Quotes about musician

A collection of quotes on the topic of musician, music, likeness, doing.

Quotes about musician

“I just like having fun. It's a very good release, rock music, but you know you say that I am a different person on stage and that same thing could be said of anyone going out to do his job. It's my work, and I'm very serious about it, getting it right - when we began, we approached it the way we did because we were not prepared to be out-of-work musicians, ever. We said either take it on as a serious commodity or don't do it at all.”

Freddie Mercury (1946–1991) British singer, songwriter and record producer

"The Man Who Would Be Queen" in Melody Maker (2 May 1981) http://www.queenarchives.com/index.php?title=Freddie_Mercury_-_05-02-1981_-_Melody_Maker.

Music, Way, Personality

“Nothing is more difficult than talking about music: if it is a prickly business for musicians, it is almost impossible for anyone else—the strongest, subtlest minds go astray.”

Camille Saint-Saëns (1835–1921) French composer, organist, conductor, and pianist of the Romantic era

Source: “L’illusion wagnérienne”, Portraits et souvenirs, Société d’édition artistique, 1899, 206‒220

Music, Business

“As a musician I tell you that if you were to suppress adultery, fanaticism, crime, evil, the supernatural, there would no longer be the means for writing one note.”

Georges Bizet (1838–1875) French composer

Letter to Edmond Galabert, and G. (October 1866), as quoted in Letters of Composers: An Anthology, 1603-1945 (1946) edited by Gertrude Norman and Miriam Lubell Shrifte, p. 241

Evil

“A musician is similar to someone who wrote a letter to the loved one. Then decided to read it out loud instead of sending it.”

Mwanandeke Kindembo (1996) Congolese author

Love, Reading

“What do you think an artist is? An imbecile who only has eyes, if he is a painter, or ears if he is a musician, or a lyre in every chamber of his heart if he is a poet, or even, if he is a boxer, just his muscles? Far from it: at the same time he is also a political being, constantly aware of the heartbreaking, passionate, or delightful things that happen in the world, shaping himself completely in their image. How could it be possible to feel no interest in other people, and with a cool indifference to detach yourself from the very life which they bring to you so abundantly? No, painting is not done to decorate apartments. It is an instrument of war.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Life, War, People, World

“He is a great person, as well as a great musician. And this guy sings like he was born down below Mississippi!”

Eric Clapton (1945) English musician, singer, songwriter, and guitarist

B.B. King http://www1.gitarrebass.de/magazine/0008/top10.htm <br class="br">About

Guy, Singing, Personality

“I don't really go along with this sense that you sometimes pick up - that is, classical music is superior to everything else. I think classical music is a very great music form, but I can also think of other great music forms. And certainly within each field, you have absolute geniuses operating. Over the years, I've tried to bring together different people from different fields, and I do try to put Bach and Beethoven next to other types of musicians.”

Joanna MacGregor (1959) British musician

Denver Post, 18/02/2005
On Classical Music

People, Music, Thinking, Sense

“[Bill Evans talking about Miles Davis's change of style to jazz fusion] I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.”

Bill Evans (1929–1980) American jazz pianist

http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-white.

People, Music, Feeling, Business

“Technically he was highly gifted, but also severely limited. His music is well constructed and effective, but monotonous in texture, which consists in essence mainly of artificial and gushing tunes accompanied by a variety of figures derived from arpeggios. The enormous popular success some few of Rakhmaninoff's works had in his lifetime is not likely to last, and musicians never regarded it with much favour.”

Sergei Rachmaninoff (1873–1943) Russian composer, pianist, and conductor

Eric Blom (ed.) Grove's Dictionary of Music and Musicians, 5th edn. (London: Macmillan, 1954) vol. 7, p. 27.
Criticism

Music, Success

“Russian students? you ask. Yes, we have white Russians but not the Soviets. They have a wonderful school of their own which has produced superb musicians such as Sviatoslav Richter, Oistrakh, and Rostropovich. Those Russians that we have here chose freedom, but their Slavic temperament manifests itself just the same, and they have a marked talent for music.”

Alfred Cortot (1877–1962) Franco-Swiss pianist and conductor

in "Visit with Alfred Cortot" by Alexander Kosloff, Music Educators Journal (Feb.-Mar., 1962)

School, Music, Freedom

“Any musician who says he is playing better either on tea, the needle, or when he is juiced, is a plain, straight liar. When I get too much to drink, I can't even finger well, let alone play decent ideas. … You can miss the most important years of your life, the years of possible creation.”

