Quotes about morning
page 17

Richard Henry Dana Jr. photo
Henry Wadsworth Longfellow photo
Howard Stern photo

“Really, why am I doing this anymore? It makes me crazy. I hate getting up early in the morning, and I don't particularly like doing the show.”

Howard Stern (1954) American radio personality

Howard Stern on Piers Morgan Tonight, CNN (January 18, 2011)

Konrad Lorenz photo
Joanna Newsom photo

“And, when the bulbs do flash,
as bright as morning,
the crowd keeps on gathering
like an electric storm.”

Joanna Newsom (1982) American musician

Esme
Have One On Me (2010)

Ahmed Shah Durrani photo

“Next morning the sun revealed a horrid spectacle on the vast plain south of PAnipat. On the actual field of the combat thirty-one distinct heaps of the slain were counted, the number of bodies in each ranging from 500 upwards to 1000 and in four up to 1500 a rough total of 28,000. In addition to these, the ditch round the Maratha camp was full of dead bodies, partly the victims of disease and famine during the long siege and partly wounded men who had crawled out of the fighting to die there. West and south of PAnipat city, the jungle and the road in the line of MarAtha retreat were littered with the remains of those who had fallen unresisting in the relentless DurrAni pursuit or from hunger and exhaustion. Their number - probably three-fourths non-combatants and one-fourth soldiers - could not have been far short of the vast total of those slain in the battlefield. 'The hundreds who lay down wounded, perished from the severity of the cold.'….
'After the havoc of combat followed massacre in cold blood. Several hundreds of MarAthas had hidden themselves in the hostile city of PAnipat through folly or helplessness; and these were hunted out next day and put to the sword. According to one plausible account, the sons of Abdus Samad Khan and Mian Qutb received the DurrAni king's permission to avenge their father's death by an indiscriminate massacre of the MarAthas for one day, and in this way nearly nine thousand men perished; these were evidently non-combatants. The eyewitness Kashiraj Pandit thus describes the scene: 'Every Durrani soldier brought away a hundred or two of prisoners and slew them in the outskirts of their camp, crying out, When I started from our country, my mother, father, sister and wife told me to slay so may kafirs for their sake after we had gained the victory in this holy war, so that the religious merit of this act [of infidel slaying] might accrue to them. In this way, thousands of soldiers and other persons were massacred. In the Shah's camp, except the quarters of himself and his nobles, every tent had a heap of severed heads before it. One may say that it was verily doomsday for the MarAtha people.'….
The booty captured within the entrenchment was beyond calculation and the regiments of Khans [i. e. 8000 troopers of AbdAli clansmen] did not, as far as possible, allow other troops like the IrAnis and the TurAnis to share in the plunder; they took possession of everything themselves, but sold to the Indian soldiers handsome Brahman women for one tuman and good horses for two tumans each.' The Deccani prisoners, male and female reduced to slavery by the victorious army numbered 22,000, many of them being the sons and other relatives of the sardArs or middle class men. Among them 'rose-limbed slave girls' are mentioned.' Besides these 22,000 unhappy captives, some four hundred officers and 6000 men fled for refuge to ShujA-ud-daulah's camp, and were sent back to the Deccan with monetary help by that nawab, at the request of his Hindu officers. The total loss of the MarAthas after the battle is put at 50,000 horses, captured either by the AfghAn army or the villagers along the route of flight, two hundred thousand draught cattle, some thousands of camels, five hundred elephants, besides cash and jewellery. 'Every trooper of the Shah brought away ten, and sometimes twenty camels laden with money. The captured horses were beyond count but none of them was of value; they came like droves of sheep in their thousands.”

Ahmed Shah Durrani (1722–1772) founder of the Durrani Empire, considered founder of the state of Afghanistan

Jadunath Sarkar, Fall of the Mughal Empire, Volume II, Fourth Edition, New Delhi, 1991, p.210-11

Gabrielle Roy photo
H. Rider Haggard photo
Conor Oberst photo
George S. Patton IV photo
Letitia Elizabeth Landon photo
James Macpherson photo
Robert G. Ingersoll photo

“Religion can never reform mankind because religion is slavery. It is far better to be free, to leave the forts and barricades of fear, to stand erect and face the future with a smile. It is far better to give yourself sometimes to negligence, to drift with wave and tide, with the blind force of the world, to think and dream, to forget the chains and limitations of the breathing life, to forget purpose and object, to lounge in the picture gallery of the brain, to feel once more the clasps and kisses of the past, to bring life's morning back, to see again the forms and faces of the dead, to paint fair pictures for the coming years, to forget all Gods, their promises and threats, to feel within your veins life's joyous stream and hear the martial music, the rhythmic beating of your fearless heart. And then to rouse yourself to do all useful things, to reach with thought and deed the ideal in your brain, to give your fancies wing, that they, like chemist bees, may find art's nectar in the weeds of common things, to look with trained and steady eyes for facts, to find the subtle threads that join the distant with the now, to increase knowledge, to take burdens from the weak, to develop the brain, to defend the right, to make a palace for the soul. This is real religion. This is real worship.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

What Is Religion? (1899) is Ingersoll's last public address, delivered before the American Free Religious association, Boston, June 2, 1899. Source: The Works of Robert G. Ingersoll, Dresden Memorial Edition Volume IV, pages 477-508, edited by Cliff Walker. http://www.positiveatheism.org/hist/ingwhatrel.htm

Paul Newman photo

“You can't be as old as I am without waking up with a surprised look on your face every morning: "Holy Christ, whaddya know — I'm still around!" It's absolutely amazing that I survived all the booze and smoking and the cars and the career.”

