Quotes about pace
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Ralph Bunche photo
Kim Stanley Robinson photo
Jesper Kyd photo
John Donne photo
Edward Carpenter photo

“Plato in his allegory of the soul—in the Phaedrus—though he apparently divides the passions which draw the human chariot into two classes, the heavenward and the earthward—figured by the white horse and the black horse respectively—does not recommend that the black horse should be destroyed or dismissed, but only that he (as well as the white horse) should be kept under due control by the charioteer. By which he seems to intend that there is a power in man which stands above and behind the passions, and under whose control alone the human being can safely move. In fact if the fiercer and so-called more earthly passions were removed, half the driving force would be gone from the chariot of the human soul. Hatred may be devilish at times—but after all the true value of it depends on what you hate, on the use to which the passion is put. Anger, though inhuman at one time is magnificent and divine at another. Obstinacy may be out of place in a drawing-room, but it is the latest virtue on a battlefield when an important position has to be held against the full brunt of the enemy. And Lust, though maniacal and monstrous in its aberrations, cannot in the last resort be separated from its divine companion, Love. To let the more amiable passions have entire sway notoriously does not do: to turn your cheek, too literally, to the smiter, is (pace Tolstoy) only to encourage smiting; and when society becomes so altruistic that everybody runs to fetch the coal-scuttle we feel sure that something has gone wrong. The white-washed heroes of our biographies with their many virtues and no faults do not please us. We have an impression that the man without faults is, to say the least, a vague, uninteresting being—a picture without light and shade—and the conventional semi-pious classification of character into good and bad qualities (as if the good might be kept and the bad thrown away) seems both inadequate and false.”

Edward Carpenter (1844–1929) British poet and academic

Defence of Criminals: A Criticism of Morality (1889)

Billy Joel photo
André Maurois photo
Louis-ferdinand Céline photo
Nicholas Sparks photo
Syed Ahmad Barelvi photo

“Barelvi’s confidence in a jihad against the British collapsed when he surveyed the extent and the magnitude of British power in India. He did the next best under the circumstances, and declared a jihad against the Sikh power in the Punjab, Kashmir and the North-West Frontier. The British on their part welcomed this change and permitted Barelvi to travel towards the border of Afghanistan at a leisurely pace, collecting money and manpower along the way. It was during this journey that Barelvi stayed with or met several Hindu princes, feigned that his fulminations against the Sikhs were a fake, and that he was going out of India in order to establish a base for fighting against the British. It is surmised that some Hindu princes took him at his word, and gave him financial help. To the Muslim princes, however, he told the truth, namely, that he was up against the Sikhs because they “do not allow the call to prayer from mosques and the killing of cows.”
Barelvi set up his base in the North-West Frontier near Afghanistan. The active assistance he expected from the Afghan king did not materialise because that country was in a mess at that time. But the British connived at the constant flow not only of a sizable manpower but also of a lot of finance. Muslim magnates in India were helping him to the hilt. His basic strategy was to conquer Kashmir before launching his major offensive against the Punjab. But he met with very little success in that direction in spite of several attempts. Finally, he met his Waterloo in 1831 when the Sikhs under Kunwar Sher Singh stormed his citadel at Balakot. The great mujahid fell in the very first battle he ever fought. His corpse along with that of his second in command was burnt, and the ashes were scattered in the winds. Muslims hail him as a shahid.”

Syed Ahmad Barelvi (1786–1831) Muslim activist

Goel, S. R. (1995). Muslim separatism: Causes and consequences.

Clifford D. Simak photo
Thierry Henry photo

“And then there is the magnificent Thierry Henry - someone who has blistering pace and is unbelievable when he is finishing at his best.”