Charlie Parker (1920–1955) American jazz saxophonist and composer

As quoted in Hear Me Talkin' to Ya: The Story of Jazz As Told by the Men Who Made It (1955) edited by by Nat Shapiro and Nat Hentoff, p. 379

Life, Idea, Drink, Tea

“I'm not a musician; I'm a screamer.”

Randy Blythe (1971) American musician

Making of Sacrament DVD

“For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.

Error

“I don't know the names of any pop musicians. Pop music is standardised; it's made to please the largest audience possible. I also compose to please a large audience, but when you listen to my music, you understand that I have studied and applied the whole history of composition.”

Ennio Morricone (1928–2020) Italian composer, orchestrator and conductor

Music, History, Study, Understanding

“Being an author is not as easy as it sounds. In short, an author can create thousands of actors. Also an actor can produce several musicians.”

Mwanandeke Kindembo (1996) Congolese author

“A composer is a guy who goes around forcing his will on unsuspecting air molecules, often with the assistance of unsuspecting musicians.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Source: The Real Frank Zappa Book (1989), p. 162.

Guy

“I found my God in music and the arts, with writers like Hermann Hesse, and musicians like Muddy Waters, Howlin' Wolf, and Little Walter. In some way, in some form, my God was always there, but now I have learned to talk to him.”

Eric Clapton (1945) English musician, singer, songwriter, and guitarist

God, Art, Music, Way

“My family isn’t posh; they’re musicians.”

Audrey Niffenegger book The Time Traveler's Wife

Source: The Time Traveler’s Wife (2003), p. 13

Family

“I liked him [Arthur Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Vladimir Horowitz (1903–1989) American classical pianist and composer

and I said, "Yes, I do mean it."
quoted in Harold C. Schonberg, Horowitz: his life and music

“The first jazz musician was a trumpeter, Buddy Bolden, and the last will be a trumpeter, the archangel Gabriel.”

Wynton Marsalis (1961) American jazz musician

http://en.wikipedia.org/w/index.php?title=List_of_trumpeters&oldid=33992072#Quotation
Attributed

“Infant prodigies do not necessarily become great musicians. I have had over three thousand pupils, and I am convinced that the proficiency which some display is no more than a manifestation of dexterity and an extraordinary natural imitative faculty of children.”

Alfred Cortot (1877–1962) Franco-Swiss pianist and conductor

"Do Infant Prodigies Become Great Musicians?", Music & Letters (Apr., 1935)

Children, Nature

“All musicians are subconsciously mathematicians.”

Thelonious Monk (1917–1982) American jazz pianist and composer

Interview in Down Beat magazine (28 October 1971)

“Everyone wants to understand painting. Why don't they try to understand the song of the birds? Why do they love a night, a flower, everything which surrounds man, without attempting to understand them? Whereas where painting is concerned, they want to understand. Let them understand above all that the artist works from necessity; that he, too, is a minute element of the world to whom one should ascribe no more importance than so many things in nature which charm us but which we do not explain to ourselves. Those who attempt to explain a picture are on the wrong track most of the time. Gertrude Stein, overjoyed, told me some time ago that she had finally understood what my picture represented: three musicians. It was a still life!!”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Boisgeloup, winter 1934
As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008
Quotes, 1930's, "Conversations avec Picasso," 1934–35

Love, Life, World, Flowers

“Monk enters the studio and starts playing, the rest of the musicians join him. After few minutes of play the technician from his room shouts and stops the band. ]
Monk: "Why did we stop?"
Technician: "I thought you were rehearsing."
Monk: "Aren't we always?"”

Thelonious Monk (1917–1982) American jazz pianist and composer

Thelonious Monk Documentary DVD.