Paul Newman (1925–2008) American actor and film director

Quoted in Andrew Buncombe, "After 50 years in film, Cool Hand Newman plans one last hurrah," http://www.independent.co.uk/arts-entertainment/film-and-tv/news/after-50-years-in-film-cool-hand-newman-plans-one-last-hurrah-404325.html The Independent (2006-06-17)

Alfred Noyes photo
Omar Khayyám photo

“Each Morn a thousand Roses brings, you say;
Yes, but where leaves the Rose of Yesterday?”

Omar Khayyám (1048–1131) Persian poet, philosopher, mathematician, and astronomer

The Rubaiyat (1120)

Georgia O'Keeffe photo
Robin Williams photo
Tanith Lee photo
Bernie Ecclestone photo

“The morning after I die. And the first 12 copies go to the Inland Revenue”

Bernie Ecclestone (1930) British business magnate

Financial Times. November 23, 2004
Bernie Ecclestone's response from a tongue in cheek interview question that asked: “So when’s your autobiography going to be published, Bernie?”

Samuel Taylor Coleridge photo

“Joy rises in me, like a summer's morn.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

A Christmas Carol, viii
Bartlett's Familiar Quotations, 10th ed. (1919)

George F. Kennan photo
Rand Paul photo

“In cases of rape, trying to prevent pregnancies is obviously the best thing. The morning-after pill works successfully most of the time. Ultimately we do better if we do have better education about family planning.”

Rand Paul (1963) American politician, ophthalmologist, and United States Senator from Kentucky

US Senate hopeful Rand Paul visits Middlesboro
Lorie Settles
2010-01-26
Middlesboro Daily News
http://www.middlesborodailynews.com/view/full_story/5661743/article-US-Senate-hopeful-Rand-Paul-visits-Middlesboro
2010-11-17
Posed question: "What about instances of rape or incest or where the outcome may not be death, but severe medical problems for the mother or child. Do you think that in these cases the decision should be left to the government rather than the families?"

Halldór Laxness photo
Van Morrison photo
Edith Wharton photo
Aldous Huxley photo
Hugh Thompson, Jr. photo

“I'd received death threats over the phone. Dead animals on your porch, mutilated animals on your porch some mornings when you get up. So I was not a 'good guy.”

Hugh Thompson, Jr. (1943–2006) United States helicopter pilot during the Vietnam War

In a 2004 interview with 60 minutes. http://www.nytimes.com/2006/01/07/national/07thompson.html
Attributed

John Quincy Adams photo

“30th [June 1841]. Morning visit from John Ross, chief of the Cherokee Nation, with Vann and Benn, two others of the delegation. Ross had written to request an interview with me for them on my appointment as Chairman of the Committee on Indian Affairs. I was excused from that service at my own request, from a full conviction that its only result would be to keep a perpetual harrow upon my feelings, with a total impotence to render any useful service. The policy, from Washington to myself, of all the Presidents of the United States had been justice and kindness to the Indian tribes—to civilize and preserve them. With the Creeks and Cherokees it had been eminently successful. Its success was their misfortune. The States within whose borders their settlements were took the alarm, broke down all the treaties which had pledged the faith of the nation. Georgia extended her jurisdiction over them, took possession of their lands, houses, cattle, furniture, negroes, and drove them out from their own dwellings. All the Southern States supported Georgia in this utter prostration of faith and justice; and Andrew Jackson, by the simultaneous operation of fraudulent treaties and brutal force, consummated the work. The Florida War is one of the fruits of this policy, the conduct of which exhibits one (un)interrupted scene of the most profligate corruption. All resistance against this abomination is vain. It is among the heinous sins of this nation, for which I believe God will one day bring them to judgement—but as His own time and by His own means.”

John Quincy Adams (1767–1848) American politician, 6th president of the United States (in office from 1825 to 1829)

Diary entry (30 June 1841)

Neil Kinnock photo
Letitia Elizabeth Landon photo

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

John Ralston Saul photo
Clive Barker photo

“It was so flat, you know, you could see the curves of the earth. And when a train came into vision at nine o'clock in the morning, it was still leaving at noon.... it took that long to get across the prairie.”

Agnes Martin (1912–2004) American artist

In Mary Lance's intimate documentary 'With My Back to the World' (2002)
Martin's quote about the landscape of her youth in Macklin, Saskatchewan, where her parents Malcolm and Margaret Martin farmed the vast, sometimes hard land
after 2000

Leoš Janáček photo
Stephen Grellet photo
Leona Lewis photo

“If I woke up tomorrow morning and it was just a dream, it would be the best dream I've ever had, and I would be ― I would not be happy to be waking up!”

