Quotes about modeling
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“Liberal Arts may ultimately prove to be the most relevant learning model. People trained in the Liberal Arts learn to tolerate ambiguity and to bring order out of apparent confusion. They have the kind of sideways thinking and cross-classifying habit of mind that comes from learning, among other things, the many different ways of looking at literary works, social systems, chemical processes or languages.”

Roger Smith (executive) (1925–2007) CEO

Cited in: " Bachelor of Arts in Liberal Studies: What is Liberal Studies? http://scs.georgetown.edu/departments/4/bachelor-of-arts-in-liberal-studies/department-details.cfm#f2" on georgetown.edu about bachelor of arts in liberal studies, 2013.
The liberal arts and the art of management (1987)

Camille Paglia photo
Milton Friedman photo
Grady Booch photo

“Perhaps the greatest strength of an object-oriented approach to development is that it offers a mechanism that captures a model of the real world.”

Grady Booch (1955) American software engineer

Grady Booch (1986) Software Engineering with Ada p. 220. cited in: David J. Gilmore et al. (1994) User-Centred Requirements for Software Engineering Environments. p. 108

Charles Babbage photo

“There are in the Exhibition some beautiful examples of such lace amongst the productions of other countries as well as of our own. They are made by the united labour of many women. The cost of a piece of lace will consist of:
# The remuneration to the artist who designs the pattern.
# The cost of the raw material.
# The cost of the labour of a large number of women working on it for many months.
Let us compare this with the cost of a piece of statuary, which is undoubtedly of a much higher class of art; it will consist of:
# The remuneration to the artist who makes the model.
# The cost of the raw material.
# The cost of labour, by assistants in cutting the block to the pattern of the model.
# Finishing the statue by the artist himself.
In lace making the skill of the artist is required only for the production of the first example. Every succeeding copy is made by mere labour: each copy may be considered as an individual, and will cost the same amount of time.
In sculpture the three first processes are quite analogous to those in lace-making. But the fourth process requires the taste and judgment of the artist. It is this which causes it to retain its rank amongst the fine arts, whilst lacemaking must still be classed amongst the industrial.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 49-50

Zygmunt Vetulani photo
Steve Jobs photo

“The subscription model of buying music is bankrupt. I think you could make available the Second Coming in a subscription model and it might not be successful.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

As quoted in "Steve Jobs: The Rolling Stone Interview" in Rolling Stone (3 December 2003)
2000s

Tim Cook photo

“There are very few content owners that believe that the existing model will last forever, I think the most forward-thinking ones are looking and saying, 'I'd rather have the first-mover advantage.”

Tim Cook (1960) American business executive

Investing.com http://www.investing.com/news/stock-market-news/apple-music-hits-6.5-million-paid-users:-tim-cook-366943

Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Joshua Reynolds photo

“The art of seeing Nature, or in other words, the art of using Models, is in reality the great object, the point to which all our studies are directed.”

Joshua Reynolds (1723–1792) English painter, specialising in portraits

Discourse no. 12; vol. 2, p. 104.
Discourses on Art

Jeremy Corbyn photo

“I find it very significant that no religious traditions, Islam included, is ever in a position, I think almost by definition, to put cruelty first in the order of its priorities of the terrible things that human beings can do. That is perfectly illustrated in the story of Abraham's sacrifice with his son. Because, of course, what the story's all about is faith, the importance, and the primacy of faith. … What is the essence of faith in the story is Abraham's willingness (a) not to question God about his command to sacrifice his son, and (b) to proceed slowly, deliberately, over a period of time -- three days, I think it was -- [and] march up the mountain, prepare the sacrifice, unquestioning, resolute. [It was] the perfect, as Kierkegaard put it, "night of faith" model, exemplar of faith. And [Abraham] is, in the Muslim tradition exactly that -- an exemplar of faith. That is the importance of Abraham to Muslims. … Had he faltered, his faith would have been less, a degree or so less. He didn't falter. God immediately stops it at the absolute last moment and, of course, the act is ended. But what the story is all about is how faith in God comes first, before anything else, and then follow various virtues, of which harm to other human beings surely has to be below faith. It seemed to me that that is something that the hijackers certainly took to heart.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

John Howard Yoder photo
Norbert Wiener photo

“The best material model of a cat is another, or preferably the same, cat.”

