Quotes about mixture (191 quotes) | Quotes of famous people

“Love is a curious mixture of opposites, a blend of extreme selfishness and total devotion. A paradox! Besides which, love, everybody is always talking about love, love, but love isn't something you choose, you catch it like a disease, you get trapped in it, like a disaster.”

Amos Oz book A Tale of Love and Darkness

Source: A Tale of Love and Darkness

Love , Disease , Selfishness

“… And I, who timidly hate life, fear death with fascination. I fear this nothingness that could be something else, and I fear it as nothing and as something else simultaneously, as if gross horror and non-existence could coincide there, as if my coffin could entrap the eternal breathing of a bodily soul, as if immortality could be tormented by confinement. The idea of hell, which only a satanic soul could have invented seems to me to have derived from this sort of confusion - a mixture of two different fears that contradict and contaminate each other.”

Fernando Pessoa book The Book of Disquiet

Ibid., number 168
The Book of Disquiet

Life , Death , Hate , Fear

“I didn't say that the Jews are inferior. I didn't even maintain they are a race. I merely saw that the mixture of different cultures didn't work.”

Alfred Rosenberg (1893–1946) German architect and politician

January 12, 1946. Quoted in "Nuremberg Diary" - Page 120 - by G. M. Gilbert - History - 1995

“But we know that people are complicated and have a mixture of flaws and talents and sins. So why do we pretend that we don’t?”

Jon Ronson book So You've Been Publicly Shamed

Source: So You've Been Publicly Shamed

People

“I could see even then that the British officials who spoke of him with a mixture of amusement and disapproval also genuinely liked and admired him, after a fashion. Nobody ever suggested that he was corrupt, or ambitious in any vulgar way, or that anything he did was actuated by fear or malice.”

George Orwell (1903–1950) English author and journalist

"Reflections on Gandhi" (1949)
Context: I could see even then that the British officials who spoke of him with a mixture of amusement and disapproval also genuinely liked and admired him, after a fashion. Nobody ever suggested that he was corrupt, or ambitious in any vulgar way, or that anything he did was actuated by fear or malice. In judging a man like Gandhi one seems instinctively to apply high standards, so that some of his virtues have passed almost unnoticed. For instance, it is clear even from the autobiography that his natural physical courage was quite outstanding: the manner of his death was a later illustration of this, for a public man who attached any value to his own skin would have been more adequately guarded. Again, he seems to have been quite free from that maniacal suspiciousness which, as E. M. Forster rightly says in A Passage to India, is the besetting Indian vice, as hypocrisy is the British vice. Although no doubt he was shrewd enough in detecting dishonesty, he seems wherever possible to have believed that other people were acting in good faith and had a better nature through which they could be approached.

Fear , Way , Fashion

“Syd was so full of whimsy as well as horrible gas. I swear to God that the early recording sessions of Pink Floyd always smelled like a strange mixture of rotten eggs, rancid cabbage, and crap.”

Syd Barrett (1946–2006) English musician

Nick Mason, Billboard (1972)

God

“For a moment I had a strange intuition that just this, and in a real, profound sense, is life; and perhaps happiness even - love with a mixture of sadness, reverence, and silent knowledge.”

Erich Maria Remarque book Three Comrades

Source: Three Comrades

Love , Life , Sadness , Knowledge

“The Bible is one of the greatest blessings bestowed by God on the children of men. It has God for its Author, salvation for its end, and truth without any mixture for its matter. It is all pure, all sincere; nothing too much; nothing wanting!”

John Locke (1632–1704) English philosopher and physician

Men , God , Children , Truth

“Yeah, I know you. I made you up. This is my dream. You're a mixture of Zac Efron and Johnny Depp.”

P. C. Cast book Hunted

Source: Hunted

Dreams

“I would never preach vegetarianism. It’s such a personal choice. It’s got to suit you, and be right for you: emotionally, spiritually and physically. If it’s working for you, that’s really great. … I definitely think there are some benefits. I know a lot of people that have had cancer, for example, and they’ll make a point of telling me, ‘The first thing my doctor told me to do was stop eating meat during this process.’ I think it’s interesting a doctor would suggest a vegetarian diet when you’re already sick. … I stick to a mixture of real raw, whole-food items every day. I make sure I’m eating greens every day, and nuts, and food that’s not processed. I do that every day.”

