Criticism

Life

“When I was fourteen, I was so bloody ugly and I thought I was Kate Moss. I chased this guy named Mark Rennie, who was the hottest photographer in Portland, around, convinced him to [take pictures of me]. I had this big schnoz, I had blusher on, I'm wearing white gloves, and I [was] making new wave faces, and, like, voguing… there was a gap in my teeth, and I was 180 pounds. So if someone calls me ugly, it sort of rolls off my back because it's not about looks, it's about attitude—you get laid on attitude.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On confidence; The Opie & Anthony Show https://www.youtube.com/watch?v=nUA98nxYLXE (30 May 2013) 2006–2013

Guy

“I Am Curious (Yellow) is not merely not erotic. It is anti-erotic. Two hours of this movie will drive thoughts of sex out of your mind for weeks. See the picture and buy twin beds… I think there actually is a director in Sweden who is dull and square enough to seriously consider this an art of moviemaking.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-am-curious-yellow-1969 of I Am Curious (Yellow) (23 September 1969) Reviews, One-star reviews

Art, Sex, Thinking

“You can't ask a man to talk sensibly about the art of painting if he simply doesn't know anything about it. But by God, how can he [ Zola was his youth friend, who used Cezanne as a model in Zola's novel 'L'Oeuvre'] dare to say that a painter is done because he has painted one bad picture? When a picture isn't realized, you pitch it in the fire and start another one.”

Paul Cézanne (1839–1906) French painter

Quote in a conversation with Vollard in Cezanne's studio in Aix - after the death of Zola in 1902; as quoted in Cézanne, Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, after 1900

God, Youth, Art, Painting

“Mr. Speaker, I am sure the picture of the hon. member of the NDP [Svend Robinson] is posted in much more wonderful places than just police stations.”

Stephen Harper (1959) 22nd Prime Minister of Canada

Hansard, October 23, 2002.
2002

“Myspace is a great way to keep in touch with friends whom you don't care enough about to actually have a conversation with. Why bother calling to say 'How are you?' when you can just surf their page and post an mpeg of a guy farting on his cat?
[Myspace is] this website where young people can post pictures and info about themselves for anyone to see. When I first heard about it, I thought to myself, 'Finally a Yellow Pages for sex offenders. Why didn't I think of that?'
The most popular (American Idol) contestants have been: white people that sound black, young people that sound old, and straight guys that sound gay.
The final five are exactly like The Breakfast Club: There's the rebel(Chris Daughtry), the princess (Katharine McPhee), the nerd (Elliot Yamin), the weirdo (Paris Bennett)… and of course, the principal (Taylor Hicks). What? He's old!
(Ryan Phillippe & Reese Witherspoon) Broke up, (Kid Rock & Pamela Anderson) broke up, (Vince Vaughn & Jennifer Aniston) broke up, (Kate Moss & Pete Doherty) coked up. They said it wouldn't last; not the marriage, the stash. 007,.08, 1.2, 215. Came out, came out, (Tom Brady and Bridget Moynihan) came in, (Brady and Gisele Bündchen) came in. Hates Jews, went to rehab, loves Jews; hates gays, went to rehab, now loves gays; hates blacks, didn't go to rehab, still hates blacks. 'Father Knows Best', (with Britney Spears) 'Mad About You,' (Spears without panties) 'Leave It to Beaver.' New father, new father, new father? R. I. P., D. U. I., P. O. W. 'You're a hypocrite,' 'you're fat,' 'you're rude,' 'you're ugly,' whoa, whoa, whoa, guys. Stop fighting, you're both right. Booze, pot, Vicodin, crack, booze, pot, Vicodin, and crack.”

David Spade (1964) American stand-up comedian

The Showbiz Show with David Spade

Love, Hate, Marriage, People

“Everyone goes to the 'Grands-Boulevards' and let himself loose... Do not picture these in costume, they are not for the most part.... perhaps a clown with a big nose, or two girls with bare necks and short skirts.... the parade of the queens of the halls [Paris’ markets] is also one of the events.... Some are pretty but look awkward in their silk dresses and crowns, particularly as the broad sun displays their defects – perhaps a neck too thin or a painted face which shows ghastly white in the sunlight.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

In a letter to his mother, Paris, May 11, 1907; as quoted in Edward Hopper, Gail Levin, Bonfini Press, Switzerland 1984, p. 27
1905 - 1910

Girl, Sun, Parting, Painting

“The picture is still there and what's more, if you go there — you who never was there — if you go there and stand in the place where it was, it will happen again; it will be there for you, waiting for you. So, Denver, you can't never go there. Never. Because even though it's all over — over and done with — it's going to always be there waiting for you.”

Toni Morrison book Beloved

Source: Beloved (1987), Ch. 3

Waiting

“Unhappiness is simply when the picture in your head doesn’t match the picture in front of you.”