Norbert Wiener (1894–1964) American mathematician

Philosophy of Science (1945) (with A. Rosenblueth)

Peter Greenaway photo

“If Good approved of his creature's creation, He breathed the painted clay-model into life by signing His name.”

Peter Greenaway (1942) British film director

From the seventh book, "The Book of Youth"
The Pillow Book

Jeremy Corbyn photo
Henry Adams photo
A. Wayne Wymore photo
Auguste Rodin photo
David Cameron photo
Gabriele Münter photo
Donald A. Norman photo
Joseph E. Stiglitz photo

“Archetypes, color, and components will forever change how you build Java models. We build Java models with teams of developers. In our day-to-day mentoring, we develop and try out new ideas and innovations that will help those developers excel at modeling.”

Peter Coad (1953) American software entrepreneur

Peter Coad, Jeff de Luca, and Eric Lefebvre. (1999) Java Modeling Color with Uml: Enterprise Components and Process with Cdrom. Prentice Hall PTR.

“If management can identify the negatives of its preferred option, the other policies around the star model can be designed to counter the negatives while achieving the positives.”

Jay R. Galbraith (1939–2014) American business theorist

Jay R. Galbraith (2002), Designing organizations: an executive guide to strategy, structure, and process. p. 15

Auguste Rodin photo
Herbert A. Simon photo

“The world you perceive is drastically simplified model of the real world.”

Source: 1940s-1950s, Administrative Behavior, 1947, p. xxvi.

Thomas Kuhn photo
Aristide Maillol photo

“Mademoiselle, I am told that you look like a Renoir and Maillol [as a model]. I would be happy with a Renoir.”

Aristide Maillol (1861–1944) sculptor from France

in his letter (1939) to his late model Dina Vierny; as quoted in Dictionary of artists’ models, Jill Berk Jiminez, Taylor and Francis 2001, p. 550

Gregory Benford photo

“(Crank theories) always violated the first rule of a scientific model: they were uncheckable.”

Source: Timescape (1980), Chapter 17 (p. 235)

Thomas Eakins photo

“The sign of God's blessings: the Divine Model.”

Iburi Izō (1833–1907)

The Measure of Heaven: The Life of Izo Iburi, the Honseki, p. 101.
Written on a wrapper found in the drawer of Iburi's dresser.

Michael Halliday photo
Charles Stross photo
Henri Matisse photo
Simon Newcomb photo
Robert Costanza photo
Judea Pearl photo

“A quantity Q(M) is identifiable, given a set of assumptions A, iffor any two models M1 and M2 that satisfy A, we have
P(M1) = P(M2) ⇒ Q(M1) = Q(M2)”

Judea Pearl (1936) Computer scientist

Source: Causality: Models, Reasoning, and Inference, 2000, p. 77 : cited in: Rick H. Hoyle (2014). Handbook of Structural Equation Modeling. p. 75
Hoyle (2014) further explained: In words, the functional details of M1 and M2 do not matter; what matters is that the assumptions in A (e.g. those encoded in the diagram) would constrain the variability of those details in such a way that equality of P's would entail equality of Q's. When this happens, Q depends on P only and should therefore be expressible in terms of the parameters of P. The section “Identification Using Graphs” will exemplify and operationalize this notion.

Jerry Fodor photo
Umberto Boccioni photo
Tjalling Koopmans photo

“(Enterprise Architecture is) the set of descriptive representations (i. e., models) that are relevant for describing an Enterprise such that it can be produced to management's requirements (quality) and maintained over the period of its useful life.”

John Zachman (1934) American computer scientist

Zachman (1987) cited in: Antonio Laganà, Marina L. Gavrilova, Vipin Kumar (2004) Computational Science and Its Applications -- ICCSA 2004. p. 604

Alexander Calder photo
Chester A. Arthur photo
Paul Cézanne photo

“But there are motifs that would need three or four months' work, which could be done, as the vegetation doesn't change here. There are the olive trees and the pines that always keep their leaves. The sun is so fierce that objects seem to be silhouetted, not only in black or white, but in blue, red, brown, violet. I may be wrong, but this seems to be the very opposite of 'modeling'. How happy the gentle landscapists of Auvers would be here, and that [con, or 'bastard'? ] Guillemet.”

