Quotes about notice
page 8

John Kennedy Toole photo
Graham Greene photo
Babe Ruth photo
Alan Keyes photo
James Jeans photo
Giorgio de Chirico photo
Marek Sanak photo
Steve Sailer photo

“Political correctness is a war on noticing.”

Steve Sailer (1958) American journalist and movie critic

World War T http://takimag.com/article/world_war_t_steve_sailer/print#axzz4A3cQmle0, Taki's Magazine, January 22, 2014

Franz Halder photo
Mary Midgley photo

“Philosophy, like speaking prose, is something have to do all our lives, well or badly, whether we notice it or not.”

Mary Midgley (1919–2018) British philosopher and ethicist

Introduction, Beast and Man: The Roots of Human Nature (1979).

Roy Chapman Andrews photo

“I wanted to go everywhere. I would have started on a day’s notice for the North Pole or the South, to the jungle or the desert. It made not the slightest difference to me.”

Roy Chapman Andrews (1884–1960) American explorer, adventurer and naturalist

From 'Under a Lucky Star' published 1943 http://www.roychapmanandrewssociety.org/adventures.html

Tim Powers photo
Margaret Cho photo
Michał Kalecki photo

“It should be noticed that the whole approach is in contradiction to generally accepted views.”

Michał Kalecki (1899–1970) Polish economist

Source: Theory of Economic Dynamics (1965), Chapter 1, Cost and Prices, p. 17

Roger Ebert photo

“I was noodling around Rotten Tomatoes, trying to determine who played the bank's security chief, and noticed the movie had not yet been reviewed by anybody. Hold on! In the "Forum" section for this movie, "islandhome" wrote at 7:58 a. m. Jan. 8: "review of this movie … tonight i'll post." At 11:19 a. m. Jan. 10, "islandhome" was finally back with the promised review. It is written without capital letters, flush left like a poem, and I quote it verbatim, spelling and all:
:hello sorry i slept when i got back
:well it was kinda fun
:it could never happen in the way it was portraid
:but what ever its a movie
:for the girls most will like it
:and the men will not mind it much
:i thought it was going to be kinda like how to beat the high cost of living
:kinda the same them but not as much fun
:ill give it a 4 0ut of 10
I read this twice, three times. I had been testing out various first sentences for my own review, but somehow the purity and directness of islandhome's review undercut me. It is so final. "for the girls most will like it/and the men will not mind it much."”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

How can you improve on that? It's worthy of Charles Bukowski. ...The bottom line is some girls will like it, the men not so much, and I give it 1½ stars out of 4.
Review http://www.rogerebert.com/reviews/mad-money-2008 of Mad Money (17 January 2008)
Reviews, One-and-a-half star reviews

Fernand Léger photo
Michael Bloomberg photo

“Leading from the front: It’s what built America. But these days, the federal government isn’t at the front – it’s cowering in the back corner of the room, ducking responsibility and hoping no one notices.”

Michael Bloomberg (1942) American businessman and politician, former mayor of New York City

http://mikebloomberg.com/en/issues/public_health/mayor_bloomberg_delivers_opening_address_at_ceasefire_bridging_the_political_divide_conference
State of America

Josh Homme photo

“I am not a perfectionist at all. I love failure. I love mistakes. I love the bizarre. I love characters. I love missing teeth. I love beauty because your eyes are off-center. And how can you notice that in the buzz of the city? So I like the emptiness.”

Josh Homme (1973) American musician

Reported in Jonathan Horsley, " Queens of the Stone Age: Josh Homme Q&A http://www.decibelmagazine.com/uncategorized/queens-of-the-stone-age-josh-homme-qa/", Decibel Magazine (July 22nd, 2011).

Lois McMaster Bujold photo

“How could I have died and gone to hell without noticing the transition?”

Vorkosigan Saga, Borders of Infinity (1989)

Robert T. Kiyosaki photo

“Getting a good education and making good grades no longer ensures success, and nobody seems to have noticed, except our children.”

