Quotes about modernity
page 9

Sri Aurobindo photo

“It is not by these means [modern humanism and humanitarianism, idealism, etc. ] that humanity can get that radical change of its ways of life which is yet becoming imperative, but only by reaching the bed-rock of Reality behind,… not through mere ideas and mental formations, but by a change of the consciousness, an inner and spiritual conversion. But that is a truth for which it would be difficult to get a hearing in the present noise of all kinds of many-voiced clamour and confusion and catastrophe…. Science has missed something essential; it has seen and scrutinised what has happened and in a way how it has happened, but it has shut its eyes to something that made this impossible possible, something it is there to express. There is no fundamental significance in things if you miss the Divine Reality; for you remain embedded in a huge surface crust of manageable and utilisable appearance. It is the magic of the Magician you are trying to analyse, but only when you enter into the consciousness of the Magician himself can you begin to experience the true origination, significance and circles of the Lila…. Another danger may then arise [once materialism begins to give way]… not of a final denial of the Truth, but the repetition in old or new forms of a past mistake, on one side some revival of blind fanatical obscurantist sectarian religionism, on the other a stumbling into the pits and quagmires of the vitalistic occult and the pseudo-spiritual'mistakes that made the whole real strength of the materialistic attack on the past and its credos. But these are phantasms that meet us always on the border line or in the intervening country between the material darkness and the perfect Splendour. In spite of all, the victory of the supreme Light even in the darkened earth-consciousness stands as the one ultimate certitude….”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth

William S. Burroughs photo

“All modern systems are riddled with contradictions.”

"The Limits of Control"
The Adding Machine: Collected Essays (1985)

Jacques Maritain photo
Silvia Federici photo
Hendrik Werkman photo

“For me, life would be worthless if there was not modern art and if I did not had the opportunity to express myself in it anyhow, now that I have gradually found the way I can express myself.”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): Voor mij zou het leven waardeloos zijn als er niet de moderne kunst was en als ik niet de mogelijkheid had om me daarin te uiten op welke manier dan ook, nu ik de wijze waarop ik mij kan uiten langzamerhand heb gevonden.
Quote of Werkman in his letter to August Henkels, June 1942, as cited by Doeke Sijens in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 64
1940's

John Gray photo
Jean Sibelius photo

“Whereas most other modern composers are engaged in manufacturing cocktails of every hue and description, I offer the public cold spring water.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

Cecil Gray Sibelius: The Symphonies (London: Oxford University Press, 1935) p. 56.
Of his Symphony No. 6 (1923).

Camille Paglia photo

“The sixteenth century transformed Middle English into modern English. Grammar was up for grabs. People made up vocabulary and syntax as they went along. Not until the eighteenth century would rules of English usage appear. Shakespearean language is a bizarre super-tongue, alien and plastic, twisting, turning, and forever escaping. It is untranslatable, since it knocks Anglo-Saxon root words against Norman and Greco-Roman importations sweetly or harshly, kicking us up and down rhetorical levels with witty abruptness. No one in real life ever spoke like Shakespeare’s characters. His language does not “make sense,” especially in the greatest plays. Anywhere from a third to a half of every Shakespearean play, I conservatively estimate, will always remain under an interpretive cloud. Unfortunately, this fact is obscured by the encrustations of footnotes in modern texts, which imply to the poor cowed student that if only he knew what the savants do, all would be as clear as day. Every time I open Hamlet, I am stunned by its hostile virtuosity, its elusiveness and impenetrability. Shakespeare uses language to darken. He suspends the traditional compass points of rhetoric, still quite firm in Marlowe, normally regarded as Shakespeare’s main influence. Shakespeare’s words have “aura.””

Camille Paglia (1947) American writer

This he got from Spenser, not Marlowe.
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 195

Dexter S. Kimball photo
Walter Rauschenbusch photo
Edith Sitwell photo

“Vulgarity is, in reality, nothing but a modern, chic, pert descendant of the goddess Dullness.”

