Quotes about objection
page 31

John Stuart Mill photo
Roger Shepard photo
Joseph Beuys photo

“The outward appearance of every object I make is the equivalent of some aspect of inner human life... My feelings then had this special kind of darkness – almost black like this mixture of rubber and tar. It is certainly an equivalent of the pathological state mentioned before, and expresses the need to create a space in the mind from which all disturbances were moved: an empty insulated space.”

Joseph Beuys (1921–1986) German visual artist

As cited in: Joseph Beuys, Dia Art Foundation. Joseph Beuys, Dia Art Foundation, 1988. p. 23 ; Statement about the ' Rubberized Box http://rubberizedbox.blogspot.nl/2007/10/rubberized-box-by-joseph-beuys-1957.html' by Joseph Beuys, 1957
1970's, Interviews with Caroline Tisdall, 1974 & 1978

Ramanuja photo

“Entities other than Brahman can be objects of such cognitions of the nature of joy only to a finite extent and for limited duration. But Brahman is such that cognizing of him is an infinite and abiding joy. It is for this reason that the shruti [scripture] says, `Brahman is bliss’ (Taittitriya Upanishad II.6.) Since the form of cognition as joy is determined by its object, Brahman itself is joy.”

Ramanuja (1017–1137) Hindu philosopher, exegete of Vishishtadvaita Vedanta school

Ramanuja. Vedarthasangraha §241, as quoted by Shyam Ranganathan " Rāmānuja (c. 1017 – c. 1137 CE) http://www.iep.utm.edu/ramanuja/," at Internet Encyclopedia of Philosophy, Accessed May 20. 2014.

Lal Bahadur Shastri photo
Gino Severini photo
Manuel Castells photo
Barend Cornelis Koekkoek photo

“Beforehand I don't make any drawing of the object or objects which I want to paint on the canvas or panel.... but I start directly to situate the designed plan on the canvas - After having thoroughly sketched and thought over my composition, especially the arrangement of light and dark, I start to paint it broadly with oil-paint and try as much as possible to achieve the hue or the colouring, in which I want to see my landscape.... when it is definitely completed.”

Barend Cornelis Koekkoek (1803–1862) painter from the Northern Netherlands

(original Dutch, citaat van B.C. Koekkoek:) Ik maak vooraf geene tekeningen van het voorwerp of de voorwerpen, die ik op het doek of paneel wil schilderen.. ..maar begin dadelijk het ontworpen plan op het doek te plaatsen – Na mijne compositie eerst behoorlijk geschetst en beredeneerd te hebben, voornamelijk de schikking van licht en donker, begin ik dezelve met olieverw breed te schilderen, zoveel trachtende de tint of het coloriet er in te brengen, in welke ik mijn landschap.. ..wil gezien hebben.. ..als het geheel afgeschilderd is.
Source: Herinneringen aan en Mededeelingen van…' (1841), p. 98-99

Pierre Hadot photo

“He who studies a text or microbes or stars must have nothing to do with his subjectivity… that is an ideal that one must try to find by a certain practice. Let us say that objectivity is a virtue, and a very difficult one to practice.”

Pierre Hadot (1922–2010) French historian and philosopher

Celui qui étudie un texte ou des microbes ou les étoiles doit se défaire de sa subjectivité... c'est là un idéal qu'il faut essayer de rejoindre par une certaine pratique. Disons que l'objectivité est une vertu, d'ailleurs très diffice à pratiquer.
La Philosophie comme manière de vivre (2001)

Calvin Coolidge photo
Roberto Mangabeira Unger photo
José Rizal photo

“Man works for an object. Remove that object and you reduce him into inaction.”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

"Indolence of the Filipino" in La Solidaridad (1890)

Richard Strauss photo
Thomas Carlyle photo
Pope Benedict XVI photo
Francis Galton photo
Jean Paul Sartre photo
Arshile Gorky photo
Mohammed bin Rashid al-Maktoum photo

“Our aid has humanitarian objectives only; it is never governed by politics or limited by the geography, race, color or religion of the beneficiary.”

Mohammed bin Rashid al-Maktoum (1949) Emirati politician

Quotes on Philanthropy, http://www.sheikhmohammed.co.ae/vgn-ext-templating/v/index.jsp?vgnextoid=99c18960a5a11310VgnVCM1000004d64a8c0RCRD&appInstanceName=default, sheikhmohammed.ae.