Kanwer Singh (1981) Canadian YouTube Star, Rapper, Author and Spoken-word Artist

Source: Humble the Poet, UnLearn: 101 Simple Truths For A Better Life

“Darling, you look like a religious icon there [in her high school graduation picture].”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

comment by Isaac, host of Style Network fashion program (December 15, 2006)
2007, 2008

School

“I am a daughter of that land,
Where the poet’s lip and the painter’s hand
Are most divine, —where the earth and sky,
Are picture both and poetry—
I am of Florence.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Title Poem
The Improvisatrice (1824)

Daughters

“There are necessities and impossibilities in reality which do not obtain in fiction, any more than the law of gravity to which we are subject controls what is represented in a picture. … It is the same with pure good; for a necessity as strong as gravity condemns man to evil and forbids him any good, or only within the narrowest limits and laboriously obtained and soiled and adulterated with evil. … The simplicity which makes the fictional good something insipid and unable to hold the attention becomes, in the real good, an unfathomable marvel.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

“Morality and literature,” pp. 160-161
On Science, Necessity, and the Love of God (1968)

Law, Reality, Strong, Evil

“I repainted the only unsold picture that was [exhibited] in Rotterdam last year. It seems to me that it looks quite pleasing and good now... I want you to ask him [the client] seven hundred guilders.... for six hundred as lowest price I would be willing to sell it and if you think - knowing him - it would be better to ask that price at once, so do it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek (original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb het eenige nog niet verkochte schilderij dat voorl. jaar te Rotterdam was, overgeschilderd.. .Mij dunkt, dat het er nog al aangenaam en goed uitziet.. .Ik wilde dat gij hem zevenhonderd guldens voor vroeg.. ..voor zeshonderd zou ik het uiterlijk kunnen laten en meent gij, hem kennende, het beter zou zijn dadelijk die prijs te vragen zoo doe het dan. Quote from a letter of W. Roelofs, Brussel 20 June, 1860, to art-collector/dealer P. verloren van Themaat in Utrecht, from: an extract of the Dutch Archive RKD, The Hague https://rkd.nl/explore/excerpts/289 this letter is one of many illustrations that Roelofs repainted his paintings rather frequently, as improvement or on demand of the client 1860's

Thinking

“How many women do we know who were continually kissed by Clark Gable, William Powell, Cary Grant, Spencer Tracy and Fredric March? Only one: Myrna Loy… And to meet whom did Franklin D. Roosevelt find himself tempted to call off the Yalta Conference? Myrna Loy. And to see what lady in what picture did John Dillinger risk coming out of hiding to meet his bullet-ridden death in an alley in Chicago? Myrna Loy, in Manhattan Melodrama.”

Lauren Bacall (1924–2014) American actress, model

Hosting a Carnegie Hall tribute to Myrna Loy, as quoted in The New York Times (16 January 1985)

Death, Women, Kiss

“In picture we never die, never decay or grow older”

Jonathan Richardson (1667–1745) English painter

Essay on the Theory of Painting (1725)

“.. But there is better. Simplicity, being direct. Everything else is just a game, just building castles in the sky... Basically I don't think of anything when I paint. I see colours. I strive with joy to convey them on to my canvas just as I see them. They arrange themselves as they choose, any old way. Sometimes that makes a picture. I'm brainless animal. Very content if I could be just that..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 158-159, in: 'What he told me – I. The motif'

Way, Game, Thinking, Animals

“These new means [in the modern film, 1920's] have given us a new mentality. We want to see clearly, we want to understand mechanisms, functions, motors, down to their subtlest details. Composite wholes are no longer enough for us – we want to feel and grasp the details of those wholes – and we realise that these details, these fragments, if seen in isolation, have a complete and particular life of their own... Close-ups in the cinema are a consecration of this new vision... A shoe as beautiful as a picture. A picture as beautiful as an X-ray machine.”

Fernand Léger (1881–1955) French painter

Quote from: 'Actualités, Fernand Léger', in 'Varietés nr. 1', 1928, pp. 522-23
Quotes of Fernand Leger, 1920's

Life, Beauty, Shoe, Feeling

“Man: [looking at a Stieglitz's photo of 'Equivalents'] Is this a photograph of water?
Stieglitz: What difference does it make of what it is a photograph?
Man: But is it a photograph of water?
Stieglitz: I tell you it does not matter.
Man: Well, then, is it a picture of the sky?
Stieglitz: It happens to be a picture of the sky. But I cannot understand why that is of any importance.”

Alfred Stieglitz (1864–1946) American photographer

w:Dorothy Norman recorded a conversation between Stieglitz and a man, looking at one of his 'Equivalents' prints
Source: 'Minor White, A Living Remembrance', Dorothy Norman, in 'Aperture', 1984, p. 9.

