Quotes about picture
page 10

“I loved King Kong with Fay Wray. That was one of my favorite pictures. I admired Fay. I thought Fay Wray was so beautiful. I remember later I went to a party and she was there and I sat at her feet and said, 'You were my favorite actress', and I told her how much I worshiped her.”

Peggy Moran (1918–2002) actress

Interview with Monster Kid Magazine

Love, Beauty

“I do think my judgment is superior to (Juan Cole's) when it comes to the big picture. So, I have an idea: Since he doesn't want to debate anything except his own brilliance, let's make a bet. I predict that Iraq won't have a civil war, that it will have a viable constitution, and that a majority of Iraqis and Americans will, in two years time, agree that the war was worth it. I'll bet $1,000”

Jonah Goldberg (1969) American political writer and pundit

which I can hardly spare right now February 8, 2005 http://web.archive.org/web/20050209/www.nationalreview.com/goldberg/goldberg200502081153.asp 2000s, 2005

War, Idea, Thinking, Time

“William Herschel was the first man to give a reasonably correct picture of the shape of our star-system or galaxy; he was the best telescope-maker of his time, and possibly the greatest observer who ever lived.”

Patrick Moore (1923–2012) English writer, broadcaster and astronomer

As quoted on the official website http://www.rbwm.gov.uk/web/libraries_local_history_figures.htm#William_Herschel of the Royal Borough of Windsor and Maidenhead.

Star, Time

“I have a definite feeling for the West, the vast horizontality of the land, for instance... I have always been very impressed with the plastic qualities of American Indian art. The Indians have the true painter's approach in their capacity to get hold of appropriate images, and in their understanding of what constitutes painterly subject-matter. Their colour is essentially Western, their vision has the basic universality of all real art. Some people find references to American Indian art and calligraphy in parts of my pictures. That wasn't intentional; probably [it] was the result of early memories and enthusiasm.”

Jackson Pollock (1912–1956) American artist

Quote of Pollock, from Twentieth-century American painting, Gail Levin, The Thyssen-Bornemisza collection. London, 1987, p. 267
1940's, Art and Architecture (1944)

People, Art, Feeling, Understanding

“Once knowing is no longer understood as the search for an iconic representation of ontological reality but, instead, as a search for fitting ways of behaving and thinking, the traditional problem disappears. Knowledge can now be seen as something which the organism builds up in the attempt to order the as such amorphous flow of experience by establishing repeatable experiences and relatively reliable relations between them. The possibilities of constructing such an order are determined and perpetually constrained by the preceding steps in the construction. That means that the “real” world manifests itself exclusively there where our constructions break down. But since we can describe and explain these breakdowns only in the very concepts that we have used to build the failing structures, this process can never yield a picture of a world that we could hold responsible for their failure.”

Ernst von Glasersfeld (1917–2010) German philosopher

Glasersfeld (1984) "An Introduction to Radical Constructivism", as cited in: Frederick Burwick, Walter Pape (1990) Aesthetic Illusion: Theoretical and Historical Approaches. pp.26-27

World, Way, Search, Failure

“In any case the road to success is pictured as one beset with perils but which, it would seem, an individual with the proper qualities can overcome to attain the goal. The reward is seen in the distance; the way is lonely. Further on it is a route for wolves; one can succeed only at the cost of the failure of others.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Man and Socialism in Cuba (1965)

Way, Failure, Success

“I can't even look at those "women's magazines" anyway. I love fashion, but I look at the pictures of the skinny models, and they're wearing clothes I can't even fit on my fingers. And I look at that and I think, if that is what a woman is supposed to look like, then I must not be one.”

Margaret Cho (1968) American stand-up comedian

From Her Tours and CDs, The Notorious C.H.O. Tour

Love, Women, Fashion, Thinking

“To minimize my guilt at going to the pictures — to call this wanton pursuit of an effete pleasure by another name — I needed movie companions as drunkards need drinking partners. If I entered a cinema alone, God might plunge his arm through the roof of the auditorium booming in a stereophonic voice, "And you, Crisp, what are you doing here?" I would never have dared reply, "I’m just enjoying myself, Lord." I remembered too well what happened to Mr and Mrs Adam. A commissionaire with a flaming sword came and asked them to leave.”

Quentin Crisp book The Naked Civil Servant

Source: The Naked Civil Servant (1968), Ch. 27

God, Pleasure, Drink

“Technical criticism in particular is the despair of the artist. No one but an idiot would offer a poet his comments in terms of spondees and trochees; why must the painter daily suffer the indignity? Any picture which makes one conscious first of its technical qualities, good or bad, is not a good picture, whatever else it may be.”

Patrick Swift (1927–1983) British artist

The Artist Speaks (1951)

Suffering, Despair

“The painter is turning his eyes towards us only in so far as we happen to occupy the same position as his subject. We, the spectators, are an additional factor. Though greeted by that gaze, we are also dismissed by it, replaced by that which was always there before we were: the model itself. But, inversely, the painter's gaze, addressed to the void confronting him outside the picture, accepts as many models as there are spectators; in this precise but neutral place, the observer and the observed take part in a ceaseless exchange.”

Michel Foucault (1926–1984) French philosopher

Las Menias
The Order of Things: An Archaeology of the Human Sciences (1970)

Parting

“Poetry may be written on paper, but it’s an oral art. A good poem satisfies the ear. It creates a story or picture that grabs you.”

John Hollander (1929–2013) American poet

Quoted in 'Venerable Poets :Words to Pop Music beat 'by Cynthia Wolfe Boyton.

Art

“A few years ago, a motion picture version appeared of Sophocles' immortal tragedy "Oedipus Rex". This picture played only in the so-called art theaters, and it was not a financial success. And I maintain that the reason it was not a financial success… you're way ahead of me… was that it did not have a title tune which the people could hum, and which would make them actually eager to attend this particular… flick. So, I've attempted to supply this, and here then is the prospective title song from "Oedipus Rex".”

