Quotes about obsession

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Pop Internationalism (1996), Competitiveness: A Dangerous Obsession (1994)

I howled for the woman I loved... and she howled back - British wolfman tells how his obsession drove away the love of his life http://www.dailymail.co.uk/sciencetech/article-1245507/I-howled-woman-I-loved--howled--British-wolfman-tells-obsession-drove-away-love-life.html, Daily Mail, (23 January, 2010)

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 37.

“Samantha Barks: I'm addicted to Call of Duty,” interview with The Telegraph (4 August 2014) http://www.telegraph.co.uk/culture/11003183/.html.

Source: The Essential Colin Wilson (1985), p. 211

On the doctrine of prefiguration.
Persons or Figures (1950)

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

Response to the question, &quot;Did you feel awkward as a teenager, not being that interested in the music Kurt made?&quot; <br class="br">&quot; Frances Bean Cobain on Life After Kurt&#x27;s Death: An Exclusive Q&amp;A http://www.rollingstone.com/music/features/frances-bean-life-after-kurt-cobain-death-exclusive-interview-20150408&quot; (2015)

Erik (p. 384)
Phantom (1990)

&quot;Hollywood: The No-Good, The Bad And The Beastly&quot; http://www.quarterly-review.org/?p=2432 Quarterly Review, March 16, 2014. <br class="br">2010s, 2014

Bill Gorton to Jake Barnes, in Book 2, Ch. 12
The Sun Also Rises (1926)

O interview (2003)
Context: The whole society is obsessed.... I'm not complaining — I'm just saying, "Don't be too impressed with me. Don't try to dress like me or wear your hair like mine. Find your own style. Don't spend your savings trying to be someone else. You're not more important, smarter, or prettier because you wear a designer dress." I only wear the expensive clothes because I get them free and I'm too lazy to go out and look for my own. I, a rich girl from Mexico, came here with designer clothes. And one day when I was starving in an apartment in Los Angeles, I looked at my Chanel blouses and said, "If only I could pay the rent with one of these." … In those days, the rag I used to dry my dishes was more useful. Now many who start in this business come to me for advice and ask, "How do I get started?" And I have to say, "I honestly have no idea." I think it's a bunch of accidents that happen to you and somehow you survive them and take advantage of them and something magical happens — and you have an agent.

Black Boy (1945)

Thought at Sunrise (2007)
Context: We should not be obsessed with the present alone, we must heed the past too. Is it fair, for instance, to see only the 25 ft. tall tree and forget the seed that brought it forth? Will the tree accept it if we forget the seed of it all? Is it possible to visualise a future without the seed? We must learn to appraise ourselves of the past if we want a meaningful present. You could call this an act of gratitude or an evaluation of reality.

Ur-Fascism (1995)
Context: At the root of the Ur-Fascist psychology there is the obsession with a plot, possibly an international one. The followers must feel besieged. The easiest way to solve the plot is the appeal to xenophobia. But the plot must also come from the inside: Jews are usually the best target because they have the advantage of being at the same time inside and outside. In the US, a prominent instance of the plot obsession is to be found in Pat Robertson's The New World Order, but, as we have recently seen, there are many others.

Source: Empire of the Sun (1984), p. 201
Context: He waited for the roll-call to end, reflecting on the likely booty attached to a dead American pilot. Soon enough, one of the Americans would be shot down into Lunghua Camp. Jim tried to decide which of the ruined buildings would best conceal his body. Carefully eked out, the kit and equipment could be bartered with Basie for extra sweet potatoes for months to come, and even perhaps a warm coat for the winter. There would be sweet potatoes for Dr. Ransome, whom Jim was determined to keep alive. He rocked on his heels and listened to an old woman crying in the nearby ward. Through the window was the pagoda at Lunghua Airfield. Already the flak tower appeared in a new light. For another hour Jim stood in line with the missionary widows, watched by the sentry. Dr. Ransome and Dr. Bowen had set off with Sergeant Nagata to the commandant's office, perhaps to be interrogated. The guards moved around the silent camp with their roster boards, carrying out repeated roll-calls. The war was about to end and yet the Japanese were obsessed with knowing exactly how many prisoners they held. Jim closed his eyes to calm his mind, but the sentry barked at him, suspecting that Jim was about to play some private game of which Sergeant Nagata would disapprove.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 84-85