Photo, Understanding, Water

“Alekhine is a poet who creates a work of art out of something that would hardly inspire another man to send home a picture post card.”

Max Euwe (1901–1981) Dutch chess Grandmaster, mathematician, and author

Max Euwe, in: Fred Reinfeld (1956) Why You Lose at Chess, p. 180.

Art, Home

“.. between ourselves, do you think a worker wants to hang a picture in his home where he sees himself sweating in a factory? He would prefer a bouquet of flowers or a pretty landscape. [Leger's critic on Aragon's Social Realism ]”

Fernand Léger (1881–1955) French painter

Quote, 1950, in: Fernand Léger - The Later Years, catalogue ed. Nicolas Serota, published by the Trustees of the Whitechapel Art gallery, London, Prestel Verlag, 1988, p. 67
Quotes of Fernand Leger, 1950's

Home, Flowers, Thinking

“As a matter of survival I've created this anti-hero alter-ego, a guy in an ill-fitting suit—part humunculus and part clown. Yep, that's me alright … I could never relate to heroes. I have no interest in drawing heroic characters. It's not my thing, man. I'm more inclined toward the sordid underbelly of life. I find it more interesting to draw grotesque, lurid, or absurd pictures, and I especially enjoy depicting my fevered sexual obsessions.”

Robert Crumb (1943) American cartoonist

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 393

Life, Guy, Parting, Drawing

“I've been getting fan mail from maximum security penitentiaries, and Death Row. What are the authorities thinking of in playing a show with young teenage girls to Death Row inmates? They write everything — disgusting things that you don't even want to know about. And they send me pictures — "Oh, here's a picture of me before I was incarcerated!" — and there's some guy sat on the sofa with a bottle of beer and a moustache, and a big gut. It's so creepy. Way more creepy than Buffy.”

Eliza Dushku (1980) American actress

Attributed

Death, Way, Guy, Girl

“The relative moral merits of any of us are in the final analysis only relevant to exponents of the theistic world picture; to those of scientistic inclination they might be socially useful but in the grand order of things can have no meaning in a soulless world.”

Simon Conway Morris (1951) British palaeontologist

The Boyle lecture (2005)

World

“In his leisure Clayton read, often aloud to his wife, from the store of books he had brought for their new home. Among these were many for little children — picture books, primers, readers — for they had known that their little child would be old enough for such before they might hope to return to England.”

Edgar Rice Burroughs book Tarzan of the Apes

Source: Tarzan of the Apes (1912), Ch. 3 : Life and Death

Children, Books, Hope, Home

“Everything takes place in an infinitely greater field than what is framed by the size of the picture or by what is materially in the picture. This matter [door/window/wall] is but a support inviting the viewer to participate in the much larger game of a thousand and one visions and feelings; it is the talisman lifting or sinking walls into the deepest recesses of our spirit, opening and at times closing windows in the construction of our impotence, our bondage, or our freedom. The 'subject-matter' then may be found in the picture or it may exist solely inside the spectator's head.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

1945 - 1970, A Report on the Wall' 1970

Feeling, Game, Support, Freedom

“This twentieth century has been a period of terrific dynamism. Perhaps the last fifty years have seen more developments and more material progress than the previous five hundred years. Man has learned to control many of the scourges which once threatened him. He has learned to consume distance. He has learned to project his voice and his picture across oceans and continents. Lie has probed deep into the secrets of nature and learned how to make the desert bloom and the plants of the earth increase their bounty. He has learned how to release the immense forces locked in the smallest particles of matter.”

Sukarno (1901–1970) first President of the Republic of Indonesia

Speech at the Opening of the Bandung Conference

Lie, Secret, Nature, Learning

“There’s one bright spot in the generally gloomy picture know as the Pacific Conflict Zone. According to my calculations, by the year 2500 or so we should have killed off every last member of our species who is stupid enough to take part in so futile a pastime as this war between “ideals,” and with luck they won’t have left their genes behind because they’ll typically have been killed at an age when society thinks they’re too young to assume the responsibility of childbearing. After that we may get some peace and quiet for a change.”

John Brunner book Stand on Zanzibar

context (8) “Isolation”
Stand on Zanzibar (1968)

War, Age, Stupidity, Peace

“It is much to my advantage that several of my pictures should be seen together, as it displays to advantage their varieties of conception and also of execution, and what they gain by the mellowing hand of time which should never be forced or anticipated. Thus my pictures when first coming forth have a comparative harshness which at the time acts to my disadvantage.”

John Constable (1776–1837) English Romantic painter

Quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London, 1993), p. 516
posthumous, undated

Time

“I enjoy kids, always have. It’s wonderful to see their reactions, to see their faces light up when you look at the pictures because most kids have been brought up on Star Wars from their parents. It’s just a crazy thing, but it’s wonderful to see the kids and they have fun. It’s one of those things, they either believe it and go, “wow, you really played Chewbacca?” And I say, “Yes.” Having big hands is an ice-breaker. Because you put one hand up against their little hand and see the expression on their face. Amazing.”