Tom Lehrer (1928) American singer-songwriter and mathematician

Intro to "Oedipus Rex"
An Evening (Wasted) With Tom Lehrer (1959)

People, Art, Way, Appearance

“You're going to have a deportation force, and you're going to do it humanely and you're going to bring the country -- and, frankly, the people, because you have some excellent, wonderful people, some fantastic people hat have been here for a long period of time. Don't forget, Mika, that you have millions of people that are waiting in line to come into this country and they're waiting to come in legally. And I always say the wall, we're going to build the wall. It's going to be a real deal. It's going to be a real wall. There was a picture in one of the magazines where they had a wall this tall and they were taking drugs over the wall. They built a ramp over the wall and the truck was going up and down. They were using it like a highway; the wall is like a highway. It's not going to happen. It's going to be a Trump wall. It's going to be a real wall. And it's going to stop people and it's going to be good. But your friend Thomas Friedman called me and said, hah, there should be a big door. I said going to be a big door. I love the expression. There's going to be a big beautiful nice door. People are going to come in and they're going to come in legally. But we have no choice. Otherwise, we don't have a country. We don't even know how many people. We don't know if it's 8 million or if it's 20 million. We have no idea how many people are in our country. And then you see what happened with Kate in San Francisco. You see what happens with all of the things going on, all of the tremendous crime going on. It costs us $200 billion a year for illegal immigration right now. $200 billion a year, maybe $250, maybe $300. They don't even know. We're going to stop it. We're going to run it properly and we're going to stop it.”

Donald J. Trump (1946) 45th President of the United States of America

On his immigration plan (2015 November 11)
2010s, 2015

Love, People, Beauty, Idea

“Evidently one cannot look for long at the Last Supper without ceasing to study it as a composition, and beginning to speak of it as a drama. It is the most literary of all great pictures, one of the few of which the effect may largely be conveyed — can even be enhanced — by description.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: Leonardo da Vinci (1939), Ch. Five: 1485-1496

Study

“One aim of the physical sciences has been to give an exact picture of the material world. One achievement of physics in the twentieth century has been to prove that that aim is unattainable. There is no absolute knowledge and those who claim it, whether they are scientist or dogmatist, open the door to tragedy. All knowledge, all information is imperfect. We have to treat it with humility.”

Jacob Bronowski The Ascent of Man

Episode 11: "Knowledge or Certainty"
The Ascent of Man (1973)

World, Knowledge, Science

“Heisenberg finds that facts of observation lead uniquely and inevitably to the theoretical structure known as matrix mechanics. This shows that the total radiation in any region of empty space can change only by a single complete quantum at a time. Thus not only in the photo-electric phenomenon, but in all other transfers of energy through space, energy is always transferred by complete quanta; fractions of a quantum can never occur. This brings atomicity into our picture of radiation just as definitely as the discovery of the electron and its standard charge brought atomicity into our picture of matter and of electricity.”

James Jeans (1877–1946) British mathematician and astronomer

Physics and Philosophy (1942)

Photo, Change, Time

“[Description of Britain] Its plains are spacious, its hills are pleasantly situated, adapted for superior tillage, and its mountains are admirably calculated for the alternate pasturage of cattle, where flowers of various colours, trodden by the feet of man, give it the appearance of a lovely picture. It is decked, like a man's chosen bride, with divers jewels, with lucid fountains and abundant brooks wandering over the snow white sands; with transparent rivers, flowing in gentle murmurs, and offering a sweet pledge of slumber to those who recline upon their banks, whilst it is irrigated by abundant lakes, which pour forth cool torrents of refreshing water.”
[Descriptio Britanniae] Campis late pansis collibusque amoeno situ locatis, praepollenti culturae aptis, montibus alternandis animalium pastibus maxime covenientibus, quorum diversorum colorum flores humanis gressibus pulsati non indecentem ceu picturam eisdem imprimebant, electa veluti sponsa monilibus diversis ornata, fontibus lucidis crebris undis niveas veluti glareas pellentibus, pernitidisque rivis leni murmure serpentibus ipsorumque in ripis accubantibus suavis soporis pignus praetendentibus, et lacubus frigidum aquae torrentem vivae exundantibus irrigua.

Gildas De Excidio et Conquestu Britanniae

Section 3.
De Excidio Britanniae (On the Ruin of Britain)

Love, Mountain, Flowers, Water

“I've a one track mind, sir. Poverty and gloom. Never a joyous picture of mine you'll see. Always gloom. I never do a jolly picture.”

L. S. Lowry (1887–1976) British visual artist

Tynes Tees Television Interview 1968

“In the end it's the big picture which changes nations and whatever our opponents may say, Australia's changed inexorably for good, for the better.”

Paul Keating (1944) Australian politician, 24th Prime Minister of Australia

Concession Speech, March 2, 1996.

Change

“Sometimes I wonder, laying in a great black stripe on a canvas, what animal bones (or horns) are making the furrows of my picture… black grows deeper and deeper, darker and darker before me. It menaces me like a black gullet. I can bear it no longer. It is monstrous. It is unfathomable. As the thought comes to me to exorcise and transform this black with a white drawing, it has already become a surface.”

Hans Hofmann (1880–1966) American artist

Robert Motherwell, in a catalog note to the show Black or White (1950)
Misattributed

Animals, Drawing

“Insulting the Prophet is something that has been going on in Europe for a very long time. In Dante's Inferno, if you're interested in the 28th Canto, where Dante is being taken on his conducted tour of hell and guided by Virgil, he comes across the Prophet Mohammed in the course of his eternal damnation. He is punished I quote Dante's words, as a seminator di scandalo e di scisma, a sower of scandal and of schism. Now, this is very insulting. In the great Cathedral of Bologna there is a wonderful set of pictures painted, if I remember rightly, in the 15th century depicting scenes from Dante's Inferno, including some very graphic pictures of Mohammed being tortured in hell by the devil very graphic.
Nobody did anything about this. A couple of years ago, the leaders of the Italian-Muslim community sent a polite request to the cathedral saying these are insulting to Muslims; would they mind covering those pictures. The cathedral administration said they would consider it. Nothing happened. The pictures are still in view.”

Bernard Lewis (1916–2018) British-American historian

Books, Islam and the West: A Conversation with Bernard Lewis (2006)

Quotes, Communication, Hell, Time

“The compression of the modern picture, its variety, its breaking up of forms... It is certain that the evolution of the means of locomotion and their speed have a great deal to do with the new way of seeing. Many superficial people raise the cry 'anarchy' in front of these pictures because they cannot follow the whole evolution of contemporary life that painting records.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 12
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Life, People, Way, Painting

“One sunny spring day I heard the music coming down Karl Johan [street] and it filled me with joy. The spring, the sun, the music, all blended together to make me shiver with pleasure. The music added colour to the colours. I painted the picture [his painting 'Music on Karl Johan'] allowing the colours to reverberate with the rhythm of the music. I painted the colours as I saw them at that moment.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Quote in 'Livsfrisen tilblivelse', Blomqvist, Oslo 1929, p. 12
1896 - 1930

Pleasure, Music, Spring, Sun

“The picture placed the busts between
Adds to the thought much strength;
Wisdom and Wit are little seen,
But Folly's at full length.”

