Quotes about paradise
page 4

Frédéric Bazille photo

“This country [landscape around Honfleur, where Bazille was painting with Monet, circa 1864] is paradise. Nowhere could you find more lush fields with more beautiful trees. Cows and horses roam freely everywhere.”

Frédéric Bazille (1841–1870) French painter

Quote from Bazille's letter to his mother, c. 1864; as quoted in Frédéric Bazille and early Impressionism, Marandel, Daulte et al. p. 166
1861 - 1865

Riaz Ahmed Gohar Shahi photo
Emil M. Cioran photo
Fyodor Dostoyevsky photo
Hermann Hesse photo
Aldous Huxley photo
Amir Taheri photo
Jim Steinman photo

“Though it's cold and lonely in the deep dark night
I can see paradise by the dashboard light.”

Jim Steinman (1947) American musician

Bat out of Hell (1977), Paradise by the Dashboard Light

Robert G. Ingersoll photo
Joseph Campbell photo
Toby Keith photo
Dave Barry photo

“Lack of verifiability was a paranoiac’s playground paradise.”

Source: From the Notebooks of Dr. Brain (2007), Chapter 7 “Who Are You, Really? Secret Origins and Secret Shames” (p. 192)

Britney Spears photo
Henri-Frédéric Amiel photo
Julius Streicher photo

“A moment ago a deputy of the communist party pleaded for the abortion of developing life. … In Russia there has been a soviet rule for ten years already. … Where is the promised paradise after these ten years? Where is the foretold happiness? Is that supposed to be the happiness that in Russia the abortion has been legalized?”

Julius Streicher (1885–1946) German politician

Vorhin ist eine Abgeordnete der Kommunistischen Partei in ihrer Rede für die Abtreibung des keimenden Lebens eingetreten. … In Rußland besteht seit zehn Jahren die Sowjetherrschaft. … Wo ist nach diesen zehn Jahren das vielgepriesene Paradies geblieben? Wo ist das verheißene Glück? Besteht vielleicht das Glück darin, daß in Rußland die Möglichkeit der Abtreibung zum Gesetz erhoben wurde?
02/22/1929, speech in the Bavarian regional parliament ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

Marino Marini photo
Samuel Taylor Coleridge photo

“If a man could pass through Paradise in a dream, and have a flower presented to him as a pledge that his soul had really been there, and if he found that flower in his hand when he awake — Aye! and what then?”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

"Anima Poetæ : From the Unpublished Note-books of Samuel Taylor Coleridge" (1895) edited by Ernest Hartley Coleridge, p. 238

Edward FitzGerald photo
Thomas Buchanan Read photo

“With dreamful eyes
My spirit lies
Under the walls of Paradise.”

Thomas Buchanan Read (1822–1872) American artist

Drifting.

Wolfram von Eschenbach photo

“Upon a green achmardi she bore the consummation of heart’s desire, its root and its blossoming – a thing called "The Gral", paradisal, transcending all earthly perfection! She whom the Gral suffered to carry itself had the name of Repanse de Schoye. Such was the nature of the Gral that she who had the care of it was required to be of perfect chastity and to have renounced all things false.”

Ûf einem grüenen achmardî
truoc si den wunsch von pardîs,
bêde wurzeln unde rîs.
daz was ein dinc, daz hiez der Grâl,
erden wunsches überwal.
Repanse de schoy si hiez,
die sich der grâl tragen liez.
der grâl was von sölher art:
wol muoser kiusche sîn bewart,
die sîn ze rehte solde pflegn:
die muose valsches sich bewegn.
Bk. 5, st. 235, line 20; p. 125.
Parzival

“I know lots of people like Albert. I might be like him myself. He was a hopeless romantic, he lived on anticipation. He was always yearning for the next thing. He was always envisioning some wonderful life with somebody else, while grimly enduring life with the woman he was with. If I think about it, I would say that that was kind of the key to his psychology, that he had the lure of the perfect situation, the perfect person. Of course if you're Einstein, you want everything that you want your way and then you want to be left alone. So you want love, and you want affection, you want a good meal, but then you don't want any interference outside of that, so you don't want any obligations interfering with your life, with your work. Which is a difficult stance to maintain in an adult relationship; it doesn't work. Everything has to be a give and take.
Einstein always felt Paradise was just around the corner, but as soon as he got there, it started looking a little shabby and something better appeared. I've known a lot of people like Albert in my time, I have felt lots of shocks of recognition. I feel like I got to know Albert as a person in the course of this, and I have more respect for him as a physicist than I did when I started, I have more a sense of what he accomplished and how hard it really was to be Einstein than I did before. It's a great relief to be able to think of him as a real person. If he was around I'd love to buy him a beer ….. but I don't know if I'd introduce him to my sister.”