Paul Cézanne (1839–1906) French painter

Quote from Cezanne's letter to Camille Pissarro, from L'Estaque 2 July 1876, taken from Alex Danchev, The Letters of Paul Cézanne, 2013; as quoted in the 'Daily Beast' online, 13 Oct. 2013 https://www.thedailybeast.com/cezannes-letter-to-pissarro-picture-business-isnt-going-well
'The very opposite of 'modeling' meant roughly that Cézanne and Pissarro in their common painting-years in open air would lay down one plane or patch of color next to another in the painting, without any 'modeling' or shading between them - so that it looked as if each component part of the painting could be picked up from the canvas a little like a 'playing card from the table', as Cezanne explains here.
Quotes of Paul Cezanne, 1860s - 1870s

Regina E. Dugan photo

“The DARPA model has three elements:
Ambitious goals. The agency’s projects are designed to harness science and engineering advances to solve real-world problems or create new opportunities. At Defense, GPS was an example of the former and stealth technology of the latter. The problems must be sufficiently challenging that they cannot be solved without pushing or catalyzing the science. The presence of an urgent need for an application creates focus and inspires greater genius.
Temporary project teams. DARPA brings together world-class experts from industry and academia to work on projects of relatively short duration. Team members are organized and led by fixed-term technical managers, who themselves are accomplished in their fields and possess exceptional leadership skills. These projects are not open-ended research programs. Their intensity, sharp focus, and finite time frame make them attractive to the highest-caliber talent, and the nature of the challenge inspires unusual levels of collaboration. In other words, the projects get great people to tackle great problems with other great people.
Independence. By charter, DARPA has autonomy in selecting and running projects. Such independence allows the organization to move fast and take bold risks and helps it persuade the best and brightest to join.”

Regina E. Dugan (1963) American businesswoman, inventor, and technology developer

“Special Forces” Innovation: How DARPA Attacks Problems (2013)

Bill Mollison photo
Auguste Rodin photo

“Then I gathered the éléments of what people call my symbolism. I do not understand anything about long words and theories. But I am willing to be a symbolist, if that defines the ideas that Michael Angelo gave me, namely that the essence of sculpture is the modelling, the general scheme which alone enables us to render the intensity, the supple variety of movement and character. If we can imagine the thought of God in creating the world, He thought first of the construction, which is the sole principle of nature, of living things and perhaps of the planets. Michael Angelo seems to me rather to derive from Donatello than from the ancients; Raphaël proceeds from them. He understood that an architecture can be built up with the human body, and that, in order to possess volume and harmony, a statue or a group ought to be contained in a cube, a pyramid or some simple figure. Let us look at a Dutch interior and at an interior painted by an artist of the present day. The latter no longer touches us, because it docs not possess the qualities of depth and volume, the science of distances. The artist who paints it does not know how to reproduce a cube. An interior by Van der Meer is a cubic painting. The atmosphere is in it and the exact volume of the objects; the place of these objects has been respected, the modem painter places them, arranges them as models. The Dutchmen did not touch them, but set themselves to render the distances that separated them, that is, the depth. And then, if I go so far as to say that cubic truth, not appearance, is the mistress of things, if I add that the sight of the plains and woods and country views gives me the principle of the plans that I employ on my statues, that I feel cubic truth everywhere, and that plan and volume appear to me as laws of all life and ail beauty, will it be said that I am a symbolist, that I generalise, that I am a metaphysician? It seems to me that I have remained a sculptor and a realist. Unity oppresses and haunts me.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 65-67

Adam Gopnik photo

“We know we’ve come to a crossroads when German childhood is being held up as an idealized model for Americans.”

Adam Gopnik (1956) American journalist

How to Raise a Prodigy, The New Yorker (2018)

Georg Wilhelm Friedrich Hegel photo

“Architecture is treated as crystallisation; sculpture, as the organic modelling of the material in its sensuous and spatial totality; painting, as the coloured surface and line; while in music, space, as such, passes into the point of time possessed of content within itself, until finally the external medium is in poetry depressed into complete insignificance.”

