“Heavenly bodies are nests of invisible birds.”
“Nests,” p. 55
The Creator (2000), Sequence: “The Whisper of Eternity”
“Heavenly bodies are nests of invisible birds.”
“Nests,” p. 55
The Creator (2000), Sequence: “The Whisper of Eternity”
Source: Permaculture: A Designers' Manual (1988), chapter 12.15
Four Minute Essays Vol. 5 (1919), The Human Heart
Anything That's Peaceful https://books.google.com/books?id=4wWA1vexxdsC&pg=PA74&lpg=PA74&dq=%22is+but+socialized+dishonesty;+it+is+feathering+the+nests+of+some+with+feathers+coercively+plucked+from+others+-+on+the+grand+scale.%22&source=bl&ots=1I89gu9Jmo&sig=8jpm9FnYbB87c8BB_twGQw8CC7o&hl=en&sa=X&ved=0ahUKEwjIuZ_58vLTAhXD4SYKHbHVAncQ6AEILDAB#v=onepage&q=%22is%20but%20socialized%20dishonesty%3B%20it%20is%20feathering%20the%20nests%20of%20some%20with%20feathers%20coercively%20plucked%20from%20others%20-%20on%20the%20grand%20scale.%22&f=false
Anything That's Peaceful (1964)
1850s, Two Discourses at Friday Communion (August 1851)
XXXI, p. 517. Also quoted in The Political Writings of John Adams (2001) edited by George W. Carey, p. 440 http://books.google.com/books?vid=ISBN0895262924&id=zwKs6Wf2NUEC&pg=PA440&lpg=PA440&ots=qW8I2vCTNZ&dq=%22solemn+truth+in+collision+with+a+dogma+of+a+sect%22&sig=BrWgHvNRAAWcN0rXxdBa7zjeEcc
1810s, Letters to John Taylor (1814)
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 26
“Leave the breast
And then the nest
And then regret you ever left.”
Song lyrics, Never for Ever (1980)
18 July 1890, page 321
John of the Mountains, 1938
version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): De onbekende bergnesten in het onherbergzame binnenland van Zuid-Calabrië zijn meestal slechts door een muilezelpad met den spoorweg, die vlak langs de kust loopt, verbonden: wie er heen wil, dient te voet te gaan zoo hij geen ezel tot zijn beschikking heeft. Ik denk terug aan dien warmen namiddag in de maand Mei toen wij met ons vieren, na een lange, vermoeiende tocht in de barre zon, bepakt met de zware last onzer rugzakken, zweetdruppelend en een beetje hijgend de stadspoort van Palizzi binnentraden..
Quote from Escher's article about his Calabria trip, in the Dutch magazine 'De Groene Amsterdammer', 23 April, 1932, p 18 – No 2864 (translation of museum 'Escher in the Palais', the Hague)
In the following Autumn and Winter Escher used the many sketches and photos from this trip to make series of woodcuts and lithography https://www.escherinhetpaleis.nl/story-of-escher/from-photo-to-fantasy/?lang=en
1940's
1940s, State of the Union Address — The Four Freedoms (1941)
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 367.
“One flew east, One flew west, One flew over the cuckoo's nest.”
A children's folk rhyme quoted in the front pages of the book.
One Flew Over the Cuckoo's Nest (1962)
Asters, reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 45.
“A jealous wife is like a hornets’ nest in your mattress.”
Old saying in Randland
A Crown of Swords (15 May 1996)
The Autocrat of the Breakfast Table (1858)
Source: Cider with Rosie (1959), p. 144.
Hindu Temples – What Happened to Them, Volume II (1993)
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter I, Sec. 2
“A bird is safe in its nest - but that is not what its wings are made for.”
World Peace: The Voice of a Mountain Bird (2014) https://books.google.co.uk/books?id=KkYtBgAAQBAJ,
Soren explaining to Gylfie how he got captured; Chapter Three: "Snatched!", p. 29
The Capture (2003)
Concepts
Source: https://www.youtube.com/watch?v=Ifi5KkXig3s "Biblical Series IV: Adam and Eve: Self-Consciousness, Evil, and Death"
The Prisoner
Traits and Trials of Early Life (1836)
Poem: The Armadillo http://unix.cc.wmich.edu/~cooneys/poems/bishop.armadillo.html
Authority and persuasion in philosophy (1985)
Letter to Benjamin Bailey (July 18, 1818)
Letters (1817–1820)
“The Sestos and Abydos of her breasts
Not of two lovers, but two loves the nests.”
No. 18, Love's Progress, line 61
Elegies
Attributed by Dennis King as trial testimony in LaRouche v. NBC (1985) http://www.lyndonlarouche.org/larouche-NBC-trial.htm.
Attributed
"Rough Country" http://www.danagioia.net/poems/roughcountry.htm
Poetry, The Gods of Winter (1991)
As quoted in " Q&A: Bates Motel's Vera Farmiga on the Terrors of Parenthood http://www.esquire.com/entertainment/interviews/a27056/vera-farmiga-interview/" by Eric Spitznagel at Esquire (February 1, 2014)
Approaching Timewave Zero Magical Blend Magazine (November 1994) http://www.mindroots.com/universe/timewavezero.htm
“What mare's nest hast thou found?”
Act IV, scene 2.