Dennis Overbye (1944) American writer

On Albert Einstein, in Sex and Physics : A Talk with Dennis Overbye (2001) http://www.edge.org/3rd_culture/overbye/overbye_print.html

Franz Kafka photo

“Why do we complain about the Fall? It is not on its account that we were expelled from Paradise, but on account of the Tree of Life, lest we might eat of it.”

82, a slight variant of this was later published in Parables and Paradoxes (1946):
Why do we lament over the fall of man? We were not driven out of Paradise because of it, but because of the Tree of Life, that we might not eat of it.
"Paradise"
The Zürau Aphorisms (1917 - 1918)

Richard Henry Stoddard photo
Conrad Black photo
Zakir Hussain (politician) photo
Muhammad photo
William Ralph Inge photo

“When our first parents were driven out of Paradise, Adam is believed to have remarked to Eve: "My dear, we live in an age of transition."”

William Ralph Inge (1860–1954) Dean of St Pauls

Assessments and Anticipations http://books.google.com/books?id=87AxAAAAMAAJ&q="When+our+first+parents+were+driven+out+of+Paradise+Adam+is+believed+to+have+remarked+to+Eve+My+dear+we+live+in+an+age+of+transition"&pg=PA261#v=onepage (1929), p. 261

Ezra Pound photo

“With usura hath no man a house of good stone
each block cut smooth and well fitting
[…]
with usura
hath no man a painted paradise on his church wall
[…]
no picture is made to endure nor to live with
but it is made to sell and sell quickly”

Canto XLV
Regarding usura, in 1972 Pound wrote in the foreword to "Selected Prose, 1909-1965":
<blockquote>"re USURY
I was out of focus, taking a symptom for a cause.
The cause is AVARICE."</blockquote>
The Cantos

Báb photo
Muhammad photo

“Never desire war but pray to Allah for peace and security. And when you are (forced) to fight the enemy, fight with steadfastness and know that Paradise is under the shadow of swords.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyadh us Saleheen, as quoted in Muhammad As a Military Leader, Afzalur Rahman
Sunni Hadith

Steve Kilbey photo
Jean Paul Sartre photo

“The anti‐Semite understands nothing about modern society. He would be incapable of conceiving of a constructive plan; his action cannot reach the level of the methodical; it remains on the ground of passion. To a long‐term enterprise he prefers an explosion of rage analogous to the running amuck of the Malays. His intellectual activity is confined to interpretation; he seeks in historical events the signs of the presence of an evil power. Out of this spring those childish and elaborate fabrications which give him his resemblance to the extreme paranoiacs. In addition, anti‐Semitism channels evolutionary drives toward the destruction of certain men, not of institutions. An anti‐Semitic mob will consider it has done enough when it has massacred some Jews and burned a few synagogues. It represents, therefore, a safety valve for the owning classes, who encourage it and thus substitute for a dangerous hate against their regime a beneficent hate against particular people. Above all this naive dualism is eminently reassuring to he anti‐Semite himself. If all he has to do is to remove Evil, that means that the Good is already given. He has no need to seek it in anguish, to invent it, to scrutinize it patiently when he has found it, to prove it in action, to verify it by its consequences, or, finally, to shoulder he responsibilities of the moral choice be has made. It is not by chance that the great outbursts of anti‐Semitic rage conceal a basic optimism. The anti‐Semite as cast his lot for Evil so as not to have to cast his lot for Good. The more one is absorbed in fighting Evil, he less one is tempted to place the Good in question. One does not need to talk about it, yet it is always understood in the discourse of the anti‐Semite and it remains understood in his thought. When he has fulfilled his mission as holy destroyer, the Lost Paradise will reconstitute itself. For the moment so many tasks confront the anti‐Semite that he does not have time to think about it. He is in the breach, fighting, and each of his outbursts of rage is a pretext to avoid the anguished search for the Good.”

Pages 31-32
Anti-Semite and Jew (1945)

Neil Kinnock photo
Muhammad photo
Kage Baker photo
André Gide photo

“The abominable effort to take one’s sins with one to paradise.”

André Gide (1869–1951) French novelist and essayist

Detached Pages, entry for 1913
Journals 1889-1949

Jordan Peterson photo
Muhammad photo

“He who builds a masjid in the way of Allah, God will build a house for him in the paradise.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Sahih Muslim, Nr. 828; muslim-canada.org http://muslim-canada.org/sayingsabubakr.html
Sunni Hadith

George William Russell photo

“The life which passes mourns its wasted hour.
And, ah, to think how thin the veil that lies
Between the pain of hell and paradise!”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Ayaan Hirsi Ali photo
Robert Burton photo

“England is a paradise for women and hell for horses; Italy a paradise for horses, hell for women, as the diverb goes.”