Peter Mayhew (1944–2019) British actor

Star Wars Weekends: Peter Mayhew/Chewbacca Interview http://www.disunplugged.com/2009/05/27/star-wars-weekends-peter-mayhewchewbacca-interview/ (May 27, 2009)

War, Star, Parent, Light

“In movies, the balance between art and business has always been precarious, with business outweighing art, but the business was, at least, in the hands of businessmen who loved movies. As popular entertainment, movies need something of what the vulgarian moguls had — zest, a belief in their own instincts, a sentimental dedication to producing pictures that would make their country proud of their contribution, a respect for quality, and the biggest thing: a willingness to take chances. The cool managerial sharks don’t have that; neither do the academics. But the vulgarians also did more than their share of damage, and they’re gone forever anyway. They were part of a different America. They were, more often than not, men who paid only lip service to high ideals, while gouging everyone for profits. The big change in the country is reflected in the fact that people in the movie business no longer feel it necessary to talk about principles at all.”

Pauline Kael (1919–2001) American film critic

Taking It All In (1983), Why Are Movies So Bad? Or, The Numbers (1980-06-23)

Love, Men, People, Art

“Babbitt looked up irritably from the comic strips in the Evening Advocate. They composed his favorite literature and art, these illustrated chronicles in which Mr. Mutt hit Mr. Jeff with a rotten egg, and Mother corrected Father's vulgarisms by means of a rolling-pin. With the solemn face of a devotee, breathing heavily through his open mouth, he plodded nightly through every picture, and during the rite he detested interruptions. Furthermore, he felt that on the subject of Shakespeare he wasn't really an authority. Neither the Advocate-Times, the Evening Advocate, nor the Bulletin of the Zenith Chamber of Commerce had ever had an editorial on the matter, and until one of them had spoken he found it hard to form an original opinion.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 6

Art, Literature, Time

“All art that is expressive has to be illusionistic. The raw material out of which art is built is not necessarily in itself potent; you must transform it. Contours, tactility, touch, color, intervals, that's all part of the concreteness of art. You have to make the concreteness expressive. That way you don't cater to taste. You resist sentimentality. Things in a picture can't remind you too much of anything else. You have to resist all that.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 24
Conversation with Karen Wilkin' (1986-1988)

Art, Color, Way, Parting

“The silent pictures were the purest form of cinema.”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in Hitchcock (1967) by François Truffaut

“All the pictures [in the exhibition, 1910] include a plus-factor, which robs the public [in Munich] of her pleasure but which is in every case the principal merit of the work; the completely spiritualized, de-materialized awardness of perception, which our fathers, the artists of the nineteenth century, never even tried to achieve in their 'pictures'. This bold undertaking, to take the 'matiere', which Impressionism sank its teeth into, and spiritualize it, is a necessary reaction, which began with Gauguin in Pont-Aven, and has already fostered innumerable experiments… The way the Munich public condemns the exhibition is almost amusing.”

Franz Marc (1880–1916) German painter

Franz Marc's note on the reception of the second exhibition of the 'Neue KünstlerVereinigung' in Munich, September 1910; as cited by , in Expressionism; Praeger Publishers, New York, 1973, p. 125
1905 - 1910

Pleasure, Way

“In art, origin and value cannot be treated as independent. Those who enjoy poetry and painting must be at least dimly aware of a poet beyond the poem and a painter beyond the picture. If by some unimaginable process works of beauty could be produced by machinery, as a symmetrical colour pattern is produced by a kaleidoscope, we might think them beautiful till we knew their origin, after which we should be rather disposed to describe them as ingenious. And this is not, I think, because we are unable to estimate works of art as they are in themselves, not because we must needs buttress up our opinions by extraneous and irrevelant considerations; but rather because a work of art requires an artist. not merely in the order of natural causation, but as a matter of a-sthetie necessity. It conveys a message which is valueless to the recipient, unless it be understood by the sender. It must be expressive.”

Arthur James Balfour (1848–1930) British Conservative politician and statesman

Theism and humanism

Beauty, Art, Nature, Thinking

“We went around the room together, And he Clement Greenberg finally let me know that he thought my picture was the worst one in the show.. [she laughs]. At the same time he took my phone number.”

Helen Frankenthaler (1928–2011) American artist

Greenberg visited her early show early 1950, Frankenthaler was asked to organize a benefit show of paintings by Bennington alumnae
1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

Time

“Those are the pictures you want from pre-season, so although we beat a Premiership side, I can take those away with me.”

Phil Brown (footballer) (1959) English association football player and manager

02-Aug-2007, Hull City OWS
Victory against Newcastle allows Phil to add to his picture collection.