Leona Lewis (1985) British singer-songwriter

laughter
The Xtra Factor: Winner's Story 2006
Upon winning The X-Factor

Henry Adams photo
Charles Mackay photo
Margaret Cho photo
Aron Ra photo

“The pledges come from a believers’ standpoint. The country needs to earn the support of its citizenry. You can’t extort it. You can’t get people indoctrinated by always saying every morning before class where they’ll never question what you’ll do.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Exclusive Interview with Aron Ra – Public Speaker, Atheist Vlogger, and Activist https://conatusnews.com/interview-aron-ra-past-president-atheist-alliance-america/, Conatus News (May 17, 2017)

P.G. Wodehouse photo
Gloria Estefan photo

“I'm singing the hardest song [the national anthem] you could possibly sing at this hour of the morning [8 a. m. ]. [I came from Cuba] when I was sixteen months old, although I didn't become a citizen until I was actually about 9 or 10 years old [1966-67]. I had to leave the country to become a citizen, because we had to go to Canada -- and I'll never forget that trip as long as I live. But it was very important for me then, and for them [new citizens] today, What more special day can you have: July 4th in the American Mecca. It doesn't get better than that for them. Well, I'll tell you this -- and I can base it on my own feelings. The beauty of this country is that you can become a citizen of this wonderful nation, and still keep who you are: your culture, your lifestyle. It's a melting pot that allows you not to melt if you don't want to. And it's a wonderful place. I love this country. I really admire it: its ideals, the freedom, the things it stands for. As an immigrant that came from a country that doesn't have those freedoms and still doesn't have them -- which is Cuba -- it's much more special to me: To be able to live here and to be able to have the life that I do in this country.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

interview with Sam Champion on Good Morning America television progam before ceremony at Walt Disney World in Orlando, Florida to swear in 1,000 new U.S. citizens (July 4, 2007)
2007, 2008

Albert Camus photo
Henry Wadsworth Longfellow photo
Letitia Elizabeth Landon photo

“Rode by radiant shapes that seem
Creatures made of bloom and beam,
With their hair and plumes' gay dyes
Glorious as the morning skies.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1824

Stendhal photo

“Politics in the middle of things of the imagination is like a pistol shot in the middle of a concert. The noise is loud without being forceful. It isn't in harmony with the sound of any instrument. This political discussion will mortally offend half my readers and bore the others, who have found a much more precise and vigorous account of such matters in their morning newspapers.”

La politique au milieu des intérêts d'imagination, c'est un coup de pistolet au milieu d'un concert. Ce bruit est déchirant sans être énergique. Il ne s'accorde avec le son d'aucun instrument. Cette politique va offenser mortellement une moitié des lecteurs et ennuyer l'autre qui l'a trouvée bien autrement spéciale et énergique dans le journal du matin.
Vol. II, ch. XXII
Le Rouge et le Noir (The Red and the Black) (1830)

Zooey Deschanel photo

“Can't get up in the morning lately
and I'm just sunk in a dream
I'm always the ship in the stream”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

I Knew It Would Happen This Way (Bonus track on pre-orders).
Volume Two (2010)

Izaak Walton photo
David Lange photo

“I went in a round of the Domain on Saturday morning in a rally car. At the start of it, I was asked if I felt scared. I said, 'certainly not, I have been working with Roger for years'.”

David Lange (1942–2005) New Zealand politician and 32nd Prime Minister of New Zealand

Source: Gliding on the Lino: The Wit of David Lange, compiled by David Barber, 1987.

William Cullen Bryant photo
Jean Paul Sartre photo
Johnny Cash photo
Omar Khayyám photo
Tao Yuanming photo

“I was raised on the good book Jesus
Till I read between the lines
Now I don't believe I ever wanna see the morning”

Laura Nyro (1947–1997) American musician and songwriter

"Stoney End"
Lyrics

Conor Oberst photo

“I have heard the mavis singing
Its love-song to the morn;
I've seen the dew-drop clinging
To the rose just newly born.”

Charles Jefferys (1807–1865) British music publisher

Mary of Argyle, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Ben Folds photo

“This morning I wake to be older than you were
Fresh white snow for miles
Every footstep will be mine.”

Ben Folds (1966) American musician

"Away When You Were Here", The Sound of the Life of the Mind (2012).
Song lyrics, With Ben Folds Five

Charles Stuart Calverley photo
Charles Dickens photo
Noel Gallagher photo
Don Imus photo
Pete Seeger photo

“If I had a hammer,
I'd hammer in the morning
I'd hammer in the evening,
All over this land.”