Source: Way Station (1963), Ch. 11
Context: It was a hopeless thing, he thought, this obsession of his to present the people of the Earth as good and reasonable. For in many ways they were neither good nor reasonable; perhaps because they had not as yet entirely grown up. They were smart and quick and at times compassionate and even understanding, but they failed lamentably in many other ways.
But if they had the chance, Enoch told himself, if they ever got a break, if they only could be told what was out in space, then they'd get a grip upon themselves and they would measure up and then, in the course of time, would be admitted into the great cofraternity of the people of the stars.

American Photo (January/February 2000), p. 90
Context: Growing up, I was surrounded by Nazi imagery, like everybody in Germany, and for a boy obsessed with photography it left an indelible impression on me. Later this influence was tempered by Brassaï and Dr. Erich Salomon. My love of photography at night started with m early experience of … the Brelin undergrund stations. Even today I love photographing by the light of street lamps or in the glare of my flash.

Speculation on motives and desires of politically active widows which caused public controversy, p. 103, quoted in &quot;Coulter lambastes 9/11 widows in new book&quot; at MSNBC (7 June 2006) http://www.msnbc.msn.com/id/13186261/. <br class="br">2006, Godless : The Church of Liberalism (2006) <br class="br">Context: These self-obsessed women seemed genuinely unaware that 9/11 was an attack on our nation and acted as if the terrorist attacks happened only to them. The whole nation was wounded, all our lives reduced. But they believed the entire country was required to marinate in their exquisite personal agony. Apparently denouncing Bush was an important part of their closure process. These broads are millionaires, lionized on TV and in articles about them, reveling in their status as celebrities and stalked by grief-arazzis. I’ve never seen people enjoying their husbands’ deaths so much.

"The Health-Care System", p. 47
The Medusa and the Snail: More Notes of a Biology Watcher (1979)
Context: As a people we have become obsessed with Health. There is something fundamentally, radically unhealthy about all this. We do not seem to be seeking more exuberance in living as much as staving off failure, putting off dying. We have lost all confidence in the human body.

&quot;Why has St. Luke always obsessed me?&quot;, Foreword to Dear and Glorious Physician: A Novel About Saint Luke (1959) http://www.ignatiusinsight.com/features2008/tcaldwell_frwddgp_dec08.asp <br class="br">1950s <br class="br">Context: From my early childhood Lucanus, or Luke, the great Apostle, has obsessed my mind. He was the only Apostle who was not a Jew. He never saw Christ. All that is written in his eloquent but restrained Gospel he acquired from hearsay, from witnesses, from the Mother of Christ, from disciples, and from the Apostles. His first visit to Israel took place almost a year after the Crucifixion.<br>Yet he became one of the greatest of the Apostles. Like Saul of Tarsus, later to be known as Paul, the Apostle to the Gentiles, he believed that Our Lord came not only to the Jews but to the Gentiles, also. He had much in common with Paul, because Paul too had never seen the Christ. Each had had an individual revelation. These two men had difficulty with the original Apostles because the latter stubbornly believed for a considerable time that Our Lord was incarnated, and died, only for the salvation of the Jews, even after Pentecost.<br>Why has St. Luke always obsessed me, and why have I always loved him from childhood? I do not know. I can only quote Friedrich Nietzsche on this matter: &quot;One hears — one does not seek; one does not ask who gives — I have never had any choice about it.&quot;

(24 July 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: There are many words and phrases that should be forever kept out of the hands of book reviewers. It's sad, but true. And one of these is "self-indulgent." And this is one of those things that strikes me very odd, like reviewers accusing an author of writing in a way that seems "artificial" or "self-conscious." It is, of course, a necessary prerequisite of fiction that one employ the artifice of language and that one exist in an intensely self-conscious state. Same with "self-indulgent." What could possibly be more self-indulgent than the act of writing fantastic fiction? The author is indulging her- or himself in the expression of the fantasy, and, likewise, the readers are indulging themselves in the luxury of someone else's fantasy. I've never written a story that wasn't self-indulgent. Neither has any other fantasy or sf author. We indulge our interests, our obsessions, and assume that someone out there will feel as passionately about X as we do.