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

Matt Ridley photo
W.E.B. Du Bois photo

“It was a bright September afternoon, and the streets of New York were brilliant with moving men…. He was pushed toward the ticket-office with the others, and felt in his pocket for the new five-dollar bill he had hoarded…. When at last he realized that he had paid five dollars to enter he knew not what, he stood stock-still amazed…. John… sat in a half-maze minding the scene about him; the delicate beauty of the hall, the faint perfume, the moving myriad of men, the rich clothing and low hum of talking seemed all a part of a world so different from his, so strangely more beautiful than anything he had known, that he sat in dreamland, and started when, after a hush, rose high and clear the music of Lohengrin's swan. The infinite beauty of the wail lingered and swept through every muscle of his frame, and put it all a-tune. He closed his eyes and grasped the elbows of the chair, touching unwittingly the lady's arm. And the lady drew away. A deep longing swelled in all his heart to rise with that clear music out of the dirt and dust of that low life that held him prisoned and befouled. If he could only live up in the free air where birds sang and setting suns had no touch of blood! Who had called him to be the slave and butt of all?… If he but had some master-work, some life-service, hard, aye, bitter hard, but without the cringing and sickening servility…. When at last a soft sorrow crept across the violins, there came to him the vision of a far-off home — the great eyes of his sister, and the dark drawn face of his mother…. It left John sitting so silent and rapt that he did not for some time notice the usher tapping him lightly on the shoulder and saying politely, 'will you step this way please sir?'… The manager was sorry, very very sorry — but he explained that some mistake had been made in selling the gentleman a seat already disposed of; he would refund the money, of course… before he had finished John was gone, walking hurriedly across the square… and as he passed the park he buttoned his coat and said, 'John Jones you're a natural-born fool.”

Then he went to his lodgings and wrote a letter, and tore it up; he wrote another, and threw it in the fire....
Source: The Souls of Black Folk (1903), Ch. XIII: Of the Coming of John

Julia Gillard photo
Thomas Jefferson photo
Roger Joseph Boscovich photo

“But if some mind very different from ours were to look upon some property of some curved line as we do on the evenness of a straight line, he would not recognize as such the evenness of a straight line; nor would he arrange the elements of his geometry according to that very different system, and would investigate quite other relationships as I have suggested in my notes.
We fashion our geometry on the properties of a straight line because that seems to us to be the simplest of all. But really all lines that are continuous and of a uniform nature are just as simple as one another. Another kind of mind which might form an equally clear mental perception of some property of any one of these curves, as we do of the congruence of a straight line, might believe these curves to be the simplest of all, and from that property of these curves build up the elements of a very different geometry, referring all other curves to that one, just as we compare them to a straight line. Indeed, these minds, if they noticed and formed an extremely clear perception of some property of, say, the parabola, would not seek, as our geometers do, to rectify the parabola, they would endeavor, if one may coin the expression, to parabolify the straight line.”

Roger Joseph Boscovich (1711–1787) Croat-Italian physicist

"Boscovich's mathematics", an article by J. F. Scott, in the book Roger Joseph Boscovich (1961) edited by Lancelot Law Whyte.
"Transient pressure analysis in composite reservoirs" (1982) by Raymond W. K. Tang and William E. Brigham.
"Non-Newtonian Calculus" (1972) by Michael Grossman and Robert Katz.

Lee Kuan Yew photo
Charles Sanders Peirce photo
Donald Barthelme photo
Marino Marini photo
James Bradley photo
Samuel Taylor Coleridge photo

“A good basic selling idea, involvement and relevancy, of course, are as important as ever, but in the advertising din of today, unless you make yourself noticed and believed, you ain't got nothin.”