Jane Brereton (1685–1740) Welsh writer (b. Flintshire 1685)

On Beau Nash's Picture at full length between the Busts of Sir Isaac Newton and Mr. Pope., in Dyce, Specimens of British Poetesses. This epigram is generally ascribed to Chesterfield. See Campbell, English Poets, note, p. 521. Reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Wisdom

“What is seen and called the picture is what remains – an evidence. Even as one travels in painting towards a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear. Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanished and the paint falls into positions that feel destined. The very matter of painting – its pigment and space – is so resistant to the will, so disinclined to assert its plane and remain still. Painting seems like impossibility, with only a sign now and then of its own light. Which must be because of the narrow passage from a diagramming to that other state – corporeality. In this sense, to paint is a possessing rather than a picturing.”

Phillip Guston (1913–1980) American artist

12 Americans, by Dorothy C.Miller, New York, 1956. p. 36
1950 - 1960

Travel, Feeling, Sense, Light

“What's all this talk about me being teamed with Ginger Rogers? I will not have it Leland--I did not go into pictures to be teamed with her or anyone else, and if that is the program in mind for me I will not stand for it. I don't mind making another picture with her but as for this teams idea, it's out.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Fred Astaire in a letter to his agent Leland Hayward dated February 9, 1934. He went on to make a further nine musical films with Rogers. (M).

Idea

“When we were so friendly with Picasso, there was a time when we had difficulty in recognizing our own pictures. Later, when the revelation went deeper, differences appeared. Revelation is the one thing that cannot be taken from you. But before the revelation took place, there was still a marked intention of carrying painting in a direction that could re-establish the bond between Picasso and ourselves.”

Georges Braque (1882–1963) French painter and sculptor

Braque is referring in this quote to the early common start of Cubism ca. 1907 -1910, in Paris with Picasso
Source: 1946 - 1963, In conversation with Dora Vallier' (1954), p. 265

Appearance, Time, Painting

“The scientific world picture does not include … things that have not been constructed, that are not understood as artefacts … Instead of the final cause one starts to speak about purpose, which nature itself does not have. Only humans can set aims and achieve them by their activities if they know the laws of nature and set up various processes based on them and organise them purposively.”

Rein Vihalemm (1938–2015) Estonian philosopher of chemistry

Source: Chemistry as an Interesting Subject for the Philosophy of Science, 2001, p. 192

World, Law, Nature

“Do you know what was great? Finding out that a stupid, ridiculous thing like copying a postcard could lead to a picture. And then the freedom to paint whatever you felt like. Stags, aircraft, kings, secretaries. Not having to invent anything anymore, forgetting everything you meant by painting – color, composition, space – and all of the things you previously knew and thought. Suddenly none of this was a prior necessity for art.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), pp. 60-61, note 94

Stupidity, Art, Color, Freedom

“The Hiroshima people’s experience, is a picture of what our whole world is always poised to become, a backdrop of scarcely imaginable horror lying just behind the surface of our normal life, and capable of breaking through into that normal life at any second.”—The New Yorker, February 1, 1982.”

Jonathan Schell (1943–2014) American author

Life, People, World, Imagination

“Outside the big idea that there is art I don't think of other's paintings. But I defend the idea of art and know that it is made up of all these paintings. Classic pictures are objects that may or may not influence what you're doing, just like anything else. Like the radio... But it hasn't anything to do with your own art or the artist's intention.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

Art, Idea, Thinking, Painting

“What concerns me when I work, is not whether the picture is a landscape, or whether it's pastoral, or whether somebody will see a sunset in it. What concerns me is - did I make a beautiful picture?”

Helen Frankenthaler (1928–2011) American artist

1970s - 1980s, interview with Deborah Salomon in 'New York Times', 1989

Beauty

“If I get the good pictures I was getting at the beginning of the season, Lee Holmes will be knocking at the door.”

Phil Brown (footballer) (1959) English association football player and manager

5-Oct-2005, DCFC website
Phil collects pictures. Lee Holmes is a door-to-door art salesman?

Season

“The whole picture is complicated by the stockists and merchants who will try to exploit any shortages that may appear.
The result is this. The feedback information from the industry's environment consists, first and foremost, of a forward order load. Much of this "demand for steel" will be bogus.”

Anthony Stafford Beer (1926–2002) British theorist, consultant, and professor

Source: Management Science (1968), Chapter 4, An Alphabet of Models, p. 96.

Appearance

“In the last few years there has been a harvest of books and lectures about the "Mysterious Universe." The inconceivable magnitudes with which astronomy deals produce a sense of awe which lends itself to a poetic and philosophical treatment. "When I consider thy heavens, the work of thy hands, the moon and the starts, whuch thou hast ordained: what is man that thou art mindful of him? The literary skill with which this branch of science has been exploited compels one's admiration, but alos, a little, one's sense of the ridiculous. For other facts than those of astronomy, oother disciplines than of mathematics, can produce the same lively feelings of awe and reverence: the extraordinary finenness of their adjustments to the world outside: the amazing faculties of the human mind, of which we know neither whence it comes not whither it goes. In some fortunate people this reverence is produced by the natural bauty of a landscape, by the majesty of an ancient building, by the heroism of a rescue party, by poetry, or by music. God is doubtless a Mathematician, but he is also a Physiologist, an Engineer, a Mother, an Architect, a Coal Miner, a Poet, and a Gardener. Each of us views things in his own peculiar war, each clothes the Creator in a manner which fits into his own scheme. My God, for instance, among his other professions, is an Inventor: I picture him inventing water, carbon dioxide, and haemoglobin, crabs, frogs, and cuttle fish, whales and filterpassing organisms ( in the ratio of 100,000,000,000,000,000,000,000 to 1 in size), and rejoicing greatly over these weird and ingenious things, just as I rejoice greatly over some simple bit of apparatus. But I would nor urge that God is only an Inventor: for inventors are apt, as those who know them realize, to be very dull dogs. Indeed, I should be inclined rather to imagine God to be like a University, with all its teachers and professors together: not omittin the students, for he obviously possesses, judging from his inventions, that noblest human characteristic, a sense of humour.”

