Quotes about myth
page 5

Source: The Age of Uncertainty (1977), Chapter 9, p. 258

Source: "Let the Record Speak" 1939, p. 358 (newspaper column: “The Revolution of Nihilism,” May 8, 1939)

Attributed to Hugo in Old Gods Almost Dead : The 40-year Odyssey of the Rolling Stones (2001), by Stephen Davis, p. 557; but sourced to Illuminations by Arthur Rimbaud in Jaco : The Extraordinary and Tragic Life of Jaco Pastorius (2006) by Bill Milkowski, p. iii
Disputed
sections 1-7
The Myth of Modernity (1946)

Prof. Michael N. Nagler in his foreword to Gandhi the Man (1978) by Eknath Easwaran, p. 8 http://books.google.co.uk/books?id=v_hpUlMRjWsC&pg=PA8&dq=%22As+human+beings,+our+greatness+lies%22
Misattributed

Source: For the Discovery of a Zone of Images', Piero Manzoni, 1957, pp. 16-17
Robert Heller cited in : Jonathon Green (1984) The Cynic's Lexicon: A Dictionary of Amoral Advice. p. 92
Source: The Passionate Life (1983), p. 24

Source: Books, Spiritual Warrior IV: Conquering the Enemies of the Mind (Hari-Nama Press, 2004), Chapter 3
Source: The Age of Reform: from Bryan to F.D.R. (1955), Chapter II, part I, p. 62
Source: Language, thought and reality (1956), p. 264.

Blog posting (16 July 2011) http://janefonda.com/qvc-cancelled-my-appearance/

In a letter to Anita Pollitzer, Abiquiu, New Mexico, February 28, 1968); as quoted in The Complete Correspondence of Georgia O’Keeffe & Anita Pollitzer, ed. Clive Giboire, Touchstone Books, Simon & Schuster Inc., New York, 1990, p. 320
1950 - 1970

“Myth is at the beginning of literature, and also at its end.”
"Parable of Cervantes and Don Quixote" (January 1955)
Tr. Andrew Hurley, Collected Fictions (1998)
Dreamtigers (1960)
Variant: In the beginning of literature there is myth, as there is also in the end of it.

"Farewell Ataturk" http://nypost.com/2013/06/27/farewell-ataturk/, New York Post (June 27, 2013).
New York Post
Source: Natural Right and History (1953), p. 6

In p. 1.
Sources, Seer of the Fifth Veda: Kr̥ṣṇa Dvaipāyana Vyāsa in the Mahābhārata

An Old Chaos: The Call of Progress (pp. 6-7)
The Silence of Animals: On Progress and Other Modern Myths (2013)

State of the Nation" webcast], Answers in Genesis (February 16, 2010)

Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)
2010s, South Korea's Collective Shrug (May 2010)
Source: The Roadmender (1902), Chapter II
Santa Barraza, Artist of the Borderlands (2001)

Ann Druyan interviewed by the Committee for Skeptical Inquiry. — "Ann Druyan Talks About Science, Religion, Wonder, Awe … and Carl Sagan" http://www.csicop.org/si/show/ann_druyan_talks_about_science_religion/. Skeptical Inquirer 27 (6). November–December 2003.
Source: Nationalism and Modernism (1998), p. 192.

Source: Look Away!: A History of the Confederate States of America (2002), p. 9

Source: The Rise of the Network Society, 1996, p. 433–434 as quoted in: Wayne Hope (2006) Global Capitalism and the Critique of Real Time http://www.sagepub.com/dicken6/Sociology%20Online%20readings/CH%202%20-%20HOPE.pdf. Sage publications. p. 289

[Price, Robert M., w:Robert M. Price, Tom Flynn, Richard Dawkins, The New Encyclopedia of Unbelief, https://books.google.com/books?id=fsZ26vQxJKMC&pg=PA372, 2007, Prometheus Books, Publishers, 978-1-61592-280-2, 372, Guignebert, Charles]
“The [Greek] myths were… attempting—at a deeper level—to feel the intangible and say the unsayable.”
Source: Sailing the Wine-Dark Sea: Why the Greeks Matter (2003), Ch.VII The Way They Went: Greco-Roman Meets Judeo-Christian

Book 1, Chapter 2 “The Temple at Teku Benga” (p. 14)
The Warlord of the Air (1971)
Source: Talking Science: Language, Learning, and Values. 1990, p. 149

Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)

In an interview in Film Quarterly, Winter 1991-92
Interviews

Comic interview with Jo Ranson, "Living from Can to Mouth," Brooklyn Daily Eagle, Brooklyn Eagle Magazine, November 24, 1929, p. 5.