The Tragedy of Bonduca (1611–14; published 1647)
Quoted in Chicago Tribune (2 December 1988) "Ex-Aide: LaRouche Extravagant" p. 13.
Attributed
“How well I feathered my nest.”
Source: Gargantua and Pantagruel (1532–1564), Gargantua (1534), Chapter 17.
Song 17: "Love between Brothers and Sisters".
1710s, Divine Songs Attempted in the Easy Language of Children (1715)
"Ken Thompson clarifies matters", 1999
“For Time will teach thee soon the truth,
There are no birds in last year's nest!”
It is not always May, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Source: Autobiography of a Brown Buffalo (1972), p. 92.
“We toast the Lisp programmer who pens his thoughts within nests of parentheses.”
Quoted in The Structure and Interpretation of Computer Programs.
Difficult People https://ebooks.adelaide.edu.au/c/chekhov/anton/c51wif/chapter2.html (1886)
On the progress of The Wise Man's Fear in "Concerning the Release of Book Two" (26 February 2009) http://blog.patrickrothfuss.com/2009/02/concerning-the-release-of-book-two/
Official site
Context: My book is different.
In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance.
So what *is* the structure then? Fuck if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy.
But if I fuck it up, I'll end up with a confusing tangled mess of a story.
Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff.
Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit.
It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.
RTNDA Convention Speech (1958)
Context: This just might do nobody any good. At the end of this discourse a few people may accuse this reporter of fouling his own comfortable nest, and your organization may be accused of having given hospitality to heretical and even dangerous thoughts. But the elaborate structure of networks, advertising agencies and sponsors will not be shaken or altered. It is my desire, if not my duty, to try to talk to you journeymen with some candor about what is happening to radio and television.
Praeterita, volume I, chapter IX (1885-1889).
Context: My entire delight was in observing without being myself noticed,— if I could have been invisible, all the better. I was absolutely interested in men and their ways, as I was interested in marmots and chamois, in tomtits and trout. If only they would stay still and let me look at them, and not get into their holes and up their heights! The living inhabitation of the world — the grazing and nesting in it, — the spiritual power of the air, the rocks, the waters, to be in the midst of it, and rejoice and wonder at it, and help it if I could, — happier if it needed no help of mine, — this was the essential love of Nature in me, this the root of all that I have usefully become, and the light of all that I have rightly learned.
Letter to his fiancée Lee, (31 July 1978), published in Gerald Durrell: An Authorized Biography by Douglas Botting (1999)
Context: I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. … I have known silence: the cold earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. … I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills fling home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their winds smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things… but —
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever surprising mind which is an enchanting quarry in which it is my privilege to delve.
Preface (1833).
Mémoires d'outre-tombe (1848 – 1850)
Context: I have borne the musket of a soldier, the traveller’s cane, and the pilgrim’s staff: as a sailor my fate has been as inconstant as the wind: a kingfisher, I have made my nest among the waves.
I have been party to peace and war: I have signed treaties, protocols, and along the way published numerous works. I have been made privy to party secrets, of court and state: I have viewed closely the rarest disasters, the greatest good fortune, the highest reputations. I have been present at sieges, congresses, conclaves, at the restoration and demolition of thrones. I have made history, and been able to write it. … Within and alongside my age, perhaps without wishing or seeking to, I have exerted upon it a triple influence, religious, political and literary.
translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Jan Mankes, in het Nederlands:) Je kent de teedere kant van mijn werk. Die kant heeft me steeds overheerscht. Ik voel de blijdschap om dat teedere het sterkst als ik aan een vinkennest denk, met spinrag en korstmos op een mei-ochtend.
Quote, in a writing to his wife Anne, Nov. 1919, in Jan Mankes - kunstbeschouwingen van Albert Plasschaert & Just Havelaar; publisher J.A.A.M. van Es, Wassenaar, 1927; as cited by Susan van den Berg, in 'Tableau Fine Arts Magazine', 29e Jaargang, nummer 1, Feb/March 2007, p. 78
1915 - 1920
pg. 22
The Sports and Pastimes of the People of England (1801), Collective nouns
Uma Dasgupta, a former professor of the Indian Statistical Institute quoted in “ P.C. Mahalanobis, Tagore shared ideals.
And if Ty kept working there for another few decades, perhaps one of the Owners would sit him down one day in the Bolt Hole and deign to tell him what exactly the Purpose was.
"Five Thousand Years Later"
Seveneves (2015), Part Three
"Some Pig" https://www.all-creatures.org/articles/ar-some-pig.html, All-Creatures.org (April 2013).
Footnote: He does this because of his altruistic (parental) instinct. The higher one rises in the vertebrate scale the more altruistic one becomes. The higher vertebrates are just one mass of altruism.
The Three-Spined Stickleback
How to Become Extinct (1941)
“To be fully alive, fully human, and completely awake is to be continually thrown out of the nest.”
86
Gnostic Gospels, Gospel of Thomas (c. 2nd century AD manuscript)
Source: The Sayings and Teachings of the Great Mystics of Islam (2004), p. 271
“Know, Nature, like the cuckoo, laughs at law,
Placing her eggs in whatso nest she will.”
Source: Savonarola (1881), Lorenzo de' Medici in Act I, sc. i; p. 14.