Archibald Hill (1886–1977) English physiologist and biophysicist

The Ethical Dilemma of Science and Other Writings https://books.google.com.mx/books?id=zaE1AAAAIAAJ&printsec=frontcover#v=onepage&q&f=false (1960, Cap 1. Scepticism and Faith, p. 41)

God, War, People, Books

“It is doubtful whether the artist [unknown] altogether knew what he depicted here in this panel, and even more doubtful whether he could have expressed it in words. That which we praise here as well thought-out and cleverly arranged may, in fact, have been achieved by him unconsciously; for the artist was transformed by pure harmoniousness while executing this picture, and his feeling become his law. Only his disposition, his spiritual exaltation, could have brought forth such a fruit as this picture. Just as the pious man prays without speaking a word and the Almighty hearkens unto him, so the artist with true feeling paints and the sensitive man understands and recognizes it; while even the less sensitive gain some inkling of it.”

Caspar David Friedrich (1774–1840) Swedish painter

cited in: Vaughan, William-Börsch-Supan, Helmut- Neidhardt, Hans Joachim, Caspar David Friedrich. 1774-1840. Romantic Landscape Painting in Dresden, London, The Tate gallery, 1972, p. 104
undated

Law, Feeling, Understanding, Painting

“In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

“I never touched Cubism myself, you know, although I was attracted by it one time. When I was painting at Céret and at Cagnes [1919, and from 1923]. I yielded to its influence in spite of myself, and the results were not entirely banal. But then... Céret itself is anything but banal. There is so much foreshortening in the landscape that, for that very reason, a picture may seem to have been painted in some specific style”

Chaim Soutine (1893–1943) painter

quote in 1927
Source: Life with the painters of La Ruche, Vorobëv Marevna, Macmillan, New York, 1972, p. 156

Quotes, Time, Painting

“You'll be much better equipped for a long life in pictures if you have a sound theatrical background.”

Irene Dunne (1898–1990) American actress

If You Want Success (Screenland Interview) (1961)

Life

“Ever since quantum phenomena became definitely recognized many attempts were made to picture their mechanism.”

Boris Podolsky (1896–1966) American physicist

in his early Quantum Mechanics paper On King's Classical Theory of Radiation, Proceedings of the National Academy of Sciences, March 1, 1927, vol. 13, no.3, p. 97-100.

“Off screen, I was friends with people I was nasty to in pictures. Judy Canova and I were friends. There’s a terrific line in ‘WAC From Walla Walla’ where she’s trying to pick out a shade of lipstick. I walk by and say ‘window shade.’ [Laughs] Judy played the star bit to the hilt! She had an entourage that followed her around. One woman held an umbrella over Judy’s head to keep the sun off her.”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

People, Star, Sun

“It is true that other people can help you, and to lasting effect... If I hadn't had Beckett in 1940 [in Paris, when Van Velde was strongly demoralized by the death of his wife], I'm not sure I could have stood it. I am really not sure... At that time he [Beckett] he was driven by an extremely aggressive and fiery Irish spirit. That has lessened as time has gone on... I don't know anywhere in modern art any more faithful or more impressive picture of contemporary humanity than the one he offers us in 'The Unamable.”

Bram van Velde (1895–1981) Dutch painter

2 November 1970; p. 79
1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

Death, People, Faith, Art

“Better send in one good picture than a lot of poor ones, but then that good one must be so good that it almost walks out of the frame and becomes a portion of nature itself.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

as quoted by E. C. Cady, in 'The Art of Johannes Hendrick Weissenbruch' https://ia801702.us.archive.org/33/items/jstor-25540452/25540452.pdf, in 'Brush and Pencil, Volume 12', April 1904, p. 51

Nature

“Like pictures, images seem to depict information about interval spatial extents. The scanning experiments support the claim that portions of images depict corresponding portions of the represented objects, and that the spatial relations between portions of the image index the spatial relations between the corresponding portions of the imaged objects.”

Stephen Kosslyn (1948) American psychologist

Source: Image and Mind. 1980, p. 51

Support

“Mechanical drawings and blueprints are not mere pictures, but a complete and rich language. In blueprint language, scientific, mathematical, and geometric formulations, notations, mensurations, and naming do not merely describe an object or process, they actually model it. Because of broad differences in subject, purpose, roles, and the needs of the people who use them, many forms of blueprint have evolved, but all rigorously present well structured information in understandable form.”

Douglas T. Ross (1929–2007) American computer scientist

Source: Structured analysis (SA): A language for communicating ideas (1977), p. 16.

People, Mathematics, Understanding, Drawing

“And the other world-picture?, one based not just on science but wedded to a scientistic programme. Well, you know it as well as I do. Here all is ultimately meaningless.”

Simon Conway Morris (1951) British palaeontologist

The Boyle lecture (2005)

World, Wedding, Science

“Contemporary Christian proclamation is faced with the question whether, when it demands faith from men and women, it expects them to acknowledge this mythical world picture from the past. If this is impossible, it has to face the question whether the New Testament proclamation has a truth that is independent of the mythical world picture, in which case it would be the task of theology to demythologize the Christian proclamation.”

Rudolf Karl Bultmann (1884–1976) German theologian

Source: New Testament and Mythology and Other Basic Writings (1941), p. 3

Women, Men, Truth, World

“Michael made his debut in John Carpenter's 1978 horror classic, Halloween, possibly the best scare movie to come along in the last twenty-five years. … [W]ith the release of the sixth (and hopefully final) movie to bear the Halloween moniker, we see how far the mighty have fallen. … In the final analysis, The Curse of Michael Myers is a horrific motion picture — just not in the way the film makers intended - Directed By Joe Chappelle.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=708 of Halloween: The Curse of Michael Myers (1995). Zero star reviews

Way

“There were nude pictures… a lot of it is erotic or sexual. But I don't view my collection as dirty in any way. I view it as art.”

Paul Reubens (1952) American actor, writer, film producer, game show host, and comedian

2004 interview with Entertainment Weekly http://www.abc.net.au/news/2004-04-01/pee-wee-actor-denies-paedophile-claims/162146 2004 Child Porn Charges

Art, Way

“He lived year after year. He attended only to himself and to God and this picture-but he did not understand himself.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, Two Ethical-Religious Minor Essays (1849), p. 57

God, Understanding

“I see a picture by the lamp's flicker…
Isn't it strange how dreams fade and shimmer?”