Anita Sarkeesian photo
Alfred Horsley Hinton photo
Max Scheler photo
Robert Hooke photo

“The Reason of the present Animadversions. …How far Hevelius has proceeded. That his instruments do not much exceed Ticho. The bigness, Sights and Divisions, not considerably differing. Ticho not ignorant of his new way of Division. …That so great curiosity as Hevelius strives for is needless without the use of Telescopic Sights, the power of the naked eye being limited. That no one part of an Instrument should be more perfect than another. …
That if Hevelius could have been prevail'd on by the Author to have used Telescopic Sights, his observations might have been 40 times more exact than they are.
That Hevelius his Objections against Telescopic sights are of no validity; but the Sights without Telescopes cannot distinguish a less angle then half a Minute.
That an Instrument of 3 foot Radius with Telescopes, will do more then one of 3 score foot Radius with common Sights, the eye being unable to distinguish. This is proved by the undiscernableness of spots in the Moon, and by an Experiment with Lines on a paper, by which a Standard is made of the power of the eye. …
A Conclusion of the Animadversions. That the learn'd World is obllig'd to Hevelius for what he hath done, but would have more, if he had used other instruments.
That the Animadvertor both contrived some hundreds of Instruments, each of very great accurateness for taking Angles, Levels, &c.; and a particular Arithmetical lnstrument for performing all Operations in Arithmetick, with the greatest ease, swiftness and certainty imaginable.
That the Reader may be the more certain of this, the Author describes an Instrument for taking Angles in the Heavens…”

Robert Hooke (1635–1703) English natural philosopher, architect and polymath

Contents, Animadversions on the First Part of the Machina Coelestis of the Astronomer Johannes Hevelius https://books.google.com/books?id=KAtPAAAAcAAJ (1674)

Christopher Hitchens photo
Franz Grillparzer photo
Barbara Hepworth photo
James Joseph Sylvester photo
Joseph Priestley photo
Eerik-Niiles Kross photo
Walker Percy photo

“Why it is that of all the billions and billions of strange objects in the Cosmos — novas, quasars, pulsars, black holes — you are beyond doubt the strangest?”

Walker Percy (1916–1990) Southern philosophical novelist

Lost in the Cosmos: The Last Self-Help Book (1983)

Vinod Rai photo

“"We cannot do the role of cheerleaders. We strive to provide objective feedback on the functioning of the various departments of the government." - Vinod Rai speaking at the inaugural function of a Conference of Accountants General.”

Vinod Rai (1948) Comptroller and Auditor General of India

CAG: We can’t don the role of cheerleaders http://archive.indianexpress.com/news/cag-we-can-t-don-the-role-of-cheerleaders/1013949/0

John Lancaster Spalding photo
Alfred Binet photo

“Mind and matter brought down to the essential, to the consciousness and its object, form a natural whole, and the difficulty does not consist in uniting but in separating them.”

Alfred Binet (1857–1911) French psychologist and inventor of the first usable intelligence test

Source: The Mind and the Brain, 1907, p. 184

Logan Pearsall Smith photo
Northrop Frye photo

“The objective world is the order of nature, thinking or reflection follows the suggestions of sense experience, and words are the servomechanisms of reflection.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: "Quotes", The Great Code: The Bible and Literature (1982), Chapter One, p. 13

Philip Snowden, 1st Viscount Snowden photo
Alexander Pope photo

“The famous Lord Hallifax (though so much talked of) was rather a pretender to taste, than really possessed of it.—When I had finished the two or three first books of my translation of the Iliad, that lord, "desired to have the pleasure of hearing them read at his house." Addison, Congreve, and Garth, were there at the reading.—In four or five places, Lord Hallifax stopped me very civilly; and with a speech, each time of much the same kind: "I beg your pardon, Mr. Pope, but there is something in that passage that does not quite please me.—Be so good as to mark the place, and consider it a little at your leisure.—I am sure you can give it a little turn."—I returned from Lord Hallifax's with Dr. Garth, in his chariot; and as we were going along, was saying to the doctor, that my lord had laid me under a good deal of difficulty, by such loose and general observations; that I had been thinking over the passages almost ever since, and could not guess at what it was that offended his lordship in either of them.—Garth laughed heartily at my embarrassment; said, I had not been long enough acquainted with Lord Hallifax, to know his way yet: that I need not puzzle myself in looking those places over and over when I got home. "All you need do, (said he) is to leave them just as they are; call on Lord Hallifax two or three months hence, thank him for his kind observations on those passages; and then read them to him as altered. I have known him much longer than you have, and will be answerable for the event."—I followed his advice; waited on Lord Hallifax some time after: said, I hoped he would find his objections to those passages removed[; ] read them to him exactly as they were at first; and his lordship was extremely pleased with them, and cried out, "Ay now, Mr. Pope, they are perfectly right! nothing can be better."”