“I firmly believe that the primary role of the tabla is saath-sangat. Which is why I enjoy being on stage with Shivji (Pt Shivkumar Sharma), Amjadbhai (Amjad Ali Khan) or Birju Maharaj. I look forward to these concerts. Unlike a solo concert where I am my own boss, here I have to strike a dialogue in the music-making process. This enriches and makes me a better musician and tabla player.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

Music

“Which brings us to the arts, whose purpose, in common with astrology, is to use frauds in order to make human beings seem more wonderful than they really are. Dancers show us human beings who move much more gracefully than human beings really move. Films and books and plays show us people talking much more entertainingly than people really talk, make paltry human enterprises seem important. Singers and musicians show us human beings making sounds far more lovely than human beings really make. Architects give us temples in which something marvelous is obviously going on. Actually, practically nothing is going on inside. And on and on.”

Kurt Vonnegut (1922–2007) American writer

Bennington College address (1970)

Love, People, Books, Art

“Classical musicians go to the conservatories, rock´n roll musicians go to the garages.”

Frank Zappa (1940–1993) American musician, songwriter, composer, and record and film producer

Interview at Swedish Radio, programme Nightflite (circus 1980) http://home.swipnet.se/bengt-jonsson/zappaint.htm#Bobby

“People nowadays think that scientists exist to instruct them, poets, musicians, etc. to give them pleasure. The idea that these have something to teach them”

Ludwig Wittgenstein (1889–1951) Austrian-British philosopher

that does not occur to them.
Source: Culture and Value (1980), p. 36e

People, Pleasure, Idea, Thinking

“The musician's technique, in fact, should be as protean as the actor's. The best method of attaining this is by combining the qualities of the artist and the technician. To do this it is essential, that in addition to concentrating upon musical technique, one should keep in touch with the other arts. They provide that general culture to the musician without which he will never become a great artist.”

Alfred Cortot (1877–1962) Franco-Swiss pianist and conductor

"Do Infant Prodigies Become Great Musicians?", Music & Letters (Apr., 1935)

Art, Music

“At a very early stage I realised that it's a real problem to perform electronic music on stage because electronic instruments are not particularly convincing on a visual point of view: somebody behind his computer, it's not particularly visual. So I was inspired by the opera. And what was the opera in the 19th century? It was the idea for a musician to join and to work, to collaborate with a stage director, with carpenters, painters, people doing decors, graphic artists to have a visual prolongation, a visual correspondence to their work. That's what I tried to do with the tools of my generation: electronics and video and lights and all that.”

Jean-Michel Jarre (1948) French composer, performer and music producer

interviewed on the Danish Monitor radio programme 2005-11-30

People, Music, Idea, Problem

“I'm very proud to be Jewish and a big part of me being a creative person comes from being Jewish. The eccentricity in Jewish musicians really connects with me.”

Thomas Cohen (1990) British singer

As quoted in the Jewish Chronicle, 11 April 2014, p. 5

Parting, Personality

“I am a musician's musician and am passionate about my sarangi. I shall continue my battle for the cause of the sarangi. I will be reborn to continue my sadhana until the battle is won.”

Ram Narayan (1927) classical sarangi player from India

[Solo success, S. Sahaya Ranjit, 25 April 2005, India Today, https://www.webcitation.org/query?url=http://indiatoday.intoday.in/story/pandit-ram-narayan-dedicates-padma-vibhushan-award/1/193919.html&date=2017-10-03, 3 October 2017, 3 October 2017]

Passion

“I give the degrees of things seen by the eye as the musician does of the sounds heard by the ear.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo Da Vinci (1938), XXIX Precepts of the Painter

“Bel canto does not mean beautiful singing alone. It is, rather, the technique demanded by the composers of this style — Donizetti, Rossini, and Bellini. It is the same attitudes and demands of Mozart and Beethoven, for example, the same approach and the same technical difficulties faced by instrumentalists. You see, a musician is a musician. A singer is no different from an instrumentalist except that we have words. You don't excuse things in a singer you would not dream of excusing in a violinist or pianist. There is no excuse for not having a trill, for not doing the acciaccatura, for not having good scales. Look at your scores! There are technical things written there to be performed, and they must be performed whether you like it or not. How will you get out of a trill? How will you get out of scales when they are written there, staring you in the face? It is not enough to have a beautiful voice. What does that mean? When you interpret a role, you have to have a thousand colors to portray happiness, joy, sorrow, fear. How can you do this with only a beautiful voice? Even if you sing harshly sometimes, as I have frequently done, it is a necessity of expression. You have to do it, even if people will not understand. But in the long run they will, because you must persuade them of what you're doing.”