Source: Counterrevolution and Revolt (1972), Chapter "Nature and Revolution," in The Essential Marcuse: Selected Writings of Philosopher and Social Critic Herbert Marcuse, edited by Andrew Feenberg and William Leiss, Beacon Press, 2007, pp. 240 https://books.google.it/books?id=JqoyBgAAQBAJ&pg=PA240-241

As quoted in “Escape Artist: Recalling a YAF hero—the unlikely, liberating journey of Phillip Abbott Luce”, Shawn Steel, California Political Review, July-August (2000) pp. 23-28

“That love loves fidelity [is] a myth woven by men from their insecurities.”
"Letters from Zedelghem", p. 72 (Nook Edition)
Cloud Atlas (2004)
“Myths are not the stuff of which sensible policy is made.”
Letter from Londonistan (2005)

Conclusions.
The Myth of Mental Illness: Foundations of a Theory of Personal Conduct (1961)

Quoted in " Funny Ladies: The Best Humor from America's Funniest Women http://books.google.co.uk/books?id=KOVGUVYj2XUC&pg=PA37&lpg=PA37&dq=%22I+don't+want+to+say+I'm+envious+of+any+other+woman's+body.%22&source=bl&ots=QGbxO9aW4k&sig=WBhGgo5wavMXkC5ElTw-2zwe1SM&hl=en&sa=X&ei=Tf36TuPDEs-j8gO5tq3WAQ&ved=0CB4Q6AEwAA#v=onepage&q=%22I%20don't%20want%20to%20say%20I'm%20envious%20of%20any%20other%20woman's%20body.%22&f=false" (2001), p. 37.

Abstract Expressionism, David Anfam, Thames and Hudson Ltd London, 1990, p. 81
after 1970, posthumous

As quoted in "Bruce almighty: What drives Tribe's presenter-explorer Bruce Parry?" by Ed Caesar in The Independent (11 August 2007) http://www.independent.co.uk/news/people/bruce-almighty-what-drives-tribes-presenterexplorer-bruce-parry-461007.html

Source: 1960s, Counterblast (1969), p. 17

Source: Evolution (2002), Chapter 13 “Last Contact” section III (p. 432)

What Really Divides Us https://web.archive.org/web/20120127094927/http://www.ronpaularchive.com/2002/12/what-really-divides-us/ (23 December 2002).
2000s, 2001-2005
'About the Author', The Many Worlds of Diana Wynne Jones http://www.dianawynnejones.co.uk/author/default.aspx (HarperCollins, 2005). Retrieved June 14 2005.

Source: Archetypal Dimensions of the Psyche (1994), The Animus, a Woman's Inner Man, p. 319 - 320

How To Defend Society Against Science (1975)

Speech at the American Political Science Association, September 3, 2016 http://www.truthdig.com/report/item/the_intellectuals_we_abandon_20160904

http://www.cc.com/video-clips/zt2b7c/comedy-central-presents-faith-medication
Comedy Central Presents (2007)

An Old Chaos: Frozen Horses and Deserts of Brick (p. 22)
The Silence of Animals: On Progress and Other Modern Myths (2013)

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 59
Interview with Left Voice, 2017

[Price, Robert M., w:Robert M. Price, Incredible Shrinking Son of Man: How Reliable Is the Gospel Tradition?, https://books.google.com/books?id=GmlB-KXsX8kC&pg=PA347, 2003, Prometheus Books, Publishers, 978-1-61592-028-0, 347]
Source: The Age of Reform: from Bryan to F.D.R. (1955), Chapter I, part I, p. 23

River out of Eden (1995)

“Myth: There’s conflict between selfish free markets and a benevolent world of human sympathy.”
Source: Doing Virtuous Business (Thomas Nelson, 2011), p. 10.

Interview, The Observer, 12 Oct 2014 http://www.theguardian.com/tv-and-radio/2014/oct/12/rachel-riley-countdown-stop-saying-girls-arent-good-at-maths

Speech regarding Civil Liberties and the War on Terrorism (November 20, 2006)
Source: The Rise of Endymion (1997), Chapter 33 (p. 677)

Source: Creation Myths (1972), Deus Faber, p. 140 - 141

“Why did so many antique myths agree that hell was a circular place?”
Vorkosigan Saga, Borders of Infinity (1989)
Appendix (p. 527)
The Coyote Kings of the Space-Age Bachelor Pad (2004)

“Well, I think he shatters the myth of white supremacy once and for all.”
Rangel (2005) in an interview on New York Public Television (March 28, 2005): On George W. Bush

Frankfurt Book Fair speech (2003)
Context: Literature is dialogue; responsiveness. Literature might be described as the history of human responsiveness to what is alive and what is moribund as cultures evolve and interact with one another.
Writers can do something to combat these clichés of our separateness, our difference — for writers are makers, not just transmitters, of myths. Literature offers not only myths but counter-myths, just as life offers counter-experiences — experiences that confound what you thought you thought, or felt, or believed.