Season

“It was the technique of a man who selected thoughts as one might select pieces of a jigsaw puzzle. In due course they would be reassembled together so as to make a clear and coherent picture. At the moment the important thing was the selection, the separation.”

Agatha Christie book Third Girl

Third Girl (1966)

“What view the bill-sticker and sandwich man take of the subject I have yet to learn. The first is, at least, no bad substitute for a hanging committee, and the clothes of the second are better company than somebody else’s picture, and less obtrusive than a background of stamped magenta paper.”

Aubrey Beardsley (1872–1898) English illustrator and author

The Art of the Hoarding (1894)

Learning, Clothes

“They would talk of nothing but high life, and high-lived company, with other fashionable topics, such as pictures, taste, Shakespeare, and the musical glasses.”

Oliver Goldsmith book The Vicar of Wakefield

Source: The Vicar of Wakefield (1766), Ch. 9.

Life, Music, Fashion

“I think he's a very good technician. And he has something in Psycho, he had some moments. Psycho is one of his most interesting pictures because he had to make the picture very fast, with very primitive means. He had little money, and this picture tells very much about him. Not very good things. He is completely infantile, and I would like to know more — no, I don't want to know — about his behaviour with, or, rather, against women. But this picture is very interesting.”

Ingmar Bergman (1918–2007) Swedish filmmaker

On Alfred Hitchcock in an interview with John Simon (1971).

Women, Money, Thinking

“This one is too elegant, too shiny, like jewelry. It seeks applause. This is clear to me, but difficult to explain, which is what makes abstraction so fascinating. In one sense, abstract art is absolutely nothing, stupid. In 100 years, maybe people will just think it's garbage. But somehow we see something in it; we have a sense of quality. [searching for an illustration of his point, Richter leafs through a catalog to find some of his 'gray monochromes']. I was doing these [monochromes] when I was getting divorced. When you feel totally empty, you do this - but then I saw that one picture was actually better than another. Both were miserable, but the difference was interesting. I loved this: that there must be something, some higher faculty, some progressive sensibility that we find in abstraction. But it is impossible to describe.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Love, People, Stupidity, Art

“By any honest assessment of where we are as a party, without a major course correction, we are simply on the way out. The demographic picture of America is rapidly changing, and we have to change with it. George W. Bush got 56 percent of the white vote, and won. Mitt Romney got 59 percent of the white vote, and lost. Every four years in this country, the electorate gets about two percentage points less white; as an increasingly old and increasingly white party, we are skidding with each passing election toward irrelevance in terms of appealing to a broad electorate. We hold out our hand, expecting our share of nonwhite votes, and yet we give these Americans too few reasons to come our way. Instead, we demonize them, marginalize them, and blame them for our country's problems. We all knew of this before the last election, but we quickly set it aside for the sugar high of populism, nativism, and demagoguery. The crash from this sugar high will be particularly unpleasant.”

Jeff Flake (1962) American politician

Source: Conscience of a Conservative (2017), p. 8

Way, Problem, Change, Country

“I didn't even know that there was art until I left Texas when I was eighteen. The only painting I knew (and I didn't know it was a 'painting' until much later) was 'Hope' [of George Frederic Watts, 1886] the woman sitting on the globe with... that green [of the painting 'Hope'] you only get in reproductions]! I think that negates the idea of a painter's relation to official – old master art. It was neutral ground – that one picture – I responded to visual things...'Hope' was just sort of visual thing there, not art.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

Hope, Art, Idea, Thinking

“So the poor instead of bread made do with a picture
of the bleeding scourged and nailed-up Christ
and prayed to that image of their helplessness”

Peter Weiss Marat/Sade

Marat, act 1, scene 13 (pp. 28-29)
Marat/Sade (1963)

Christ

“Senate Democratic leaders have painted a very bleak picture of the U. S. economy. [Senate Minority Leader] Harry Reid was talking about soup lines. And [Senator] Hillary Clinton was talking about the economy being on the verge of collapse. Yet in the same breath they say that Social Security is rock solid and there's no crisis there. How are you going to work – you've said you are going to reach out to these people – how are you going to work with people who seem to have divorced themselves from reality?”