Thierry Henry (1977) French association football player

Alan Hansen Alan Hansen's column http://news.bbc.co.uk/sport1/hi/football/4802114.stm,(13 March 2006).
About

Annie Besant photo
David Brin photo
Max Scheler photo

“"Another situation generally exposed to ressentiment danger is the older generation's relation with the younger. The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the “tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation. Yet this source of ressentiment is also subject to an important historical variation. In the earliest stages of civilization, old age as such is so highly honored and respected for its experience that ressentiment has hardly any chance to develop. But education spreads through printing and other modern media and increasingly replaces the advantage of experience. Younger people displace the old from their positions and professions and push them into the defensive. As the pace of “progress” increases in all fields, and as the changes of fashion tend to affect even the higher domains (such as art and science), the old can no longer keep up with their juniors. “Novelty‟ becomes an ever greater value. This is doubly true when the generation as such is seized by an intense lust for life, and when the generations compete with each other instead of cooperating for the creation of works which outlast them. “Every cathedral,” Werner Sombart writes, “every monastery, every town hall, every castle of the Middle Ages bears testimony to the transcendence of the individual's span of life: its completion spans generations which thought that they lived for ever. Only when the individual cut himself loose from the community which outlasted him, did the duration of his personal life become his standard of happiness.” Therefore buildings are constructed ever more hastily—Sombart cites a number of examples. A corresponding phenomenon is the ever more rapid alternation of political regimes which goes hand in hand with the progression of the democratic movement. But every change of government, every parliamentary change of party domination leaves a remnant of absolute opposition against the values of the new ruling group. This opposition is spent in ressentiment the more the losing group feels unable to return to power. The “retired official” with his followers is a typical ressentiment figure. Even a man like Bismarck did not entirely escape from this danger."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Shona Brown photo
Ray Kurzweil photo
Lucy Mack Smith photo
Natalie Merchant photo
George W. Bush photo

“You know, I think an interesting construct that General [Peter] Pace uses is, "We're not winning, we're not losing."”

George W. Bush (1946) 43rd President of the United States

In response to the question “Are we winning in Iraq”? Interview with the Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2006/12/19/AR2006121900886.html (December 20, 2006)
2000s, 2006

Nikos Kazantzakis photo

“I put my body through its paces like a war horse; I keep it lean, sturdy, prepared.”

The Saviors of God (1923)
Context: I put my body through its paces like a war horse; I keep it lean, sturdy, prepared. I harden it and I pity it. I have no other steed.
I keep my brain wide awake, lucid, unmerciful. I unleash it to battle relentlessly so that, all light, it may devour the darkness of the flesh. I have no other workshop where I may transform darkness into light.
I keep my heart flaming, courageous, restless. I feel in my heart all commotions and all contradictions, the joys and sorrows of life. But I struggle to subdue them to a rhythm superior to that of the mind, harsher than that of my heart — to the ascending rhythm of the Universe.

Saki photo

“The cat of the slums and alleys, starved, outcast, harried, still keeps amid the prowlings of its adversity the bold, free, panther-tread with which it paced of yore the temple courts of Thebes, still displays the self-reliant watchfulness which man has never taught it to lay aside.”

Saki (1870–1916) British writer

"The Achievement of the Cat"
The Square Egg (1924)
Context: The animal which the Egyptians worshipped as divine, which the Romans venerated as a symbol of liberty, which Europeans in the ignorant Middle Ages anathematised as an agent of demonology, has displayed to all ages two closely blended characteristics — courage and self-respect. No matter how unfavourable the circumstances, both qualities are always to the fore. Confront a child, a puppy, and a kitten with a sudden danger; the child will turn instinctively for assistance, the puppy will grovel in abject submission to the impending visitation, the kitten will brace its tiny body for a frantic resistance. And disassociate the luxury-loving cat from the atmosphere of social comfort in which it usually contrives to move, and observe it critically under the adverse conditions of civilisation — that civilisation which can impel a man to the degradation of clothing himself in tawdry ribald garments and capering mountebank dances in the streets for the earning of the few coins that keep him on the respectable, or non-criminal, side of society. The cat of the slums and alleys, starved, outcast, harried, still keeps amid the prowlings of its adversity the bold, free, panther-tread with which it paced of yore the temple courts of Thebes, still displays the self-reliant watchfulness which man has never taught it to lay aside.

Alfred, Lord Tennyson photo

“She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.”