Section 3, member 1, subsection 2.
The Anatomy of Melancholy (1621), Part III

Johannes Tauler photo
Robert Owen photo

“He who makes a paradise of his bread makes a hell of his hunger.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Quien hace un paraíso de un pan, de su hambre hace un infierno.
Voces (1943)

Mark Rothko photo
Salman Rushdie photo
Bernard Mandeville photo
Joni Mitchell photo

“They paved paradise
And put up a parking lot
With a pink hotel, a boutique
and a swinging hot spot.”

Joni Mitchell (1943) Canadian musician

"Big Yellow Taxi"
Songs

Báb photo
Muhammad photo
Richard Dawkins photo
Enoch Powell photo

“A thousand years a poor man watched
Before the gate of Paradise:
But while one little nap he snatched,
It oped and shut. Ah! was he wise?”

William R. Alger (1822–1905) American clergyman and poet

"Swift Opportunity", p. 281.
Poetry of the Orient, 1893 edition

Friedensreich Hundertwasser photo

“This sentence also occurs in Hundertwasser's manifesto "On the Paradise Destroyed by the Straight Line" (1985).”

Friedensreich Hundertwasser (1928–2000) Austrian artist

:
Mould Manifesto against Rationalism in Architecture (1958)

George Crabbe photo

“In this fool's paradise he drank delight.”

George Crabbe (1754–1832) English poet, surgeon, and clergyman

The Borough (1810), Letter xii, "Players".

John Fante photo
Bruce Baillie photo

“The Angel was in the earth, and she led me to fix my eyes in Heaven. - And the remnants of the world were renewed by children and it was called Paradise.”

Bruce Baillie (1931) American film director

Cited In Private Correspondence To Bruce Baillie's student, the abstract 16mm motion-picture maker, Douglas Graves("Palms")

Charlotte Brontë photo
Ann Druyan photo
John Lancaster Spalding photo

“The happiness of the ignorant is but an animal’s paradise.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 199

Chuck Palahniuk photo
Thomas Moore photo

“Paradise itself were dim
And joyless, if not shared with him!”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

Part VI.
Lalla Rookh http://www.columbia.edu/itc/mealac/pritchett/00generallinks/lallarookh/index.html (1817), Part V-VIII: The Fire-Worshippers

Alexander Stepanov photo
John Adams photo
Jack Vance photo
Subhash Kak photo

“The best paradise is the paradise we are exiled from.”

Subhash Kak (1947) Indian computer scientist

The Secrets of Ishbar (1996)

Thae Yong-ho photo
Ruhollah Khomeini photo

“Islam makes it incumbent on all adult males, provided they are not disabled or incapacitated, to prepare themselves for the conquest of [other] countries so that the writ of Islam is obeyed in every country in the world.... But those who study Islamic Holy War will understand why Islam wants to conquer the whole world.... Those who know nothing of Islam pretend that Islam counsels against war. Those [who say this] are witless. Islam says: Kill all the unbelievers just as they would kill you all! Does this mean that Muslims should sit back until they are devoured by [the unbelievers]? Islam says: Kill them [the non-Muslims], put them to the sword and scatter [their armies]. Does this mean sitting back until [non-Muslims] overcome us? Islam says: Kill in the service of Allah those who may want to kill you! Does this mean that we should surrender [to the enemy]? Islam says: Whatever good there is exists thanks to the sword and in the shadow of the sword! People cannot be made obedient except with the sword! The sword is the key to Paradise, which can be opened only for the Holy Warriors! There are hundreds of other [Qur'anic] psalms and Hadiths [sayings of the Prophet] urging Muslims to value war and to fight. Does all this mean that Islam is a religion that prevents men from waging war? I spit upon those foolish souls who make such a claim.”

