Quotes about myth

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Myth and Reality (1963)
Context: In one way or another one "lives" the myth, in the sense that one is seized by the sacred, exalting power of the events recollected or re-enacted.
"Living" a myth, then, implies a genuinely "religious" experience, since it differs from the ordinary experience of everyday life. The "religiousness" of this experience is due to the fact that one re-enacts fabulous, exalting, significant events, one again witnesses the creative deeds of the Supernaturals; one ceases to exist in the everyday world and enters a transfigured, auroral world impregnated with the Supernaturals' presence. What is involved is not a commemoration of mythical events but a reiteration of them. The protagonists of the myth are made present; one becomes their contemporary. This also implies that one is no longer living in chronological time, but in the primordial Time, the Time when the event first took place. This is why we can use the term the "strong time" of myth; it is the prodigious, "sacred" time when something new, strong, and significant was manifested. To re-experience that time, to re-enact it as often as possible, to witness again the spectacle of the divine works, to meet with the Supernaturals and relearn their creative lesson is the desire that runs like a pattern through all the ritual reiterations of myths. In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.

The Paris Review interview (1982)
Context: I think if she comes from anywhere that has a name, it is out of myth. And myth has been my study and joy ever since — oh, the age, I would think... of three. I’ve studied it all my life. No culture can satisfactorily move along its forward course without its myths, which are its teachings, its fundamental dealing with the truth of things, and the one reality that underlies everything. <!-- Yes, in that way you could say that it was teaching, but in no way deliberately doing so.

The Camelot Project interview (1996)
Context: There are certain myths that have persisted throughout the ages, and this one has remained very potent in modern culture. The Arthurian cycle involves numerous kinds of relationships, not only between men but also between men and women. In our rather less structured society nowadays defining these relationships can sometimes be difficult.

Source: The Hero with a Thousand Faces (1949), Chapter 1
Context: Dream is personalized myth, myth is depersonalized dream; both myth and dream are symbolic in the same general way of the dynamics of the psyche. But in the dream the forms are quirked by the peculiar troubles of the dreamer, whereas in myth the problem and solutions shown are directly valid for all mankind.

Source: Cosmos (1980), p. 318
Context: The choice is with us still, but the civilization now in jeopardy is all humanity. As the ancient myth makers knew, we are children equally of the earth and the sky. In our tenure on this planet we've accumulated dangerous evolutionary baggage — propensities for aggression and ritual, submission to leaders, hostility to outsiders — all of which puts our survival in some doubt. But we've also acquired compassion for others, love for our children and desire to learn from history and experience, and a great soaring passionate intelligence — the clear tools for our continued survival and prosperity. Which aspects of our nature will prevail is uncertain, particularly when our visions and prospects are bound to one small part of the small planet Earth. But up there in the immensity of the Cosmos, an inescapable perspective awaits us. There are not yet any obvious signs of extraterrestrial intelligence and this makes us wonder whether civilizations like ours always rush implacably, headlong, toward self-destruction. National boundaries are not evident when we view the Earth from space. Fanatical ethnic or religious or national chauvinisms are a little difficult to maintain when we see our planet as a fragile blue crescent fading to become an inconspicuous point of light against the bastion and citadel of the stars. Travel is broadening.

The Philosophy of Paine (1925)
Context: He has been called an atheist, but atheist he was not. Paine believed in a supreme intelligence, as representing the idea which other men often express by the name of deity.
His Bible was the open face of nature, the broad skies, the green hills. He disbelieved the ancient myths and miracles taught by established creeds. But the attacks on those creeds — or on persons devoted to them — have served to darken his memory, casting a shadow across the closing years of his life.
When Theodore Roosevelt termed Tom Paine a "dirty little atheist" he surely spoke from lack of understanding. It was a stricture, an inaccurate charge of the sort that has dimmed the greatness of this eminent American. But the true measure of his stature will yet be appreciated. The torch which he handed on will not be extinguished.

Cosmos: A Personal Voyage (1990 Update), "The Edge of Forever" [Episode 10]
Context: But we don't yet know whether the Universe is open or closed. More than that, there are a few astronomers who doubt that the redshift of distant galaxies is due to the doppler effect, who are skeptical of the expanding Universe and the Big Bang. Perhaps our descendants will regard our present ignorance with as much sympathy as we feel to the ancients for not knowing the Earth went around the Sun. If the general picture, however, of a Big Bang followed by an expanding Universe is correct, what happened before that? Was the Universe devoid of all matter and then the matter suddenly somehow created, how did that happen? In many cultures, the customary answer is that a God or Gods created the Universe out of nothing. But if we wish to pursue this question courageously, we must of course ask the next question: where did God come from? If we decide that this is an unanswerable question, why not save a step and conclude that the origin of the Universe is an unanswerable question? Or, if we say that God always existed, why not save a step, and conclude that the Universe always existed? That there's no need for a creation, it was always here. These are not easy questions. Cosmology brings us face to face with the deepest mysteries, questions that were once treated only in religion and myth.