Pt. III, st. 5
The Lady of Shalott (1832)
Context: She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

Lewis Mumford photo

“Bloodshed kept pace with iron production”

Source: Technics and Civilization (1934), Ch. 4, sct. 5
Context: Bloodshed kept pace with iron production: in essence, the entire paleotechnic period was ruled, from beginning to end, by the policy of blood and iron. The brutal contempt for life was equalled only by the the almost priestly ritual it developed for inflicting death. Its "peace" was indeed the peace that passeth understanding: what was it but latent warfare.

Ivan Illich photo

“The habitual passenger cannot grasp the folly of traffic based overwhelmingly on transport. His inherited perceptions of space and time and of personal pace have been industrially deformed. He has lost the power to conceive of himself outside the passenger role.”

"Energy and Equity" (1974).
Context: The habitual passenger cannot grasp the folly of traffic based overwhelmingly on transport. His inherited perceptions of space and time and of personal pace have been industrially deformed. He has lost the power to conceive of himself outside the passenger role. Addicted to being carried along, he has lost control over the physical, social, and psychic powers that reside in man's feet. The passenger has come to identify territory with the untouchable landscape through which he is rushed. He has become impotent to establish his domain, mark it with his imprint, and assert his sovereignty over it. He has lost confidence in his power to admit others into his presence and to share space consciously with them. He can no longer face the remote by himself. Left on his own, he feels immobile.
The habitual passenger must adopt a new set of beliefs and expectations if he is to feel secure in the strange world where both liaisons and loneliness are products of conveyance. To "gather" for him means to be brought together by vehicles. He comes to believe that political power grows out of the capacity of a transportation system, and in its absence is the result of access to the television screen. He takes freedom of movement to be the same as one's claim on propulsion. He believes that the level of democratic process correlates to the power of transportation and communications systems. He has lost faith in the political power of the feet and of the tongue. As a result, what he wants is not more liberty as a citizen but better service as a client. He does not insist on his freedom to move and to speak to people but on his claim to be shipped and to be informed by media. He wants a better product rather than freedom from servitude to it. It is vital that he come to see that the acceleration he demands is self-defeating, and that it must result in a further decline of equity, leisure, and autonomy.

Felix Adler photo

“The moral improvement of the nations and their individual components has not kept pace with the march of intellect and the advance of industry.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Founding Address (1876)
Context: The moral improvement of the nations and their individual components has not kept pace with the march of intellect and the advance of industry. Before the assaults of criticism many ancient strongholds of faith have given way, and doubt is fast spreading even into circles where its expression is forbidden. Morality, long accustomed to the watchful tutelage of faith, finds this connection loosened or severed, while no new protector has arisen to champion her rights, no new instruments been created to enforce her lessons among the people. As a consequence we behold a general laxness in regard to obligations the most sacred and dear. An anxious unrest, a fierce craving desire for gain has taken possession of the commercial world, and in instances no longer rare the most precious and permanent goods of human life have been madly sacrificed in the interests of momentary enrichment.

Franklin D. Roosevelt photo

“Government cannot take a holiday of a year, a month, or even a day just because a few people are tired or frightened by the inescapable pace of this modern world in which we live.”

Franklin D. Roosevelt (1882–1945) 32nd President of the United States

1930s, Fireside Chat in the night before signing the Fair Labor Standards (1938)
Context: The Congress has understood that under modern conditions government has a continuing responsibility to meet continuing problems, and that Government cannot take a holiday of a year, a month, or even a day just because a few people are tired or frightened by the inescapable pace of this modern world in which we live.

Dwight D. Eisenhower photo

“That new language is the language of atomic warfare. The atomic age has moved forward at such a pace that every citizen of the world should have some comprehension, at least in comparative terms, of the extent of this development of the utmost significance to every one of us. Clearly, if the people of the world are to conduct an intelligent search for peace, they must be armed with the significant facts of today's existence.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

1950s, Atoms for Peace (1953)
Context: I feel impelled to speak today in a language that in a sense is new--one which I, who have spent so much of my life in the military profession, would have preferred never to use. That new language is the language of atomic warfare. The atomic age has moved forward at such a pace that every citizen of the world should have some comprehension, at least in comparative terms, of the extent of this development of the utmost significance to every one of us. Clearly, if the people of the world are to conduct an intelligent search for peace, they must be armed with the significant facts of today's existence.