Leo Burnett (1891–1971) American advertising executive

As quoted in Street-Smart Advertising: How to Win the Battle of the Buzz (2006) by Margo Berman, p. 95

Patrick Modiano photo

“You don't ever get a chance to play what you really do; and if you do, you notice that you can't play, because you haven't been. And often I'd be asked to play like somebody else, like Joe Sample. I'd say, "I can't play like him. He's an original." I'd be asked to try and the producers would love it, but I'd feel rotten. Then one time I ran into Joe and he told me, "Man, I'm tired of people asking me to play like you."”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

My jaw dropped. Then I found out this is a common practice.
On his years in the studio, playing on films, TV shows and jingles, as quoted in "He Arranges, Composes, Performs: Fischer, A Renaissance Man Of Music" http://articles.latimes.com/1987-05-14/entertainment/ca-8949_1_clare-fischer

Frans de Waal photo

“I think if we study the primates, we notice that a lot of these things that we value in ourselves, such as human morality, have a connection with primate behavior. This completely changes the perspective, if you start thinking that actually we tap into our biological resources to become moral beings. That gives a completely different view of ourselves than this nasty selfish-gene type view that has been promoted for the last 25 years.”

Frans de Waal (1948) Dutch primatologist and ethologist

Frans de Waal, in a NOVA interview, " The Bonobo in All of Us" PBS (1 January 2007) http://www.pbs.org/wgbh/nova/nature/bonobo-all-us.html; quotes from this interview were for some time misplaced on this page, which probably generated similar misattributions elsewhere, and the misplacement was not discovered until after this quotation had been selected for Quote of the Day, as a quote of Goodall. Corrections were subsequently made here, during the day the quote was posted as QOTD.
The Bonobo in All of Us (2007)

William Saroyan photo

“It is impossible not to notice that our world is tormented by failure, hate, guilt, and fear.”

William Saroyan (1908–1981) American writer

Letter to Robert E. Sherwood (1946)

Ludovico Ariosto photo

“But so secretive nobody can be
That someone does not notice finally.”

Canto XXII, stanza 39 (tr. B. Reynolds)
Orlando Furioso (1532)

Michelle Pfeiffer photo
Lyndon B. Johnson photo

“I'll tell you what's at the bottom of it. If you can convince the lowest white man he's better than the best colored man, he won't notice you're picking his pocket. Hell, give him somebody to look down on, and he'll empty his pockets for you.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

As quoted in "What a Real President Was Like: To Lyndon Johnson, the Great Society Meant Hope and Dignity" http://pqasb.pqarchiver.com/washingtonpost/doc/307079109.html?FMT=ABS&FMTS=ABS:FT&date=Nov+13%2C+1988&author=Moyers%2C+Bill+D&desc=What+a+Real+President+Was+Like%3B+To+Lyndon+Johnson%2C+the+Great+Society+Meant+Hope+and+Dignity, by Bill Moyers, The Washington Post (13 November 1988).
Attributed

Andrew Solomon photo
Anne Morrow Lindbergh photo
Amit Chaudhuri photo

“What delighted me was that it's 30 years from now — not next week or next year. … That would be totally hopeless; that would be terrifying, in fact. Time is on our side in this one — that's why it's such a wonderful illustration of the process… I say 30 years is a good long time to do something about it if it is a problem … We should be thankful we have this kind of notice.”

Brian G. Marsden (1937–2010) British astronomer

On initial reports that Asteroid 1997 XF<sub>11</sub> could be on a trajectory to hit the Earth in 2028; as quoted in "Man in the News; A Cheery Herald of Fear: Brian Geoffrey Marsden" in The New York Times (13 March 1998) http://query.nytimes.com/gst/fullpage.html?res=9401E2D91F30F930A25750C0A96E958260&sec=&spon=&pagewanted=all.

Mohammad Reza Pahlavi photo
Raymond Cattell photo

“People who hadn't noticed me, or who had written me off as a game show host, started to reassess me. There were people who hadn't seen me as a stand-up artist and liked it. Suddenly I was in fashion again.”

