Quotes about musician
page 2

“Who can you blame, parents or their friends or the children? In India every parent wants their child to earn more money and fame than any of their peers, no one wants their child to be set on a cultural journey and do tremendous things like other artists or musicians or sportsman have done. They think the entertainment sector won’t earn them any job or money. I blame the parents. They should inspire their children to pursue their interest along with the regular studies. I feel really sorry about this.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Parents and Passion.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Money, Children, Feeling, Thinking

“When asked if he gets advice from other musicians, quoted in”

Jerry Cantrell (1966) American musician and songwriter

https://www.loudersound.com/features/heroes-villains-jerry-cantrell, Heroes & Villains: Jerry Cantrell, Louder Sound, July 16, 2014

Quotes

“These differences can make it difficult for female musicians to enter male-dominated musical cultures.”

Holly Kruse

Holly Kruse (1999). Key Terms in Popular Music and Culture, pg. 94. Malden, Massachusetts. ISBN 0631212639.

Music

“I don't look myself as an artist, but as a hard-worker musician. And to be honest, a soft hard-worker, as hard-worker is the one at the factories, harbours. But I always say that I look myself as one of them.”

Osvaldo Pugliese (1905–1995) Argentine pianist, tango composer

Unsourced

“I liked him [Rubinstein] as a pianist. He was a good musician and had a fantastic repertoire. He never had a great technique, but certain things he played well. I heard him play some of the Chopin etudes, the easier ones with great panache and I told him I had never heard them played better. He said, "Do you mean it?"”

Arthur Rubinstein (1887–1982) Polish-American classical pianist

and I said, "Yes, I do mean it."
Vladimir Horowitz, quoted in Harold C. Schonberg, Horowitz: his life and music (1992)
About

“When we talk of architecture, people usually think of something static; this is wrong. What we are thinking of is an architecture similar to the dynamic and musical architecture achieved by the Futurist musician Pratella. Architecture is found in the movement of colours, of smoke from a chimney and in metallic structures, when they are expressed in states of mind which are violent and chaotic.”

Carlo Carrà (1881–1966) Italian painter

Quote in: The Painting of Sounds, Noises and Smells Carlo Carrà, (1913); as cited & translated in: Mary Ann Caws (2001) Manifesto: A Century of Isms. p. 203
1910's

People, Music, Thinking

“This is a film about — and also for — not only obsessed clerks in record stores, but the video store clerks who have seen all the movies, and the bookstore employees who have read all the books. Also for bartenders, waitresses, greengrocers in health food stores, kitchen slaves at vegetarian restaurants, the people at GNC who know all the herbs, writers for alternative weeklies, disc jockeys on college stations, salespeople in retro clothing shops, tattoo artists and those they tattoo, poets, artists, musicians, novelists, and the hip, the pierced and the lonely. They may not see themselves but they will recognize people they know.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/high-fidelity-2000 High Fidelity (31 March 2000) Reviews, Four star reviews

People, Health, Books, Food

“I remember when I was eight, my friends thought it was a little bit unusual that I was going off to Europe or to Asia, and playing concerts. And they would go to Tower (Records) and see my CD out. So that was a little different! But, I guess they've gotten used to it now, and really could not care less," she asserted. "It's nice because most of my friends are not musicians, and it keeps me grounded.”

Sarah Chang (1980) violinist

Korean Quarterly 1998 http://www.koreanquarterly.org/Summer98/sarahchang.asp

“Classical music has struggled to keep up. Unlike any other art form, it keeps on looking backwards all the time. It used to have a real museum culture. Then it went: "Oh my God, what are we going to do? Call for Nigel Kennedy. Quick!" Classical musicians have got to change or die,' she asserts strongly, 'but they just don't know how to. Audiences for classical music have dropped. The old blue rinse audience is dying out, and young people aren't coming in.”

Joanna MacGregor (1959) British musician

On Classical Music

God, People, Art, Music

“I was three and a half years old when my father brought home a toy fiddle," playing "with which I am very happy fancies himself a street musician… I thought not and could not be happier than go from house to house with a violin."”

David Oistrakh (1908–1974) Soviet violinist

oistrakh.ru Biography of David Oistrakh http://www.oistrakh.ru/en/david_oistrakh/biography/.

Happiness, Home, Housing

“Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

"The Essential Ellison", interview by Ishmael Reed in Y'Bird 1, no. 1 (1978): 130-59.

“There are incredible number of great Indian artists around like Aditya Kalyanpur, Subhankar Banerjee, Satyajit Talwakar, Amaan and Ayan, among women are Anuradha Pal and others. It is great that such musicians are around. But the media has not adopted to give them the push or put them in open. They deserve to be up there.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I am not torchbearer of Indian classical music: Zakir Hussain

Women

“The Harvard neuroscientist Gottfried Schlaug has shown that the front portion of the corpus callosum is significantly larger in musicians than in nonmusicians, and particularly for musicians who began their training early. …Schlaug found that musicians tended to have larger cerebellums than nonmusicians, and an increased concentration of gray matter… responsible for information processing, as opposed to white matter, which is responsible for information transmission.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Training

“Peace of mind is very essential in anything that you do--particularly in music. But in my case, it was just the opposite. What new things could I learn when I was constantly disturbed and unhappy? And I tell you, this whole concept of getting lost in music and forgetting the world around you, is a myth. In my case, I can openly say that my troubles and problems were not forgotten by just holding the tanpura in my hand. When I would sit down for riyaz, I would, on the contrary, break down and cry over the daily scene. Over the question of just surviving through the next day. And it wasn't for me that I was worried, but for the entire family that I supported. I personally never thought of becoming rich, of having a new car or house. Those ambitions never entered my mind. All I knew then was the money was not enough. There were many humiliations I had to face because of this. A certain lady musician in Pune invited me over to her house one day. Her mother asked how much I charged for a concert. I told her Rs 125. She suggested that I move over to Pune and accept all her daughter's rejected programmes. They knew I was very badly off. I was insulted by this suggestion and left their house immediately. But later I thought that maybe they were trying to be helpful.”

Gangubai Hangal (1913–2009) Indian singer

In "On Gangubai Hangal by Sabina Sehgal Computer Science & Engineering - University of Washington".

Money, World, Family, Peace

“And we would play together,
like fine musicians should,
And it would sound like music,
and the music would sound good.
But in real life I'm stuck with
that same old formula,
me and my monophonic symphony,
six string orchestra.”