Robert F. Kennedy photo

“All do not develop in the same manner, or at the same pace. Nations, like men, often march to the beat of different drummers, and the precise solutions”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

Day of Affirmation Address (1966)
Context: All do not develop in the same manner, or at the same pace. Nations, like men, often march to the beat of different drummers, and the precise solutions of the United States can neither be dictated nor transplanted to others. What is important is that all nations must march toward increasing freedom; toward justice for all; toward a society strong and flexible enough to meet the demands of all its own people, and a world of immense and dizzying change.

Bill Bailey photo
Kenneth Grahame photo

“St. George paced slowly up the street. The Boy's heart stood still and he breathed with sobs, the beauty and the grace of the hero were so far beyond anything he had yet seen.”

Dream Days (1898), The Reluctant Dragon
Context: St. George paced slowly up the street. The Boy's heart stood still and he breathed with sobs, the beauty and the grace of the hero were so far beyond anything he had yet seen. His fluted armour was inlaid with gold, his plumed helmet hung at his saddle-bow, and his thick fair hair framed a face gracious and gentle beyond expression till you caught the sternness in his eyes. He drew rein in front of the little inn, and the villagers crowded round with greetings and thanks and voluble statements of their wrongs and grievances and oppressions. The Boy heard the grave gentle voice of the Saint, assuring them that all would be well now, and that he would stand by them and see them righted and free them from their foe; then he dismounted and passed through the doorway and the crowd poured in after him. But the Boy made off up the hill as fast as he could lay his legs to the ground.

“One of my complaints is that you've got far more scientists than ever before but the pace of discovery has not increased. Why? Because they're all busy just filling in the details of what they think is the standard story.”

Nigel Calder (1931–2014) British science writer

Interview for InConversation http://www.abc.net.au/rn/inconversation/stories/2007/1998485.htm (16 August 2007), by Robyn Williams, Australian Broadcasting Corporation
Context: One of my complaints is that you've got far more scientists than ever before but the pace of discovery has not increased. Why? Because they're all busy just filling in the details of what they think is the standard story. And the youngsters, the people with different ideas have just as big a fight as ever and normally it takes decades for science to correct itself. But science does correct itself and that's the reason why science is such a glorious thing for our species.

Richard Wright photo
Nikolai Bukharin photo
Elizabeth Acevedo photo
Alessandro Cagliostro photo
Ruth Ozeki photo
Krystal Ball photo
Alec Douglas-Home photo

“If the action of The Bridge Party moves at what might at times seems to be a snail’s pace, it is because I want the audience to experience the characters as full human beings, not as abstractions or stereotypes…”

Sandra Seaton Playwright and writer

On choosing her pacing (as quoted in the book Strange Fruit: Plays on Lynching by American Women https://books.google.com/books?id=G1il9uQG3A8C&pg=PA319&lpg=PA319&dq; 1998)

Michael Foot photo
Toussaint Louverture photo
Walther Funk photo
Rohit Sharma photo
Johann Gottlieb Fichte photo

“That which the God devoted man may not do for any consideration, is indeed also outwardly forbidden in the Perfect State; but he has already cast it from him in obedience to the Will of God, without regard to any outward prohibition. That which alone this God-devoted man loves and desires to do, is indeed outwardly commanded in this Perfect State; but he has already done it in obedience to the Will of God. If, then, this religious frame of mind is to exist in the State, and yet never to come into collision with it, it is absolutely necessary that the State should at all times keep pace with the development of the religious sense among its Citizens, so that it shall never command anything which True Religion forbids, or forbid anything which she enjoins. In such a state of things, the well-known principle, that we must obey God rather than man, could never come into application; for in that case man would only command what God also commanded, and there would remain to the willing servant only the choice whether he would pay his obedience to the command of human power, or to the Will of God, which he loves before all things else. From this perfect Freedom and superiority which Religion possesses over the State, arises the duty of both to keep themselves absolutely separate, and to cast off all immediate dependence on each other.”