Bob Monkhouse (1928–2003) English entertainer

Independent on Sunday obituary http://web.archive.org/web/20100522031727/http://www.independent.co.uk/news/media/bob-monkhouse-jokewriter-to-the-stars-and-the-longreigning-king-of-primetime-comedy-dies-at-75-578058.html

Jerry Falwell photo
Alvin C. York photo

“I noticed the bushes all around where I stood in my fight with the machine guns were all cut down. The bullets went over my head and on either side. But they never touched me.”

Alvin C. York (1887–1964) United States Army Medal of Honor recipient

Account of 8 October 1918.
Diary of Alvin York

John Major photo
Will Eisner photo

“1920
The Times
London, Saturday, May 8, 1920.
“The Jewish peril.”
A disturbing pamphlet
Call for inquiry.
(From a correspondent.)
The Times has not as yet noticed this singular little book. Its diffusion is, however, increasing, and its reading is likely to perturb the thinking public. Never before have a race and a creed been accused of a more sinister conspiracy. We in this country, who live in good fellowship with numerous representatives of Jewry, may well ask that some authoritative criticism should deal with it., and either destroy the ugly “Semitic” body or assign their proper place to the insidious allegations of this kind of literature.
In spite of the urgency of impartial and exhaustive criticism, the pamphlet has been allowed, so far, to pass almost unchallenged. The Jewish Press announced, it is true, that the anti-semitism of the “Jewish Peril” was going to be exposed. But save for an unsatisfactory article in the March 5 issue of the ‘’Jewish Guardian’’ and for an almost equally unsatisfactory article in the March 5 issue of contribution to the ‘’Nation’’ of March 27, this exposure is yet to come. The article of the ‘’Jewish Guardian’’ is unsatisfactory, because it deals mainly with the personality of the author of the book in which the pamphlet is embodied, with Russian reactionary propaganda, and the Russian secret police. It does not touch the substance of the “Protocols of the Learned Elders of Zion.” The purely Russian side of the book and its fervid “Orthodoxy.” Is not its most interesting feature. Its author-Professor S. Nilus-who was a minor official in the Department of Foreign Religions at Moscow, had, in all likelihood, opportunities of access to many archives and unpublished documents. On the other hand, the world-wide issue raised by the “Protocols” which he incorporated in his book and are now translated into English as “The Jewish Peril,” cannot fail not only to interest, but to preoccupy. What are the these of the “Protocols” with which, in the absence of public criticism, British readers have to grapple alone and unaided?”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Thomas Hobbes photo
Eugène Fromentin photo

“What motive had a Dutch painter in painting a picture? None. And notice that he never asked for one. A peasant with a drunken red nose looks at you with his heavy eye and laughs with open mouth showing his teeth, raising a jug; if it is well painted, it has its value.”

Eugène Fromentin (1820–1876) French painter

Quote from Les Maitres d'Autrefois / The Old Masters, 1876; 1948, p. 115; as cited in 'Dutch Painting of the Golden Age', http://www.open.edu/openlearn/history-the-arts/dutch-painting-the-golden-age/content-section-2 OpenLearn

George Carlin photo
Judith Sheindlin photo

“I don't care whether you had a 30-day notice, a 3-day notice, or a partridge in a pear tree!”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=vIZrjbP0BZY
Quotes from Judge Judy cases, Dismissing a statement or case

Patrick Modiano photo
Thomas Jefferson photo
Leigh Snowden photo

“What is needed is a noticeable unnoticeable style,… a directness of speech that seems to one judging easily imitable, to one trying it nothing less so.”

J. V. Cunningham (1911–1985) American writer

The Problem of Style, Fawcett, New York 1966
General

Doris Lessing photo
Eliza Calvert Hall photo

“I've noticed that whenever a woman's willin' to be imposed upon there's always a man standin' 'round ready to do the imposin.”