Harry Chapin (1942–1981) American musician

Six String Orchestra
Song lyrics, Verities & Balderdash (1974)

Life, Music

“Tell mankind Jehovah reigns;
He shall bind the world in chains,
So as it shall never slide,
And with sacred justice guide.
Let the smiling heavens rejoice,
Joyful earth exalt her voice;
Let the dancing billows roar,
Echoes answer from the shore,
Fields their flowery mantles shake;
All shall in their joy partake;
While the wood-musicians sing
To the ever-youthful spring.
Fill His courts with sacred mirth;
Lo! He comes to judge the earth:
Justly He the world shall sway,
And His truth to men display.”

Henry More (1614–1687) British philosopher

"A Hymn of Praise" (1668)

Men, Truth, Youth, World

“Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Western Culture and the so-called Revolution.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Music, Personality

“My favourite musician happens to be the same as Shakespeare's: John Dowland. His songs are sorrowful but heal the soul by their sweetness and courage.”

John Dowland (1563–1626) English Renaissance composer, lutenist, and singer

Robert Graves, letter to Idries Shah, September 6, 1968; published in Between Moon and Moon: Selected Letters of Robert Graves 1946-1972, (1984), p. 272.
Criticism

Soul, Courage

“This blend of musicians on '90 Millas' is historically significant on a number of levels. This is the first and quite possibly the last time that all of these legendary artists will play together on one CD.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

orlandosentinel.com -- exerpt from Burgundy Records announcement of '90 Millas' (August 10, 2007)
2007, 2008

Time

“Nawf! Prophet David (Daud) once got up at such an hour in the night and said this was the hour when prayers of everyone who prayed were accepted except of those who forcibly collected revenues or who were scandal- mongers or were persons in the police force of a despotic regime or were musicians.”

Ali book Nahj al-Balagha

Nahj al-Balagha

Personality, Night

“There isn't one specific way of teaching. It varies with each student and his/her ability to grasp what is being imparted. Every student has a different purpose for learning. Some think they will get a chance to perform if they learn from a senior musician. Some even ask me to recommend them to sabhas. But I don't. I firmly believe that opportunities should come on their own. But rarely do we get students who are only interested in learning and expect nothing else. One should be passionate about the art if one is to scale heights.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Interview by Prince Rama Varma "There's no one way to teach".

Art, Way, Thinking, Learning

“If you think this was an isolated incident, let me paraphrase Pastor Martin Niemoller, "First they came for the music faculty and I did not speak out because I was not a musician. Then they came for the psychologists and I did not speak out because I was not a psychologist. Then they came for the biologists and I did not speak out because I was not a biologist. Then they came for me and there was no one left to speak out for me."”

Jon Appleton (1939) American composer

"The Decline of Academic Freedom at Dartmouth College", 20 October 2005.
Letter published in "Appleton Leaves Dartmouth", 2005

Music, Thinking

“I'm bent on proving that you can make living as musician and not die young and crazy like Mozart.”

John Cale (1942) Welsh composer, singer-songwriter and record producer

Attributed without citation at John Cale - Quotes, xs4all.nl, 16 November 2012 http://werksman.home.xs4all.nl/cale/quotes/index.html,

“Anybody who wants to be a real musician must be able to set a menu to music.”

Richard Strauss (1864–1949) German composer and orchestra director

Other sources

Music

“What one thinks is possible might not always be so. I try to do my best but, finally, everything lies in God's hands. I consider my skills as a musician to be a blessing from God. Even today, before I perform, I am unsure of whether I will be able to move my audience. I leave everything to Him… He pulls the strings in my life.”

A. R. Rahman (1966) Indian singer and composer

A R Rahman: In tune with life

Life, God, Thinking

“What is scurrilously called ragtime is an invention that is here to stay. That is now conceded by all classes of musicians.”

Scott Joplin (1868–1917) American composer, musician, and pianist

"School of Ragtime" (1908)

“It is fitting that a discourse on Romantic music should commence with a meditation on the art of Bach. The Bach revival is still sometimes considered an early nineteenth-century phenomenon, although this is hardly tenable: in the 1780s Mozart was deeply affected by Bach, and at the same time Beethoven was being brought up on the Well-Tempered Keyboard. Bach was well known to European musicians as a composer of keyboard music through manuscript copies of this work long before systematic publication began in 1800. The "revival" of Bach in the Romantic period was basically a rediscovery of his choral works and a new evaluation of his technique: his art was no longer simply a model for the fugue, as it had been in the eyes of Mozart, but for the art of music as a whole. The new approach to Bach and to Baroque music in general, however, did not extend to the sound of that music on the original instruments. Few musicians in the 1820s and '30s 'had the slightest interest in the sonority of old harpsichords or Baroque organs (Ignaz Moscheles was an engaging exception). What they saw, and needed to see, in Bach was the achievement of an ideal.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 1 : Music and Sound

Art, Music, Time

“Mathematicians tells us that it is easy to invent mathematical theorems which are true, but that it is hard to find interesting ones. In analyzing music or writing its history, we meet the same difficulty, and it is compounded by another. For whom is it interesting? To paraphrase a famous remark of Barnett Newman, musicology is for musicians what ornithology is for the birds.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 3 : Explaining the Obvious

Music, History, Mathematics, Bird

“Learning to play the guitar is a combination of mental and motor skill acquisition. And to develop motor skills, repetition is essensial…Whenever musicians have trouble executing a passage, they generally tend to blame themselves for not having enought talent. Actually, all that's wrong is they don't know where their fingers are supposed to go…You should learn the piece in your head before you play it. And when you do play it, play it so slow that therre's no possibility of making a mistake.”

Howard Roberts (1929–1992) American guitarist

Ralph Denyer (2002). The Guitar Handbook. p. 66.

Learning

“Getting this caliber of musicians together [for "90 Millas" CD in September of 2007] is almost impossible to do again.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Emilio Estefan, Reuters (July 23, 2007)
2007, 2008

“If you want a nine-to-five existence with weekends off then don't be a musician. I wouldn't be doing what I'm doing now if I had children. But it hasn't worked out like that.”