Edith Sitwell (1887–1964) British poet

Source: Taken Care Of (1965), Ch. 19

Kurt Schwitters photo
Will Eisner photo

“Pobedonostev: Aha! You are very well recommended Golivinski. You are just what we need here! Russia’s bureaucracy and its state apparatus have been infiltrated by Jews. Believe me. I’ve been studying the Jewish threat.
As guardians of Christina Russia we must deal with them… but it will not be easy…they’re more intelligent and smarter than the average Russian. So how?? How??
Golivinski: Jews are clever but it can be done by means of their own methods… by philisophical writings, news items…and such!
Pobedonostev: Precisely!
Golivinski: For example, we could influence the readers of our Russian newspapers by planting anti-jew articles in their columns…written in the paper’s style,’’’ of course!
and we could even publish a fake newspaper that will print news about Jewish activity!
Pobedonostev: Brilliant, my boy…come, I will assign you at once to my press chief, Mikhail Soloviev!
Soloviev, I have a young assistant for you, his name Mathieu Golovinski!
Soloviev: I can use help!
I hope he’s clever. Thank you, Pobedonostev…
Now, Golovinski, to begin with…I hate jews. They are a sly race whop will creep in and destroy the purity of our Russian culture!
So, I want you to write me a piece on this subject…and make sure it makes a clear case!
Golivinski: Excuse me sir!
Soloviev:Back so soon? What is it Golovinski?
Golovinski: Here is the article you asked for
Soloviev: In only one hour? Let em read it.
Where did you get these official statistics?
Golivinski: Oh, I made them up! No one would dare to challenge them.
Soloviev: Good work! From here on you will write for our regular campaign against the new modernization!
Golvinski: Why that?
Soloviev: All liberal, capitalistic, socialistic movements are directed by jews. We must expose them.
They are the anti-christ!
Golivinski: But sir, shouldn’t we keep this political?
Soloviev: In Russia religion and politics are the same!
Our people will believe anything negative about the Jews! Go ahead boy!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 42-48

Carl von Clausewitz photo
Isa Genzken photo
Wassily Leontief photo
Walter Rauschenbusch photo
Mary McCarthy photo
Samuel Wilberforce photo

“Modern liberalism: a heartless steam engine.”

Samuel Wilberforce (1805–1873) Bishop in the Church of England

Quoted in Arthur Burns, "Wilberforce, Samuel (1805–1873)", Oxford Dictionary of National Biography, 2004

Kwame Nkrumah photo
Thomas Young (scientist) photo
Nicholas Wade photo
Sören Kierkegaard photo
Calvin Coolidge photo

“The heart of Rousseau's thinking, as Arthur Melzer and others have shown, is to honor modern individualism but at the same time to subject it to a devastating critique.”

Leo Damrosch (1941) American academic

Source: Jean-Jacques Rousseau: Restless Genius (2005), Ch. 18 : Rousseau the Controversialist: Émile and The Social Contract.

“Marriage is the last sacrament available to modern man, and with the terrible destruction of interpersonal relations by capitalism and its war-making State, it is not very available, nor is it surely enduring. But then, vision does not come with guarantees.”

Kenneth Rexroth (1905–1982) American poet, writer, anarchist, academic and conscientious objector

"World War II" http://www.bopsecrets.org/rexroth/autobio/6.htm
An Autobiographical Novel (1991)

James Jeans photo
Ayn Rand photo
Thorstein Veblen photo
Ron Paul photo

“Liberty once again must become more important to us than the desire for security and material comfort. Personal safety and economic prosperity can only come as the consequence of liberty. They cannot be provided by an authoritarian government… The foundation for a police state has been put in place, and it's urgent we mobilize resistance before it's too late… Central planning is intellectually bankrupt – and it has bankrupted our country and undermined our moral principles. Respect for individual liberty and dignity is the only answer to government force, force that serves the politically and economically powerful. Our planners and rulers are not geniuses, but rather demagogues and would-be dictators -- always performing their tasks with a cover of humanitarian rhetoric… The collapse of the Soviet system came swiftly and dramatically, without a bloody conflict… It came as no surprise, however, to the devotees of freedom who have understood for decades that socialism was doomed to fail… And so too will the welfare/warfare state fail… A free society is based on the key principle that the government, the president, the Congress, the courts, and the bureaucrats are incapable of knowing what is best for each and every one of us… A government as a referee is proper, but a government that uses arbitrary force to direct every aspect of society threatens freedom… The time has come for a modern approach to achieving those values that all civilized societies seek. Only in a free society do individuals have the best chance to seek virtue, strive for excellence, improve their economic well-being, and achieve personal happiness… The worthy goals of civilization can only be achieved by freedom loving individuals. When government uses force, liberty is sacrificed and the goals are lost. It is freedom that is the source of all creative energy. If I am to be your president, these are the goals I would seek. I reject the notion that we need a president to run our lives, plan the economy, or police the world… It is much more important to protect individual liberty and privacy than to make government even more secretive and powerful.”