Pete Seeger (1919–2014) American folk singer

"If I Had A Hammer" (1949) Though Seeger composed the music of this song the lyrics were actually written by fellow member of The Weavers, Lee Hays.
Misattributed
Context: If I had a hammer,
I'd hammer in the morning
I'd hammer in the evening,
All over this land.
I'd hammer out danger,
I'd hammer out a warning,
I'd hammer out love between my brothers and my sisters,
All over this land...
Well I got a hammer,
And I got a bell,
And I got a song to sing, all over this land.
It's the hammer of Justice,
It's the bell of Freedom,
It's the song about Love between my brothers and my sisters,
All over this land.

Alan Watts photo
Richard Wright photo

“It's everything. It's the walk you take in the morning, it's the night before, the meeting with people, landscapes, the chats, all of that evolves in some way into melody, but I'm not sure how it's going to happen. I'm dealing with the unknown all the time and that is exciting.”

Enya (1961) Irish singer, songwriter, and musician

The Telegraph interview (2005)
Context: There is no formula to it because writing every song, for me, is a little journey. The first note has to lift you and make you go, 'What's this?' You play C, but why is it that one day it leads to G and it didn't yesterday? I don't know. It's everything. It's the walk you take in the morning, it's the night before, the meeting with people, landscapes, the chats, all of that evolves in some way into melody, but I'm not sure how it's going to happen. I'm dealing with the unknown all the time and that is exciting.

Chris Cornell photo

“Guitar.com: he tone of Euphoria Morning is kind of melancholy.”

Chris Cornell (1964–2017) American singer-songwriter, musician

On depression and suicide
Context: Guitar. com: he tone of Euphoria Morning is kind of melancholy.

Yoko Ono photo

“I learnt to travel the world around
And run on the ground in the morning.
And that's the story of a wandering soul,
A story of a dreamer.”

Yoko Ono (1933) Japanese artist, author, and peace activist

"Silver Horse" on Season of Glass (1981).
Context: I usually stay away from being carried away,
But one day I saw a silver horse.
I thought he might take me to that somewhere high,
I thought he might take me to that deep blue sky. I came to realize that the horse had no wings.
No wings, well, it wasn't so bad, you know. I learnt to travel the world around
And run on the ground in the morning.
And that's the story of a wandering soul,
A story of a dreamer.

Bill Moyers photo

“We struggle today with the imperative of a new patriotism and citizenship. The Peace Corps has been showing us the way, and the volunteers and staff whom we honor this morning are the vanguard of that journey.”

Bill Moyers (1934) American journalist

"At Large", speech at the Peace Corps twenty-fifth anniversary memorial service (21 September 1986), published in Moyers on Democracy (2008), p. 26
Context: nowiki>[George Washington] in uniform patriotism can salute one flag only, embrace but the first circle of life — one's own land and tribe. In war that is necessary, in peace it is not enough. Events enlarged his embrace to a wholly new idea of nation — the United States of America. But less than a century later his descendant by marriage could not slip the more parochial tether. In the halls of the family home standing on the hill above us, General Robert E. Lee paced back and forth as he weighed the offer of Abraham Lincoln to take command of the Union Army on the eve of the Civil War. Lee turned the offer down and that evening took the train to Richmond. His country was still Virginia. We struggle today with the imperative of a new patriotism and citizenship. The Peace Corps has been showing us the way, and the volunteers and staff whom we honor this morning are the vanguard of that journey.

Aeschylus photo

“May Morning, as the proverb runs, appear
Bearing glad tidings from his mother Night!”

Source: Oresteia (458 BC), Agamemnon, lines 264–265 (tr. E. H. Plumptre)

Eleanor Farjeon photo

“Morning has broken,
Like the first morning,
Blackbird has spoken
Like the first bird.”

Eleanor Farjeon (1881–1965) English children's writer

Morning Has Broken (1931)
Context: Morning has broken,
Like the first morning,
Blackbird has spoken
Like the first bird.
Praise for the singing!
Praise for the morning!
Praise for them springing
Fresh from the Word!

Gustave Moreau photo

“I have designed a decorative and monumental work as a group of subjects representing the three ages of sacred and profane mythology: the Golden Age, the Silver Age and the Iron Age. I have symbolised these different ages by dividing each one into compositions representing the three phases of the day: morning, noon and evening.
The Golden Age comprises three compositions (Adam and childhood):
:1. Prayer at sunrise.
:2. A walk in Paradise or the ecstasy before nature.
:3. All nature asleep.
The Silver Age. The second phase is taken from pagan mythology (Orpheus and youth):
:1. The dream nature is revealed to the senses of the inspired poet.
:2. The song.
: 3. Orpheus in the forest, his lyre broken and he longs for unknown countries and immortality.
The Iron Age (Cain and the maturity of man):
:1. The Sower making the earth productive (production).
:2. The Ploughman (work).
:3. Death (Cain and Abel).
Fourth panel:
The Triumph of Christ.
These three periods of humanity also correspond to the three periods in the life of a man:
The purity of childhood: Adam –
The poetic and unhappy aspirations of youth: Orpheus –
The grievous sufferings and death of mature age: Cain with the redemption of Christ.
D— thought it was an extremely ingenious and intelligent device to have used a figure from pagan antiquity for the cycle of youth and poetry instead of a Biblical figure, because intelligence and poetry are far better personified in these periods which were devoted to art and the imagination than in the Bible which is all sentiment and religiosity.
The Golden Age: the beginning of the world, naïveté, candour, purity. The morning: prayer. Noon: ecstasy and evening: sleep. No passion, nothing but elementary feelings. —
The Silver Age, corresponding to the civilization of humanity, already begins to feel emotion; it is the age of poets. I can only find this cycle in Greece. The morning: inspiration. Noon: song. Evening: tears. —
The Iron Age. Decadence and fall of humanity. I shall represent Cain ploughing and Abel sowing. Noon: Cain rests while Abel tends the altar of the Lord from which smoke, a symbol of purity, rises straight to the heavens. The evening: death at the hands of Cain.
The first death corresponds to the other deaths in the two other paintings: sleep and death of the senses; tears and the death of the heart. Do you understand the progression?
Sleep, though sad, is gentler than tears which, though painful, are gentler than death. Ecstasy is more delightful than song, which is gentler than work. Prayer is superior to dreaming which is more elevated than manual work.”