For a mornachist, history is a struggle of classes of economic civil war. An agriculturalist sees the dynamic of populations, land, and availability of food; a philosopher might speak of the will to power or the will to sythesis; a theologian of the will of God.
(II.2) Del Rey, p. 100
Blade of Tyshalle (2001)

Playboy interview (2003)
Context: I think it's a very confused culture. On the one hand, no one is better than anyone else; no one is prettier. On the other hand, everyone is completely obsessed by their looks and by how they strike the world. On the one hand, we're all equal; on the other hand, everyone's a superstar. It's all very irrational, like all ideology.

Source: Isaiah's Job (1936), III
Context: If, say, you are a preacher, you wish to attract as large a congregation as you can, which means an appeal to the masses; and this, in turn, means adapting the terms of your message to the order of intellect and character that the masses exhibit. If you are an educator, say with a college on your hands, you wish to get as many students as possible, and you whittle down your requirements accordingly. If a writer, you aim at getting many readers; if a publisher, many purchasers; if a philosopher, many disciples; if a reformer, many converts; if a musician, many auditors; and so on. But as we see on all sides, in the realization of these several desires, the prophetic message is so heavily adulterated with trivialities, in every instance, that its effect on the masses is merely to harden them in their sins. Meanwhile, the Remnant, aware of this adulteration and of the desires that prompt it, turn their backs on the prophet and will have nothing to do with him or his message.
Isaiah, on the other hand, worked under no such disabilities. He preached to the masses only in the sense that he preached publicly. Anyone who liked might listen; anyone who liked might pass by. He knew that the Remnant would listen; and knowing also that nothing was to be expected of the masses under any circumstances, he made no specific appeal to them, did not accommodate his message to their measure in any way, and did not care two straws whether they heeded it or not. As a modern publisher might put it, he was not worrying about circulation or about advertising. Hence, with all such obsessions quite out of the way, he was in a position to do his level best, without fear or favour, and answerable only to his august Boss.

Article "The Worst Man in the World" in The Sunday Dispatch (2 July 1933); quoted in The Magical Revival (1972) by Kenneth Grant.
Context: Black magic is not a myth. It is a totally unscientific and emotional form of magic, but it does get results — of an extremely temporary nature. The recoil upon those who practice it is terrific.
It is like looking for an escape of gas with a lighted candle. As far as the search goes, there is little fear of failure!
To practice black magic you have to violate every principle of science, decency, and intelligence. You must be obsessed with an insane idea of the importance of the petty object of your wretched and selfish desires.
I have been accused of being a "black magician." No more foolish statement was ever made about me. I despise the thing to such an extent that I can hardly believe in the existence of people so debased and idiotic as to practice it.

Therefore I have signed you up to build homes for the homeless during your entire summer vacation. Your Christmas will be spent serving food at a battered women’s shelter and Easter is designated to reading stories to children in the pediatric cancer ward. Four months out of 16years dedicated to human beings other than yourself, you have gotten off easy. Oh and honey expand your horizons; your world is a bigger oyster than your low self-esteem wants you to believe. Love yourself; think of others and be grateful. I love you, I believe in you, and I look forward to respecting you.<br><br>Me. You. Us<br><br>P.S. Follow your dreams, not your boyfriends. <br class="br">Anderson&#x27;s letter to her teenage self — from Dear Me: More Letters To My Sixteen-Year-Old Self http://www.dearme.org/excerpt/GA/?iframe=true&amp;width=750&amp;height=100%/, edited by Joseph Galliano. (June 19, 2011) <br class="br">2010s

Beast and Man: The Roots of Human Nature (1979). 168.
Context: Creatures really have divergent and conflicting desires. Their distinct motives are not (usually) wishes for survival or for means-to-survival, but for various particular things to be done and obtained while surviving. And these can always conflict. Motivation is fundamentally plural. It must be so because, in evolution, all sorts of contingincies and needs arise, calling for all sorts of different responses. An obsessive creature, constantly dominated by one kind of motive, would not survive.