Joanna MacGregor (1959) British musician

The Mail on Sunday, 06/02/2000
Musician's life

Children

“Audiences and critics acknowledge that a play or concerto gains force in great rendition. A good play may overcome bad staging. A great concerto may survive a poor soloist. But it is naturally assumed that a more accomplished performance intensifies the impact of the work. The play's text or concerto's score does not change, but the right actors and musicians help realize its full potential. Among contemporary literary critics, however, one never encounters this notion in regard to books and printing. To recognize the sensual contributions of the physical elements of a book is somehow assumed to demean the spiritual purity of the text. To notice the book itself smacks of philistinism, and to make distinctions based on paper, binding, and typography brings accusations of elitism or decadence.”

Dana Gioia (1950) American writer

"Designing Literature: Creative Collaboration" http://www.danagioia.net/essays/ecreative.htm (1992) Essays

Books, Nature, Change, Help

“I love people and people watching. I love music. I am intrigued by musicians more than I am actors. I have a bigger respect for them.”

Maia Mitchell (1993) Australian actress

As quoted in "Maia Mitchell: My Audition For ‘The Fosters’ Was ‘Crap’" by Sean Daly at The TV Page (20 January 2014) I'm sexy.

Love, People, Music

“Every musician, I guess, wants to alter the world to his or her taste in some fashion… That's part of why I write music.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

World, Music, Fashion, Parting

“There's not many Americans, certainly not many of the teenagers I met when I first went to America, knew anything about [blues musicians] at all. … They do now, which is very groovy.”

Mick Jagger (1943) British rock musician, member of The Rolling Stones

Pop Chronicles: Show 30 - The British Are Coming! The British Are Coming!: The U.S.A. is invaded by a wave of long-haired English rockers. (Part 4) http://digital.library.unt.edu/ark:/67531/metadc19785/m1/ interviewed 2.6.1968 https://archive.is/ty0cr.

“It is possible to become a painter, a sculptor, or a musician by study, but not a dramatic poet; a man is so either at once or never, as he is blonde or brown, and cannot help it.”

Alexandre Dumas, fils (1824–1895) French writer and dramatist, son of the homonym writer and dramatist

On peut devenir un peintre, un sculpteur, un musicien même à force d'étude; on ne devient pas un auteur dramatique. On l'est tout de suite ou jamais, comme on est blond ou brun, sans le vouloir.
Preface to Le Père Prodigue (1859), in Théatre complet de Al. Dumas fils (Paris: Michel Lévy Frères, 1868-98) vol. 3, p. 199; translation by E. P. Evans from The Atlantic Monthly, May 1890, pp. 584-5.

Study, Help

“Those who present directly and immediately the new forms and symbols are the artists — the dramatists, the musicians, the painters, the dancers, the poets, and those poets of the religious sphere we call saints. They portray the new symbols in the form of images — poetic, aural, plastic, or dramatic, as the case may be. They live out their imaginations.”

Rollo May (1909–1994) US psychiatrist

Source: The Courage to Create (1975), Ch. 1 : The Courage to Create, p. 22

Imagination

“Art is not the possession of the few who are recognized writers, painters, musicians; it is the authentic expression of any and all individuality. Those who have the gift of creative expression in unusually large measure disclose the meaning of the individuality of others to those others. In participating in the work of art, they become artists in their activity. They learn to know and honor individuality in whatever form it appears. The fountains of creative activity are discovered and released. The free individuality which is the source of art is also the final source of creative development in time.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Art, Learning, Appearance, Time

“I’ve always chosen all my own material; no one ever told me what to sing or how to sing it, but I’ve always been pressured intensely to use musicians outside of my band.”

Jane Monheit (1977) American singer

Toronto Star (11/11/2010) commenting on her first seven studio albums.

Singing

“I would have the musicians keep playing over and over again till the sound made sense. I worked overtime on that; I worked hours to get it right. If the sound didn't make any sense, then I wouldn't know what to do — I'd be lost! It's instinct that tells me. I have an instinct for music, or a feeling about it, and I'll have my feelings guide my hands.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

Bassics interview (1999)

Music, Feeling, Sense

“I hated my life when I was going through those early days and having to deal with drunken musicians and drugged musicians. I hated it.”

Anne Murray (1945) Canadian singer

On her early career in the 1960s, as quoted in "Anne Murray says farewell with All of Me", CBC Arts, CBC.ca, 29 October 2009 https://www.cbc.ca/news/entertainment/anne-murray-says-farewell-with-all-of-me-1.806879

Life, Hate

“We have all been affected as composers, as teachers, as musicians by recordings to an extent that cannot possibly be calculated as yet or predicted for the future. The music which is being most widely disseminated and most widely discussed, and therefore most widely imitated and influential, is that music which is available on records. The music that is only published is very little known. I don't think one can possibly exaggerate the extent to which the climate of music today is determined by the fact that the total Webern is available on records, that the total Schoenberg is becoming available.”

Milton Babbitt (1916–2011) American composer

Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

Music, Quotes, Thinking, Teachers

“The musicians had played on the deck as the ship went down. They had forfeited their lives for the sake of others. They had played the tunes of hymns to induce a spirit of peace and calm. They were heroic.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 13

Peace

“I don't think it's very easy to make friends with musicians. We're all a bit paranoid. It soon becomes very heavy.”

Ian Anderson (1947) Scottish musician, leader of Jethro Tull

[John, Tobler, 1992, NME Rock 'N' Roll Years, 1st, Reed International Books Ltd, London, 272, CN 5585]

Thinking

“Musicians who have listened to birds believe [that birds derive pleasure from singing] much more than ornithologists, who are terrified of being accused of anthropomorphism… Having studied thousands of hours of birdsong from around the world, I am convinced some species possess an aesthetic sense, however limited compared to ours. It is part of human egotism to believe that only we have active minds.”

Charles Hartshorne (1897–2000) Philosopher

"A hundred years of thinking about God" (1998)

Pleasure, World, Bird, Sense

“The theatre is not the place for the musician. When the curtain is up the music interrupts the actor, and when it is down the music interrupts the audience.”

Arthur Sullivan (1842–1900) English composer of the Gilbert & Sullivan duo

Quoted in The Musical Times, February 1909; cited from Percy A. Scholes The Mirror of Music, 1844-1944 (London: Novello, 1947) vol. 1, p. 267.