Propaganda: The Formation of Men's Attitudes (1965)
Context: Propaganda tries to surround man by all possible routes in the realm of feelings as well as ideas, by playing on his will or on his needs, through his conscious and his unconscious, assailing him in both his private and his public life. It furnishes him with a complete system for explaining the world, and provides immediate incentives to action. We are here in the presence of an organized myth that tries to take hold of the entire person. Through the myth it creates, propaganda imposes a complete range of intuitive knowledge, susceptible of only one interpretation, unique and one-sided, and precluding any divergence. This myth becomes so powerful that it invades every arena of consciousness, leaving no faculty or motivation intact. It stimulates in the individual a feeling of exclusiveness, and produces a biased attitude.

Myth and Reality (1963)
Context: Myth is an extremely complex cultural reality, which can be approached and interpreted from various and complementary viewpoints.
Speaking for myself, the definition that seems least inadequate because most embracing is this: Myth narrates a sacred history; it relates an event that took place in primordial Time, the fabled time of the "beginnings." In other words myth tells how, through the deeds of Supernatural Beings, a reality came into existence, be it the whole of reality, the Cosmos, or only a fragment of reality — an island, a species of plant, a particular kind of human behavior, an institution. Myth, then, is always an account of a "creation"; it relates how something was produced, began to be. Myth tells only of that which really happened, which manifested itself completely. The actors in myths are Supernatural Beings. They are known primarily by what they did in the transcendent times of the "beginnings." hence myths disclose their creative activity and reveal the sacredness (or simply the "supernaturalness") of their works. In short, myths describe the various and sometimes dramatic breakthroughs of the sacred (or the "supernatural") into the World. It is this sudden breakthrough of the sacred that really establishes the World and makes it what it is today. Furthermore, it is as a result of the intervention of Supernatural Beings that man himself is what he is today, a mortal, sexed, and cultural being.

The Spiral Staircase: My Climb Out of Darkness (2004)
Context: We are, the great spiritual writers insist, most fully ourselves when we give ourselves away, and it is egotism that holds us back from that transcendent experience that has been called God, Nirvana, Brahman, or the Tao.
What I now realize, from my study of the different religious traditions, is that a disciplined attempt to go beyond the ego brings about a state of ecstasy. Indeed, it is in itself ekstasis. Theologians in all the great faiths have devised all kinds of myths to show that this type of kenosis, or self-emptying, is found in the life of God itself. They do not do this because it sounds edifying, but because this is the way that human nature seems to work. We are most creative and sense other possibilities that transcend our ordinary experience when we leave ourselves behind.

I love the story of Hanuman. For many years, it remained in my very blood because he’s someone who loves too much and can’t help it. I don’t know where I first heard of him, but the story remained with me and I knew it would come out of me somehow or other. But I didn’t know what shape it would take.
The Paris Review interview (1982)

Source: Myth, Symbol, and Meaning in Mary Poppins (2007), Ch. 2, p. 39
Context: The true fairytales … come straight out of myth; they are, as it were, minuscule reaffirmation of myths, or perhaps the myth made accessible to the local folky mind. One might say that fairytales are the myths falling into time and locality … is the same stuff, all the essentials are there, it is small, but perfect. Not minimized, not to be made digestible for children.

“Myths are made for the imagination to breathe life into them.”
The Myth of Sisyphus (1942), The Myth of Sisyphus
Context: You have already grasped that Sisyphus is the absurd hero. He is, as much through his passions as through his torture. His scorn of the gods, his hatred of death, and his passion for life won him that unspeakable penalty in which the whole being is exerted toward accomplishing nothing. This is the price that must be paid for the passions of this earth. Nothing is told us about Sisyphus in the underworld. Myths are made for the imagination to breathe life into them.

“We clothe ourselves in flame
And trade new myths for old.”
"We March Back to Olympus" in Where Robot Mice and Robot Men Run Round in Robot Towns (1977), p. 11
Context: We clothe ourselves in flame
And trade new myths for old.
The Greek gods christen us
With ghosts of comet swords;
God smiles and names us thus: "
"Arise! Run! Fly, my Lords!"

Savitri (1918-1950), Book One : The Book Of Beginnings
Context: An instant's visitor the godhead shone.
On life's thin border awhile the Vision stood
And bent over earth's pondering forehead curve.
Interpreting a recondite beauty and bliss
In colour's hieroglyphs of mystic sense,
It wrote the lines of a significant myth
Telling of a greatness of spiritual dawns,
A brilliant code penned with the sky for page.

Essay as "Mr. X" (1969)
Context: When I'm high I can penetrate into the past, recall childhood memories, friends, relatives, playthings, streets, smells, sounds, and tastes from a vanished era. I can reconstruct the actual occurrences in childhood events only half understood at the time. Many but not all my cannabis trips have somewhere in them a symbolism significant to me which I won't attempt to describe here, a kind of mandala embossed on the high. Free-associating to this mandala, both visually and as plays on words, has produced a very rich array of insights.
There is a myth about such highs: the user has an illusion of great insight, but it does not survive scrutiny in the morning. I am convinced that this is an error, and that the devastating insights achieved when high are real insights; the main problem is putting these insights in a form acceptable to the quite different self that we are when we're down the next day.