Ruhollah Khomeini (1902–1989) Religious leader, politician

As quoted in Holy Terror: Inside the World of Islamic Terrorism (1987) by Amir Taheri, pp. 241-3.
Disputed

Kate Bush photo

“Who said anything about it hurting?
It's gonna be beautiful
It's gonna be wonderful
It's gonna be paradise.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

“When we look at the age in which we live—no matter what age it happens to be—it is hard for us not to be depressed by it. The taste of the age is, always, a bitter one. “What kind of a time is this when one must envy the dead and buried!” said Goethe about his age; yet Matthew Arnold would have traded his own time for Goethe’s almost as willingly as he would have traded his own self for Goethe’s. How often, after a long day witnessing elementary education, School Inspector Arnold came home, sank into what I hope was a Morris chair, looked ’round him at the Age of Victoria, that Indian Summer of the Western World, and gave way to a wistful, exacting, articulate despair!
Do people feel this way because our time is worse than Arnold’s, and Arnold’s than Goethe’s, and so on back to Paradise? Or because forbidden fruits—the fruits forbidden to us by time—are always the sweetest? Or because we can never compare our own age with an earlier age, but only with books about that age?
We say that somebody doesn’t know what he is missing; Arnold, pretty plainly, didn’t know what he was having. The people who live in a Golden Age usually go around complaining how yellow everything looks. Maybe we too are living in a Golden or, anyway, Gold-Plated Age, and the people of the future will look back at us and say ruefully: “We never had it so good.” And yet the thought that they will say this isn’t as reassuring as it might be. We can see that Goethe’s and Arnold’s ages weren’t as bad as Goethe and Arnold thought them: after all, they produced Goethe and Arnold. In the same way, our times may not be as bad as we think them: after all, they have produced us. Yet this too is a thought that isn’t as reassuring as it might be.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”. pp. 16–17; opening
A Sad Heart at the Supermarket: Essays & Fables (1962)

Jimmy Buffett photo
Omar Khayyám photo
Amir Khusrow photo

“They pursued die enemy to the gates and set everything on fire. They burnt down all those gardens and groves. That paradise of idol-worshippers became like hell. The fire-worshippers of Bud were in alarm and flocked round their idols…”

Amir Khusrow (1253–1325) Indian poet, writer, musician and scholar

About Sultan Mubarak Shah Khalji (AD 1316-1320) in Warrangal (Andhra Pradesh) Elliot and Dowson, History of India as told by its own Historians,Vol. III, p. 559
Nuh Siphir

Stevie Wonder photo
Northrop Frye photo
Henry Clay Trumbull photo
Francesco Maria Molza photo

“Yet will the loved one’s gentle smile suffice
To ope the door of Paradise,
And turn to joy our dark and cruel lot.”

Francesco Maria Molza (1489–1544) Italian poet

Canzone IV. Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 256.
Original: (Ma) bene a forza il caro e dolce riso
Scoprir il Paradiso
E far lieta fortuna d’atra e dura.

Henry Van Dyke photo
Walther von der Vogelweide photo

“To me, the gate of paradise is shut.
I stand an orphan there, locked out;
however much I knock, it's all in vain.”

Walther von der Vogelweide (1170–1230) Middle High German lyric poet

Mir ist verspert der sælden tor
dâ stên ich als ein weise vor
mich hilfet niht swaz ich dar an geklopfe.
"Mir ist verspert der sælden tor", line 1; translation by Tim Chilcott. http://colecizj.easyvserver.com/pgvb3901.htm

Muhammad al-Baqir photo
John Keble photo

“T is sweet, as year by year we lose
Friends out of sight, in faith to muse
How grows in Paradise our store.”

John Keble (1792–1866) English churchman and poet, a leader of the Oxford Movement

Burial of the Dead reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Aron Ra photo
James Branch Cabell photo

“If we assiduously cultivate our powers of exaggeration, perhaps we, too, shall obtain the Paradise of Liars.”

James Branch Cabell (1879–1958) American author

"On Telling the Truth" in William and Mary College Monthly (November 1897), VII, p. 53-55
Context: If we assiduously cultivate our powers of exaggeration, perhaps we, too, shall obtain the Paradise of Liars. And there Raphael shall paint for us scores and scores of his manifestly impossible pictures … and Shakespeare will lie to us of fabulous islands far past 'the still-vex'd Bermoothes,' and bring us fresh tales from the coast of Bohemia. For no one will speak the truth there, and we shall all be perfectly happy.

Gustave Moreau photo

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 ·  Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

Joaquin Miller photo

“I only saw her as she pass'd —
A great, sad beauty, in whose eyes
Lay all the loves of Paradise.”

Joaquin Miller (1837–1913) American judge

IV, p. 25.
The Ship in the Desert (1875)
Context: I only saw her as she pass'd —
A great, sad beauty, in whose eyes
Lay all the loves of Paradise....
You shall not know her — she who sat
Unconscious in my heart all time
I dream'd and wove this wayward rhyme,
And loved and did not blush thereat.

Simone de Beauvoir photo

“If it came to be that each man did what he must, existence would be saved in each one without there being any need of dreaming of a paradise where all would be reconciled in death.”