Mike Oldfield (1953) English musician, multi-instrumentalist

Song lyrics, Discovery (1984)

Dreams

“The Wizard of Oz (M. G. M.) should settle an old Hollywood controversy: whether fantasy can be presented on the screen as successfully with human actors as with cartoons. ("The New Pictures," August 21, 1939)”

Whittaker Chambers (1901–1961) Defected Communist spy

TIME magazine (1939-1948)

“The three towering geniuses of European culture, Shakespeare, Mozart and Leonardo da Vinci were not allowed to appear on the euro note as they might, in their separate ways, cause offense: Mozart because he was a "womanizer," Shakespeare because he wrote The Merchant of Venice, a play judged to be anti-Semitic, and Leonardo because he was reported to fancy boys. Now the euro note carries a picture of a rather dull bridge.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 13 : Causing Offence

Way, Boy, Appearance

“[Talking pictures are] like putting lip rouge on the Venus de Milo.”

Mary Pickford (1892–1979) Canadian-American actress

Associated Press, "Mary Pickford Sees Talkies as Lipstick on Milo", Los Angeles Times, 18 March 1934, p. 1. Cf. "Los Angeles Times", 20 March 1934, p. A4: "Talking pictures are like lip rouge on the Venus de Milo."
Widely attributed in this form (e.g., A. Scott Berg, Goldwyn: A Biography (1989), Ch. 11) and described as having been said in the 1920s, but the 18 March 1934 AP story quotes it as said that day.
Variant: Adding sound to movies would be like putting lipstick on the Venus de Milo.

“A certain region in the field becomes crucial, is focused; but it does not become isolated. A new, deeper structural view of the situation develops, involving changes in functional meaning, the grouping, etc. of the items. Directed by what is required by the structure of a situation for a crucial region, one is led to a reasonable prediction, which like the other parts of the structure, calls for verification, direct or indirect. Two directions are involved: getting a whole consistent picture, and seeing what the structure of the whole requires for the parts.”

Max Wertheimer (1880–1943) Co-founder of Gestalt psychology

p 212
Productive thinking, 1945

Change, Parting

“For the women who mourn their dead in the secret night,
For the children taught to keep quiet, the old children,
The children spat-on at school.
For the wrecked laboratory,
The gutted house, the dunged picture, the pissed-in well
The naked corpse of Knowledge flung in the square
And no man lifting a hand and no man speaking.”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Litany for Dictatorships (1935)

Women, Children, Secret, School

“I believe they point to a fundamental truth about our economy. It can seem like a zero sum, when you are competing for a job, a promotion, or a contract if someone wins and someone loses, but that is not the full picture. If you step back, you’ll see we’re all in this together. If we can grow together, we can all rise together. Because, you know what I like to say, we are stronger together, and that’s why the fourth question is key.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), Speech in Warren, Michigan (August 11, 2016)

Truth, Question

“We Europeans have to toil to achieve it, at least as a transitional stage, for it is what we feed our dreams upon. These Orientals [from India] have it in their blood, perhaps because they spend their lives I the sun. We poor wretched Europeans must sacrifice body and soul for even a shadow of it… It is not a question of trying to reproduce objective features, only of good practice for the fingers and for the perceptive faculty, and that too is very useful. You must have read how Van Gogh was always getting his brother to send him drawings to copy. And how Rembrandt used to copy Indian an Italian pictures. Not of course, because they were short of material, but to get 'du corps'. So one should be always drawing… Oh, you'd love the Indians. The pure, Aryan Indians, not those one could see in Berlin, whose forms had become rigid and sterile through mingling with the Chinese.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Nele van de Velde ((daughter of Henry van de Velde), from Frauenkirch, 1919/20; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, pp. 224-225
1916 - 1919

Love, Dreams, Soul, Question

“To my mind, the great strength of your Society lies in its recognition of the necessity of discipline. We live in an impatient age. We demand results, and demand them at once. We find a long and laborious process very irksome, and are constantly seeking for a short cut. But there is no easy method of securing discipline. It is axiomatic that there is no royal road to learning. The effort for discipline must be intensive, and to a considerable degree it must be lifelong. But it is absolutely necessary, if there is to be any self-direction or any self-control. The worst evil that could be inflicted upon the youth of the land would be to leave them without restraint and completely at the mercy of their own uncontrolled inclinations. Under such conditions education would be impossible, and all orderly development intellectually or morally would be hopeless. I do not need to picture the result. We know too well what weakness and depravity follow when the ordinary processes of discipline are neglected.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Authority and Religious Liberty (1924)

Youth, Age, Education, Effort

“The abhorrent acts in the prison were a direct consequence of the culture of impunity encouraged, authorized and instituted by Bush and Rumsfeld in their statements that the Geneva Conventions did not apply. The apparent war crimes that took place were the logical, inevitable outcome of policies and statements from the administration.
To me, as glaring as the evidence of this in the pictures themselves was the revelation that it was established practice for prisoners to be moved around during ICRC visits so that they would not be available for visits. That, no one can claim, was the act of individuals. That was policy set from above with the direct intention to violate US values it was to be upholding. It was the kind of policy we see — and criticize in places like China and Cuba.”

Al Gore (1948) 45th Vice President of the United States

Quotes, NYU Speech (2004)

War

“The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

from: English Wikipedia, Joan Miró, 1958, as quoted in Twentieth-Century Artists on Art, ed. Dore Ashton, 1986
1940 - 1960

Sun

“You've never in your life seen a picture, I bet any one of you, never seen a picture of one of these old Pilgrims praying when they didn't have a gun right by the side of them. That was to see that he got what he was praying for.”

Will Rogers (1879–1935) American humorist and entertainer

radio broadcast (14 April 1935)
Other

Life

“The "I" who speaks in this book is by no means the author. Rather, the author wishes that the reader may come to see himself in this "I": that the reader may not simply relate to what is said here as he would to history, but rather that while reading he will actually converse with himself, deliberate back and forth, deduce conclusions, make decisions like his representative in the book, and through his own work and reflection, purely out of his own resources, develop and build within himself the philosophical disposition that is presented to him in this book merely as a picture.”

Johann Gottlieb Fichte book The Vocation of Man

Source: The Vocation of Man (1800), P. Preuss, trans. (1987), p. 2

Books, History, Decision, Reading

“I believe that producing pictures, as I do, is almost solely a question of wanting so very much to do it well.”

M. C. Escher (1898–1972) Dutch graphic artist

undated quotes, M.C. Escher Foundation

Question

“Biographers, the quick in pursuit of the dead, research, organize, fill in, contradict, and make in this way a sort of completed picture puzzle with all the scramble turned into a blue eye and the parts of the right leg fitted together.”