Gustave Moreau (1826–1898) French painter

Notes to his mother, on The Life of Humanity (1884-6) http://www.wikiart.org/en/gustave-moreau/humanity-the-golden-age-depicting-three-scenes-from-the-lives-of-adam-and-eve-the-silver-age-1886, his composition of a ten image polyptych, p. 48 ·  Photo of its exhibition on the 3rd Floor of Musée National Gustave Moreau http://en.musee-moreau.fr/house-museum/studios/third-floor
Gustave Moreau (1972)

Martin Luther King, Jr. photo

“Some people are suffering. Some people are hungry this morning. Some people are still living with segregation and discrimination this morning. I'm going to preach about it. I’m going to fight for them. I’ll die for them if necessary, because I got my guidelines clear. And the God that I serve and the God that called me to preach told me that every now and then I'll have to go to jail for them. Every now and then I’ll have to agonize and suffer for the freedom of his children. I even may have to die for it. But if that’s necessary, I'd rather follow the guidelines of God than to follow the guidelines of men.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, Guidelines for a Constructive Church (1966)
Context: When the church is true to its guidelines, it sets out to preach deliverance to them that are captive. This is the role of the church: to free people. This merely means to free those who are slaves. Now if you notice some churches, they never read this part. Some churches aren't concerned about freeing anybody. Some white churches face the fact Sunday after Sunday that their members are slaves to prejudice, slaves to fear. You got a third of them, or a half of them or more, slaves to their prejudices. And the preacher does nothing to free them from their prejudice so often. Then you have another group sitting up there who would really like to do something about racial injustice, but they are afraid of social, political, and economic reprisals, so they end up silent. And the preacher never says anything to lift their souls and free them from that fear. And so they end up captive. You know this often happens in the Negro church. You know, there are some Negro preachers that have never opened their mouths about the freedom movement. And not only have they not opened their mouths, they haven’t done anything about it. And every now and then you get a few members: "They talk too much about civil rights in that church." I was talking with a preacher the other day and he said a few of his members were saying that. I said, "Don't pay any attention to them. Because number one, the members didn't anoint you to preach. And any preacher who allows members to tell him what to preach isn't much of a preacher."
For the guidelines made it very clear that God anointed. No member of Ebenezer Baptist Church called me to the ministry. You called me to Ebenezer, and you may turn me out of here, but you can’t turn me out of the ministry, because I got my guidelines and my anointment from God Almighty. And anything I want to say, I'm going to say it from this pulpit. It may hurt somebody, I don’t know about that; somebody may not agree with it. But when God speaks, who can but prophesy? The word of God is upon me like fire shut up in my bones, and when God’s word gets upon me, I've got to say it, I’ve got to tell it all over everywhere. And God has called me to deliver those that are in captivity.
Some people are suffering. Some people are hungry this morning. Some people are still living with segregation and discrimination this morning. I'm going to preach about it. I’m going to fight for them. I’ll die for them if necessary, because I got my guidelines clear. And the God that I serve and the God that called me to preach told me that every now and then I'll have to go to jail for them. Every now and then I’ll have to agonize and suffer for the freedom of his children. I even may have to die for it. But if that’s necessary, I'd rather follow the guidelines of God than to follow the guidelines of men. The church is called to set free those that are captive, to set free those that are victims of the slavery of segregation and discrimination, those who are caught up in the slavery of fear and prejudice.

Sri Aurobindo photo

“Out of the paths of the morning star they came”

Savitri (1918-1950), Book Three : The Book of the Divine Mother
Context: I saw the Omnipotent's flaming pioneers
Over the heavenly verge which turns towards life
Come crowding down the amber stairs of birth;
Forerunners of a divine multitude,
Out of the paths of the morning star they came
Into the little room of mortal life.
I saw them cross the twilight of an age,
The sun-eyed children of a marvellous dawn,
The great creators with wide brows of calm,
The massive barrier-breakers of the world
And wrestlers with destiny in her lists of will,
The labourers in the quarries of the gods,
The messengers of the Incommunicable,
The architects of immortality.