Jeff Gannon (1957) American journalist

January 26, 2005
Questions asked at Press Conferences

People, Reality, Painting

“My name is Schwitters, Kurt Schwitters... I'm a painter and I nail my pictures... I'd like to be accepted into the Dada Club”

Kurt Schwitters (1887–1948) German artist

Quote in his letter to Hans Richter, c. 1916; as quoted in 'Hannover-Dada' by Hans Richter; as quoted in I is Style, ed. Siegfried Gohr & Gunda Luyken, commissioned by w:Rudi Fuchs, director of the Stedelijk Museum Amsterdam, NAI Publishers, Rotterdam 2000, p. 151
1910s

“The new plastic idea thus correctly represents actual aesthetic relationships. To the modern artist, it is a natural consequence of all the plastic ideas of the past. This is particularly true of painting, which is the art least bound to contingencies. The picture can be a pure reflection of life in its deepest essence.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Life, Art, Idea, Nature

“I am favoured with your obliging letter, and shall finish your picture in two or three days at farthest, and send to Colchester according to your order, with a frame. I thank you. Sir, for your kind intention of procuring me a few heads to paint when I come over, which I purpose doing as soon as some of those are finished which I have [now] in hand. I should be glad if you'd place your picture as far from the light as possible; observing to let the light fall from the left.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

Quote in Gainborough's letter, 24 Feb. 1757 from Ipswich, to a correspondent in the neighbouring town of Colchester; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 20 1755 - 1769

Light, Painting

“I admit it worked fairly well but my first reaction was to get up and walk away from the job, but I couldn't. Once you've heard music like that with the picture, it makes your own scoring more difficult to arrive at, it clouds your thinking. Later, as an inside joke, I included a snippet of the Strauss in the score-and some critic pounced on me for stealing. You can´t win.”

Jerry Goldsmith (1929–2004) film composer

Tony Thomas, Music for the Movies (1973), p. 209

Music, Thinking

“In order to make it look dramatic, they staged what was ridiculed by some Israeli commentators, correctly, they staged a national trauma… There was a huge media extravaganza, you know, pictures of a little Jewish boy try to hold back the soldiers destroying his house… And a lot of the settlers were allowed in, so there could be a pretense of violence, though there wasn't any… The withdrawal could have been done perfectly quietly. All that was necessary was for Israel to announce that on August 1st the army will withdraw. And immediately the settlers, who had been subsidized to go there in the first place, and to stay there, would get on to the trucks that are provided for them and move over to the West Bank where they can move into new subsidized settlements. But if you did that way, there wouldn't have been any national trauma, any justification for saying, "never can we give up another 1 mm² of land". What made all of this even more ridiculous was that it was a repetition of what was described in Haaretz as "Operation National Truama 1982". After Israel finally agreed to Sadat's 1971 offer, they had to evacuate northeastern Sinai, and there was another staged trauma, which again was ridiculed by Israel commentators. By a miracle, none of the settlers who were resisting needed a Band-Aid, while Palestinians were being killed all over the place.”

Noam Chomsky (1928) american linguist, philosopher and activist

Talk titled "The Current Crisis in the Middle East" at MIT, September 21, 2006 http://mitworld.mit.edu/video/403/ Quotes 2000s, 2006

Way, Boy, Housing

“As long as men, in their aberration ("aberration", Fr.), will go out of their way ("s'ingénieront", Fr.) in every manners ("de toutes manières", Fr.) to harm and torment each others, it is an urgent duty, for those who are conscious of the absurdity of such a state of affairs, to strive to put them in the picture about (or throw light on) their wildness”

African Spir (1837–1890) Russian philosopher

"égarements", Fr.
Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 38.

Men, Way, Light

“When we look at what is taking place in the world we begin to understand that there is no outer and inner process; there is only one unitary process, it is a whole, total movement, the inner movement expressing itself as the outer and the outer reacting again on the inner. To be able to look at this seems to me all that is needed, because if we know how to look, then the whole thing becomes very clear, and to look needs no philosophy, no teacher. Nobody need tell you how to look. You just look. Can you then, seeing this whole picture, seeing it not verbally but actually, can you easily, spontaneously, transform yourself? That is the real issue. Is it possible to bring about a complete revolution in the psyche?”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

1960s, (1969)

World, Understanding, Teachers

“The artist is obliged to invent the self who will paint his pictures.”

Harold Rosenberg (1906–1978) American writer and art critic

Source: Art & Other Serious Matters, (1985), p. 191, "Saul Steinberg"

Painting

“What is the world at its best but a little round field of the moving pictures with two walking together in it?”

O. Henry (1862–1910) American short story writer

"The Vitagraphoscope" in Cabbages and Kings http://www.gutenberg.org/dirs/etext01/ckngs10.txt (1904)

World

“Here I want to reiterate very clearly that this Little Mandate did not come to me dictated, or as a whole, but as I am telling it now. Get the picture: it could happen any place, any time, in the midst of a group, in my office, at lunch in a cafeteria. Suddenly a little light, a little added word would come to me. I used to write them down on scraps of paper, on the back of old envelopes, in some diary, maybe lost or forgotten now; though some of them are still here. It was a patchy thing.”