Elizabeth Hardwick (1916–2007) Novelist, short story writer, literary critic

"Katherine Anne Porter" (p. 299)
American Fictions (1999)

Way, Parting, Dead

“I'll never have enough time to paint all the pictures I'd like to.”

Norman Rockwell (1894–1978) Armatian

As quoted in A Rockwell Portrait : An Intimate Biography‎ (1978) by Donald Walton, p. 61

Time, Painting

“Visiting a museum is a matter of going from void to void. Hallways lead the viewer to things once called 'pictures' and 'statues." Anachronisms hang and protrude from every angle. Themes without meaning press on the eye. Multifarious nothings permute into false windows (frames) that open up into a variety of blanks. Stale images cancel one's perception and deviate one's motivation. Blind and senseless, one continues wandering around the remains of Europe, only to end in that massive deception 'the art history of the recent past'”

Robert Smithson (1938–1973) American artist

Smithson, Robert. " Some void thoughts on museums http://www.robertsmithson.com/essays/void.htm." Flam, Robert Smithson 42 (1996).

Art, History, Motivation, Past

“The purpose of scientific enquiry is not to compile an inventory of factual information, nor to build up a totalitarian world picture of natural Laws in which every event that is not compulsory is forbidden. We should think of it rather as a logically articulated structure of justifiable beliefs about nature.”

Peter Medawar (1915–1987) scientist

Induction and Intuition in Scientific Thought, 1969
1960s

World, Law, Nature, Thinking

“It is a bit unsettling, at first, to think of Apple as a control freak, because it is completely at odds with their corporate image. Weren't these the guys who aired the famous Super Bowl ads showing suited, blindfolded executives marching like lemmings off a cliff? Isn't this the company that even now runs ads picturing the Dalai Lama (except in Hong Kong) and Einstein and other offbeat rebels?
It is indeed the same company, and the fact that they have been able to plant this image of themselves as creative and rebellious free-thinkers in the minds of so many intelligent and media-hardened skeptics really gives one pause. It is testimony to the insidious power of expensive slick ad campaigns and, perhaps, to a certain amount of wishful thinking in the minds of people who fall for them. It also raises the question of why Microsoft is so bad at PR, when the history of Apple demonstrates that, by writing large checks to good ad agencies, you can plant a corporate image in the minds of intelligent people that is completely at odds with reality.”

Neal Stephenson (1959) American science fiction writer

"Class Struggle on the Desktop"
In the Beginning... was the Command Line (1999)

People, Guy, History, Intelligence

“The immaterial pictorial sensitivity zones of Yves KLEIN, the Monochrome, are relinquished against a certain weight of fine gold. Seven series of these pictural immaterial zones all numbered exist already; for each zone relinquished a receipt is given. This receipt indicates the exact weight of pure gold which is the material value correspond to the immaterial acquired. The zones are transferable by their owner. (See rules on each receipt.)”

Yves Klein (1928–1962) French artist

Source: before 1960, Ritual for the Relinquishment of the immaterial Pictorial Sensitivity Zones', Yves Klein, 1957-59, p. 207

“Since I have a deep sense of responsibility for the life my pictures will lead out in the world, I will with gratitude accept any form of their exposition in which their life and meaning can be maintained, and avoid all occasions where I think that this cannot be done.... unfortunately, there are few existing alternatives for the kind of activity which your museum represents. Nevertheless, in my own life at least, there must be some congruity between convictions and actions if I am to continue to function and work.”

Mark Rothko (1903–1970) American painter

Quote from Rothko's letter to Whitney's director Lloyd Goodrich, End of 1952; as cited in Mark Rothko, a biography, James E. B. Breslin, University of Chicago Press, 1993, p. 304
Rothko was turning down a museum purchase
1950's

Life, World, Thinking, Sense

“Merz stands for the freedom of all fetters... Merz also means tolerance towards any artistically motivated limitation. Every artist must be allowed to mould a picture out of nothing but blotting paper, for example, provided he is capable of moulding a picture.”

Kurt Schwitters (1887–1948) German artist

1920s
Source: 'Merz. Für den Ararat geschrieben' (1920); as quoted in Kurt Schwitters, das literarische Werk, ed. Friedhelm Lach, Dumont Cologne, 1973–1981, Vol. 5 p. 77.

Motivation, Freedom

“The historical picture is clear. Counterfeiting was not invented in modern Asia. When they were backward themselves in terms of knowledge, all of today's rich countries blithely violated other people's patents, trademarks and copyrights. The Swiss 'borrowed' German chemical inventions, while the Germans 'borrowed' English trademarks and the Americans 'borrowed' British copyrighted materials—all without paying what would today be considered 'just' compensation.”

Ha-Joon Chang book Bad Samaritans: The Myth of Free Trade and the Secret History of Capitalism

Source: Bad Samaritans: The Myth of Free Trade and the Secret History of Capitalism (2008), Ch. 6, The lawyers get involved, p. 134

People, Knowledge, Country

“If people really want to go, and really try all their lives, I think they will get in; for I don’t believe there are any locks on that door, or any guards at the gate. I always imagine it is as it is in the picture, where the shining ones stretch out their hands to welcome poor Christian as he comes up from the river.”

Louisa May Alcott book Little Women

Beth's views on the Celestial City, in Ch. 13 : Castles In The Air
Little Women (1868)

People, Imagination, Thinking

“Some students of philosophy have unreasonably high expectations of the subject. They expect it to provide them with a complete and detailed picture of the human predicament. They think that philosophy will reveal to them the meaning of life, and explain to them every facet of our complex existences. Now, although studying philosophy can illuminate fundamental questions about our lives, it does not provide anything like a complete picture, if indeed there could be such a thing. Studying philosophy isn’t an alternative to studying art, literature, history, psychology, anthropology, sociology, politics, and science.”