Maria Callas (1923–1977) American-born Greek operatic soprano

Callas : The Art and the Life (1974)

People, Fear, Beauty, Dreams

“Would-be musicians are starving themselves emotionally and intellectually just to be perfect.”

Valentina Lisitsa (1973) Ukrainian-American classical pianist

nytimes.com http://www.nytimes.com/2013/10/13/arts/music/valentina-lisitsa-jump-starts-her-career-online.html?pagewanted=all&_r=0.

Perfection

“A musician once said: In art, truth and reality begin when one no longer understands what one is doing or what one knows, and when there remains an energy that is all the stronger for being constrained, controlled and compressed. It is therefore necessary to present oneself with the greatest humility: white, pure and candid with a mind as if empty, in a spiritual state analogous to that of a communicant approaching the Lord's Table. Obviously it is necessary to have all of one's experience behind one, but to preserve the freshness of one's instincts.”

Henri Matisse (1869–1954) French artist

Un musicien a dit: en art la vérité, le réel commence quand on ne comprend plus rien à ce qu'on fait, à ce q'uon sait, et qu'il reste en vous une énergie d'autant plus forte qu'elle est contrariée, compressée, comprimée. Il faut alors se présenter avec la plus grande humilité, tout-blanc, tout pur, candide, le cerveau semblant-vide, dans un état d'esprit analogue à celui du communiant approchant la Sainte Table. Il faut évidemment avoir tout son acquis derrière soi et avoir su garder la fraîcheur de l'Instinct.
1940s, Jazz (1947)

Truth, Art, Understanding, Reality

“in English: I do not consider myself a musician, rather a radar ready to pick up the symphonies coming from the sky. It's been like that since I was four years old and I hope it will continue forever. When I compose, any ingredient can be good, the problem lies in the proportions that must be harmonized. It's like the work of architects, you never invent anything.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1989

Hope, Problem

“Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Sense

“A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be.”

Abraham Maslow book Motivation and Personality

Source: Motivation and Personality (1954), p. 93.
Context: A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be. This need we may call self-actualization. This term, first coined by Kurt Goldstein, is being used in this paper in a much more specific and limited fashion. It refers to the desire for self-fulfillment, namely, to the tendency for him to become actualized in what he is potentially. This tendency might be phrased as the desire to become more and more what one is, to become everything that one is capable of becoming.

Peace, Painting, Music

“Writers, poets, painters, musicians, philosophers, political thinkers, to name only a few of the categories affected, must woo their readers, viewers, listeners, from distraction.”

Saul Bellow (1915–2005) Canadian-born American writer

"The Distracted Public" (1990), p. 167
It All Adds Up (1994)
Context: Writers, poets, painters, musicians, philosophers, political thinkers, to name only a few of the categories affected, must woo their readers, viewers, listeners, from distraction. To this we must add, for simple realism demands it, that these same writers, painters, etc., are themselves the children of distraction. As such, they are peculiarly qualified to approach the distracted multitudes. They will have experienced the seductions as well as the destructiveness of the forces we have been considering here. This is the destructive element in which we do not need to be summoned to immerse ourselves, for we were born to it.

“Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.”

Antoine de Saint-Exupéry (1900–1944) French writer and aviator

Source: Terre des Hommes (1939), Ch. I : The Craft
Context: I had a vision of the face of destiny.
Old bureaucrat, my comrade, it is not you who are to blame. No one ever helped you to escape. You, like a termite, built your peace by blocking up with cement every chink and cranny through which the light might pierce. You rolled yourself up into a ball in your genteel security, in routine, in the stifling conventions of provincial life, raising a modest rampart against the winds and the tides and the stars. You have chosen not to be perturbed by great problems, having trouble enough to forget your own fate as man. You are not the dweller upon an errant planet and do not ask yourself questions to which there are no answers. You are a petty bourgeois of Toulouse. Nobody grasped you by the shoulder while there was still time. Now the clay of which you were shaped has dried and hardened, and naught in you will ever awaken the sleeping musician, the poet, the astronomer that possibly inhabited you in the beginning.
The squall has ceased to be a cause of my complaint. The magic of the craft has opened for me a world in which I shall confront, within two hours, the black dragons and the crowned crests of a coma of blue lightnings, and when night has fallen I, delivered, shall read my course in the stars.