Alexander Pope (1688–1744) eighteenth century English poet

As quoted in Anecdotes, Observations, and Characters, of Books and Men (1820) by Joseph Spence [published from the original papers; with notes, and a life of the author, by Samuel Weller Singer]; "Spence's Anecdotes", Section IV. pp. 134–136.
Attributed

Arthur Helps photo
Iwane Matsui photo
Ernst, Baron von Feuchtersleben photo

“Our minds are so constituted that a change of objects brings nearly as much relief as actual repose.”

Ernst, Baron von Feuchtersleben (1806–1849) Austrian psychiatrist, poet and philosopher

The Dietetics of the Soul; Or, True Mental Discipline (1838)

Man Ray photo

“It has never been my object to record my dreams, just the determination to realize them.”

Man Ray (1890–1976) American artist and photographer

Julien Levy exhibition catalog (April 1945)

Philip K. Dick photo
George Holmes Howison photo
Richard Pipes photo
Niccolo Machiavelli photo
Courtney Love photo

“I never expected I would be connected to the Alpha male as some kind of ancillary object, and to this day it mystifies me.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her marriage to Kurt Cobain, The Telegraph (3 April 2010)
2006–2013

Lucius Shepard photo
George Holmes Howison photo
William A. Dembski photo
James Bryce, 1st Viscount Bryce photo
Frédéric Bastiat photo
Andy Warhol photo

“Therefore, everything seen – every object, that is, plus the process of looking at it – is a Duchamp. Turn it over and it is.”

Andy Warhol (1928–1987) American artist

Quote by John Cage that Banes relates to Warhol's work in Greenwich Village 1963: Avant-garde Performance and the Effervescent Body, Sally Banes, Duke University Press, 1993; p. 124
1963 - 1967

Woody Allen photo
John Holt (Lord Chief Justice) photo
Max Beerbohm photo

“Of all the objects of hatred, a woman once loved is the most hateful.”

Max Beerbohm (1872–1956) English writer

Source: Zuleika Dobson http://www.gutenberg.org/dirs/etext99/zdbsn11.txt (1911), Ch. XIII

Jean Dubuffet photo
Zakir Hussain (politician) photo
Charles Sanders Peirce photo
Herta Müller photo
Christopher Hitchens photo
Keshub Chunder Sen photo
Ellsworth Kelly photo
Charlotte Perkins Gilman photo

“For many years I suffered from a severe and continuous nervous breakdown tending to melancholia — and beyond. During about the third year of this trouble I went, in devout faith and some faint stir of hope, to a noted specialist in nervous diseases, the best known in the country. This wise man put me to bed and applied the rest cure, to which a still-good physique responded so promptly that he concluded there was nothing much the matter with me, and sent me home with solemn advice to "live as domestic a life as far as possible," to "have but two hours' intellectual life a day," and "never to touch pen, brush, or pencil again" as long as I lived. This was in 1887.
I went home and obeyed those directions for some three months, and came so near the borderline of utter mental ruin that I could see over.
Then, using the remnants of intelligence that remained, and helped by a wise friend, I cast the noted specialist's advice to the winds and went to work again — work, the normal life of every human being; work, in which is joy and growth and service, without which one is a pauper and a parasite — ultimately recovering some measure of power.
Being naturally moved to rejoicing by this narrow escape, I wrote The Yellow Wallpaper, with its embellishments and additions, to carry out the ideal (I never had hallucinations or objections to my mural decorations) and sent a copy to the physician who so nearly drove me mad. He never acknowledged it.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

"Why I Wrote The Yellow Wallpaper" in The Forerunner (October 1913) http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html