Catherine Doherty (1896–1985) Religious order founder; Servant of God

"How the Little Mandate Came to Be", p. 23
Unfinished Pilgrimage (1995)

Light, Time

“I felt that I was like Joan of Arc (at that time my heroine) and that, like her, I was seeing spiritual visions and was consequently set aside for a great work. What it was I could not imagine, but pictured myself as the dramatic and admired teacher of thousands. This is a very common mistake on the part of beginners and I see a lot of it today in connection with various occult groups. People's sincerity and aspiration do succeed in bringing them some inner, spiritual contact and they then interpret it in terms of personality success and importance. A reaction of over-stimulation…”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Unfinished Autobiography (1951), Chapter I, Part 2

People, Imagination, Teachers, Time

“I could buy myself paper, a pen, a pencil and a brush and could create pictures whenever and wherever I wanted. … That evening, in the spring of 1947, on the embankment of the Seine in Paris, at the age of thirty, I saw that it was possible to live and work in the world, and that I could participate in the exchange of ideas that was taking place all around, bound to no country.”

Peter Weiss (1916–1982) Swedish-German playwright and author

Vanishing Point (1962)

Age, World, Spring, Idea

“I haven't tried to picture this war in a big, broad-minded way. I'm not old enough to understand what it's all about, and I'm not experienced enough to judge its failures and successes. My reactions are those of a young guy who has been exposed to some of it, and I try to put those reactions in my drawings. Since I'm a cartoonist maybe I can be funny after the war, but nobody who has seen this war can be cute about it while it's going on. The only way I can try to be a little funny is to make something out of the humorous situations which come up even when you don't think life could be any more miserable.”

Bill Mauldin (1921–2003) American editorial cartoonist

Up Front (1945)

Life, War, Way, Guy

““I have this theory about smart people. If you’re smart, you’re either the only person in your family who’s smart, or everybody in the family is smart. No in-between.”
I considered this. “I think I come from the everybody’s smart category. But they don’t apply their smarts to… larger picture pursuits. That includes me.””

Douglas Coupland book JPod

JPod (2006)

People, Family, Thinking, Personality

“The outstanding quality accomplishments of industry during the past decade are familiar history. Particularly during World War II, the accomplishments made by the precision equipment in our tanks and guns and planes were indelibly impressed upon the entire world. This results side of the quality picture makes impressive reading.
Not so pretty a picture is presented when the behind-the-scenes effort to assure these high-quality standards is examined. It may be summarized by noting that many industries are now in a position where, for every dollar spent in planned production, many additional cents are lost owing to the poor quality of their products while in process of manufacture.
These data show that, while we have generally found our quality failures in the factory instead of after shipment, our techniques for so doing are often excessively costly and wasteful. They can be tolerated by no industry striving to maintain and improve its competitive position.
This is a situation with which industry is vitally concerned. It is one calling for the new techniques that have come to be popularly classified under the label of quality control.”

Armand V. Feigenbaum (1922–2014) American businessman

Source: Quality Control: Principles, Practice, and Administration. 1951, p. 8; Chapter 1: What is quality control?

War, World, History, Failure

“In my opinion, so much of it is really about what you had in mind when you got into it: was it only that you wanted to be a rockstar and see your name in lights? I never really had those kinds of dreams. I knew I loved music and I knew that when I sang in a certain way it made my chest and my whole stomach tickle and I liked it. It still does that same thing to me; I know I’m doing it right when it makes my core tingle a little bit. I get the same feeling when I’m painting a picture or when I get into that almost hypnotic state of writing – those things are incredible and those are the kinds of things that attract me to creativity.”

Brandon Boyd (1976) American rock singer, writer and visual artist

When asked about intention for a magazine in Berlin (http://www.pulse-berlin.com/)

Love, Dreams, Music, Way

“Recently I have felt just what the mood of colors means to me: it means that everything in this picture changes its local color according to the same principle and that thereby all muted tones blend in a unified relationship, one to the other.”

Paula Modersohn-Becker (1876–1907) German artist

excerpt of her Journal, Worpswede, 24 July 1898; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 197
1898

Color, Mood, Change

“We have only started on our development of our country — we have not as yet, with all our talk of wonderful progress, done more than scratch the surface. The progress has been wonderful enough — but when we compare what we have done with what there is to do, then our past accomplishments are as nothing. When we consider that more power is used merely in ploughing the soil than is used in all the industrial establishments of the country put together, an inkling comes of how much opportunity there b ahead. And now, with so many countries of the world in ferment and with so much unrest everywhere, is an excellent time to suggest something of the things that may be done — in the light of what has been done.
When one speaks of increasing power, machinery, and industry there comes up a picture of a cold, metallic sort of world in which great factories will drive away the trees, the flowers, the birds, and the green fields. And that then we shall have a world composed of metal machines and human machines. With all of that I do not agree. I think that unless we know more about machines and their use, unless we better understand the mechanical portion of life, we cannot have the time to enjoy the trees, and the birds, and the flowers, and the green fields.”