Sleep, Time

“The memory of things gone is important to a jazz musician. ”

Louis Armstrong (1901–1971) American jazz trumpeter, composer and singer

Memory

“Musicians don't retire; they stop when there's no more music in them.”

Louis Armstrong (1901–1971) American jazz trumpeter, composer and singer

Music

“I always had one goal, and that was to become a musician. I had no other choice.”

Ayub Bachchu (1962–2018) Musician, singer, songwriter

“There are two answer versions. Short version: my name is Arthur, the other members of the band were in a band called Neverland. And the long one: I sang with many bands, some with a longer duration than others and I was aware of everything Arad had to offer in terms of teenage musicians. I saw that Neverland was no longer active, so I contacted them, joined forces and became what you see on the screens in front of you.”

Arthur Horeanu (2004) Romanian singer-songwriter

As an answer to: "What inspired you when you chose the band's [Arthur in Neverland] name?" genunderground.ro (January 20, 2021) https://genunderground.ro/rumpelstiltskin-printre-printisori-un-interviu-cu-arthur-in-neverland/?fbclid=IwAR1xdfMzYGpjSOJ2rcor_UYENEgr8ve1AInYG11734t45oPrScajUrauyNw,

“Be your own artist, and always be confident in what you're doing. “A musician should only sound like what they do, and no two musicians sound the same. “I believe musicians have a duty, a responsibility to reach out, to share your love or pain with others.” “The true beauty of music is that it connects people.”

Dc Themmie

Confidence, Pain, People, Beauty

“Most musicians remain poor. But the music that they make, even if it does not bring them millions, gives millions of people happiness.”

Langston Hughes (1902–1967) American writer and social activist

People, Music, Happiness

“If lawyers are disbarred and clergymen defrocked, doesn't it follow that electricians can be delighted, musicians denoted?”

George Carlin (1937–2008) American stand-up comedian

“A writer's heart, a poet's heart, an artist's heart, a musician's heart is always breaking. It is through that broken window that we see the world…”

Alice Walker (1944) American author and activist

World, Heart

“I never saw such crazy musicians. Everybody in Frisco blew. It was the end of the continent; they didn't give a damn.”

Jack Kerouac book On the Road

Source: On the Road

“When kids look up to great scientists the way they do to great musicians and actors, civilization will jump to the next level”

Brian Greene (1963) American physicist

Way

“This is Graceland. Home of the most famous musician in the world.”
“Michael Jackson lived here?”
“No, dummy,” Carter said. “Elvis Presley.”

Rick Riordan book The Red Pyramid

Source: The Red Pyramid

World, Home

“A poet is a musician who can't sing.”

Patrick Rothfuss book The Name of the Wind

Source: The Name of the Wind

Singing

“The best musicians transpose consciousness into sound; painters do the same for color and shape.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World

Color

“A poet is a nightingale, who sits in darkness and sings to cheer its own solitude with sweet sounds. His auditors are as men entranced by the melody of an unseen musician.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

A Defence of Poetry http://www.bartleby.com/27/23.html (1821)

Men, Solitude, Singing

“If I were not a physicist, I would probably be a musician. I often think in music. I live my daydreams in music. I see my life in terms of music. … I cannot tell if I would have done any creative work of importance in music, but I do know that I get most joy in life out of my violin.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

Life, Music, Thinking, Joy

“I am telling you what I know—words have music and if you are a musician you will write to hear them.”

E.L. Doctorow (1931–2015) novelist, editor, professor

Music

“Music sounds different to the one who plays it. It is the musician's curse.”

Patrick Rothfuss (1973) American fantasy writer

Music

“I consider myself a poet first and a musician second. I live like a poet and I'll die like a poet.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Interview http://www.expectingrain.com/dok/int/shelton1978.07.29.html with Robert Shelton, Melody Maker (29 July 1978)