Ron Paul (1935) American politician and physician

Video Address Announcing 2008 Presidential Exploratory Committee, February 19, 2007 http://blog.4president.org/2008/2007/02/ron_paul_video_.html http://www.youtube.com/watch?v=FPlPT4bncq8
2000s, 2006-2009

Max Weber photo
John Gray photo
Thomas Henry Huxley photo

“The mediaeval university looked backwards: it professed to be a storehouse of old knowledge… The modern university looks forward: it is a factory of new knowledge.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Letter to E. Ray Lankester (11 April 1892) Huxley Papers, Imperial College: 30.448
1890s

Hugh Macmillan, Baron Macmillan photo
Theodore Dalrymple photo
Calvin Coolidge photo
Anthony Burgess photo

“Languages never stand still. Modern spelling crystallises lost pronunciations: the visual never quite catches up with the aural.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, A Mouthful of Air: Language and Languages, Especially English (1992)

Arthur Stanley Eddington photo

“It is impossible to trap modern physics into predicting anything with perfect determinism because it deals with probabilities from the outset.”

Arthur Stanley Eddington (1882–1944) British astrophysicist

New Pathways in Science (1935) Ch. V Indeterminacy and Quantum Theory, p. 105

André Weil photo
Gregory Benford photo
Jacques Ellul photo
Slavoj Žižek photo
Harry Emerson Fosdick photo
Douglas Coupland photo
Lesslie Newbigin photo
Matthew Arnold photo

“Sanity — that is the great virtue of the ancient literature; the want of that is the great defect of the modern, in spite of its variety and power.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

"Preface to Poems" (1854)

Mohammad Reza Pahlavi photo
Halldór Laxness photo
Umberto Boccioni photo
Kent Hovind photo
Jonah Goldberg photo
David Korten photo
Roger Raveel photo

“That I started [in the creation of his art] from my immediate environment was extremely important to me. Only the things I knew, with which I was familiar, which I had caught on their reality value, I could approach free of extra-pictorial aesthetics and pale romanticism. Of course the question remained how I - who wanted to involve modern life in my art - could continue to seek my inspiration at Machelen-aan-de-Leie, a village in the countryside, far from the city and the crowds. Where can one sense better the infiltration of modern life than in a village in the countryside? In the city everything gets integrated immediately, you can't see clearly the insulating and contrasting-alienating effect of publicity, the gas-station, the concrete, the car, etc. On the other hand, I keep saying that we must continue to see the grass, the corn and the cows. Not within an animistic unity, but from a mentality that has the courage to approach these things freely and ruthless in our era. What ordinary people make out of life is fascinating me.”

Roger Raveel (1921–2013) painter

Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's

James P. Cannon photo
Peter D. Schiff photo

“I didn't skip the smut. The author went to the trouble of writing it, after all. I did not feel to make notes for possible application later on but I also never wondered if the author was a virgin raised in an abandoned hentai warehouse, which is always a possibility for modern pornographers and erotica writers.”

James Nicoll (1961) Canadian fiction reviewer

LiveJournal post (review of 'The Russians Came Knocking' by K.B. Spangler), 2014) http://james-nicoll.livejournal.com/5086498.html?thread=95347746#t95347746
2010s

Alasdair MacIntyre photo
Robert Wright photo
Edward Carpenter photo
Thomas Szasz photo

“What had been drapetomania became depression. … Modern man runs away from a life that seems to him a kind of slavery.”

Thomas Szasz (1920–2012) Hungarian psychiatrist

"The Sane Slave: Social Control and Legal Psychiatry," American Criminal Law Review, vol. 10 (1971), p. 346.

Paula Modersohn-Becker photo
Al Hurricane photo

“It's New Mexico-style. But, it's not -- I don't want to call it "traditional". We can do traditional songs, but you got to be "modern" in what you do.”

Al Hurricane (1936–2017) American singer-songwriter

"Local Legends" on the CBS Early Show (December 26, 2011)

Chuck Klosterman photo
Alain de Botton photo
Hermann Weyl photo
Ilham Aliyev photo

“Ensuring efficiency in public administration, introducing the open government institutions, developing e-services, and fighting against corruption are the main directions of the state policy. Azerbaijan has strong political will for successful fight against corruption. The legislative framework was fully modernized and institutional reforms were implemented after the country joined the international initiatives in the fight against corruption.”