Songs My Mother Taught Me (1994)
Context: I have always considered my life a private affair and the business of no one beyond my family and those I love. Except for moral and political issues that aroused in me a desire to speak out, I have done my utmost throughout my life, for the sake of my children and myself, to remain silent … But now, in my seventieth year, I have decided to tell the story of my life as best I can, so that my children can separate the truth from the myths that others have created about me, as myths are created about everyone swept up in the turbulent and distorting maelstrom of celebrity in our culture.

Introduction to Shatterday (1980), p. 2
Context: I don't know how you perceive my mission as a writer, but for me it is not a responsibility to reaffirm your concretized myths and provincial prejudices. It is not my job to lull you with a false sense of the rightness of the universe. This wonderful and terrible occupation of recreating the world in a different way, each time fresh and strange, is an act of revolutionary guerrilla warfare. I stir the soup. I inconvenience you. I make your nose run and your eyeballs water.

"Myth and Archetype in Science Fiction" (1976)
Context: True myth may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blond Hero — really look — and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. “You must change your life,” he said. When true myth rises into consciousness, that is always its message. You must change your life.

Myth and Reality (1963)
Context: For the past fifty years at least, Western scholars have approached the study of myth from a viewpoint markedly different from, let us say, that of the nineteenth century. Unlike their predecessors, who treated myth in the usual meaning of the word, that is, as "fable," "invention," "fiction," they have accepted it as it was understood in archaic societies, where, on the contrary, "myth" means a "true story" and, beyond that, a story that is a most precious possession because it is sacred, exemplary, significant. This new semantic value given the term "myth" makes its use in contemporary parlance somewhat equivocal. Today, that is, the word is employed both in the sense of "fiction" or "illusion" and in that familiar especially to ethnologists, sociologists, and historians of religions, the sense of "sacred tradition, primordial revelation, exemplary model." … the Greeks steadily continued to empty mythos of all religious and metaphysical value. Contrasted both with logos and, later, with historia, mythos came in the end to denote "what cannot really exist." On its side, Judaeo-Christianity put the stamp of "falsehood" and "illusion" on whatever was not justified or validated by the two Testaments.

Surviving the Future, (2016), p. 180, Epilogue http://www.flemingpolicycentre.org.uk/lean-logic-surviving-the-future/

This comprehensive statement was arrived at by examining the statutes of those seven states that have remained in the Dark Ages, so that I might satisfy their definitions of blasphemy.
Skeptic Magazine, 1995 (Volume 3, No. 4) http://www.petting-zoo.net/~deadbeef/archive/383.html, stated in an unsuccessful effort to be officially charged with blasphemy http://www.celebatheists.com/?title=James_Randi.

"Society, Morality and the Novel" (1957), in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), pp. 699-700.
Context: Perhaps the novel evolved in order to deal with man's growing awareness that behind the facade of social organisations, manners, customs, myths, rituals and religions of the post-Christian era lies chaos. Man knows, despite the certainties which it is the psychological function of his social institutions to give him, that he did not create the universe, and that the universe is not at all concerned with human values. Man knows that even in this day of marvelous technology and the tenuous subjugation of the atom, that nature can crush him, and that at the boundaries of human order the arts and the instruments of technology are hardly more than magic objects which serve to aid us in our ceaseless quest for certainty. We cannot live, as someone has said, in the contemplation of chaos, but neither can we live without an awareness of chaos, and the means through which we achieve that awareness, and through which we assert our humanity most significantly against it, is in great art. In our time the most articulate art form for defining ourselves and for asserting our humanity is the novel. Certainly it is our most rational art form for dealing with the irrational.

hence all the old tales of elfin Kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. … That is a lie. All they require is our recognition.
Goninan in Part One: The Hidden People, "Border Spirit" p. 337
The Little Country (1991)

"Elizabeth Hand on Mortal Love at HarperCollins (2004) http://www.harpercollins.com/author/authorExtra.aspx?authorID=4143&isbn13=9780060755348&displayType=bookinterview
Context: I find that many modern fantasies explain things away far too easily, which makes a lot of it overly familiar (to me, anyway). Real myths are often strange and startlingly unfamiliar, and don't always give up their meanings easily; you have to tease them out, and for me, that's one of the pleasures of reading older collections of lore.

Travis McGee series, Dress Her in Indigo (1969)
Context: Any man who outgrows the myths of childhood is ninety-nine percent aware and convinced of his own mortality. But then comes the chilly breath on the nape of the neck, a stirring of the air by the wings of the bleak angel. When a man becomes one hundred percent certain of his inevitable death, he gets The Look.

Ch. 11 http://historyisaweapon.com/defcon1/zinnbaron11.html
A People's History of the United States (1980)
Context: While some multimillionaires started in poverty, most did not. A study of the origins of 303 textile, railroad and steel executives of the 1870s showed that 90 percent came from middle- or upper-class families. The Horatio Alger stories of "rags to riches" were true for a few men, but mostly a myth, and a useful myth for control.

