Quotes about myth
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Starhawk photo

“The test of a true myth is that each time you return to it, new insights and interpretations arise.”

Starhawk (1951) American author, activist and Neopagan

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)

Paulo Freire photo

“It is accomplished by the oppressors depositing myths indispensable to the preservation of the status quo.”

Paulo Freire (1921–1997) educator and philosopher

Source: Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970), Chapter 4, Conquest

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“We are now committed to an unqualified art, not illustrating outworn myths or contemporary alibis. One must accept total responsibility for what he executes. And the measure of his greatness will be in the depth of his insight and his courage in realizing his own vision.”

Clyfford Still (1904–1980) American artist

Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s

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Mike Scott photo

“Some say the Gods are just a myth
but guess Who I've been dancing with…
The Great God Pan is alive!”

Mike Scott (1958) songwriter, musician

"The Return Of Pan"
Dream Harder (1993)

Stefan Szczesny photo
John Gray photo

“Science is not distinguished from myth by science being literally true and myth only a type of poetic analogy. While their aims are different, both are composed of symbols we use to deal with a slippery world.”

John Gray (1948) British philosopher

Beyond the Last Thought: Freud's cigars and the long way round to Nirvana (p. 96)
The Silence of Animals: On Progress and Other Modern Myths (2013)

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“In order for the oppressed to unite they must first cut the umbilical cord of magic and myth which binds them to the world of oppression; the unity which links them to each other must be of a different nature.”

Paulo Freire (1921–1997) educator and philosopher

Source: Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970), Chapter 4, Unity for Liberation

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Anni-Frid Lyngstad photo

“The international press are trying to create some sort of hysteria around ABBA that doesn't exist. They are trying to make a myth out of us.”

Anni-Frid Lyngstad (1945) Swedish female singer

Ward, Daniel. "At The Crossroads." Agnetha Fältskog: The Girl With the Golden Hair. London: Fonthill Media, 2016. N. pag. Print.
Sveriges Magasin (1977)

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Gilbert Ryle photo

“Myths often do a lot of theoretical good, while they are still new.”

Source: The Concept of Mind (1949), Ch. I: Descartes' Myth, (4) Historical Note

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Halle Berry photo

“I get offered varied parts, often super sexy roles. But I still think it's an issue to find the good scripts. It's a myth that you win an Oscar and you get more opportunities, and this doesn't just go for me.”

Halle Berry (1966) American actress

Will Lawrence (May 22, 2006) "Anything to do with taking off your clothes comes my way", Evening Standard.

Koenraad Elst photo

“This shifted the centre of a truly Hellenic civilization to the east, to the Aegean, the Ionian littoral of Asia Minor and to Constantinople. It also meant that modem Greeks could hardly count as being of ancient Greek descent, even if this could never be ruled out.’ There is a sense in which the preceding discussion is both relevant to a sense of Greek identity, now and earlier, and irrelevant. It is relevant in so far as Greeks, now and earlier, felt that their ‘Greekness’ was a product of their descent from the ancient Greeks (or Byzantine Greeks), and that such filiations made them feel themselves to be members of one great ‘super-family’ of Greeks, shared sentiments of continuity and membership being essential to a lively sense of identity. It is irrelevant in that ethnies arc constituted, not by lines of physical descent, but by the sense of continuity, shared memory and collective destiny, i. e. by lines of cultural affinity embodied in distinctive myths, memories, symbols and values retained by a given cultural unit of population. In that sense much has been retained, and revived, from the extant heritage of ancient Greece. For, even at the time of Slavic migrations, in Ionia and especially in Constantinople, there was a growing emphasis on the Greek language, on Greek philosophy and literature, and on classical models of thought and scholarship. Such a ‘Greek revival’ was to surface again in the tenth and fourteenth centuries, as well as subsequently, providing a powerful impetus to the sense of cultural affinity with ancient Greece and its classical heritage.”

Anthony D. Smith (1939–2016) British academic

Source: National Identity (1991), p. 29: About Ethnic Change, Dissolution and Survival

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P. L. Travers photo

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

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“Truth is slippery, not because it is difficult to grasp, but because we prefer our preconceptions, our beliefs, our myths.”

Jack McDevitt (1935) American novelist, Short story writer

Source: Academy Series - Priscilla "Hutch" Hutchins, Odyssey (2006), Chapter 38 (p. 355)

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“All peoples part with their myths reluctantly, and historians are at some risk when they try to dismantle those of the Confederacy.”

William C. Davis (1946) American historian

Source: The Cause Lost: Myths and Realities of the Confederacy (1996), p. 177

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“A great myth is relevant as long as the predicament of humanity lasts; as long as humanity lasts. It will always work, on those who can receive it, the same catharsis.”

Clive Staples Lewis (1898–1963) Christian apologist, novelist, and Medievalist

"Haggard Rides Again", in Time and Tide, Vol. XLI (3 September 1960)

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“Scientific and humanist revolutionary leaders, on the other hand, cannot believe in the myth of the ignorance of the people.”