Nigel Warburton (1962) British author and lecturer

Philosophy : the basics (Fifth Edition, 2013), Introduction

Life, Art, History, Literature

“In fact, my art generally nauseated me. Often, when I wanted to set down a poem on an uncontaminated piece of paper, I′d start feeling sick and I did actually throw up in front of many drawings. I tremble all over in front of each picture-poem and before every action I would swallow a jar of pressed vine vermin. Time and again I strove for a kind of non-art, and time and again I failed, like a chimpanzee wanting to throw away a banana without peeling it. My disgust at producing art naturally atracted collectors, and ocassionaly photographers.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 238 (2002)

Art, Feeling, Nature, Time

“I mean, the official definition of Surrealism is to make a work automatically without a priori aesthetic or moral conditions, which is exactly what we do [artist in New York School / Abstract Expressionism]. At the same time Surrealism was an assault, - with a few exceptions: Giacometti, Arp and Miro - on the 'purity' of painting. I mean mean, on making painting - means themselves speak, without reliance on literature; and that second insistence of Surrealism, Americans really rejected. So that historically.... Abstract Expressionism is in part, I think, a fusion of certain Surrealist means, above all plastic 'automatism' with the Cubist's insistence that the picture speaks as a picture in strictly pictorial language.”

Robert Motherwell (1915–1991) American artist

first published in 'Metro', 1962; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 82
1960s, Interview with David Sylvester', (1960)

School, Literature, Thinking, Time

“Yet even though that picture is dark and darkening, there is one factor which has not yet been injected. I do not know whether it will be tomorrow, or next year, or in five years; but it will come. That factor is firearms and explosives. With communities which are so divided nothing can prevent the injection of explosives which we know perfectly well from experience in other parts of the United Kingdom and the world. At first there will be horrified astonishment, and inquiry as to what we have done wrong that such things should be happening. Then there will be feverish endeavour to find methods to allay the supposed grievances which lie behind the violence. Then follows exploitation by those who use violence of the ascendancy they have thus gained over the majority and over authority. The thing goes forward, acting and reacting, until a position is reached in which—I shall dare say it—compared with those areas, Belfast today will seem an enviable place.”

Enoch Powell (1912–1998) British politician

Speech http://hansard.millbanksystems.com/commons/1976/may/24/immigration-and-emigration in the House of Commons (24 May 1976) on the consequences of immigration. 1970s

Lie, World, Communication, Parting

“As I sit at my desk, I know where I am. I see before me a window; beyond that some trees; beyond that the red roofs of the campus of Stanford University; beyond them the trees and the roof tops which mark the town of Palo Alto; beyond them the bare golden hills of the Hamilton Range… beyond that other mountains, range upon range, until we come to the Rockies; beyond that the Great Plains and the Mississippi; beyond that the Alleghenies; beyond that the eastern seaboard; beyond that the Atlantic Ocean; beyond that is Europe; beyond that is Asia. I know, furthermore, that if I go far enough I will come back to where I am now. In other words, I have a picture of the earth as round. I visualize it as a globe. I am a little hazy on some of the details… I probably could not draw a very good map of Indonesia, but I have a fair idea where everything is located on the face of this globe. Looking further, I visualize the globe as a small speck circling around a bright star which is the sun, in the company of many other similar specks, the planets. Looking still further, I see our star the sun as a member of millions upon millions of others in the Galaxy. Looking still further, I visualize the Galaxy as one of millions upon millions of others in the universe.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Image: Knowledge in Life and Society, 1956, p. 3 Introduction

Mountain, Star, Idea, Tree

“Modern positivism…expresses criticism against the naïve use of certain terms… by the general postulate that the question whether a given sentence has any meaning… should always be thoroughly and critically examined. This… is derived from mathematical logic. The procedure of natural science is pictured as an attachment of symbols to the phenomena. The symbols can, as in mathematics, be combined according to certain rules… However, a combination of symbols that does not comply with the rules is not wrong but conveys no meaning.
The obvious difficulty in this argument is the lack of any general criterion as to when a sentence should be considered meaningless. A definite decision is possible only when the sentence belongs to a closed system of concepts and axioms, which in the development of natural science will be rather the exception than the rule. In some case the conjecture that a certain sentence is meaningless has historically led to important progress… new connections which would have been impossible if the sentence had a meaning. An example… sentence: "In which orbit does the electron move around the nucleus?"”

Werner Heisenberg (1901–1976) German theoretical physicist

But generally the positivistic scheme taken from mathematical logic is too narrow in a description of nature which necessarily uses words and concepts that are only vaguely defined.
Physics and Philosophy (1958)

Mathematics, Question, Nature, Decision

“one day [c. 1905-07], Kirchner brought with him a volume from some bookstore with pictures of Meier-Graefe about the modern French artists. We were enthralled.”

Fritz Bleyl (1880–1966) German artist

Fritz Bleyl, as quoted in: Brücke' Zeichnungen, Aquarelle, Druckgraphik, Magdalena M. Moeller; Verlag Gerd Hatje, Stuttgart 1992, p. 14; as quoted by Louise Albiez https://www.researchgate.net/publication/272168564Claire (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May, 2013 p. 8

“You're gonna be pleasing each other, and if he already knows what pleases him, and he's gonna please himself, then why am I in the picture?”

Christine O'Donnell (1969) American Tea Party politician and former Republican Party candidate

1996
Television
IX: The Safest Sex of All
Sex in the 90s
MTV
Jill
Rayfield
Christine O'Donnell's 1996 Anti-Masturbation Campaign On MTV's 'Sex In The 90s' (VIDEO)
Talking Points Memo
2010-09-14
http://tpmdc.talkingpointsmemo.com/2010/09/christine-odonnells-1996-anti-masturbation-campaign-on-mtvs-sex-in-the-90s.php
2010-10-20
2010-09-20
Profile: Christine O'Donnell, Delaware Senate candidate
BBC
http://www.bbc.co.uk/news/world-us-canada-11378369
2010-10-20
TV appearances

“Despite the bare butts and crude sex jokes -- or because of them -- this Adam Sandler vehicle addresses some of the biggest political problems of our time. … At the very least, it's got to be the first picture to use smelly-feet jokes as a means of parsing the Israeli-Palestinian conflict. But more than that, it's a mainstream movie that dares to make jokes about the kinds of complex political realities that most of us don't dare bring up at dinner parties.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/review/2008/06/06/zohan/ of You Don't Mess with the Zohan (2008)

Sex, Problem, Reality, Time

“To my friends pictured within.”

Edward Elgar (1857–1934) English composer

Dedication to the Enigma Variations (1899).