“Is this really true? If we take an average day in the life of the average man we seem to see very little evidence of concern with the sciences and the arts. The average man gets up, goes to work, eats his meals, reads the newspapers, watches television, goes to the cinema, goes to bed, sleeps, wakes up, starts all over again. Unless we happen to be professional scientists, laboratory experiments and formulae have ceased to have any meaning for most of us; unless we happen to be poets or painters or musicians—or teachers of literature, painting, and music—the arts seem to us to be only the concern of schoolchildren. And yet people have said, and people still say, that the great glories of our civilisation are the scientists and artists. Ancient Greece is remembered because of mathematicians like Euclid and Pythagoras, because of poets like Homer and dramatists like Sophocles. In two thousand years all our generals and politicians may be forgotten, but Einstein and Madame Curie and Bernard Shaw and Stravinsky will keep the memory of our age alive.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, English Literature: A Survey for Students (1958, revised 1974)

Life, People, Age, Art

“To-morrow the rediscovery of romantic love,
The photographing of ravens; all the fun under
Liberty's masterful shadow;
To-morrow the hour of the pageant-master and the musician, The beautiful roar of the chorus under the dome;
To-morrow the exchanging of tips on the breeding of terriers,
The eager election of chairmen
By the sudden forest of hands. But to-day the struggle.To-morrow for the young the poets exploding like bombs,
The walks by the lake, the weeks of perfect communion;
To-morrow the bicycle races
Through the suburbs on summer evenings. But to-day the struggle.”

W. H. Auden book Spain

Source: Spain (1937), Lines 81–92

Love, Beauty, Summer, Perfection

“Indeed I have observed that even the Barbarians across the Rhine sing savage songs composed in language not unlike the croaking of harsh-voiced birds, and that they delight in such songs. For I think it is always the case that inferior musicians, though they annoy their audiences, give very great pleasure to themselves”

Julian (emperor) (331–363) Roman Emperor, philosopher and writer

Julian, on the songs of the early Germans. As quoted in his Mispogon.
General sources

Pleasure, Bird, Thinking, Singing

“If you're trying to get a lot of money and attention and cars and just stuff like that, being in a band is a really bad way to do it, because it takes a lot of work, it's constant work, it's very grueling, and you don't really have time to spend money. So that would probably not even make my top 10 list of ways to make a lot of money, because records aren't selling anymore. The richest musician in America still doesn't even come close to a mid-level athlete.”

Patrick Stump (1984) American musician

AbsolutePunk.net, Patrick Stump, Part 1 - 10.06.08

Money, Cars, Way, Time

“Each jazz musician when he takes a horn in his hand — trumpet, bass, saxophone, drums — whatever instrument he plays — each soloist, that is, when he begins to ad lib on a given composition with a title and improvise a new creative melody, this man is taking the place of a composer.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

What Is A Jazz Composer? (1971)

“Rubinstein was wonderful. For three days he spent hours playing the piano in my room, and then asking me what I thought of this and that. After a while he told my mother that I had talent and he thought I should be a musician.”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

Antonio de Almeida — reported in Paul Hume (July 28, 1981) "Odyssey Of a Conductor", The Washington Post, p. C4.
About

“Jazz musicians have some outlaw in them somewhere if they are serious about this music…The is no valid motivation for it other than love– outlaw motivation in a profit-motivated society.”

Mike Zwerin (1930–2010) American jazz musician

La Tristesse de Saint Louis: Swing Under the Nazis, Chapter. 4, 1985, Dictionary of Quotations, Chambers: Edinburgh, U.K, 2005, p. 937

Love, Music, Motivation

“Paul McCartney may be the closest thing our generation has produced to Franz Schubert -- a master of melody, writing tunes anyone can sing, songs that seem to have been there all along. Most people don't realize that "Ave Maria" and "Serenade" were written by Schubert (or that his "Moment Musical in F" so resembles "Martha My Dear"). McCartney writes with similar universality. His "Yesterday" has been recorded by more musicians than any other song in history. Its stepwise melody is deceptively complex, drawing from outside the diatonic scale so smoothly that anyone can sing it, yet few theorists can agree on exactly what it is that McCartney has done.”

Daniel Levitin (1957) American psychologist

The Washington Post http://www.washingtonpost.com/wp-dyn/content/article/2007/05/31/AR2007053101848.html (June 1, 2007)

People, Music, History, Universe

“Industrial progress, mechanical improvement, all of the great wonders of the modern era have meant little to the wealthy. The rich in ancient Greece would have benefited hardly at all from modern plumbing — running servants replaced running water. Television and radio — the patricians of Rome could enjoy the leading musicians and actors in their home, could have the leading artists as domestic retainers. Ready-to-wear clothing, supermarkets — all these and many other modern developments would have added little to their life. They would have welcomed the improvements in transportation and in medicine, but for the rest, the great achievements of western capitalism have rebounded primarily to the benefit of the ordinary person. These achievements have made available to the masses conveniences and amenities that were previously the exclusive prerogative of the rich and powerful.”