Carl Sagan photo

“There is a myth about such highs: the user has an illusion of great insight, but it does not survive scrutiny in the morning. I am convinced that this is an error, and that the devastating insights achieved when high are real insights; the main problem is putting these insights in a form acceptable to the quite different self that we are when we're down the next day.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

Essay as "Mr. X" (1969)
Context: When I'm high I can penetrate into the past, recall childhood memories, friends, relatives, playthings, streets, smells, sounds, and tastes from a vanished era. I can reconstruct the actual occurrences in childhood events only half understood at the time. Many but not all my cannabis trips have somewhere in them a symbolism significant to me which I won't attempt to describe here, a kind of mandala embossed on the high. Free-associating to this mandala, both visually and as plays on words, has produced a very rich array of insights.
There is a myth about such highs: the user has an illusion of great insight, but it does not survive scrutiny in the morning. I am convinced that this is an error, and that the devastating insights achieved when high are real insights; the main problem is putting these insights in a form acceptable to the quite different self that we are when we're down the next day.

Arthur Schopenhauer photo

“Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death.”

Vol. 2, Ch. 2: Our Relation To Ourselves http://ebooks.adelaide.edu.au/s/schopenhauer/arthur/counsels/chapter2.html
Parerga and Paralipomena (1851), Counsels and Maxims
Context: Do not shorten the morning by getting up late, or waste it in unworthy occupations or in talk; look upon it as the quintessence of life, as to a certain extent sacred. Evening is like old age: we are languid, talkative, silly. Each day is a little life: every waking and rising a little birth, every fresh morning a little youth, every going to rest and sleep a little death.

Stephen Vincent Benét photo

“He was talking about the things that make a country a country, and a man a man.
And he began with the simple things that everybody's known and felt — the freshness of a fine morning when you're young, and the taste of food when you're hungry, and the new day that's every day when you're a child. He took them up and he turned them in his hands. They were good things for any man. But without freedom, they sickened.”

The Devil and Daniel Webster (1937)
Context: He started off in a low voice, though you could hear every word. They say he could call on the harps of the blessed when he chose. And this was just as simple and easy as a man could talk. But he didn't start out by condemning or reviling. He was talking about the things that make a country a country, and a man a man.
And he began with the simple things that everybody's known and felt — the freshness of a fine morning when you're young, and the taste of food when you're hungry, and the new day that's every day when you're a child. He took them up and he turned them in his hands. They were good things for any man. But without freedom, they sickened. And when he talked of those enslaved, and the sorrows of slavery, his voice got like a big bell. He talked of the early days of America and the men who had made those days. It wasn't a spread-eagle speech, but he made you see it. He admitted all the wrong that had ever been done. But he showed how, out of the wrong and the right, the suffering and the starvations, something new had come. And everybody had played a part in it, even the traitors.

Martin Luther King, Jr. photo

“I know now that Jesus is right, that love is the way. And this is why John said, "God is love," so that he who hates does not know God, but he who loves at that moment has the key that opens the door to the meaning of ultimate reality. So this morning there is so much that we have to offer to the world…”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The American Dream (1965)
Context: Oh yes, love is the way. Love is the only absolute. More and more I see this. I’ve seen too much hate to want to hate myself; hate is too great a burden to bear. I’ve seen it on the faces of too many sheriffs of the South — I’ve seen hate. In the faces and even the walk of too many Klansmen of the South, I’ve seen hate. Hate distorts the personality. Hate does something to the soul that causes one to lose his objectivity. The man who hates can’t think straight; the man who hates can’t reason right; the man who hates can’t see right; the man who hates can’t walk right. And I know now that Jesus is right, that love is the way. And this is why John said, "God is love," so that he who hates does not know God, but he who loves at that moment has the key that opens the door to the meaning of ultimate reality. So this morning there is so much that we have to offer to the world...
So yes, the dream has been shattered, and I have had my nightmarish experiences, but I tell you this morning once more that I haven’t lost the faith. I still have a dream that one day all of God’s children will have food and clothing and material well-being for their bodies, culture and education for their minds, and freedom for their spirits.
I still have a dream this morning: one day all of God’s black children will be respected like his white children.
I still have a dream this morning that one day the lion and the lamb will lie down together, and every man will sit under his own vine and fig tree and none shall be afraid...
I still have a dream this morning that truth will reign supreme and all of God’s children will respect the dignity and worth of human personality...
"We hold these truths to be self-evident that all men (All right) are created equal, that they are endowed by their Creator with certain inalienable Rights, that among these are Life, Liberty, and the pursuit of Happiness."
We open the doors of the church now. If someone needs to accept Christ, this is a marvelous opportunity, a great moment to make a decision. And as we sing together, we bid you come at this time by Christian experience, baptism, watch care. But come at this moment, become a part of this great Christian fellowship and accept Christ as your personal Savior.