Die Architektur ist dann die Kristallisation, die Skulptur die organische Figuration der Materie in ihrer sinnlich-räumlichen Totalität; die Malerei die gefärbte Fläche und Linie; während in der Musik der Raum überhaupt zu dem in sich erfüllten Punkt der Zeit übergeht; bis das äußere Material endlich in der Poesie ganz zur Wertlosigkeit herabgesetzt ist.
Part III https://www.marxists.org/reference/archive/hegel/works/ae/ch03.htm
Lectures on Aesthetics (1835)

Joni Madraiwiwi photo
Lars Løkke Rasmussen photo
Jane Roberts photo
Edmund Phelps photo
Wanda Orlikowski photo
Anil Kumble photo
Larry Fessenden photo
T. E. Hulme photo
Georg Brandes photo
Chuck Berry photo
Don Soderquist photo

“In great organizations, a leader’s words and actions model what really matters, and as a result, everyone gets on the same page and pulls together.”

Don Soderquist (1934–2016)

Don Soderquist “ The Wal-Mart Way: The Inside Story of the Success of the World's Largest Company https://books.google.com/books?id=mIxwVLXdyjQC&lpg=PR9&dq=Don%20Soderquist&pg=PR9#v=onepage&q=Don%20Soderquist&f=false, Thomas Nelson, April 2005, p. 26.
On the Importance of Culture

“Hence we may recognize the subject of management cybernetics — which is seen as a rich provider of models for doing OR.”

Anthony Stafford Beer (1926–2002) British theorist, consultant, and professor

Source: Decision and control: the meaning of operational research and management cybernetics, 1966, p. 239.

Jerzy Neyman photo
Blase J. Cupich photo
Northrop Frye photo

“Nature is inside art as its content, not outside as its model.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Fables of Identity (1963)
"Quotes"

William Safire photo

“Americans of all persuasions are coming to the sad realization that our First Lady – a woman of undoubted talents who was a role model for many of her generation – is a congenital liar.”

William Safire (1929–2009) American journalist

From an essay in The New York Times (“Blizzard of Lies”) http://archive.is/TgeI published 8 January 1996
Letter to H. R. Haldeman

Lixion Avila photo
Eric Hobsbawm photo
Roberto Mangabeira Unger photo
Jean Baudrillard photo
Michelle Obama photo

“One of the things — the important aspects of this race — is role modeling what good families should look like. Our view was that, if you can't run your own house, you certainly can't run the White House.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Speech Speech at a Women for Obama rally http://screens.blogs.nytimes.com/2007/08/22/if-you-cant-run-the-white-house/, Chicago (August 2007). (YouTube video) http://www.youtube.com/watch?v=sN1qZMBE9Gc
2000s

Bill Maher photo

“Jesus is great — is there a better role model? No. It's religion, it's the people who get in between — the bureaucracy, you know. … It's the way people abuse Jesus. Was there ever a greater victim of name dropping?”

Bill Maher (1956) American stand-up comedian

Be More Cynical (2000) - YouTube clip "Bill Maher on Jesus" http://www.youtube.com/watch?v=h4WMBzived0
Variants: I love Jesus. I just don’t like the Christians who don’t believe in what he says.
Realtime (7 October 2005) http://www.billmaher.com/?page_id=145
Jesus, as a philosopher is wonderful. There's no greater role model, in my view, than Jesus Christ. It's just a shame that most of the people who follow him and call themselves Christians act nothing like him.
Interviewed on The O'Reilly Factor (26 September 2006) - YouTube clip "Fox's O'Reilly: Bill Maher Looks Bigoted Not John Rocker?" http://www.youtube.com/watch?v=2555oNAMcfA

Henry Moore photo
Tommaso Campanella photo

“Success in the long run has less to do with finding the best idea, organizational structure, or business model for an enterprise, than with discovering what matters to us as individuals.”

Jerry I. Porras (1938) American writer

Jerry Porras, Stewart Emery and Mark Thompson. Success Built to Last: Creating A Life That Matters, Wharton School Publishing, 2006. p. 3-4