Henry Ford book My Life and Work

Source: My Life and Work (1922), p. 1; as cited in: William A. Levinson, Henry Ford, Samuel Crowther. The Expanded and Annotated My Life and Work: Henry Ford's Universal Code for World-Class Success. CRC Press, 2013. p. xxvii

Life, World, Flowers, Understanding

“And amid the thunderous roar of a world in collision WE, ON THE LAST STAGE OF THE PATH TO SUPREMATISM BLASTED ASIDE THE OLD WORK OF ART LIKE A BEING OF FLESH AND BLOOD AND TURNED IT INTO A WORLD FLOATING IN SPACE. WE CARRIED BOTH PICTURE AND VIEWER OUT BEYOND THE CONFINES OF THIS SPHERE AND IN ORDER TO COMPREHEND IT FULLY THE VIEWER MUST CIRCLE LIKE A PLANET ROUND THE PICTURE WHICH REMAINS IMMOBILE IN THE CENTER. The empty phrase 'art for art's sake' had already been wiped out.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

1915 - 1925, Suprematism' in World Reconstruction (1920)

World, Art

“After secretly observing the unstudied grace of her movements, the most celebrated picture-maker of the province burned the implements of his craft, and began life anew as a trainer of performing elephants.”

Ernest Bramah (1868–1942) English author

The Story of Chang Tao, Melodious Vision and the Dragon
Kai Lung's Golden Hours (1922)

Life

“Making drawings to indicate the many elements in any human situation is something which has characterized SSM from the start. Its rationale lies in the fact that the complexity of human affairs is always a complexity of multiple interacting relationships; and pictures are a better medium than linear prose for expressing relationships. Pictures can be taken in as a whole and help to encourage holistic rather than reductionist thinking about a situation.”

Peter Checkland (1930) British management scientist

Source: Systems thinking, systems practice: includes a 30-year retrospective, 1999, p. 16

Thinking, Help, Drawing

“user named " beavis_sinatra " has been terrorizing me since 2004, by sending me pictures of cups that are too close to the edge of the table”

Dril Twitter user

[ Link to tweet https://twitter.com/dril/status/712394817272160257] Tweets by year, 2016

“Science does not speak of the world in the language of words alone, and in many cases it simply cannot do so. The natural language of science is a synergistic integration of words, diagrams, pictures, graphs, maps, equations, tables, charts, and other forms of visual and mathematical expression… [Science thus consists of] the languages of visual representation, the languages of mathematical symbolism, and the languages of experimental operations.”

Jay Lemke (1946) American academic

Jay Lemke (2003), "Teaching all the languages of science: Words , symbols, images and actions," p. 3; as cited in: Scott, Phil, Hilary Asoko, and John Leach. "Student conceptions and conceptual learning in science." Handbook of research on science education (2007): 31-56.

World, Mathematics, Nature, Science

“There's no quiet place here on earth for our love, not in the village and not anywhere else, so I picture a grave, deep and narrow, in which we embrace as if clamped together, I bury my face against you, you yours against me, and no one will ever see us.”

Franz Kafka book The Castle

The Castle (1926)

Love

“.. You know that I think a society of impressionists would be a good thing of the same nature as the Society of the Twelve English Pre-Raphaelites, and I think that it could come into existence. Then I incline to think that the artists would guarantee mutually among themselves a livelihood, each consenting to give a considerable number of pictures to the Society, and that the gains as well as the losses should be taken in common.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, Spring 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 498), p 37 1880s, 1888

Nature, Thinking, Loss

“I brought Durand eight pictures, among them my 'Sunset' and the motif done from my window. They have been praised, but I find them poor, - tame, grey, monotonous, - I am not at all satisfied. - I am working with fury and I have finally discovered the right execution, the search for which has tormented me for a year. I am pretty sure I have it now, all I need is to spend this coming autumn in Rouen or in some other place where I can find striking motifs.”

Camille Pissarro (1830–1903) French painter

Quote of Pissarro, from Osny, February 1884, in a letter to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 61
1880's

Search, Autumn

“When I got back [from Le Havre], where I had made several sketches of the harbour exit, I thought of placing the sun in the background. I liked the picture so much that I painted it ten times over, with its three-master and its sun.”

Eugène Boudin (1824–1898) French painter

Quote from Boudin's letter, 1882; as cited in the article 'Artists around Monet http://www.muma-lehavre.fr/en/exhibitions/impressions-sun/artists-around-monet, Muma-museum, Le Havre 1880s - 1890s

Time, Sun, Painting

“Soldiers now pose, thumbs up, before the atrocities they commit, and send off the pictures to their buddies and family. What is revealed by these photographs is as much the culture of shamelessness as the reigning admiration for unapologetic brutality. Ours is a society in which secrets of private life that, formerly, you would have given nearly anything to conceal, you now clamor to get on a television show to reveal.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Regarding the Torture of Others (2004)

Life, Secret, Family

Quotes about picture page 6

Quotes about picture
page 6