Johann Gottlieb Fichte (1762–1814) German philosopher

Source: The Characteristics of the Present Age (1806), p. 197

Elizabeth Warren photo
Eratosthenes photo
Joseph Strutt photo
Gilles Villeneuve photo

“He also never drove anywhere at anything less than an absolutely flat-out pace, be it on the road or the track…”

Gilles Villeneuve (1950–1982) Canadian racecar driver

Harvey Postlethwaite - Henry, pg. 25

Karl Pearson photo
Ivanka Trump photo

“We must also focus on helping those most vulnerable to having their jobs displaced due to the rapid pace of technological change, and work together to assist them in learning a new skill so they can continue to provide for themselves and for their families.”

Ivanka Trump (1981) American businesswoman, socialite, fashion model and daughter of Donald Trump

6 March 2019 https://www.whitehouse.gov/briefings-statements/remarks-president-trump-american-workforce-policy-advisory-board-meeting/
2019

Thelma Schoonmaker photo

“You get to contribute so significantly in the editing room because you shape the movie and the performances," she says. "You help the director bring all the hard work of those who made the film to fruition. You give their work rhythm and pace and sometimes adjust the structure to make the film work – to make it start to flow up there on the screen. And then it's very rewarding after a year's work to see people react to what you've done in the theater.”

Thelma Schoonmaker (1940) American film editor

iVillage Entertainment, The Last Temptation of Thelma, Lan N., Nguyen, March 15, 2005, dead, https://web.archive.org/web/20061022085303/http://entertainment.ivillage.com/features/0,,7hghlrfw,00.html, October 22, 2006, mdy-all http://entertainment.ivillage.com/features/0,,7hghlrfw,00.html,

Anne Dudley photo

“With a comedy, you can easily take away the humor. So it’s very important to keep the pacing of it going, and to keep the lighthearted nature of it going. I think in many ways, a comedy is more difficult than drama”

Anne Dudley (1956) English composer and pop musician

“The Hustle” Composer Anne Dudley On Her Creative Process And Storytelling Through Music: BUST Interview https://bust.com/movies/196048-anne-dudley-thehustle-interview.html (2019)

Joseph Chamberlain photo

“The goal towards which the advance will probably be made at an accelerated pace, is that in the direction of which the legislation of the last quarter of a century has been tending—the intervention, in other words, of the State on behalf of the weak against the strong, in the interests of labour against capital, of want and suffering against luxury and wealth.”

Joseph Chamberlain (1836–1914) British businessman, politician, and statesman

‘The Revolution of 1884’, The Fortnightly Review, No. CCXVII, New Series (1 January 1885), quoted in T. H. S. Escott (ed.), The Fortnightly Review, Vol. XXXVII, New Series (1 January – 1 June 1885), p. 9
1880s

Henry David Thoreau photo
Opal Tometi photo

“When you're sitting at home or living at a slower pace and you see that Black folks in your community are attacked, killed, murdered by vigilantes and by the police, you wake up, you rise to action, and you rise quickly.”

Opal Tometi (1984) Nigerian–American writer, strategist and community organizer

Black Lives Matter Was Always Designed to Be a Global Movement, Vice] (7 July 2020)

Rahul Gandhi photo

“Rising COVID numbers are worrying. Vaccination must pick up pace to avoid serious outcomes in the next wave.”

Rahul Gandhi (1970) Indian politician

2021
Source: Rahul Gandhi on Twitter, also quoted in https://timesofindia.indiatimes.com/india/rahul-gandhi-rising-covid-19-numbers-worrying-govt-busy-with-sales/articleshow/85649532.cms

David Attenborough photo
Harry Dean Stanton photo

“I’m a late bloomer. It’s just a matter of how you evolve; of what your pace is. Hopefully, the older you get the more you grow. So, that has been my speed, the beat of my drum. I march to the beat of a different drum … you’ll pardon me for using this expression.”

Harry Dean Stanton (1926–2017) American actor, musician, and singer

Actor Harry Dean Stanton Dies at 91", by Patrick Mcdonald, HollywoodChicago.com (16 September 2017) https://www.hollywoodchicago.com/news/27911/film-news-character-actor-harry-dean-stanton-dies-at-91"Character