Music

“Music so wishes to be heard that sometimes it calls on unlikely characters to give it voice, and ears. This wishing-to-be heard calls into existence the Performance Event; where music, musician and audience may come together as one, in communion. This communion has six different forms of being and experiencing itself (plus an invisible seventh); and these forms, or principles, are simultaneously present within the Performance.
I - When people get together with music, something happens.
II - In a performance, things come together, mysteriously; and go better than we might anticipate; and better than we deserve.
III - A performance can take on a life and character of its own.
IV - Any one performance is a multiplicity of performances.
V - The possible is possible.
VI - The impossible is possible.
The Seventh Principle resides within Silence.
Trust the event.”

Robert Fripp (1946) English guitarist, composer and record producer

The Six Principles of the Performance Event

Life, People, Music, Silence

“I propose to create an heroic, monumental style of composition simple enough to inspire all people, completely free from fads, artificial mannerisms and false sophistications, direct, forceful, sincere, always original but never unnatural. Music must be freed from decadence and stagnation. There has been too much emphasis on small things while the great truths have been overlooked. The superficial must be dispensed with. Music must become virile to express big things. It is not my purpose to supply a few pseudo intellectual musicians and critics with more food for brilliant argumentation, but rather to inspire all mankind with new heroism and spiritual nobility. This may appear to be sentimental and impossible to some, but it must be remembered that Palestrina, Handel, and Beethoven would not consider it either sentimental or impossible. In fact, the worthiest creative art has been motivated consciously or unconsciously by the desire for the regeneration of mankind.”

Alan Hovhaness (1911–2000) Armenian-American composer

Alan Hovhaness, 1940 Guggenheim Application http://www.hovhaness.com/hovhaness-biography.html

People, Truth, Food, Art

“The attitude of foreign to English musicians is unsympathetic, self-opinionated and pedantic. They believe that their tradition is the only one (this is specially true of the Viennese) and that anything that is not in accordance with that tradition is "wrong" and arises from insular ignorance.”

Ralph Vaughan Williams (1872–1958) English composer

Letter to Lord Kennet, 1941; cited from Ursula Vaughan Williams RVW (1964) p. 243.

“I love Bach, I listened to him for 25 years, all my life, so I never get tired of Bach. And to learn Bach and play it is such a joy, even if no one ever hears it, just to play it sitting alone at home it makes you feel good, it's like a form of meditation. You can play it over and over and never get tired of it, it's a miracle. Bach I think is the greatest of all western musicians. Probably most people come to that conclusion.”

Shawn Lane (1963–2003) American musician

laughs
Richard Hallebeek's interview with Shawn Lane (2001)

Love, Life, People, Feeling

“I didn't start with rock or jazz musicians. It was just my great dear friend whom I miss very much who is no more, Yehudi Menuhin, Lord Yehudi Menuhin. We got very friendly from the year 1952. And when I came to Europe and started performing, we cut three albums in those days, known as "West Meets East." And then I did many other things later on, of course. My student George Harrison, who is like my son, and a great friend of mine, whom I taught sitar initially but later on he was so interested he composed a lot of songs being influenced by our Indian music and Indian spiritual and religious teachings, things like that. And I've done a lot of experimentations, which I don't like to call fusion or trying to mix Indian music or Western music like a cocktail to make it interesting. Genuinely what I wanted to do is have the base as pure as possible Indian music within the framework of raga and tala, and use non-Indian musicians, non-Indian instruments for a special sound, for the range, for the volume, for the colors and all that. And I think some of them came out nice. Of course I was very much criticized also for it…”

Ravi Shankar (1920–2012) Indian musician and sitar player

Ravi Shankar during his talk with Gross.

Music, Color, Thinking

“Most marijuana smokers are colored people, jazz musicians, and entertainers. Their satanic music is driven by marijuana, and marijuana smoking by white women makes them want to seek sexual relations with Negroes, entertainers, and others. It is a drug that causes insanity, criminality, and death — the most violence-causing drug in the history of mankind.”

Harry J. Anslinger (1892–1975) 1st Commissioner of the Federal Bureau of Narcotics

As quoted in Legalizing Marijuana : Drug Policy Reform and Prohibition Politics‎ (2004) by Rudolph Joseph Gerber, p. 9; also in Hawking Hits on the Information Highway : The Challenge of Online Drug Sales for Law Enforcement (2008) by Laura L. Finley , p. 28, and "The Emperor Wears No Clothes: The Authoritative Historical Record of Cannabis and the Conspiracy Against Marijuana" (1994) by Jack Herer, Jeanie Cabarga, and Jeanie Herer, p. 29.
Disputed

Death, Women, People, Music

“Only very few manage to keep searching for fragility; it requires musicians to make multiple breaks from their own traditions.”

Mattin (1977) Spanish musician

Page 22.
"Going Fragile" (July 2005)

“[A]ny musician who has not experienced - I do not say understood, but truly experienced - the necessity of dodecaphonic music is USELESS. For his whole work is irrelevant to the needs of his epoch.”

Pierre Boulez (1925–2016) French composer, conductor, writer, and pianist

Emphasis in the original. From "Eventuellement..." (1952), translated as "Possibly..." in Stocktakings from an Apprenticeship, Oxford: Oxford University Press, 1991, p. 113. ISBN 0193112108

Music

“Nadia Boulanger was quite aware that as a composition teacher she labored under two further disadvantages: she was not herself a regularly practicing composer and in so far as she composed at all she must of necessity be listed in that unenviable category of the woman composer. Everyone knows that the high achievement of women musicians as vocalists and instrumentalists has no counterpart in the field of musical composition. This historically poor showing has puzzled more than one observer. … Is it possible that there is a mysterious element in the nature of musical creativity that runs counter to the nature of the feminine mind? … The future may very well have a different tale to tell; for the present, however, no woman's name will be found on the list of world-famous composers.”

Aaron Copland (1900–1990) American composer, composition teacher, writer, and conductor

Copland on Music (1960) ISBN 0393001989.