Chauvinism in Medicine (1902)
Context: Nationalism has been the great curse of humanity. In no other shape has the Demon of Ignorance assumed more hideous proportions; to no other obsession do we yield ourselves more readily. For whom do the hosannas ring higher than for the successful butcher of tens of thousands of poor fellows who have been made to pass through the fire to this Moloch of nationalism? A vice of the blood, of the plasm rather, it runs riot in the race, and rages today as of yore in spite of the precepts of religion and the practice of democracy. Nor is there any hope of change; the pulpit is dumb, the press fans the flames, literature panders to it and the people love to have it so. Not that all aspects of nationalism are bad. Breathes there a man with soul so dead that it does not glow at the thought of what the men of his blood have done and suffered to make his country what it is? There is room, plenty of room, for proper pride of land and birth. What I inveigh against is a cursed spirit of intolerance, conceived in distrust and bred in ignorance, that makes the mental attitude perennially antagonistic, even bitterly antagonistic to everything foreign, that subordinates everywhere the race to the nation, forgetting the higher claims of human brotherhood. <!-- p. 688

Pt. 2, Ch. 3
The Struggle of the Modern (1963)
Context: Both Hopkins and Lawrence were religious not just in the ritualistic sense but in the sense of being obsessed with the word — the word made life and truth — with the need to invent a language as direct as religious utterance. Both were poets, but outside the literary fashions of their time. Both felt that among the poets of their time was an absorption in literary manners, fashions and techniques which separated the line of the writing from that of religious truth. Both felt that the modern situation imposed on them the necessity to express truth by means of a different kind of poetic writing from that used in past or present. Both found themselves driven into writing in a way which their contemporaries did not understand or respond to yet was inevitable to each in his pursuit of truth. Here of course there is a difference between Hopkins and Lawrence, because Hopkins in his art was perhaps over-worried, over-conscientious, whereas Lawrence was an instinctive poet who, in his concern for truth, understood little of the problems of poetic form, although he held strong views about them.

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 78

Source: Outlaw Journalist (2008), Chapter 8, American Dream, p. 118
Context: The Dream obsessed him... but what was it? Was it Horatio Alger, rags to riches, the idea that you could start with nothing and end up rolling naked in stacks of hundreds? Or was it a dream of freedom? Personal freedom... or the concept of freedom that the founders brought into the whole world?

The Poems of a Jew (1958)

Beast and Man: The Roots of Human Nature (1979). 87-88.
Context: The future will not "be with" anybody in the sense of falling to them as a conquest. The need for many different methods is not going to go away, dissolved in a quasi-physical heaven where all serious work is quantitative... Quantification, like surgery, is an excellent thing in the right place, but a very bad topic for obsession. Unless you know just what you are counting--unless you are sure that the things counted are standard units--and unless you understand what is proved by results of your counting, quantifying provide you only with the outward show of science, a mirage, never the oasis.

On masculinity as a performance (as quoted in “Saeed Jones” https://www.poetryfoundation.org/poets/saeed-jones in Poets.org)

The Robot Who Looked Like Me (p. 3)
Short fiction, The Robot Who Looked Like Me (1978)

Dealing With the Real Putin, By Fiona Hill and Clifford Gaddy, New York Times https://www.nytimes.com/2013/02/05/opinion/global/dealing-with-the-real-vladimir-putin.html (4 February 2013]

On the themes that she’s most intrigued by in “An Interview with Tanya Saracho” https://www.theintervalny.com/interviews/2014/10/an-interview-with-tanya-saracho/ in The Interval (2014 Oct 29)

Remarks to David Lloyd George (4 September 1936), quoted in Thomas Jones, A Diary with Letters. 1931-1950 (Oxford University Press, 1954), p. 245
1930s