E. M. S. Namboodiripad photo
Thomas Jefferson photo

“The question therefore now comes forward, To what other objects shall these surpluses be appropriated, and the whole surplus of impost, after the entire discharge of the public debt, and during those intervals when the purposes of war shall not call for them? Shall we suppress the impost and give that advantage to foreign over domestic manufactures? On a few articles of more general and necessary use the suppression in due season will doubtless be right, but the great mass of the articles on which impost is paid are foreign luxuries, purchased by those only who are rich enough to afford themselves the use of them.
Their patriotism would certainly prefer its continuance and application to the great purposes of the public education, roads, rivers, canals, and such other objects of public improvement as it may be thought proper to add to the constitutional enumeration of Federal powers. By these operations new channels of communications will be opened between the States, the lines of separation will disappear, their interests will be identified, and their union cemented by new and indissoluble ties. Education is here placed among the articles of public care, not that it would be proposed to take its ordinary branches out of the hands of private enterprise, which manages so much better all the concerns to which it is equal, but a public institution can alone supply those sciences which though rarely called for are yet necessary to complete the circle, all the parts of which contribute to the improvement of the country and some of them to its preservation.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Thomas Jefferson's Sixth State of the Union Address (2 December 1806). Advising the origination of an annual fund to be spent through new constitutional powers (by new amendments) from projected surplus revenue.
1800s, Second Presidential Administration (1805-1809)

Tristan Tzara photo
Nathaniel Hawthorne photo
Russell Brand photo
Richard Serra photo

“The steel and the space, or the object and the void, become one and the same.”

Richard Serra (1939) American sculptor

Charlie Rose interview (2001)

Clarence Thomas photo
John Bright photo

“[Gladstone] gave me a long memorandum, historical in character, on the past Irish story, which seemed to be somewhat one-sided, leaving out of view the important minority and the views and feelings of the Protestant and loyal portion of the people. He explained much of his policy as to a Dublin Parliament, and as to Land purchase. I objected to the Land policy as unnecessary—the Act of 1881 had done all that was reasonable for the tenants—why adopt the policy of the rebel party, and get rid of landholders, and thus evict the English garrison as the rebels call them? I denied the value of the security for repayment. Mr G. argued that his finance arrangements would be better than present system of purchase, and that we were bound in honour to succour the landlords, which I contested. Why not go to the help of other interests in Belfast and Dublin? As to Dublin Parliament, I argued that he was making a surrender all along the line—a Dublin Parliament would work with constant friction, and would press against any barrier he might create to keep up the unity of the three Kingdoms. What of a volunteer force, and what of import duties and protection as against British goods? … I thought he placed far too much confidence in the leaders of the rebel party. I could place none in them, and the general feeling was and is that any terms made with them would not be kept, and that through them I could not hope for reconciliation with discontented and disloyal Ireland.”

John Bright (1811–1889) British Radical and Liberal statesman

Bright's diary entry (20 March 1886), quoted in G. M. Trevelyan, The Life of John Bright (London: Constable, 1913), p. 447.
1880s

Maimónides photo
Alan Keyes photo
Pope Benedict XVI photo

“It is deplorable that homosexual persons have been and are the object of violent malice in speech or in action. Such treatment deserves condemnation from the church's pastors wherever it occurs… The intrinsic dignity of each person must always be respected in work, in action and in law.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

"Letter to the Bishops of the Catholic Church on the Pastoral Care of Homosexual Persons," 1986, as reported by National Catholic Reporter
1980s

“What fascinates me about Duchamp is the idea of tearing down the wall between the art object and reality.”

Anselm Kiefer (1945) German painter and sculptor

Source: "Anselm Kiefer and the Philosophy of Martin Heidegger" Matthew Biro, Cambridge University Press 1998, p. 304

Letitia Elizabeth Landon photo
Robert G. Ingersoll photo
Herbert Marcuse photo
Nicolás Gómez Dávila photo

“The modernist object does not possess inner life; only internal conflicts.”

Nicolás Gómez Dávila (1913–1994) Colombian writer and philosopher

Sucesivos Escolios a un Texto Implícito (1992)

Maumoon Abdul Gayoom photo

“My main objective has been to raise the standard of living of the people, to achieve social and economic progress.”

Maumoon Abdul Gayoom (1937) Maldivian politician, 3rd president of the Maldives

BBC World interview (2003)

Charles Babbage photo