Women, World, Music, Nature

“My family was musical on both sides. My father's family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple's double -- she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the '20s, '30s and '40s in the kitchen for my grandmother. After my dad was a prisoner in Cuba for two years, we moved to Texas, where I was the only Hispanic in the class. I remember hearing "Ferry Cross the Mersey," by Gerry and the Pacemakers, and thinking, "that had bongos and maracas -- that was really a bolero." And the Beathles song, "Till There was You"… also Latin. I wrote poetry, which got me into lyrics. Stevie Wonder, Carole King, Elton John pulled me into pop. I started singing with a band -- just for fun -- when I 17. And pretty soon, I was thinking I could sing pop in English as well as Spanish. And as you know, we did that and we broke through. But we waited until 1993 to release "Mi Tierra" -- we wanted my fans to be rady for the traditional Cuban music. And then we kept adding: more Cuban influences, more Latin America. And, underneath it all, African drums and rhythm. The concept of "90 Millas" starts with the songs of the '40s. We invited 25 masters of Latin music -- giants on the cutting edge of creativity, musicians who pushed it out to the world, young Cuban artists and Puerto Ricans who are huge -- so we could blend cultures and generations. So it is like coming home, but not exactly to the old Cuba.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

World, Family, Music, Home

“A musician would not willingly consent that his lyre should be out of tune, nor a leader of a chorus that his chorus should not sing in the strictest possible harmony; but shall each individual person be at variance with himself, and shall he exhibit a life not at all in agreement with his words?”

Basil of Caesarea (329–379) Christian Saint

Source: On Greek Literature, p. 401

Life, Singing, Personality

“Diogenes the cynic, seeing one of the so-called freedmen pluming himself, while many heartily congratulated him, marveled at the absence of reason and discernment. “A man might as well,” he said, “proclaim that one of his servants became a grammarian, a geometrician, or musician, when he has no idea whatever of the art.” For as the proclamation cannot make them men of knowledge, so neither can it make them free.”

Diogenes of Sinope (-404–-322 BC) ancient Greek philosopher, one of the founders of the Cynic philosophy

Philo, Every Good Man is Free, F. Colson, trans. (1941), 157
Quoted by Philo

Men, Art, Idea, Knowledge

“We are trying to celebrate in the new album -- 90 Miles [coming out in the summer of 2007] is the fact that after almost 50 years our homeland [Cuba] is not ours. We have amazing musicians on board preparing this album, and some continue to come on board. It's all new music we've wriiten - all new stuff... No relaxing for me... I've got the Connie Francis screenplay I'm working on, which we just finished. We have a producer... I've got to meet the director that I'm going to go hammer... I've been working on it since 2000 with Connie Francis, who is darling. Plus, I'm a mommy... I take her [12-year-old Emily] to games, take her to school, pick her up... We're women, we're used to”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

constantly juggling responsibilities
cbs4.com (February 9, 2007)
2007, 2008

Women, School, Music, Game

“This is the best and ultimate purpose of conducting: Not only to lead (the musicians) and keep them together, not only to make their performance easier and simpler, but also to guide them so that they can play as they have always longed to play.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Violinist Yehudi Menuhin

“I intend to make this day forward the first day of the rest of my life. We can change our lives. You say, 'Well, what's wrong with your life, Michael?' Well, it's not that there's anything wrong with my life, but it's not what I want it to be. I don't feel that I'm inspiring people in the way I want to inspire them. You see, you can inspire through hate; you can inspire through love, hope, humor – the positives. I look at the history of the world, and I look at the world today, and I realize that if we don't inspire each other through positive attributes – love, hope and humor – we're gonna descend into the barbarism of the Left and the barbarism of ISIS. You like me to be hard, you like me to be tough, you like me to give you the breaking news, you like me to be cynical, you like me to analytical, you like me to give you stuff that you don't hear anywhere else – I get that. But there's a limit to that. There's a lot of area beyond all that.I think of Christmas. Christianity is the religion of peace. Christianity is the true religion of peace. 'Turn the other cheek.' 'Do unto others as you would have them do unto you.' These are messages that come from Christianity. What can you do in an age of deceit and lies and terror? You can go to church again. However un-needing you think you really are, you know in your heart that there's something missing in you. You know that you crave something greater. Because the human being is not a dog. We are unique creatures. And we need something different than the bear, the dog, the snake and the eagle. What is that thing that we need? It's that 'thing' called God.The media has promulgated the idea, and promoted the idea, that we only need food and fornication. And so when people are empty that's what they seek. And when they are really empty, what happens? They become drug addicts. They start with marijuana, they end up with heroin, crack, you name it. As God has been driven out of America, drugs have entered America. What does an empty soul look to do? An empty soul looks to fill itself. Just as an empty vessel needs to be filled with a liquid to be complete, an empty human being needs to fill itself to be complete. And how does it fill itself? I know, again, many of you will laugh because you're cynical; it's through those things I'm talking about – inspiration. Do you think a musician can play one day without inspiration from somewhere? The greatest artists in the history of the world were not drug-addicts. They were usually God-addicts. Look at the greatest art in history, you'll find most of them were super religious people, who literally saw God in their living room, and they took the power of God and that was transmitted through the paintbrush, or through that piece of marble. How could a man like Rodin take a piece of inert stone, and inside that stone see the essence of the human form, and sculpt from that block of inert stone, a marble, the portrait of a human being that looks so real – a hundred years later I go and look at them in the museum, and literally inside that carved eye I can see the person; how is that possible? How? It's a different show than I've ever done in my 21 years, because each day to me – I must tell you – I see as my last day, my last day on Earth.”

Michael Savage (1942) U.S. radio talk show host, Commentator, and Author

The Savage Nation (1995- ), 2015

Love, Life, God, Hate

“Improvised music forces situations into play where musicians push each other into bringing different perspectives to their playing. Improvised music is not progressive in itself, but it invites constant experimentation. When players feel too secure about their approaches, the experimentation risks turning into Mannerism. What I would like to explore here are the moments in which players leave behind a safe zone and expose themselves in the face of the internalised structures of judgment that govern our appreciation of music. These I would call fragile moments.”

Mattin (1977) Spanish musician

Page 20.
"Going Fragile" (July 2005)

Music, Feeling

“The musicians who interest me most are people like Nitin Sawhney, Talvin Singh, Django Bates. They are not just writing music but performing it, recording it, putting tours together and running their own labels. That is what real musicians are, rather than over-publicised specialists.”

Joanna MacGregor (1959) British musician

Independent On Sunday, 14/10/2001
On Classical Music

People, Music

“I found it exhilarating to make the disparate and miscellaneous details presented in the investigation report something coherent, to organize them in accordance with the requirements of law as a musician organizes notes in accordance with the requirements of sonata form. Trying the case, I'd given shape to the chaos of reality, turned it into drama, with a plot, characters, dialogue, a climax, and a denouement, a cunning representation in the courtroom of the transaction outside the courtroom which constituted the subject matter of the case.”

