Quotes about pace
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Tim Curry photo
Hafsat Abiola photo
Evelyn Waugh photo
Alvin Toffler photo

“If industrialism, with its faster pace of life, has accelerated the family cycle, super-industrialism now threatens to smash it altogether.”

Future Shock (1970), ch. 11 http://books.google.com/books?id=p1t2SOENHWYC&q=%22with+its+faster+pace+of+life+has+accelerated+the+family+cycle+super+industrialism+now+threatens+to+smash+it+altogether%22&pg=PA258#v=snippet

Fred Astaire photo
Michelle Obama photo
Thomas De Witt Talmage photo

“If your path had been smooth, you would have depended upon your own surefootedness; but God roughened the path, so you have to take hold of His hand. If the weather had been mild, you would have loitered along the watercourses, but at the first howl of the storm you quickened your pace heavenward and wrapped around you the warm robe of Saviour’s righteousness.”

Thomas De Witt Talmage (1832–1902) American Presbyterian preacher, clergyman and reformer during the mid-to late 19th century.

Thomas De Witt Talmage (1832-1902), The Pathway of Life, New York: The Christian Herald, 1894 p 100.
The Pathway of Life, New York: The Christian Herald, 1894

Carl Sagan photo
Winston S. Churchill photo
Joni Madraiwiwi photo

“However social integration cannot be forced and not proceed at the pace that the community considers uncomfortable.”

Joni Madraiwiwi (1957–2016) Fijian politician

Opening address to the Commonwealth Parliamentary Association conference in Nadi, 6 September 2005.

Nick Drake photo

“The world hums on at its breakneck pace;
People fly in their lifelong race.
For them there's a future to find,
But I think they're leaving me behind.”

Nick Drake (1948–1974) British singer-songwriter

Leaving Me Behind, appeared on Family Tree (2007)
Song lyrics

Aron Ra photo
Gustavo Gutiérrez photo
Zail Singh photo
John Davidson photo

“Farewell the hope that mocked, farewell despair
That went before me still and made the pace.
The earth is full of graves, and mine was there
Before my life began; my resting-place.”

John Davidson (1857–1909) Scottish poet

"The Last Journey", from The Testament of dick peter (London: Grant Richards, 1908) p. 146

Pauline Kael photo
Ward Cunningham photo
Statius photo

“To stand still is torture; a thousand paces are wasted before the start, the heavy hoof strikes the absent flat.”
Stare adeo miserum est, pereunt vestigia mille ante fugam, absentemque ferit grauis ungula campum.

Source: Thebaid, Book VI, Line 400

Christopher Hitchens photo
Frederick Douglass photo

“If you can read this sign, you can get a good job in the fast-paced, high-paying world of Latin!”
Si hoc signum legere potes, operis boni in rebus Latinis alacribus et fructuosis potiri potes!

Latin for All Occasions (1990)

Daniel Dennett photo
Annie Besant photo
John Adams photo
Norman Tebbit photo
Julian Schwinger photo
Samuel Butler photo

“Nothing is so cruel as to try and force a man beyond his natural pace.”

Samuel Butler (1835–1902) novelist

Capping a Success
The Note-Books of Samuel Butler (1912), Part X - The Position of a HomoUnius Libri

“And Thee, across the harbor, silver-paced
As though the sun took step of thee, yet left
Some motion ever unspent in thy stride,
Implicitly thy freedom staying thee!”

The Bridge. In The Norton Anthology of Modern Poetry, by Richard Ellmann and Robert O'Clair (1988)

Nelson Mandela photo

“I did not enjoy the violence of boxing so much as the science of it. I was intrigued by how one moved one's body to protect oneself, how one used a strategy both to attack and retreat, how one paced oneself over a match.”

Nelson Mandela (1918–2013) President of South Africa, anti-apartheid activist

Nelson Mandela in his autobiography, as quoted by Keegan Hamilton in the Grantland blog entry "Remembering Mandela, the Boxer" (December 6, 2013) http://grantland.com/the-triangle/remembering-mandela-the-boxer/
2000s

Venus Williams photo
Edward Hirsch photo

“The line is a way of thinking in poetry, by poetry.. it paces the poem.”

Edward Hirsch (1950)

'Five points' vol 4 no 2 Georgia State University Press Winter 2000

Hans von Bülow photo
Stephen Crane photo
André Breton photo
Edward St. Aubyn photo
André Maurois photo
John Salley photo
Francis Thompson photo
Edgar Rice Burroughs photo
Norbert Wiener photo
Peter Sloterdijk photo
Chris Carrabba photo
Malala Yousafzai photo

“On my way from school to home I heard a man saying “I will kill you.” I hastened my pace and after a while I looked back if the man was still coming behind me. But to my utter relief he was talking on his mobile and must have been threatening someone else over the phone.”