Alfred, Lord Tennyson photo
Anaïs Nin photo

“The morning I got up to begin this book I coughed. Something was coming out of my throat: it was strangling me.”

House of Incest (1936)
Context: The morning I got up to begin this book I coughed. Something was coming out of my throat: it was strangling me. I broke the thread which held it and yanked it out. I went back to bed and said: I have just spat out my heart.

Martin Buber photo

“Every morning
I shall concern myself anew about the boundary
Between the love-deed-Yes and the power-deed-No
And pressing forward honor reality.”

Martin Buber (1878–1965) German Jewish Existentialist philosopher and theologian

"Power and Love" (1926)
Context: p> Every morning
I shall concern myself anew about the boundary
Between the love-deed-Yes and the power-deed-No
And pressing forward honor reality.We cannot avoid
Using power,
Cannot escape the compulsion
To afflict the world,
So let us, cautious in diction
And mighty in contradiction,
Love powerfully.</p

Joel Barlow photo

“I sing the sweets I know, the charms I feel,
My morning incense, and my evening meal,
The sweets of Hasty-Pudding. Come, dear bowl,
Glide o'er my palate, and inspire my soul.”

Joel Barlow (1754–1812) American diplomat

Canto 1: st. 1, lines 1–10
The Hasty-Pudding (1793)
Context: Despise it not, ye Bards to terror steel'd,
Who hurl'd your thunders round the epic field;
Nor ye who strain your midnight throats to sing
Joys that the vineyard and the still-house bring;
Or on some distant fair your notes employ,
And speak of raptures that you ne'er enjoy.
I sing the sweets I know, the charms I feel,
My morning incense, and my evening meal,
The sweets of Hasty-Pudding. Come, dear bowl,
Glide o'er my palate, and inspire my soul.

P. J. O'Rourke photo
George Eliot photo

“Who that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors?”

Prelude
Middlemarch (1871)
Context: Who that cares much to know the history of man, and how the mysterious mixture behaves under the varying experiments of Time, has not dwelt, at least briefly, on the life of Saint Theresa, has not smiled with some gentleness at the thought of the little girl walking forth one morning hand-in-hand with her still smaller brother, to go and seek martyrdom in the country of the Moors? Out they toddled from rugged Avila, wide-eyed and helpless-looking as two fawns, but with human hearts, already beating to a national idea; until domestic reality met them in the shape of uncles, and turned them back from their great resolve. That child-pilgrimage was a fit beginning. Theresa's passionate, ideal nature demanded an epic life: what were many-volumed romances of chivalry and the social conquests of a brilliant girl to her? Her flame quickly burned up that light fuel; and, fed from within, soared after some illimitable satisfaction, some object which would never justify weariness, which would reconcile self-despair with the rapturous consciousness of life beyond self. She found her epos in the reform of a religious order.

Gordon Lightfoot photo

“You can't jump a jet plane
Like you can a freight train
So I'll best be on my way
In the early morning rain”

Gordon Lightfoot (1938) Canadian singer-songwriter

Early Morning Rain, Track 7, UAS-6487 The Song That Changed Everything http://www.youtube.com/watch?v=ZFJ5Bj_put0
Lightfoot! (1966)
Context: The liquor tasted good and here the women all were fast...
You can't jump a jet plane
Like you can a freight train
So I'll best be on my way
In the early morning rain

Ken Wilber photo

“Are the mystics and sages insane? Because they all tell variations on the same story, don't they? The story of awakening one morning and discovering you are one with the All, in a timeless and eternal and infinite fashion.”

Ken Wilber (1949) American writer and public speaker

Source: A Brief History of Everything (1996), p. 42
Context: Are the mystics and sages insane? Because they all tell variations on the same story, don't they? The story of awakening one morning and discovering you are one with the All, in a timeless and eternal and infinite fashion. Yes, maybe they are crazy, these divine fools. Maybe they are mumbling idiots in the face of the Abyss. Maybe they need a nice, understanding therapist. Yes, I'm sure that would help. But then, I wonder. Maybe the evolutionary sequence really is from matter to body to mind to soul to spirit, each transcending and including, each with a greater depth and greater consciousness and wider embrace. And in the highest reaches of evolution, maybe, just maybe, an individual's consciousness does indeed touch infinity — a total embrace of the entire Kosmos — a Kosmic consciousness that is Spirit awakened to its own true nature. It's at least plausible. And tell me: is that story, sung by mystics and sages the world over, any crazier than the scientific materialism story, which is that the entire sequence is a tale told by an idiot, full of sound and fury, signifying absolutely nothing? Listen very carefully: just which of those two stories actually sounds totally insane?

Francis Scott Key photo

“So sings the world's fond slave! so flies the dream
Of life's gay morn; so sinks the meteor ray
Of fancy into darkness; and no beam
Of purer light shines on the wanderer's way.”