Black Boy (1945)

"A Conversation With Jorge Luis Borges" http://www.wooster.edu/artfuldodge/interviews/borges.htm, Artful Dodge (April 1980)
Context: As I think of the many myths, there is one that is very harmful, and that is the myth of countries. I mean, why should I think of myself as being an Argentine, and not a Chilean, and not an Uruguayan. I don't know really. All of those myths that we impose on ourselves — and they make for hatred, for war, for enmity — are very harmful. Well, I suppose in the long run, governments and countries will die out and we'll be just, well, cosmopolitans.

Source: Another World Is Possible : Globalization and Anti-capitalism (2002), Chapter 3, The Invisible Hand Is A Closed Fist, p. 61
Context: Contrary to liberal myth, Smith was not an apologist for capitalists. He argued in fact, that capitalists always seek "to deceive and oppress the public" by conspiring to inflate their prices and profits.

"Women and the Myth of Consumerism," Ramparts (1969)
Context: There is a persistent myth that a wife has control over her husband’s money because she gets to spend it. Actually, she does not have much more financial authority than the employee of a corporation who is delegated to buy office furniture or supplies. The husband, especially if he is rich, may allow his wife wide latitude in spending — he may reason that since she has to work in the home she is entitled to furnish it to her taste, or he may simply not want to bother with domestic details — but he retains the ultimate veto power. If he doesn’t like the way his wife handles his money, she will hear about it.

Goninan in Part One: The Hidden People, "Border Spirit" p. 336
The Little Country (1991)
Context: Legend and myth are what we use to describe what we don't comprehend. They are out attempts to make the impossible, possible — at least insofar as our spirits interact with the spirit of the world, or if that is too animistic for you, then let's use Jung's terminology and call it our racial subconscious. No matter the semantics, they are of a kind and it is legend and myth that binds us all together. … Through them, through their retellings, and through those version that are called religion while they are current, we are taught Truth and we attempt to understand Mystery.

Quotes 1990s, 1990-1994, Manufacturing Consent: Noam Chomsky and the Media, 1992
Context: Modern industrial civilization has developed within a certain system of convenient myths. The driving force of modern industrial civilization has been individual material gain, which is accepted as legitimate, even praiseworthy, on the grounds that private vices yield public benefits, in the classic formulation. Now, it has long been understood, very well, that a society that is based on this principle will destroy itself in time. It can only persist, with whatever suffering and injustice that it entails, as long as it is possible to pretend that the destructive forces that humans create are limited, that the world is an infinite resource, and that the world is an infinite garbage can. At this stage of history either one of two things is possible. Either the general population will take control of its own destiny and will concern itself with community interests, guided by values of solidarity, sympathy and concern for others, or alternatively there will be no destiny for anyone to control. As long as some specialized class is in a position of authority, it is going to set policy in the special interests that it serves. But the conditions of survival, let alone justice, require rational social planning in the interests of the community as a whole, and by now that means the global community. The question is whether privileged elite should dominate mass communication and should use this power as they tell us they must—namely to impose necessary illusions, to manipulate and deceive the stupid majority and remove them from the public arena. The question in brief, is whether democracy and freedom are values to be preserved or threats to be avoided. In this possibly terminal phase of human existence, democracy and freedom are more than values to be treasured; they may well be essential to survival.

No Souvenirs (1977) later retitled Journal II, 1957-1969 (1989), p. 117.
Context: The interpretations of Freud are more and more successful because they are among the myths accessible to modern man. The myth of the murdered father, among others, reconstituted and interpreted in Totem and Taboo. It would be impossible to ferret out a single example of slaying the father in primitive religions or mythologies. This myth was created by Freud. And what is more interesting: the intellectual élite accept it (is it because they understand it? Or because it is "true" for modern man?)

Goninan in Part One: The Hidden People, "Border Spirit" p. 336
The Little Country (1991)
Context: Legend and myth are what we use to describe what we don't comprehend. They are out attempts to make the impossible, possible — at least insofar as our spirits interact with the spirit of the world, or if that is too animistic for you, then let's use Jung's terminology and call it our racial subconscious. No matter the semantics, they are of a kind and it is legend and myth that binds us all together. … Through them, through their retellings, and through those version that are called religion while they are current, we are taught Truth and we attempt to understand Mystery.

No Souvenirs (1977) later retitled Journal II, 1957-1969 (1989), p. 117.
Context: The interpretations of Freud are more and more successful because they are among the myths accessible to modern man. The myth of the murdered father, among others, reconstituted and interpreted in Totem and Taboo. It would be impossible to ferret out a single example of slaying the father in primitive religions or mythologies. This myth was created by Freud. And what is more interesting: the intellectual élite accept it (is it because they understand it? Or because it is "true" for modern man?)