Right now, I think we need writers who know the difference between production of a market commodity and the practice of an art. The profit motive is often in conflict with the aims of art. We live in capitalism. Its power seems inescapable; so did the divine right of kings. … Power can be resisted and changed by human beings; resistance and change often begin in art, and very often in our art—the art of words. I’ve had a long career and a good one, in good company, and here, at the end of it, I really don’t want to watch American literature get sold down the river. ... The name of our beautiful reward is not profit. Its name is freedom. <br class="br">National Book Awards, November 2014 https://www.newyorker.com/books/page-turner/national-book-awards-ursula-le-guin

Book 1, Chapter 1 “Of Love, Death, Battle & Exile” (pp. 144-145)
The Elric Cycle, The Revenge of the Rose (1991)

Source: Non-fiction, Created equal: Why gay rights matter to America (1994), p.38

Speech to the Conservative Party Conference in Bournemouth (1 October 2006), quoted in The Times (2 October 2006), p. 6
2000s, 2006

Steven Nadler, in his article Why Spinoza still matters https://aeon.co/essays/at-a-time-of-zealotry-spinoza-matters-more-than-ever (Aeon.co, 28 April 2016) <br class="br">M - R, Steven Nadler

In p. 70
Christian Dior: The Man who Made the World Look New

Ernle Dusgate Selby Bradford.

Peter Gorsen, about the depiction of wounded children in Helnwein&#x27;s work, Albertina Museum catalogue, Gottfried Helnwein solo-exhibition, 1985, www.gottfried-helnwein-child.com http:////www.gottfried-helnwein-child.com/index.html

Yes! he, he wants to be caught, processed, put in a can, not just any can, you dig, it has to be StarKist! suicidal brand loyalty, man, deep parable of consumer capitalism, they won't be happy with anything less than drift-netting us all, chopping us up and stacking us on the shelves of Supermarket Amerika, and subconsciously the horrible thing is, is we want them to do it...
Source: Inherent Vice (2009), p. 119

Chap. 16 : See the Hostility Behind the Friendly Façade
The Laws of Human Nature (2018)

In the meantime my friends would let themselves be overwhelmed by the irrational, succumbing, like so many others, Nietzsche included, to that romantic weakness.
Source: Quotes of Salvador Dali, 1961 - 1970, Diary of a Genius (1964), p. 9

By making a very careful comparison of the two pictures, everyone can study all the history of painting right there, from the linear charm of primitivism to stereoscopic hyper-aestheticism.
Dali's quote, 1945; as cited by R. Descharnes (1985), in Salvador Dalí. Abrams. p. 94. ISBN 0-8109-0830-1
Dali just finished his second painting 'Basket of Bread, 1945'
Quotes of Salvador Dali, 1941 - 1950

THR Actress Roundtable 2011, at 23 Min 01 Sec https://youtube.com/watch?v=4OePQsi3U-8?t=1381 <br class="br">From interview with The Hollywood Reporter Actress Roundtable

As quoted in &quot;Farewell, Sarajevo&quot; https://www.theguardian.com/world/2005/nov/02/warcrimes.politics (1 November 2005), The Guardian

The Trouble With Being Born (1973)

Source: Dorothy Thompson’s Political Guide: A Study of American Liberalism and its Relationship to Modern Totalitarian States (1938), p. 86

Source: The Expanse, Tiamat's Wrath (2019), Chapter 30 (p. 319)

(II.2) Del Rey, p. 100
Blade of Tyshalle (2001)

ContraPoints

Original: (it) Sei intelligente, dolce, elegante, affascinante, erotica, sensuale e trasgressiva. Sei tutto ciò che crea una seduzione ossessiva.
Source: prevale.net

Original: ​(it) Seduzione ed attrazione portano il tuo nome. Tu sei la mia ossessione, sei al mondo per essere la mia più grande passione.
Source: prevale.net

Source: 1990s, Richter 10 (1996), Chapter 4, “Geomorphological Processes” (p. 77)

Source: The Wheel of Time: Shamans of Ancient Mexico, Their Thoughts About Life, Death and the Universe], (1998), Quotations from "Tales of Power" (Chapter 10)

as cited in The Unspeakable confessions of Salvador Dali, Parinaud, ed. W. H. Allen, London 1976, p. 113
Quotes of Salvador Dali, 1971 - 1980, Comment on deviant Dali, les aveux inavouables de Salvador Dali