Francis Scott Key (1779–1843) American lawyer and poet

"On Reading Fawcett's Lines On Revisiting Scenes Of Early Life" in Poems of the Late Francis Scott Key, Esq. (1857), p. 87.
Context: p>So sings the world's fond slave! so flies the dream
Of life's gay morn; so sinks the meteor ray
Of fancy into darkness; and no beam
Of purer light shines on the wanderer's way.So sings not he who soars on other wings
Than fancy lends him; whom a cheering faith
Warms and sustains, and whose freed spirit springs
To joys that bloom beyond the reach of death.And thou would'st live again! again dream o'er
The wild and feverish visions of thy youth
Again to wake in sorrow, and deplore
Thy wanderings from the peaceful paths of truth! Yet yield not to despair! be born again,
And thou shalt live a life of joy and peace,
Shall die a death of triumph, and thy strain
Be changed to notes of rapture ne'er to cease.</p

Frederick Douglass photo

“The day dawns; the morning star is bright upon the horizon! The iron gate of our prison stands half open. One gallant rush from the North will fling it wide open, while four millions of our brothers and sisters shall march out into liberty. The chance is now given you to end in a day the bondage of centuries, and to rise in one bound from social degradation to the place of common equality with all other varieties of men.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Men of Color, To Arms! http://teachingamericanhistory.org/library/index.asp?document=440 (21 March 1863)
1860s
Context: More than twenty years of unswerving devotion to our common cause may give me some humble claim to be trusted at this momentous crisis. I will not argue. To do so implies hesitation and doubt, and you do not hesitate. You do not doubt. The day dawns; the morning star is bright upon the horizon! The iron gate of our prison stands half open. One gallant rush from the North will fling it wide open, while four millions of our brothers and sisters shall march out into liberty. The chance is now given you to end in a day the bondage of centuries, and to rise in one bound from social degradation to the place of common equality with all other varieties of men.

Alfred, Lord Tennyson photo

“We are ancients of the earth,
And in the morning of the times.”

Alfred, Lord Tennyson (1809–1892) British poet laureate

The Daydream: L'Envoi, lines 231-32, from The Complete Works of Alfred Tennyson (1879)

Julia Ward Howe photo

“I went to bed that night as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morning twilight; and as I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind.”

Julia Ward Howe (1819–1910) American abolitionist, social activist, and poet

On her initial inspiration for "The Battle Hymn of the Republic".
Reminiscences (1899)
Context: We returned to the city very slowly, of necessity, for the troops nearly filled the road. My dear minister was in the carriage with me, as were several other friends. To beguile the rather tedious drive, we sang from time to time snatches of the army songs so popular at that time, concluding, I think, with
John Brown's body lies a-mouldering in the ground;
His soul is marching on.
The soldiers seemed to like this, and answered back, "Good for you!" Mr. Clarke said, "Mrs. Howe, why do you not write some good words for that stirring tune?" I replied that I had often wished to do this, but had not as yet found in my mind any leading toward it.
I went to bed that night as usual, and slept, according to my wont, quite soundly. I awoke in the gray of the morning twilight; and as I lay waiting for the dawn, the long lines of the desired poem began to twine themselves in my mind. Having thought out all the stanzas, I said to myself, "I must get up and write these verses down, lest I fall asleep again and forget them." So, with a sudden effort, I sprang out of bed, and found in the dimness an old stump of a pen which I remembered to have used the day before. I scrawled the verses almost without looking at the paper. I had learned to do this when, on previous occasions, attacks of versification had visited me in the night, and I feared to have recourse to a light lest I should wake the baby, who slept near me. I was always obliged to decipher my scrawl before another night should intervene, as it was only legible while the matter was fresh in my mind. At this time, having completed the writing, I returned to bed and fell asleep, saying to myself, "I like this better than most things that I have written."

Thomas Carlyle photo

“These scenes, which the Morning Chronicle is bringing home to all minds of men,—thanks to it for a service such as Newspapers have seldom done,—ought to excite unspeakable reflections in every mind. Thirty thousand outcast Needlewomen working themselves swiftly to death; three million Paupers rotting in forced idleness, helping said Needlewomen to die: these are but items in the sad ledger of despair.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1850s, Latter-Day Pamphlets (1850), The Present Time (February 1, 1850)
Context: Between our Black West Indies and our White Ireland, between these two extremes of lazy refusal to work, and of famishing inability to find any work, what a world have we made of it, with our fierce Mammon-worships, and our benevolent philanderings, and idle godless nonsenses of one kind and another! Supply-and-demand, Leave-it-alone, Voluntary Principle, Time will mend it:—till British industrial existence seems fast becoming one huge poison-swamp of reeking pestilence physical and moral; a hideous living Golgotha of souls and bodies buried alive; such a Curtius' gulf, communicating with the Nether Deeps, as the Sun never saw till now. These scenes, which the Morning Chronicle is bringing home to all minds of men,—thanks to it for a service such as Newspapers have seldom done,—ought to excite unspeakable reflections in every mind. Thirty thousand outcast Needlewomen working themselves swiftly to death; three million Paupers rotting in forced idleness, helping said Needlewomen to die: these are but items in the sad ledger of despair.

P. J. O'Rourke photo