Irving Younger (1932–1988) American lawyer

Some of My Life

Law, Reality

“We wanted to show the influence Cuban music has had on musicians from all over, so we invited 25 of the top Latin musicians in the world, and it was a great honor they paid me. Some of them are actually inventors, like Cachao, the Cuban bassist creditied with creating mambo.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Latina Magazine (September, 2007)
2007, 2008

World, Music

“Jobs: Part of what made the Macintosh great was that the people working on it were musicians, poets, and artists, and zoologists, and historians. They also happened to be the best computer scientists in the world. But if it hadn’t been computer science, these people would have been doing amazing things in other fields. We all brought to this a sort of “liberal arts” air, an attitude that we wanted to pull the best that we saw into this field. You don’t get that if you are very narrow.
Cringley: How does the Web affect the economy?
Jobs: We live in an information economy. The problem is that information's usually impossible to get, at least in the right place, at the right time. The reason Federal Express won over its competitors was its package-tracking system. For the company to bring that package-tracking system onto the Web is phenomenal. I use it all the time to track my packages. It's incredibly great. Incredibly reassuring. And getting that information out of most companies is usually impossible.
But it's also incredibly difficult to give information. Take auto dealerships. So much money is spent on inventory—billions and billions of dollars. Inventory is not a good thing. Inventory ties up a ton of cash, it's open to vandalism, it becomes obsolete. It takes a tremendous amount of time to manage. And, usually, the car you want, in the color you want, isn't there anyway, so they've got to horse-trade around. Wouldn't it be nice to get rid of all that inventory? Just have one white car to drive and maybe a laserdisc so you can look at the other colors. Then you order your car and you get it in a week.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Robert X. Cringley for a Public Broadcasting System [PBS] television series, “Triumph of the Nerds” (1995), “The Lost Interview: Steve Jobs Tells Us What Really Matters” https://www.forbes.com/sites/stevedenning/2011/11/17/the-lost-interview-steve-jobs-tells-us-what-really-matters/#5cb0fc8e6c3a, Forbes, Steve Denning, Nov 17, 2011, 1990s

Money, People, World, Art

“While in improvisation there is a sense of craft within one's own instrument and in being able to interact with other musicians, in noise this disappears to the extent of anti-virtuosity becoming a virtue. A nihilist approach to improvisation in which the interaction is not based upon developing common denominators for some communication to happen among the players, but rather a matter of developing the freedom of individual expression.”

Mattin (1977) Spanish musician

Page 173.
"Anti-Copyright: Why Improvisation and Noise Run Against the Idea of Intellectual Property" (October 2008)

Communication, Sense, Freedom

“In my poetry, I am just as influenced by musicians or composers. As I am by people who create with words.”

Jan Zwicky (1955) Canadian philosopher

Griffin Prize Questionnaire June 2012
Griffin Poetry Prize Questionnaire

People

“Computers and music are converging in a new era of digital Renaissance as more and more musicians such as will. i. am are learning how to code while an increasing number of software programmers are learning how to play music.”

Newton Lee American computer scientist

Digital Da Vinci: Computers in Music, 2014

Music, Learning

“We are getting carried away by the on-the-move musicians. Most of the Carnatic concerts abroad are being organised by NRIs. The defining moment is when an artist is invited to a foreign land and applauded by the foreign nationals. They should forge artistic alliances and find new audiences by introducing people of other nationalities to our arts.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Chitra Swaminathan "He defines ‘style’ as tradition".

People, Art

“Like most artists and musicians, I considered myself detached from the political life…but I had an insight that maybe we would have a political contribution to make in the future.”

Gilberto Gil (1942) Brazilian singer, guitarist, songwriter and politician

[Oliver, Burkeman, http://arts.guardian.co.uk/features/story/0,,1592188,00.html, Minister of counterculture, The Guardian, Guardian Media Group, 2005-10-14]

Life, Future

“There is a limited supply of excellent songs, but I am not the only one. Paul McCartney, one of the best songwriters of all time, has only produced manure for the past 25 years. Rock musicians over 30 only produce unimportant material.”

Noel Gallagher (1967) British musician

Noel Gallagher cited in ‘Sir Paul has just written manure for years’ http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044 at scotsman.com, originally published 2 July 2002 (see here http://www.scotsman.com/what-s-on/music/sir-paul-has-just-written-manure-for-years-1-611044) Controversy with other artists

Time, Past

“Music is of two kinds: one petty, poor, second-rate, never varying, its base the hundred or so phrasings which all musicians understand, a babbling which is more or less pleasant, the life that most composers live.”

Honoré de Balzac (1799–1850) French writer

Il y a deux musiques: une petite, mesquine, de second ordre, partout semblable à elle-même, qui repose sur une centaine de phrases que chaque musicien s'approprie, et qui constitue un bavardage plus ou moins agréable avec lequel vivent la plupart des compositeurs. Massimilla Doni http://fr.wikisource.org/wiki/Massimilla_Doni (1839), translated by Clara Bell and James Waring

Life, Music, Understanding

“Jazz music is a lifestyle. It’s not notes, chords and arpeggios. Today’s improvisation is too based on the knowledge of chords and the way they practice the chords. It’s not a melodic thing anymore like the older days. It was much more important to play shorter and to play more variable, valid stuff. Today, a lot of solos are long and uninteresting and the influence usually comes from John Coltrane’s group. He himself was a master musician, but he put so much emphasis on chord knowledge and technique, and now the kids want to show how fast they can play. This is the same with piano players and most instrumentalists—it’s speed. That’s gonna change again and hopefully the kids who are now 16 and 17 years old have a little more sense and maybe some more stories to tell.”

Joe Zawinul (1932–2007) austrian composer and pianist

Reflecting on the new generation's take on jazz music
Prasad interview (1997)

Music, Way, Knowledge, Sense

“I'm always endlessly surprised about the people who come into my life, who I get to collaborate with. I feel really overwhelmed by those opportunities. But it's not like I fell off the turnip truck and suddenly became who I am. I really have worked hard for it, and I have to acknowledge that. I care about what I do, and I have a sense of pride in my work. And you can never be totally settled as an actor or artist or musician. You have to keep the fire under you, because that's what makes you better.”