Notes Toward a Supreme Fiction (1942), It Must Be Abstract
Context: p>The clouds preceded us.There was a muddy centre before we breathed.
There was a myth before the myth began,
Venerable and articulate and complete.From this the poem springs: that we live in a place
That is not our own and, much more, not ourselves
And hard it is in spite of blazoned days.</p

Myth and Reality (1963)
Context: Myth is an extremely complex cultural reality, which can be approached and interpreted from various and complementary viewpoints.
Speaking for myself, the definition that seems least inadequate because most embracing is this: Myth narrates a sacred history; it relates an event that took place in primordial Time, the fabled time of the "beginnings." In other words myth tells how, through the deeds of Supernatural Beings, a reality came into existence, be it the whole of reality, the Cosmos, or only a fragment of reality — an island, a species of plant, a particular kind of human behavior, an institution. Myth, then, is always an account of a "creation"; it relates how something was produced, began to be. Myth tells only of that which really happened, which manifested itself completely. The actors in myths are Supernatural Beings. They are known primarily by what they did in the transcendent times of the "beginnings." hence myths disclose their creative activity and reveal the sacredness (or simply the "supernaturalness") of their works. In short, myths describe the various and sometimes dramatic breakthroughs of the sacred (or the "supernatural") into the World. It is this sudden breakthrough of the sacred that really establishes the World and makes it what it is today. Furthermore, it is as a result of the intervention of Supernatural Beings that man himself is what he is today, a mortal, sexed, and cultural being.

Charles Darwin destroyed the foundation of orthodox Christianity. There is nothing left but faith in what we know could not and did not happen. Religion and science are enemies. One is a superstition; the other is a fact. One rests upon the false, the other upon the true. One is the result of fear and faith, the other of investigation and reason.
Orthodoxy (1884)

"The No Point", p. 256
Sun Ra : The Immeasurable Equation (2005)
Context: When the person Myth meets the person Reality
The spirit of the impossible-strange appears
In dark disguise
It is always there where nothing inverts itself
and becomes something
Whatever is the imperative need

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 78

The Paris Review interview (1982)
Context: I think if she comes from anywhere that has a name, it is out of myth. And myth has been my study and joy ever since — oh, the age, I would think... of three. I’ve studied it all my life. No culture can satisfactorily move along its forward course without its myths, which are its teachings, its fundamental dealing with the truth of things, and the one reality that underlies everything. <!-- Yes, in that way you could say that it was teaching, but in no way deliberately doing so.

Acceptance Speech for the Margaret Edwards Award (1998)
Context: Wrinkle, when it was finally published in 1962, after two years of rejections, broke several current taboos. The protagonist was female, and one of the unwritten rules of science fiction was that the protagonist should be male. I'm a female. Why would I give all the best ideas to a male?
Another assumption was that science and fantasy don't mix. Why not? We live in a fantastic universe, and subatomic particles and quantum mechanics are even more fantastic than the macrocosm. Often the only way to look clearly at this extraordinary universe is through fantasy, fairy tale, myth. During the fifties Erich Fromm published a book called The Forgotten Language, in which he said that the only universal language which breaks across barriers of race, culture, time, is the language of fairy tale, fantasy, myth, parable, and that is why the same stories have been around in one form or another for hundreds of years.
Someone said, "It's all been done before."
Yes, I agreed, but we all have to say it in our own voice.

Lecture 1B, 8:20
Mythology and the Individual (1997)
Context: All cultures … have grown out of myths. They are founded on myths. What these myths have given has been inspiration for aspiration. The economic interpretation of history is for the birds. Economics is itself a function of aspiration. It’s what people aspire to that creates the field in which economics works.

"Elfin Song" (1850).
Context: What if there be a fated day
When the Faery Isle shall pass away,
And its beautiful groves and fountains seem
The myths of a long, delicious dream!
A century's joys shall first repay
Our hearts, for the evil of that day;
And the Elfin-King has sworn to wed
A daughter of Earth, whose child shall be,
By cross and water hallowe'd,
From the fairies' doom forever free.
What if there be a fated day!
It is far away! it is far away!
Maiden, fair Maiden, I, who sing
Of this summer isle am the island King.

Propaganda: The Formation of Men's Attitudes (1965)
Context: In the midst of increasing mechanization and technological organization, propaganda is simply the means used to prevent these things from being felt as too oppressive and to persuade man to submit with good grace. When man will be fully adapted to this technological society, when he will end by obeying with enthusiasm, convinced of the excellence of what he is forced to do, the constraint of the organization will no longer be felt by him; the truth is, it will no longer be a constraint, and the police will have nothing to do. The civic and technological good will and the enthusiasm for the right social myths — both created by propaganda — will finally have solved the problem of man.

Vintage, p. xviii

Source: The Golden Bough (1890), Chapter 49, Ancient Deities of Vegetation as Animals.
Context: For myth changes while custom remains constant; men continue to do what their did before them, though the reasons on which their fathers acted have been long forgotten. The history of religion is a long attempt to reconcile old custom with new reason, to find a sound theory for an absurd practice.

Myth and Reality (1963)
Context: Whereas "false stories" can be told anywhere and at any time, myths must not be recited except during a period of sacred time (usually in autumn or winter, and only at night).... This custom has survived even among peoples who have passed beyond the archaic stage of culture. Among the Turco-Mongols and the Tibetans the epic songs of the Gesar cycle can be recited only at night and in winter.