Paulo Freire (1921–1997) educator and philosopher

Pedagogia do oprimido (Pedagogy of the Oppressed) (1968, English trans. 1970)

Piero Manzoni photo

“Why do serious scholars persist in believing in the Aryan invasions?… Why is this sort of thing attractive? Who finds it attractive? Why has the development of early Sanskrit come to be so dogmatically associated with an Aryan invasion?… Where the Indo-European philologists are concerned, the invasion argument is tied in with their assumption that if a particular language is identified as having been used in a particular locality at a particular time, no attention need be paid to what was there before; the slate is wiped clean. Obviously, the easiest way to imagine this happening in real life is to have a military conquest that obliterates the previously existing population! The details of the theory fit in with this racist framework… Because of their commitment to a unilineal segmentary history of language development that needed to be mapped onto the ground, the philologists took it for granted that proto-Indo-Iranian was a language that had originated outside either India or Iran. Hence it followed that the text of the Rig Veda was in a language that was actually spoken by those who introduced this earliest form of Sanskrit into India. From this we derived the myth of the Aryan invasions. QED. The origin myth of British colonial imperialism helped the elite administrators in the Indian Civil Service to see themselves as bringing `pure' civilization to a country in which civilization of the most sophisticated (but `morally corrupt') kind was already nearly 6,000 years old. Here I will only remark that the hold of this myth on the British middle-class imagination is so strong that even today, 44 years after the death of Hitler and 43 years after the creation of an independent India and independent Pakistan, the Aryan invasions of the second millennium BC are still treated as if they were an established fact of history.”

Edmund Leach (1910–1989) British anthropologist

Sir Edmund Leach. "Aryan invasions over four millennia. In Culture through Time, Anthropological Approaches, edited by E. Ohnuki-Tierney, Stanford University Press, Stanford, 1990, pp. 227-245.

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“In the beginning was the myth. God, in his search for self-expression, invested the souls of Hindus, Greeks, and Germans with poetic shapes and continues to invest each child's soul with poetry every day.”

Variant translation: In the beginning was the myth. Just as the great god composed and struggled for expression in the souls of the Indians, the Greeks and Germanic peoples, so to it continues to compose daily in the soul of every child.
Peter Camenzind (1904)

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Jane Goodall photo

“This very real difference between GM plants and their conventional counterparts is one of the basic truths that biotech proponents have endeavoured to obscure. As part of the process, they portrayed the various concerns as merely the ignorant opinions of misinformed individuals – and derided them as not only unscientific, but anti-science.
They then set to work to convince the public and government officials, through the dissemination of false information, that there was an overwhelming expert consensus, based on solid evidence, that the new foods were safe. Yet this, as Druker points out, was clearly not true.
Druker describes how amazingly successful the biotech lobby has been – and the extent to which the general public and government decision makers have been hoodwinked by the clever and methodical twisting of the facts and the propagation of many myths. Moreover, it appears that a number of respected scientific institutions, as well as many eminent scientists, were complicit in this relentless spreading of disinformation.”

Jane Goodall (1934) British primatologist, ethologist, and anthropologist

Senior academic condemns ‘deluded’ supporters of GM food as being ‘anti-science’ and ignoring evidence of dangers (4 March 2015) http://www.dailymail.co.uk/news/article-2979645/Senior-academic-condemns-deluded-supporters-GM-food-anti-science-ignoring-evidence-dangers.html#ixzz4BZ4NnMuY
Foreword to Altered Genes, Twisted Truth (2015)

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“The mysterious name of God, revealed from the burning bush, a name which separates this God from all other divinities with their many names and simply asserts being, "I am", already presents a challenge to the notion of myth, to which Socrates' attempt to vanquish and transcend myth stands in close analogy. Within the Old Testament, the process which started at the burning bush came to new maturity at the time of the Exile, when the God of Israel, an Israel now deprived of its land and worship, was proclaimed as the God of heaven and earth and described in a simple formula which echoes the words uttered at the burning bush: "I am". This new understanding of God is accompanied by a kind of enlightenment, which finds stark expression in the mockery of gods who are merely the work of human hands (cf. Ps 115). Thus, despite the bitter conflict with those Hellenistic rulers who sought to accommodate it forcibly to the customs and idolatrous cult of the Greeks, biblical faith, in the Hellenistic period, encountered the best of Greek thought at a deep level, resulting in a mutual enrichment evident especially in the later wisdom literature. Today we know that the Greek translation of the Old Testament produced at Alexandria - the Septuagint - is more than a simple (and in that sense really less than satisfactory) translation of the Hebrew text: it is an independent textual witness and a distinct and important step in the history of revelation, one which brought about this encounter in a way that was decisive for the birth and spread of Christianity. A profound encounter of faith and reason is taking place here, an encounter between genuine enlightenment and religion. From the very heart of Christian faith and, at the same time, the heart of Greek thought now joined to faith, Manuel II was able to say: Not to act "with logos" is contrary to God's nature.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2006, Faith, Reason and the University — Memories and Reflections (2006)

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François-Bernard Mâche photo

“Myth does not set out to give lessons in natural science any more than in morals or sociology.”

François-Bernard Mâche (1935) French composer

Mâche, François-Bernard (1983, 1992). Music, Myth and Nature, or The Dolphins of Arion (Musique, mythe, nature, ou les Dauphins d'Arion, trans. Susan Delaney). Harwood Academic Publishers. ISBN 3718653214.

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“Cartoons drove the photo back to myth and dream screen.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

1970s, Culture Is Our Business (1970)

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