Ilham Aliyev (1961) 4th President of Azerbaijan from 2003

President Ilham Aliyev's opening letter to the participants of the international "Fighting corruption: international standards and national experience" conference in Baku (30 June 2014) https://en.trend.az/azerbaijan/politics/2289807.html
Anti-corruption policy

Robert Morgan photo
Mohammad Khatami photo
Iain Banks photo

“The combination of modern ordnance and outdated tactics had, as usual, created enormous casualties on both sides.”

Source: Culture series, Excession (1996), Chapter 3 “Uninvited Guests” section I (p. 66).

John F. Kennedy photo
Hamid Dabashi photo
Theo van Doesburg photo
Alex Salmond photo
Ishirō Honda photo

“Ghidrah was merely meant to be a modern interpretation of the eight-headed snake of Japanese myth.”

Ishirō Honda (1911–1993) Japanese film director

As quoted by David Milner, "Ishiro Honda Interview" http://www.davmil.org/www.kaijuconversations.com/honda.htm, Kaiju Conversations (December 1992)

Jim Baggott photo
Michel Foucault photo

“When I had the honour of his conversation, I endeavoured to learn his thoughts upon mathematical subjects, and something historical concerning his inventions, that I had not been before acquainted with. I found, he had read fewer of the modern mathematicians, than one could have expected; but his own prodigious invention readily supplied him with what he might have an occasion for in the pursuit of any subject he undertook. I have often heard him censure the handling geometrical subjects by algebraic calculations; and his book of Algebra he called by the name of Universal Arithmetic, in opposition to the injudicious title of Geometry, which Des Cartes had given to the treatise, wherein he shews, how the geometer may assist his invention by such kind of computations. He frequently praised Slusius, Barrow and Huygens for not being influenced by the false taste, which then began to prevail. He used to commend the laudable attempt of Hugo de Omerique to restore the ancient analysis, and very much esteemed Apollonius's book De sectione rationis for giving us a clearer notion of that analysis than we had before.”

Henry Pemberton (1694–1771) British doctor

Preface; The bold passage is subject of the 1809 article " Remarks on a Passage in Castillione's Life' of Sir Isaac Newton http://books.google.com/books?id=BS1WAAAAYAAJ&pg=PA519." By John Winthrop, in: The Philosophical Transactions of the Royal Society of London, from Their Commencement, in 1665, to the Year 1800: 1770-1776: 1770-1776. Charles Hutton et al. eds. (1809) p. 519.
Preface to View of Newton's Philosophy, (1728)

George Raymond Richard Martin photo

“Much as I admire Tolkien, and I do admire Tolkien — he’s been a huge influence on me, and his Lord of the Rings is the mountain that leans over every other fantasy written since and shaped all of modern fantasy — there are things about it, the whole concept of the Dark Lord, and good guys battling bad guys, Good versus Evil, while brilliantly handled in Tolkien, in the hands of many Tolkien successors, it has become kind of a cartoon. We don’t need any more Dark Lords, we don’t need any more, ‘Here are the good guys, they’re in white, there are the bad guys, they’re in black. And also, they’re really ugly, the bad guys. It is certainly a genuine, legitimate topic as the core of fantasy, but I think the battle between Good and Evil is waged within the individual human hearts. We all have good in us and we all have evil in us, and we may do a wonderful good act on Tuesday and a horrible, selfish, bad act on Wednesday, and to me, that’s the great human drama of fiction. I believe in gray characters, as I’ve said before. We all have good and evil in us and there are very few pure paragons and there are very few orcs. A villain is a hero of the other side, as someone said once, and I think there’s a great deal of truth to that, and that’s the interesting thing. In the case of war, that kind of situation, so I think some of that is definitely what I’m aiming at.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

AssignmentX interview (June 2011) http://www.assignmentx.com/2011/interview-game-of-thrones-creator-george-r-r-martin-on-the-future-of-the-franchise-part-2/

Winston S. Churchill photo
Robert Oppenheimer photo

“Well — yes. In modern times, of course.”

Robert Oppenheimer (1904–1967) American theoretical physicist and professor of physics

Answer to a student at Rochester University who asked whether the bomb exploded at Alamogordo was the first one to be detonated, as quoted in Doomsday, 1999 A.D. (1982) by Charles Berlitz, p. 129

Janusz Korwin-Mikke photo
Mao Zedong photo
Seymour Papert photo
Wallace Stevens photo
Daniel Bell photo
Hannah Arendt photo

“A revolutionary war against a modern metropolitan state can only be fought in hell.”

Nick Land (1962) British philosopher

"Kant, Capital, and the Prohibition of Incest" (1988–9), in Fanged Noumena, p. 79

Harold Wilson photo