Myth and Reality (1963)
Context: In one way or another one "lives" the myth, in the sense that one is seized by the sacred, exalting power of the events recollected or re-enacted.
"Living" a myth, then, implies a genuinely "religious" experience, since it differs from the ordinary experience of everyday life. The "religiousness" of this experience is due to the fact that one re-enacts fabulous, exalting, significant events, one again witnesses the creative deeds of the Supernaturals; one ceases to exist in the everyday world and enters a transfigured, auroral world impregnated with the Supernaturals' presence. What is involved is not a commemoration of mythical events but a reiteration of them. The protagonists of the myth are made present; one becomes their contemporary. This also implies that one is no longer living in chronological time, but in the primordial Time, the Time when the event first took place. This is why we can use the term the "strong time" of myth; it is the prodigious, "sacred" time when something new, strong, and significant was manifested. To re-experience that time, to re-enact it as often as possible, to witness again the spectacle of the divine works, to meet with the Supernaturals and relearn their creative lesson is the desire that runs like a pattern through all the ritual reiterations of myths. In short, myths reveal that the World, man, and life have a supernatural origin and history, and that this history is significant, precious, and exemplary.

On Israel, America and AIPAC (2007)
Context: One of the myths propagated by the enemies of Israel is that there is an all-powerful Zionist conspiracy. That is a false accusation. Nevertheless, that AIPAC has been so successful in suppressing criticism has lent some credence to such false beliefs. Demolishing the wall of silence that has protected AIPAC would help lay them to rest. A debate within the Jewish community, instead of fomenting anti-Semitism, would only help diminish it.
Anticipating attacks, I should like to emphasize that I do not subscribe to the myths propagated by enemies of Israel and I am not blaming Jews for anti-Semitism. Anti-Semitism predates the birth of Israel. Neither Israel's policies nor the critics of those policies should be held responsible for anti-Semitism. At the same time, I do believe that attitudes toward Israel are influenced by Israel's policies, and attitudes toward the Jewish community are influenced by the pro-Israel lobby's success in suppressing divergent views.

Nonconformity (1953/1996)
Context: To see life steadily, and see it whole, as a creature of the deep sees it, from below. Our myths are so many, our vision so dim, our self-deception so deep and our smugness so gross that scarcely any way now remains of reporting the American Century except from behind the billboards.

The Expanding Universe (1963)
Context: What a child doesn’t realize until he is grown is that in responding to fantasy, fairly tale, and myth he is responding to what Erich Fromm calls the one universal language, the one and only language in the world that cuts across all barriers of time, place, race, and culture. Many … books are from this realm… books on Hindu myth, Chinese folklore, the life of Buddha, tales of American Indians, books that lead our children beyond all boundaries and into the one language of all mankind.
In the beginning God created the heaven and the earth... The extraordinary, the marvelous thing about Genesis is not how unscientific it is, but how amazingly accurate it is. How could the ancient Israelites have known the exact order of an evolution that wasn’t to be formulated for thousands of years? Here is a truth that cuts across barriers of time and space.

Source: The Age of Uncertainty (1977), Chapter 4, p. 111

Campbell follows with a quote from Ovid's Metamorposes, "All things are changing; nothing dies..."
Chapter 2
The Hero with a Thousand Faces (1949)
Context: The happy ending of the fairy tale, the myth, and the divine comedy of the soul, is to be read, not as a contradiction, but as a transcendence of the universal tragedy of man.... Tragedy is the shattering of the forms and of our attachment to the forms... the two are the terms of a single mythological theme... the down-going and the up-coming (kathados and anodos), which together constitute the totality of the revelation that is life, and which the individual must know and love if he is to be purged (katharsis=purgatorio) of the contagion of sin (disobedience to the divine will) and death (identification with the mortal form).

The Two Hands of God : The Myths of Polarity (1963), p. 29

"Brave New Biocracy: Health Care from Womb to Tomb" NPQ: New Perspectives Quarterly, Vol. 11, Issue 1 (Winter 1994) http://brandon.multics.org/library/Ivan%20Illich/against_life.html.
Context: Homo economicus was surreptitiously taken as the emblem and analogue for all living beings. A mechanistic anthropomorphism has gained currency. Bacteria are imagined to mimic "economic" behavior and to engage in internecine competition for the scarce oxygen available in their environment. A cosmic struggle among ever more complex forms of life has become the anthropic foundational myth of the scientific age.