Malala Yousafzai (1997) Pakistani children's education activist

Malala. "I am afraid", Saturday 3 January 2009; Cited in: Diary of a Pakistani schoolgirl http://news.bbc.co.uk/2/hi/south_asia/7834402.stm at news.bbc.co.uk. 19 January 2009
Malala's diary, 2009

John Ashcroft photo
Stanisław Lem photo
Lew Rockwell photo
Thom Yorke photo

“At a better pace
Slower and more calculated
No chance of escape”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

"Fitter Happier"
Lyrics, OK Computer (1997)

Lisa Randall photo
Clement Attlee photo
Shona Brown photo
John F. Kennedy photo
Jerome K. Jerome photo
John Ogilby photo

“Ascanius did embrace
My hand, and follow'd with no equal pace.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

Jane Austen photo
John F. Kennedy photo

“No man can fully grasp how far and how fast we have come, but condense, if you will, the 50 thousand years of man's recorded history in a time span of but a half-century. Stated in these terms, we know very little about the first 40 years, except at the end of them advanced man had learned to use the skins of animals to cover them. Then about 10 years ago, under this standard, man emerged from his caves to construct other kinds of shelter. Only five years ago man learned to write and use a cart with wheels. Christianity began less than two years ago. The printing press came this year, and then less than two months ago, during this whole 50-year span of human history, the steam engine provided a new source of power. Newton explored the meaning of gravity. Last month electric lights and telephones and automobiles and airplanes became available. Only last week did we develop penicillin and television and nuclear power, and now if America's new spacecraft succeeds in reaching Venus, we will have literally reached the stars before midnight tonight.
This is a breathtaking pace, and such a pace cannot help but create new ills as it dispels old, new ignorance, new problems, new dangers. Surely the opening vistas of space promise high costs and hardships, as well as high reward.
So it is not surprising that some would have us stay where we are a little longer to rest, to wait. But this city of Houston, this state of Texas, this country of the United States was not built by those who waited and rested and wished to look behind them. This country was conquered by those who moved forward — and so will space.”

John F. Kennedy (1917–1963) 35th president of the United States of America

Source: 1962, Rice University speech

Roger Wolcott Sperry photo
Tom Petty photo
Richard Nixon photo
Joni Madraiwiwi photo
Archibald Cox photo

“Man is an organism, not a mechanism; and the mechanical pacing of his life does harm to his human responses, which naturally follow a kind of free rhythm.”

Richard M. Weaver (1910–1963) American scholar

“Individuality and Modernity,” Essays on Individuality (Philadelphia: 1958), p. 66.

Larry Bird photo

“There is nothing better than being out there when the game is on the line; only now, I get to see what my players will do. How will they react? Retirement is fine for some people, but I got bored. I'm used to more of a fast-paced life.”

Larry Bird (1956) basketball player and coach

Ailene Voisin (February 3, 1998) "Bird on the Bench - Larry the Legend Comes Home, Wins Accolades as Coach", The Sacramento Bee, p. D1.

Ralph George Hawtrey photo
José Martí photo
Dennis Gabor photo

“It would be pleasant to believe that the age of pessimism is now coming to a close, and that its end is marked by the same author who marked its beginning: Aldous Huxley. After thirty years of trying to find salvation in mysticism, and assimilating the Wisdom of the East, Huxley published in 1962 a new constructive utopia, The Island. In this beautiful book he created a grand synthesis between the science of the West and the Wisdom of the East, with the same exceptional intellectual power which he displayed in his Brave New World. (His gaminerie is also unimpaired; his close union of eschatology and scatology will not be to everybody's tastes.) But though his Utopia is constructive, it is not optimistic; in the end his island Utopia is destroyed by the sort of adolescent gangster nationalism which he knows so well, and describes only too convincingly.
This, in a nutshell, is the history of thought about the future since Victorian days. To sum up the situation, the sceptics and the pessimists have taken man into account as a whole; the optimists only as a producer and consumer of goods. The means of destruction have developed pari passu with the technology of production, while creative imagination has not kept pace with either.
The creative imagination I am talking of works on two levels. The first is the level of social engineering, the second is the level of vision.”

Dennis Gabor (1900–1979) Nobel Prize-winning physicist and inventor of holography

In my view both have lagged behind technology, especially in the highly advanced Western countries, and both constitute dangers.
Source: Inventing the Future (1963), p. 18-19

Nathaniel Hawthorne photo
Thorstein Veblen photo
Nelson Mandela photo
Frederick Winslow Taylor photo
Seymour Papert photo
Lee Child photo
Liam Hemsworth photo

“It was a nice change of pace to come to work, put on a nice suit and stay clean all day.”

Liam Hemsworth (1990) Australian actor

Hemsworth describing work on the set of the film Paranoia with Harrison Ford and Gary Oldman. — [A flashy take on corporate espionage - Ford, Oldman and Hemsworth mix it up, USA Today, October 15, 2012, Bryan Alexander, 1D, Gannet Company]

Richard K. Morgan photo
Rab Butler photo
Christian Dior photo

“Women are most fascinating between the ages of 35 and 40 after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.”

Christian Dior (1905–1957) French fashion designer

Variant: Women are most fascinating between the ages of 35 and 40 after they have won a few races and know how to pace themselves. Since few women ever pass 40, maximum fascination can continue indefinitely.
Source: Jill Kargman Arm Candy: A Novel http://books.google.co.in/books?id=EVg6b7fFXUEC&pg=PT99, Penguin, 13 May 2010, p. 99

Emily Dickinson photo
John F. Kennedy photo
P.G. Wodehouse photo
Neal A. Maxwell photo
James Fenimore Cooper photo
Warren Zevon photo

“Life'll kill ya,
That's what I said.
Life'll kill ya,
Then you'll be dead.
Life'll find ya
Wherever you go.
Requiescat in pace
That's all she wrote.”

Warren Zevon (1947–2003) American singer-songwriter

"Life'll Kill Ya"
Life'll Kill Ya (2000)

Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Richard Rorty photo