Reese Witherspoon (1976) American film actress and producer

Face to Face with Reese Witherspoon http://www.rd.com/content/openContent.do?contentId=18040&pageIndex=3, Readers Digest (September 2005).

Life, People, Feeling, Sense

“I think musicians here [India] get ripped off. Music production houses take good care of artists abroad and though the upfront signing amount is much less than what I get here, the royalty takes care of future returns.”

A. R. Rahman (1966) Indian singer and composer

In A R Rahman: Composing a winning score, 21 September 2002, 16 December 2013, Rediff.com http://www.rediff.com/money/2002/sep/21bizsp.htm,

Music, Thinking, Future, Housing

“I never really had the intention of being a rock 'n' roller. It's just that all of my best friends were great musicians and they felt sorry for me so they had me.”

Anthony Kiedis (1962) American singer

Much Music 1991

Music

“As a child I remember accompanying Abbaji to private mehfils in the homes of the ‘beautiful people.’ While they wined and dined, musicians would wait in the kitchen and only come out when summoned. I personally remember bringing back large tiffin carriers with left-over food as honorarium.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

People, Food, Beauty, Home

“I get really annoyed with photo shoots and interviews and handshakes. I’m a musician; God forbid I actually have time to make music.”

Patrick Stump (1984) American musician

Blender Magazine, "Boy Crazy" Article- June, 2006
Source: http://www.blender.com/guide/articles.aspx?id=1927

God, Music, Photo, Time

“An audience is just a mirror of what's happening on stage, and if what's happening on stage has love in it—real feeling and conviction and strength and purity—then we are truly reflecting them, because it is their own nature that is coming back. Everything is. The music is. For me, the only barriers in music are the barriers in the musician and in the equipment he has to use. If a musician has no barriers within himself, then there are no barriers within his music. His only battle is with the problems of expressing his true nature against the difficulties of the real world—the limits of his amplifiers and his guitar or his piano or whatever, the limits the outer world places upon the natural perfection of the spirit.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

When describing the sources of his music
New York Times interview (1972)

Love, World, Music, Feeling

“There are street artists. Street musicians. Street actors. But there are no street physicists. A little known secret is that a physicist is one of the most employable people in the marketplace - a physicist is a trained problem solver. How many times have you heard a person in a workplace say, "I wasn't trained for this!" That's an impossible reaction from a physicist, who would say, instead, "Cool. A problem I've never seen before. Let's see how I can figure out how to solve it!"”

Neil deGrasse Tyson (1958) American astrophysicist and science communicator

Oh, and, have fun along the way. Comment on "I am Neil deGrasse Tyson -- AMA", November 13, 2011 https://www.reddit.com/r/IAmA/comments/mateq/i_am_neil_degrasse_tyson_ama/c2zg4do, 2010s

People, Secret, Way, Problem

“I think there is an incredible crisis now of how we train performers. Their training encourages them to behave as though they are back in the 19th century, and they are not allowed to get out of that box very much. 'If they play a tiny bit of contemporary music, it's looked on as a bit eccentric, and it's sort of tolerated instead of absolutely encouraged. And they certainly can't improvise, and they find it difficult to encounter jazz or jazz styles. 'I think they're all waking up to this, and it's very difficult for them, because the training and the value systems that get put on them go against what we all know to be the real world. Musicians do want to break out of these constraints. It's slightly boring to just play the same cycle of pieces over and over again.”

Joanna MacGregor (1959) British musician

Denver Post, 18/02/2005
On Classical Music

World, Music, Thinking, Training

“I think as a musician you really have to have a wide variety of tastes, or else you will unconsciously get into a rut.”

Andrew Sega (1975) musician from America

Connexion Bizarre interview with Iris, 2009 http://www.connexionbizarre.net/interviews/iris-an-interview-with-andrew-sega-and-reaganjones

Thinking

“Dissembling was the specialty of Broadway musicals. The storylines were scrupulously heterosexual. What could I have heard in them that made me think they explained me? It was this: The innocent characters were so wonderfully compromised by the actors who played them; by the writers and musicians who created them. The scar tissue on voices. The makeup on faces. Youth! The wicked stage! The jaded legend refreshed the innocence of my youth. Musical comedy songs were more real than my life because they were articulate and because they had ligaments of narrative attached to them. For today’s young queers and lonelys, these songs must seem quaint and campy and not useful. But they were never campy for me—for us?—they only became camp in the attempt to share them without embarrassment.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Life, Youth, Music, Thinking

“Mother, an accomplished musician, taught me to play the piano as a very small girl.”

Irene Dunne (1898–1990) American actress

Hats, Hunches And Happiness (1945)

Girl

“(When asked for advice for younger musicians) "Break windows, smoke cigars, and stay up late. Tell 'em to do that, they'll find a little pot of gold."”

Tom Waits (1949) American singer-songwriter and actor

Musician magazine, October 1987.

“The only thing I'm interested in is the music and the musicians. I don't acknowledge applause 'cause I'm giving them something. They're not giving me anything with their applause. Can I write that down?”

Miles Davis (1926–1991) American jazz musician

As quoted in Jazz-Rock Fusion: The People, The Music, p. 40
1970s

Music

“I'm a hard-worker because you need to be that throughout life. Musicians will be hard-workers until both political background and system to change - not this time. If those changes happen, we will be only "workers."”

Osvaldo Pugliese (1905–1995) Argentine pianist, tango composer

Unsourced

Life, Change, Time

“Whenever I become discouraged (which is on alternate Tuesdays, between three and four) I lift my spirits by remembering: The artists are on our side! I mean those poets and painters, singers and musicians, novelists and playwrights who speak to the world in a way that is impervious to assault because they wage the battle for justice in a sphere which is unreachable by the dullness of ordinary political discourse.”

Howard Zinn (1922–2010) author and historian

" Artists of Resistance http://books.google.ca/books?id=qMYNNGiHQ0kC&pg=PT52&lpg=PT52#v=onepage&q&f=false", July 2001

World, Justice, Way

“Attending this new version, I felt oddly as if I were watching a provincial stock company doing the best it could without the Broadway cast. I was reminded of the child prodigy who was summoned to perform for a famous pianist. The child climbed onto the piano stool and played something by Chopin with great speed and accuracy. The great musician then patted the child on the head and said, 'You can play the notes. Someday, you may be able to play the music.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/psycho-1998 of Psycho (6 December 1998) Reviews, One-and-a-half star reviews

Music, Speed

“Usually musicians have egos and personality quirks which makes it difficult to form collaborative efforts (for long periods of time, anyways).”