“His formidable originality within the picture-book convention may not have been altogether apparent to Keeping himself, which is both a strength and a weakness: the strength that he could communicate with unrivalled emotional intensity — but possibly only with one child in twenty; the concomitant weakness is that there was not a lot he could do to broaden this minority appeal and ensure that his books remained in print over longer periods. ~ Douglas Martin in Charles Keeping: an illustrator's life (1993) he is a good auther”

Charles Keeping (1924–1988) British illustrator and children's writer

Life, Books, Communication

“I had just had an operation, I was totally bored and so I just took my camera and took some pictures of myself. Out of boredom. I only realised afterwards that this work was something special. Taking photos in the clinic and publishing them in a catalogue.... it suddenly took on a kind of seriousness. Everyone's scared of clinics, and no-one wants to see what a clinic looks like from the inside. Well not really. And everyone's a bit scared of having to go there themselves. And there I was in there. And I stand by it. And I used the clinic as a studio and started taking photos. And then I felt better. Just because it let me do something.”

Isa Genzken (1948) German sculptor

2001 - 2010, Isa Genzken in conversation with Wolfgang Tillmans' (2003)

Photo

“Now let's make this an evening
Lovers for a night, lovers for tonight.
Stay here with me, love, tonight.
Just for an evening
When we make
Our passion pictures.
You and me twist up,
Secret creatures.
And we'll stay here.
Tomorrow go back to being friends.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Say Goodbye
Crash (1996)

Love, Secret, Lovers, Passion

“There are two sides of war. There is a side that fights, and there is a side that keeps the schools and the factories and the hospitals open. There is a side that is focused on winning battles, and there is a side that is focused on winning life. There is a side that leads the front-line discussion, and there is a side that leads the back-line discussion. There is a side that thinks that peace is the end of fighting, and there is a side that thinks that peace is the arrival of schools and jobs. There is a side that is led by men, and there is a side that is led by women. And in order for us to understand how do we build lasting peace, we must understand war and peace from both sides. We must have a full picture of what that means.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

Life, Women, Men, War

“Actually I despise royalty. I always have done. It's fairy story nonsense. The very idea of their existence in these days when people are dying daily because they don't have enough money to operate one's radiator in the house, to me is immoral. As far as I can see, money spent on royalty is money burnt. I've never met anyone who supports royalty, and believe me I've searched. Okay, so there's some deaf and elderly pensioner in Hartlepool who has pictures of Prince Edward pinned on the toilet seat, but I know streams of people who can't wait to get rid of them. It's a false devotion anyway. I think it's fascist and very, very cruel. To me there's something dramatically ugly about a person who can wear a dress for £6,000 when at the same time there are people who can't afford to eat. When she puts on that dress for £6,000 the statement she is making to the nation is: "I am the fantastically gifted royalty, and you are the snivelling peasants."”

Morrissey (1959) English singer

The very idea that people would be interested in the facts about this dress is massively insulting to the human race.
from "This Charming Man", interview by Simon Garfield, Timeout March 1985
In interviews etc., About politics and society

Money, People, Search, Idea

“That Kitty was capable of any deep grief was unbelievable. He had gradually grown to think of her as something unapproachable and callous. She would get a divorce, of course, and eventually she would marry again. He began to consider this. Whom would she marry? He laughed bitterly, stopped; a picture flashed before him — of Kitty's arms around some man whose face he could not see, of Kitty's lips pressed close to other lips in what was surely: passion.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

"The Lees of Happiness"
Quoted, Tales of the Jazz Age (1922)

Thinking, Passion

“I don’t care if you call it AO for Adults Only, or Chopped Liver or Father Goose. Your movie will still have the stigma of being in a category that’s going to be inhabited by the very worst of pictures.”

Jack Valenti (1921–2007) President of the MPAA

On changing the un-trademarked "X" rating to an "A" for Adults; it was eventually changed to the trademarked "NC-17". The New York Times (5 March 1987)

“The final truth about a phenomenon resides in the mathematical description of it; so long as there is no imperfection in this, our knowledge of the phenomenon is complete. We go beyond the mathematical formula at our own risk; we may find a model or a picture which helps us understand it, but we have no right to expect this, and our failure to find such a model or picture need not indicate that either our reasoning or our knowledge is at fault. The making of models or pictures to explain mathematical formulas and the phenomena they describe is not a step towards, but a step away from reality; it is like making a graven image of a spirit.”

James Jeans book The Mysterious Universe

The Mysterious Universe (1930)

Truth, Mathematics, Failure, Understanding

“Men are now beginning their careers as directors by working on commercials — which, if one cares to speculate on it, may be almost a one-sentence résumé of the future of American motion pictures.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Men, Future

“On seeing an ultrasound picture- It was an awkward situation because she was happy with it. I was like 'Oh God'. It was an odd looking thing. I couldn't say 'Oh, it looks like you' because that would be a dis.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 2 Episode 2
On Medicine

God, Happiness

“I heard the comments of the crowd in front of the painting of 'Burial at Ornans', I had the courage to read the nonsense that was printed regarding this picture and I wrote this article.. [in Le Messager de l'Assemblée]”

Gustave Courbet (1819–1877) French painter

Quote from an article in 'Le Messager de l'Assemblée' (25th & 26th February 1851); as cited in 'Posterity', Musée-dOrsay http://www.musee-orsay.fr/en/collections/courbet-dossier/biography.html 1840s - 1850s

Courage, Reading, Painting

“… one morning, when it was barely light, I woke up because of a golden light that filled the whole wall above my bed, and I saw something like a picture of the Holy Virgin, surrounded by several other personages … and several angels, some of whom were as big as she, while others were like little children. It was like a tableau, and yet the Holy Virgin was alive, in heaven, and the angels were changing position. I believe this lasted for a very long time. I looked, as if praying without words, and I was struck with amazement; I had never seen anything so beautiful. At the beginning, all of the light was like very vibrant gold; it faded little by little, and, as it faded, the face and the hands of the Holy Virgin became more alive and clearer. I was not frightened in the least but filled with a new joy that was both intense and very sweet.”

Adrienne von Speyr (1902–1967) Swiss doctor and mystic

The vision of Mary, p. 166
My Early Years (1968)

Children, Beauty, Angels, Light

“The metaphysical forms which compose our futurist pictures are the result of realities conceived and realities created entirely by the artist. These last are inspired by the emotion or intuition and dependent on atmosphere-ambience.”

Gino Severini (1883–1966) Italian painter

Quote of Severine 1913, from the opening paragraphs of his text 'Art du fantastique dans le sacre', as cited in Gino Severini Ecrits sur l'art, (1913-1962), with a preface by Serge Fauchereau, (Paris: Editions Cercle d'Art, 1987), p. 47
Severini opens 'Art du fantastique' with a theoretical explanation of the concept, form and content of a Futurist work

Reality, Dependency