Conclusion
The Ethics of Ambiguity (1947)
Context: In Plato, art is mystification because there is the heaven of Ideas; but in the earthly domain all glorification of the earth is true as soon as it is realized. Let men attach value to words, forms, colors, mathematical theorems, physical laws, and athletic prowess; let them accord value to one another in love and friendship, and the objects, the events, and the men immediately have this value; they have it absolutely. It is possible that a man may refuse to love anything on earth; he will prove this refusal and he will carry it out by suicide. If he lives, the reason is that, whatever he may say, there still remains in him some attachment to existence; his life will be commensurate with this attachment; it will justify itself to the extent that it genuinely justifies the world.
This justification, though open upon the entire universe through time and space, will always be finite. Whatever one may do, one never realizes anything but a limited work, like existence itself which tries to establish itself through that work and which death also limits. It is the assertion of our finiteness which doubtless gives the doctrine which we have just evoked its austerity and, in some eyes, its sadness. As soon as one considers a system abstractly and theoretically, one puts himself, in effect, on the plane of the universal, thus, of the infinite. … existentialism does not offer to the reader the consolations of an abstract evasion: existentialism proposes no evasion. On the contrary, its ethics is experienced in the truth of life, and it then appears as the only proposition of salvation which one can address to men. Taking on its own account Descartes’ revolt against the evil genius, the pride of the thinking reed in the face of the universe which crushes him, it asserts that, despite his limits, through them, it is up to each one to fulfill his existence as an absolute. Regardless of the staggering dimensions of the world about us, the density of our ignorance, the risks of catastrophes to come, and our individual weakness within the immense collectivity, the fact remains that we are absolutely free today if we choose to will our existence in its finiteness, a finiteness which is open on the infinite. And in fact, any man who has known real loves, real revolts, real desires, and real will knows quite well that he has no need of any outside guarantee to be sure of his goals; their certitude comes from his own drive. There is a very old saying which goes: “Do what you must, come what may.” That amounts to saying in a different way that the result is not external to the good will which fulfills itself in aiming at it. If it came to be that each man did what he must, existence would be saved in each one without there being any need of dreaming of a paradise where all would be reconciled in death.

James Anthony Froude photo

“The conviction of the martyr that the stake is the gate of Paradise, diminishes the dignity of the suffering in proportion to its strength. If it be absolute certainty, the trial is absolutely nothing.”

Fragments of Markham's notes
The Nemesis of Faith (1849)
Context: The conviction of the martyr that the stake is the gate of Paradise, diminishes the dignity of the suffering in proportion to its strength. If it be absolute certainty, the trial is absolutely nothing. And that all-wise Being who knew all, who himself willed, erected, determined all, what could the worst earthly suffering he to him to whom all the gates which close our knowledge were shining crystal? What trial, what difficulty was it all to him? His temptation is a mockery. His patience, meekness, humility, it is but trifling with words, unless he was a man, and but a man.
And yet what does it not say on the other side for mankind, that the life of one good man, which had nothing, nothing but its goodness to recommend it, should have struck so deep into the heart of the race that for eighteen hundred years they have seen in that life something so far above them that they will not claim a kindred origin with him who lived it. And while they have scarcely bettered in their own practice, yet stand, and ever since have stood, self-condemned, in acknowledging in spite of themselves that such goodness alone is divine.

Yevgeny Zamyatin photo
Alan Watts photo

“Now it is symptomatic of our rusty-beer-can type of sanity that our culture produces very few magical objects. Jewelry is slick and uninteresting. Architecture is almost totally bereft of exuberance, obsessed with erecting glass boxes. Children's books are written by serious ladies with three names and no imagination, and as for comics, have you ever looked at the furniture in Dagwood's home? The potentially magical ceremonies of the Catholic Church are either gabbled away at top speed, or rationalized with the aid of a commentator. Drama or ritual in everyday behavior is considered affectation and bad form, and manners have become indistinguishable from manerisms—where they exist at all. We produce nothing comparable to the great Oriental carpets, Persian glass, tiles, and illuminated books, Arabian leatherwork, Spanish marquetry, Hindu textiles, Chinese porcelain and embroidery, Japanese lacquer and brocade, French tapestries, or Inca jewelry. (Though, incidentally, there are certain rather small electronic devices that come unwittingly close to fine jewels.)
The reason is not just that we are too much in a hurry and have no sense of the present; not just that we cannot afford the type of labor that such things would now involve, nor just that we prefer money to materials. The reason is that we have scrubbed the world clean of magic. We have lost even the vision of paradise, so that our artists and craftsmen can no longer discern its forms. This is the price that must be paid for attempting to control the world from the standpoint of an "I" for whom everything that can be experienced is a foreign object and a nothing-but.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 84-85