Source: The Rainbow: From Myth to Mathematics (1959), p. 27
Context: In ancient classical literature the rainbow sometimes was deified as Iris; at other times it was regarded merely as the route traversed by the messenger of Hera. The conception of the rainbow as a pathway or bridge has been widespread. For some it has been the best of all bridges, built out of three colors; for others the phrase "building on the rainbow" has meant a bootless enterprise. North American Indians were among those who thought of the rainbow as the Pathway of Souls, an interpretation found in many other places. Among the Japanese the rainbow is identified as the "Floating Bridge of Heaven"; and Hawaiian and Polynesian myths allude to the bow as the path to the upper world. In the Austrian Alps the souls of the righteous are said to ascend the bow to heaven; and in New Zealand the dead chieftains are believed to pass along it to reach their new home. In parts of France the rainbow is called the pont du St. Esprit, and in many places it is the bridge of St. Bernard or of St. Martin or of St. Peter. Basque pilgrims knew it as the 'puente de Roma'. Sometimes it is called instead the Croy de St. Denis (or of St. Leonard or of St. Bernard or of St. Martin). In Italy the name arcu de Santa Marina is relatively familiar. Associations of the rainbow and the milky way are frequent. The Arabic name for the milky way is equivalent to Gate of Heaven, and in Russia the analogous role was played by the rainbow. Elsewhere also the bow has been called the Gate of Paradise; and by some the rainbow has been thought to be a ray of light which falls on the earth when Peter opens the heavenly gate. In parts of France the rainbow is known as the porte de St. Jacques, while the milky way is called chemin de St. Jacques. In Swabia and Bavaria saints pass by the rainbow from heaven to earth; while in Polynesia this is the route of the gods themselves.
In Eddic literature the bow served as a link between the gods and man — the Bifrost bridge, guarded by Heimdel, over which the gods passed daily. At the time of the Gotterdamerung the sons of Muspell will cross the bridge and then demolish it. Sometimes also in the Eddas the rainbow is interpreted as a necklace worn by Freyja, the "necklace of the Brisings," alluded to in Beowulf; again it is the bow of Thor from which he shoots arrows at evil spirits. Among the Finns it has been an arc which hurls arrows of fire, in Mozambique it is the arm of a conquering god. In the Japanese Ko-Ji-Ki (or Records of Ancient Matters), compiled presumably in 712, the creation of the island of Onogoro is related to the rainbow. Deities, standing upon the "floating bridge of heaven," thrust down a jeweled spear into the brine and stirred with it. When the spear was withdrawn, the brine that dripped down from the end was piled up in the form of the island. In myth and legend the rainbow has been regarded variously as a harbinger of misfortune and as a sign of good luck. Some have held it to be a bad sign if the feet of the bow rest on water, whereas a rainbow arching from dry land to dry land is a good augury. Dreambooks held that when one dreams of seeing a rainbow, he will give or receive a gift according as the bow is seen in the west or the east. The Crown-prince Frederick August took it as a good omen when, upon his receiving the kingdom form Napoleon in 1806, a rainbow appeared; but others interpreted it as boding ill, a view confirmed by the war and destruction of Saxony which ensued. By many, a rainbow appearing at the birth of a child is taken to be a favorable sign; but in Slavonic accounts a glance from the fay who sits at the foot of the rainbow, combing herself, brings death.

"Myth and Archetype in Science Fiction" (1976)
Context: True myth may serve for thousands of years as an inexhaustible source of intellectual speculation, religious joy, ethical inquiry, and artistic renewal. The real mystery is not destroyed by reason. The fake one is. You look at it and it vanishes. You look at the Blond Hero — really look — and he turns into a gerbil. But you look at Apollo, and he looks back at you. The poet Rilke looked at a statue of Apollo about fifty years ago, and Apollo spoke to him. “You must change your life,” he said. When true myth rises into consciousness, that is always its message. You must change your life.

Source: 1960s, Strength to Love (1963), Ch. 1 : A tough mind and a tender heart
Context: The tough mind is sharp and penetrating, breaking through the crust of legends and myths and sifting the true from the false. The tough-minded individual is astute and discerning. He has a strong austere quality that makes for firmness of purpose and solidness of commitment.
Who doubts that this toughness is one of man's greatest needs? Rarely do we find men who willingly engage in hard, solid thinking. There is an almost universal quest for easy answers and half-baked solutions. Nothing pains some people more than having to think.

Writing and Being (1991)
Context: There are many proven explanations for natural phenomena now; and there are new questions of being arising out of some of the answers. For this reason, the genre of myth has never been entirely abandoned, although we are inclined to think of it as archaic. If it dwindled to the children's bedtime tale in some societies, in parts of the world protected by forests or deserts from international megaculture it has continued, alive, to offer art as a system of mediation between the individual and being. And it has made a whirling comeback out of Space, an Icarus in the avatar of Batman and his kind, who never fall into the ocean of failure to deal with the gravity forces of life.

Source: Space Chantey (1968), Ch. 6
Context: I am Aeaea. To my notion there is no other lady anywhere. And I resent your calling this a silly myth. I made the myth and it is not silly; charming rather. Well, come along, come along! You are my things now, and you will come when I call you.

I Ain't Got Time To Bleed (1999)
Context: I didn't need this job. I ran for governor to find out if the American dream still exists in anyone's heart other than mine. I'm living proof that the myths aren't true. The candidate with the most money isn't always the one who wins. You don't have to be a career politician to serve in public office. You don't have to be well-connected. You don't even have to be a Democrat or a Republican. You can stand on your own two feet and speak your mind, because if people like where you're coming from, they will vote you in. The will of the people is still the most powerful force in our government.