Milton Friedman book Free to Choose

Source: Free to Choose (1980), Ch. 5 “Created Equal”, p. 147

Life, Home, Water, Personality

“[another part / version of Whistler's lecture:]
Nature contains the elements, in colour and form, of all pictures, as the keyboard contains the notes of all music. But the artist is born to pick, and choose, and group with science, these elements, that the result may be beautiful—as the musician gathers his notes, and forms his chords, until he bring forth from chaos glorious harmony. To say to the painter, that Nature is to be taken as she is, is to say to the player, that he may sit on the piano. That Nature is always right, is an assertion, artistically, as untrue, as it is one whose truth is universally taken for granted. Nature is very rarely right, to such an extent even, that it might almost be said that Nature is usually wrong: that is to say, the condition of things that shall bring about the perfection of harmony worthy a picture is rare, and not common at all.”

James McNeill Whistler (1834–1903) American-born, British-based artist

1870 - 1903, his lecture 'Ten O'Clock' (1885)
Source: James McNeill Whistler (1834–1903), Weinberg, H. Barbara, 'Heilbrunn Timeline of Art History'. New York: The Metropolitan Museum of Art, 2000–. http://www.metmuseum.org/toah/hd/whis/hd_whis.htm (April 2010)

Truth, Beauty, Music, Nature

“They've worked out elaborate charts classifying all intellectual occupations and interests, with the methods and materials and tools, and especially the goals—the aims, the ideals, the moral purposes—that are suited to each of them. Really tremendous! Why, a musician or an engineer, for example, could look at his chart and tell accurately whether he was progressing fast enough, at his age, and if not, just what his trouble was, and the remedy.”

Sinclair Lewis book Arrowsmith

Arrowsmith (1925), Ch. 40

Age

“Fight the tendency to become complacent and do one kind of music - that is the death of a musician.”

Georg Solti (1912–1997) Hungarian orchestral and operatic conductor

Conductors by John L. Holmes (1988) pp 256-261 ISBN 0-575-04088-2

Death, Music, Fight

“RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
Cornell: I don't know. It's just a strange subject. It's almost as if the music industry is patting itself on the back in a way. This was the seventh Grammy nomination for us and had we won one for our first nomination I would have had a really cool attitude about it because it would have meant that the people who were actually voting were paying attention to music for music's sake as opposed to some other reason.
I was happy that we were nominated because it was an independent record company and it was a low-profile record. We didn't win a Grammy until we'd sold several millions and it seems that what sells a lot is what wins, even though the record may or may not be any good, but that seems to be the requirement.
I'm not critical of the people who work in the music industry, and I appreciate the Grammy. (But) to me it's their party and it's not really mine. It's not for the musicians. It has more to do with the industry. You can tell after a Grammy period all the record labels and artists who won a bunch take out full-page ads in the trades gloating. That's fine. That's what they do, they sell records and they work really hard to develop careers. If they're into it, I'm not going to be disrespectful, but I'd hate for anyone to think that it's something that was a necessity for me or the rest of the band, or that it was a benchmark to us of legitimacy for us because it's not. It doesn't really matter that much to us. It seems like it's for someone else. I'd never get up and say that. If I was totally not into it, the best thing to do is to not show up.
Maybe ten years from now I'll reflect and say "wow, that happened and it was pretty unusual. Not every kid on the block gets to go up and pick up a Grammy Award."”