Eliza Calvert Hall (1856–1935) American author, women's rights advocate and suffragist

Hall, Eliza Calvert. Aunt Jane of Kentucky. Boston: Little, Brown, and Co, 1907. Sally Ann's Experience p. 27.
Hall, Eliza Calvert, and Melody Graulich. Aunt Jane of Kentucky. Masterworks of literature series. Albany, NY: NCUP, 1992. In the reprinted edition, Graulich discusses the quote on page xxxi. The quote appears in the text on page 12 of this edition.
Aunt Jane of Kentucky (1907)

Mickey Spillane photo

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

One Lonely Night (1951)

Aisha photo
Michael Crichton photo
Edward Carpenter photo
George Sand photo

“It's not the first time I've noticed how much more power words have than ideas, particularly in France.”

Ce n'est pas la première fois que je remarque combien, en France particulièrement, les mots ont plus d’empire que les idées.
Indiana, pt. 1, ch. 2 (1832); Sylvia Raphael (trans.) Indiana (Oxford: Oxford University Press, 2000) p. 23

Alastair Reynolds photo
Umberto Boccioni photo

“In one gallery they actually had a notice which said "No Sketching." How obnoxious! I said, "How do you think these things got on the walls if there was no sketching?"”

David Hockney (1937) British artist

"Portrait of the Artist as a Naughty Boy," interview with John Mortimer, In Character (1983), p. 97
1980s

Ian Hacking photo
Octavio Paz photo
Jerry Pournelle photo
Halldór Laxness photo
Vincent Van Gogh photo
Joseph Smith, Jr. photo
Anthony Watts photo

“It's all about the sun. Just take a look at the picture above and notice just how small earth is compared to the sun, or even a large solar flare. Anybody whom thinks the human race has more effect on our global energy balance than an active sun does is just deluding themselves.”

Anthony Watts (1958) American television meteorologist

Scientists Predict Large Solar Cycle Coming http://wattsupwiththat.com/2006/12/23/scientists-predict-large-solar-cycle-coming/, wattsupwiththat.com, December 23, 2006.
2006

Tony Esposito photo

“I wanted something different—something to make me stand out and for people to notice.”

Tony Esposito (1943) American ice hockey goaltender

Quoted in Andrew Podnieks, "One on One with Tony Esposito," http://www.legendsofhockey.net/html/spot_oneononep198801.htm Legends of Hockey.net (2002-03-04)
Esposito explains why he chose to wear the number 35, instead of the more standard goaltender numbers 1 and 30.

Emily Brontë photo
Edmund White photo
Alan Turing photo
John Byrne photo

“If you had paid any attention, instead of just scanning for places you can display your sparkling wit, you might have noticed that I use this forum in much the same way firemen use fire to fight fire. But, since you ask, I can shut it down for you.”

John Byrne (1950) American author and artist of comic books

2007
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=19499&PN=0&TPN=1
When asked if he had considered closing his forum, since it was part of the Internet fandom “problem”

Gerhard Richter photo
Emily Dickinson photo
Glen Cook photo
Sören Kierkegaard photo
Garth Brooks photo
Charles Dudley Warner photo

“Lettuce is like conversation: it must be fresh and crisp, so sparkling that you scarcely notice the bitter in it.”

Charles Dudley Warner (1829–1900) American writer

Ninth Week.
My Summer in a Garden (1870)

Klaus Kinski photo

“At sixteen I get drafted. When I read the draft notice, I cry. Not because I'm a coward - I'm not afraid of anyone. But I don't want to kill or be killed.”

Klaus Kinski (1926–1991) German actor

Source: Kinski Uncut : The Autobiography of Klaus Kinski (1996), p. 42

Theodore Kaczynski photo
Hunter S. Thompson photo

“The city's frightening now. That's the basis of my reaction to Las Vegas. It's not the city I wrote about. It's not the same place at all. You'll notice that even the — what do you call them?”

Hunter S. Thompson (1937–2005) American journalist and author

milestone or trademark casinos are now gone.
"30 years after FALILV: Hunter S. Thompson on Las Vegas Today'" Las Vegas City Life (7 June 2002)
2000s