Jihad Watch - Islamic State on recruitment spree in Russia, “moderate” imams can’t counter the jihadis’ appeal http://www.jihadwatch.org/2015/10/islamic-state-on-recruitment-spree-in-russia-moderate-imams-cant-counter-the-jihadis-appeal (29 October 2015)
Context: The myth that poverty causes terrorism. In reality, study after study has shown that jihadists are not poor and bereft of economic opportunities, but generally wealthier and better educated than their peers. CNS noted that “according to a Rand Corporation report on counterterrorism, prepared for the Office of the Secretary of Defense in 2009, ‘Terrorists are not particularly impoverished, uneducated, or afflicted by mental disease. Demographically, their most important characteristic is normalcy (within their environment). Terrorist leaders actually tend to come from relatively privileged backgrounds.’ One of the authors of the RAND report, Darcy Noricks, also found that according to a number of academic studies, ‘Terrorists turn out to be more rather than less educated than the general population.’”

IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos

IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos

III. Concerning myths; that they are divine, and why.
On the Gods and the Cosmos
Context: One may call the world a myth, in which bodies and things are visible, but souls and minds hidden. Besides, to wish to teach the whole truth about the Gods to all produces contempt in the foolish, because they cannot understand, and lack of zeal in the good, whereas to conceal the truth by myths prevents the contempt of the foolish, and compels the good to practice philosophy.

IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos
Context: Of myths some are theological, some physical, some psychic, and again some material, and some mixed from these last two. The theological are those myths which use no bodily form but contemplate the very essence of the Gods: e. g., Kronos swallowing his children. Since god is intellectual, and all intellect returns into itself, this myth expresses in allegory the essence of god.
Myths may be regarded physically when they express the activities of the Gods in the world: e. g., people before now have regarded Kronos as time, and calling the divisions of time his sons say that the sons are swallowed by the father.
The psychic way is to regard the activities of the soul itself; the soul's acts of thought, though they pass on to other objects, nevertheless remain inside their begetters.
The material and last is that which the Egyptians have mostly used, owing to their ignorance, believing material objects actually to be Gods, and so calling them: e. g., they call the earth Isis, moisture Osiris, heat Typhon, or again, water Kronos, the fruits of the earth Adonis, and wine Dionysus.
To say that these objects are sacred to the Gods, like various herbs and stones and animals, is possible to sensible men, but to say that they are Gods is the notion of madmen — except, perhaps, in the sense in which both the orb of the sun and the ray which comes from the orb are colloquially called "the sun".

III. Concerning myths; that they are divine, and why.
On the Gods and the Cosmos
Context: There is this first benefit from myths, that we have to search and do not have our minds idle.
That the myths are divine can be seen from those who have used them. Myths have been used by inspired poets, by the best of philosophers, by those who established the mysteries, and by the Gods themselves in oracles. But why the myths are divine it is the duty of philosophy to inquire. Since all existing things rejoice in that which is like them and reject that which is unlike, the stories about the Gods ought to be like the Gods, so that they may both be worthy of the divine essence and make the Gods well disposed to those who speak of them: which could only be done by means of myths.

III. Concerning myths; that they are divine, and why.
On the Gods and the Cosmos

IV. That the species of myth are five, with examples of each.
On the Gods and the Cosmos
Context: The mixed kind of myth may be seen in many instances: for example they say that in a banquet of the Gods Discord threw down a golden apple; the Goddesses contended for it, and were sent by Zeus to Paris to be judged. Paris saw Aphrodite to be beautiful and gave her the apple. Here the banquet signifies the hypercosmic powers of the Gods; that is why they are all together. The golden apple is the world, which being formed out of opposites, is naturally said to be "thrown by Discord." The different Gods bestow different gifts upon the world, and are thus said to "contend for the apple." And the soul which lives according to sense — for that is what Paris is — not seeing the other powers in the world but only beauty, declares that the apple belongs to Aphrodite.

"Five Questions with Sujit Choudhry" http://www.iconnectblog.com/2017/02/five-questions-with-sujit-choudhry/, I-CONnect (February 24, 2017)

The Ethic of Freethought (Mar 6, 1883)

The Ethic of Freethought (Mar 6, 1883)

The Ethic of Freethought (Mar 6, 1883)

Vintage, p. xviii
Propaganda: The Formation of Men's Attitudes (1962)

Propaganda: The Formation of Men's Attitudes (1962)

Source: The Fresco (2000), Chapter 9, pp. 102-103

On people choosing sides and scapegoating others (as quoted in the book Nuestras Voces: Latino Plays, Volume One https://books.google.com/books?id=FLj1AwAAQBAJ&pg=PA258&lpg=PA258&dq)

Metaphysics by Aristotle &ndash; Book 1, ClassicalWisdom.com
The second sentence is in Metaphysics A 2, 928^b 17&ndash;20, Aristotle: Metaphysics Beta: Symposium Aristotelicum, Michel Crubellier & Andre´ Laks, eds. (Oxford University Press, 2009), p. 4.
Metaphysics
Variant: [And] one who experiences a difficulty and who feels wonder thinks that he does not understand..., so that, if it is to escape ignorance that they have practised philosophy, then it is clearly for the sake of knowing, and not for any practical purpose, that they have pursued understanding.