Andrew Sega (1975) musician from America

Static Line interview, 1998

Effort, Time, Personality

“Love is not the sacred thing that poets talk about … Love is an illusion; it is the world's greatest mistake. I ought to know for I've been loved as no other woman of my time has been loved. Men have threatened suicide, they have taken poison, they have fought duels for me. All kinds have come to me — geniuses, poets, millionaires, artists, musicians — but now there is not one to whom I have appealed for the loan of £25 who have responded.
There is love for you!”

Isadora Duncan (1877–1927) American dancer and choreographer

As quoted in A Century of Sundays : 100 years of Breaking News in the Sunday Papers (2006) by Nadine Dreyer, p. 65 http://books.google.com/books?id=5rFGX4z8-S8C&pg=PA65&dq=%22Love+is+an+illusion;+it+is+the+world's+greatest+mistake%22&hl=en&sa=X&ei=NPAkT7mJDJKy0AH5vcXkCA&ved=0CDIQ6AEwAA#v=onepage&q=%22Love%20is%20an%20illusion%3B%20it%20is%20the%20world's%20greatest%20mistake%22&f=false

Love, Men, World, Suicide

“Conducting is the sound of a musician who makes no sound.”

Adrian Leaper (1953) British conductor

The Hindu, Magazine section, October 19, 2008. http://www.hindu.com/mag/2008/10/19/stories/2008101950060200.htm

“…Another highlight of the festival was the performance of the Alchemy Trio in the Tempel Synagogue. That's a great cracovian cellist Dorota Imiełowska with accordion wizard Konrad Ligas and equally sensational bassist Roman Ślazyk. With musicians performed 16-year-old Łukasz Pawlikowski of which can confidently say that he has joined the ranks of the best Polish cellists. Jewish music they played (even in their own arrangement) enchanted, deeply touched and amused, because this music is not only an emotional but also full of humor. It was not just a concert - artists presented musical and theatrical spectacle. Excellent!”

Łukasz Pawlikowski (1997) Polish cellist

...Kolejnym wydarzeniem festiwalu był występ Alchemy Trio w Synagodze Tempel. To znakomita krakowska wiolonczelistka Dorota Imiełowska z czarodziejem akordeonu Konradem Ligasem i równie rewelacyjnym kontrabasistą Romanem Ślazykiem. Z muzykami wystapił 16-letni Łukasz Pawlikowski, o którym śmiało można powiedzieć, że już dołączył do grona najlepszych polskich wiolonczelistów. Muzyka żydowska, którą grali / również we własnej aranżacji/ zachwycała, wzruszała i bawiła, bo to muzyka nie tylko niezwykle emocjonalna, ale i pełna humoru. To był nie tylko koncert - artyści zaprezentowali spektakl muzyczno-teatralny. Rewelacja!
[Beata Penderecka, http://www.radiokrakow.pl/www/index.nsf/ID/BPEA-9AZLHZ, Cellos on Music in Old Cracow, Radio Kraków, 2013-28-08, Polish]
About

Music, Confidence

“A bullfighter can never see the work of art that he is making. He has no chance to correct it as a painter or writer has. He cannot hear it as a musician can. He can only feel it and hear the crowd's reaction to it. When he feels it and knows that it is great it takes hold of him so that nothing else in the world matters. All the time that he is making his work of art he knows that he must keep within the limits of his skill and his knowledge of the animal. Those matadors are called cold who visibly show that they are thinking of this. Antonio was not cold and the public belonged to him now. He looked up at them and let them know, modestly but not humbly, that he knew it and as he circled the ring with the ear in his hand he looked at the different segments of Bilbao, a city that he loved, as they stood up as he passed and was happy that he owned them.”

Ernest Hemingway (1899–1961) American author and journalist

Source: The Dangerous Summer (1985), Ch. 13

Love, Happiness, World, Art

“I have always been interested in family history. Chromosomes are funny things, aren't they? They may skip a generation and you can find children who resemble the grandfather, rather than either parent. Heredity is more important than environment. Blood will tell. For example, a man is either musical by heredity or he is not. You can't make a man musical by the environment. You can find a person who is very musically inclined and be puzzled because neither parents nor grandparents had any ear for music. But if you trace it back, you will find that the great-grandfather was a musician. But the environment plays a great part in the development of a man. It is significant whether a man is brought up in the city or in the country, near a lake or on the shores of the ocean.”

Hermann Göring (1893–1946) German politician and military leader

To Leon Goldensohn (21 May 1946)
The Nuremberg Interviews (2004)

Children, Family, Music, History

“In a lot of classical playing there isn't much expressiveness: I don't hear a voice in the playing. What I really admire about jazz musicians is that they develop a sound early on and it's unique to them. Classical players are screened from that by always playing other people's notes.”

Joanna MacGregor (1959) British musician

The Times, 21/04/2006
On Classical Music

People

“Even though Kurt died in the most horrific way possible, there is this mythology and romanticism that surrounds him, because he's 27 forever. The shelf life of an artist or musician isn't particularly long. Kurt has gotten to icon status because he will never age. He will always be that relevant in that time and always be beautiful.”

Frances Bean Cobain (1992) American artist

" Frances Bean Cobain on Life After Kurt's Death: An Exclusive Q&A http://www.rollingstone.com/music/features/frances-bean-life-after-kurt-cobain-death-exclusive-interview-20150408" (2015)

Life, Age, Beauty, Way

“You see, the thing is, I’ve been in jams like this. The feeling is totally there among the musicians (and whoever else happens to be sitting around, whether they’ve paid for it or not, probably, and preferably, not). You are close to silence, Silence with a capital S. You are in tune with silence, the deepest sound of them all. Every sound, therefore, that you make, make with intention, sensitivity, and awareness, has a meaning, an ineffability, a significance. You are listening, Listening with a capital L. You hear what everyone else is doing; you do whatever is necessary, which is usually as little as possible. It has nothing to do with self-expression: it has to do with a group mind.”

Robert Fripp (1946) English guitarist, composer and record producer

Robert Fripp: From King Crimson to Guitar Craft (Eric Tamm)

Feeling, Silence

“I am apt to hire musicians sometimes because I know they will have some good jokes to tell.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

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Quotes about musician
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