Chris Cornell (1964–2017) American singer-songwriter, musician

It's just one more thing to take the focus away from what we like to do, which is to write music and make records and try not to think about anything whether it's how many records we sell or what people think of us.<br>For us, I think the key to success for being a band and always making good records is always going to be forgetting about everything else outside our own little band. <br class="br"> RockNet Interview: Chris Cornell of Soundgarden, May 1, 1996 https://web.archive.org/web/19961114054327/http://www.rocknet.com/may96/soundgar.html, <br class="br">Soundgarden Era

Hate, People, Music, Way

“I think musicians have a responsibility to try and do something that is good. It's so hard. It's very difficult to pull something out of the hat creatively. Although I say it’s their responsibility, it's really just people trying to do the best that they can.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

As quoted in "Kate Bush Speaks" by Owen Myers in Fader (23 November 2016) https://www.thefader.com/2016/11/23/kate-bush-interview-before-the-dawn

People, Thinking

“The freedom of improvising over a bass line disappeared from music only in the 19th century, and we're still paying for it. There's a culture among classical musicians of being passive, and it stems from following the notes, rather than one's own instincts.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
On Classical Music

Music, Freedom

“the death of young musicians isn't something to romanticize (cont)”

Frances Bean Cobain (1992) American artist

Twitter https://twitter.com/alka_seltzer666 posts

Death

“Each jazz musician is supposed to be a composer. Whether he is or not, I don't know. I don't listen to that many people. If I did, I probably wouldn't play half as much to satisfy myself. As a youth I read a book by Debussy and he said that as soon as he finished a composition he had to forget it because it got in the way of his doing anything else new and different. And I believed him. I used to work with Tatum, and Tatum knew every tune written, including the classics, and I think it got in the way of his composition, because he wasn't a Bud Powell. He wasn't as melodically inventive as Bud. He was technically flashy and he knew so much music and so much theory that he couldn't come up with anything wrong; it was just exercising his theory.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

What Is A Jazz Composer? (1971)

People, Books, Youth, Music

“As music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with harmony of sound or of colour. The great musicians knew this. w:Beethoven and the rest wrote music — simply music; symphony in this key, concerto or sonata in that... Art should be independent of all claptrap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Propositions, 2
also in a letter to 'The World', London 22 Mai, 1878; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903, The Gentle Art of Making Enemies' (1890)

Love, Art, Music, Sense

“So turn your ears, you musicians, to silence
Because they only come out when it's quiet,
Their tails brushing over your eyelids…
Oh, wake up, sleepers, and rise from the dead!”

Aaron Weiss

The Soviet.
Catch For Us The Foxes (2004)

Silence, Dead

“I have performed with British musicians. I have sung Rabindra Sangeet and French numbers too. Most often I include local flavour in my concerts to connect with people. ]]”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan He defines ‘style’ as tradition http://hindu.com/thehindu/fr/2008/01/04/stories/2008010451130100.htm, The Hindu, 4 January 2008.

People

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fiber seemed to vibrate with elemental musical power. Wildness and gentleness were never far from each other in his piano-playing, and demonic outbursts would magically give way to inner peace. It was as little trouble to him (as Alfred Polgar once said of an actor) to lose himself as to find himself.
His playing of slow movements was full of an unselfconsciousness beside which the music-making of others, famous names included, seemed academic or insincere. With Fischer, one was in more immediate contact with the music: there was no curtain before the soul when he communicated with the audience. One other musician, Furtwangler, conveyed to the same degree this sensation of music not being played, but rather happening by itself.”

Alfred Brendel (1931) Austrian pianist, poet, and author

As cited in: Ruth Hanna Sachs, ‎D. E. Heap, ‎Joyce Light (2005). White Rose History, Volume II (Academic Version). p. 366

Peace, Music, Way, Soul

“To me, there are two different types of musicians. Those who are display oriented and those who are content oriented, Bill Evans being a prime example of the content orientation. I am not interested in the displayers—guys who want to be playing a lot of notes to try to impress you that they got a lot of things that they can lay in there. I'm more interested in somebody picking something that has some really great feeling and laying it in, in a really good time concept. Jimmy Rowles is a perfectly good example of that. His choice of notes may not be uncommon, but boy where he lays them down is so individual that I will go for that every time. The same thing applies with composers. When you're a young composer and you first have a chance—and this goes with everybody—you write your most complex works when you're a young man. And then, as you get a little bit older, you find that you can lot simpler things [sic] and still enjoy the devil out of what you're doing.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22It+seems+that+today,+particularly+with+younger+piano%22&source=bl&ots=vkOwylFb7q&sig=zPFSLx48xHOhugAAlpcRNKTxUlQ&hl=en&sa=X&ved=0ahUKEwjY_Zay4cbRAhWLKiYKHdVRC3gQ6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

Guy, Feeling, Boy, Chance