The Spirit of Russia
I
1919
Thomas
Garrigue Masaryk
Paul
Eden
Paul
Cedar
208

The Paris Review interview (1982)

1990s, Ayodhya and After: Issues Before Hindu Society (1991)

Source: Free to Choose (1980), Ch. 5 “Created Equal”, p. 146

“Economic Myths and Public Opinion” https://miltonfriedman.hoover.org/friedman_images/Collections/2016c21/AmSpectator_01_1976.pdf, The Alternative: An American Spectator, vol. 9, no. 4, (January 1976) pp. 5-9

“Economic Myths and Public Opinion” https://miltonfriedman.hoover.org/friedman_images/Collections/2016c21/AmSpectator_01_1976.pdf, The Alternative: An American Spectator, vol. 9, no. 4, (January 1976) pp. 5-9

Source: Venice Observed (1956), Ch. 1

Lincoln did not free the slaves. We also live with the myth that the mid-twentieth century Civil Rights Movement freed the second-class citizens. Civil rights, of course, constitute an essential element of the freedom that was demanded at that time, but it was not the whole story.
Freedom is a Constant Struggle: Closures and Continuities (2013)

Source: Myth, Symbol, and Meaning in Mary Poppins (2007), Ch. 2, p. 39

The Epistle to the Romans (1918; 1921)

Source: From Bethlehem to Calvary (1937), Chapter One

Ancient Indian Historical Tradition (1962)

Yuri Butusov, journalist. Paris Opera singer Vasyl Slipak shot dead by Russian sniper in Donbas // UaPosition. - 2016. - June 29. http://uaposition.com/latest-news/ukrainian-opera-singer-shot-dead-by-enemy-sniper-in-donbas/

“Historical Legend and Revisionism?” 1980 lecture, reprinted in Forever in the Shadow of Hitler? New Jersey: Humanities Press, (1993), pp. 3-4.

Antonio Labriola, Socialism and Philosophy (1897) [original in Italian]
G - L

Louis Althusser and Étienne Balibar, Reading Capital (1968), Part One: From Capital to Marx’s Philosophy
A - F, Louis Althusser

Selected Writings—Poetry and Criticism. (1964).
Other Quotes

Toward a Feminist Theory of the State (1991)

The Three Ns have been invoked to justify all exploitative systems … When an ideology is in its prime, these myths rarely come under scrutiny. However, when the system finally collapses, the Three Ns are recognized as ludicrous.
Source: Why We Love Dogs, Eat Pigs, and Wear Cows (2010), pp. 96-97

Not because his writings were exceptionally profound, difficult to comprehend or emotionally overwhelming, but because Clemens hammered on my head with the book for minutes on end. (Clemens and Weser were the principal torturers of the Jews in Dresden, and they were generally differentiated as the Hitter and the Spitter.) ‘How dare a Jewish pig like you presume to read a book of this kind?’ Clemens yelled. To him it seemed like the desecration of a consecrated wafer. ‘How dare you have a book here from the lending library?’ Only the fact that the volume had demonstrably been borrowed in the name of my Aryan wife, and, moreover, that the sheet of notes which accompanied it was torn up without being deciphered, saved me at the time from the concentration camp.
Source: LTI – Lingua Tertii Imperii (The Language of the Third Reich) (1947), p. 12.

he can fly through the theater at 40 miles an hour. It’s got villains, it’s got skyscrapers, it’s colorful, it’s Manhattan. I knew it would be a challenge, but I saw the inherent theatricality in it, and I couldn’t resist.
As quoted in "KA-POW! Spider-Man: Turn Off the Dark" http://www.vogue.com/magazine/article/ka-pow-spider-man-turn-off-the-dark/ by Adam Green at Vogue.com

Hermann Göring ("… [wenn Rosenberg das Sagen hätte] … gäbe es nur noch Kult, Thing, Mythos und ähnlichen Schwindel"; source: Goebbels, Ralf Georg Reuth; Piper; ISBN 3-492-03183-8, p. 304).

Source: Sex, Art and American Culture : New Essays (1992), p. 262

"On Invisibility" in Diary of an Unknown (1953)

Source: The Power of Myth (book), p. 28

Source: Dark Age (2019), Ch. 10: The Ash Rain; Lysander

Source: The Selfish Gene (1976, 1989), Ch. 12. Nice Guys Finish First

The Greatest Minds and Ideas of All Time (2002) edited by John Little, Ch. 1 : The Shameless Worship of Heroes

Source: The Ocean at the End of the Lane (2013), Chapter 6 (p. 69)