Shania Twain (1965) Canadian country pop singer-songwriter

“Shania Twain vegetarian but not about to preachify,” interview with Doug Elfman in Las Vegas Review-Journal (19 January 2014) http://www.reviewjournal.com/columns-blogs/doug-elfman/shania-twain-vegetarian-not-about-preachify.

People , Food , Thinking , Personality

“Of the complete biological inferiority of the negro there can be no question—he has anatomical features consistently varying from those of other stocks, & always in the direction of the lower primates... Equally inferior—& perhaps even more so—is the Australian black stock, which differs widely from the real negro... In dealing with these two black races, there is only one sound attitude for any other race (be it white, Indian, Malay, Polynesian, or Mongolian) to take—& that is to prevent admixture as completely & determinedly as it can be prevented, through the establishment of a colour-line & the rigid forcing of all mixed offspring below that line. I am in accord with the most vehement & vociferous Alabaman or Mississippian on that point … Other racial questions are wholly different in nature—involving wide variations unconnected with superiority or inferiority. Only an ignorant dolt would attempt to call a Chinese gentleman—heir to one of the greatest artistic & philosophic traditions in the world—an "inferior" of any sort... & yet there are potent reasons, based on wide physical, mental, & cultural differences, why great numbers of the Chinese ought not to mix into the Caucasian fabric, or vice versa. It is not that one race is any better than any other, but that their whole respective heritages are so antipodal as to make harmonious adjustment impossible. Members of one race can fit into another only through the complete eradication of their own background-influences—& even then the adjustment will always remain uneasy & imperfect if the newcomer's physical aspect froms a constant reminder of his outside origin. Therefore it is wise to discourage all mixtures of sharply differentiated races—though the color-line does not need to be drawn as strictly as in the case of the negro, since we know that a dash or two of Mongolian or Indian or Hindoo or some such blood will not actually injure a white stock biologically.... As a matter of fact, most of the psychological race-differences which strike us so prominently are cultural rather than biological. If one could take a Japanese infant, alter his features to the Anglo-Saxon type through plastic surgery, & place him with an American family in Boston for rearing—without telling him that he is not an American—the chances are that in 20 years the result would be a typical American youth with very few instincts to distinguish him from his pure Nordic college-mates. The same is true of other superior alien races including the Jew—although the Nazis persist in acting on a false biological conception. If they were wise in their campaign to get rid of Jewish cultural influences (& a great deal can be said for such a campaign, when the dominance of the Aryan tradition is threatened as in Germany & New York City), they would not emphasize the separatism of the Jew but would strive to make him give up his separate culture & lose himself in the German people. It wouldn't hurt Germany—or alter its essential physical type—to take in all the Jews it now has.”

H.P. Lovecraft (1890–1937) American author

However, that wouldn't work in Poland or New York City, where the Jews are of an inferior strain, & so numerous that they would essentially modify the physical type.
Letter to Natalie H. Wooley (22 November 1934), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, p. 77
Non-Fiction, Letters

People , Youth , World , Family

“It is sometimes maintained that racial mixture is biologically undesirable. There is no evidence whatever for this view. Nor is there, apparently, any reason to think that Negroes are congenitally less intelligent than white people, but as to that it will be difficult to judge until they have equal scope and equally good social conditions.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

1950s, New Hopes for a Changing World (1951)

People , Intelligence , Thinking

“And now to explain colours. I suppose that as bodies excite sounds of various tones and consequently vibrations, in the air of various bignesses, so when rays of light by impinging on the stiff refracting superficies excite vibrations in the ether, these rays excite vibrations of various bignesses… therefore, the ends of the capillamenta of the optic nerve which front or face the retina being such refracting superficies, when the rays impinge on them they must there excite these vibrations, which vibrations (like those of sound in a trumpet) will run along the pores or crystalline pith of the capillamenta through the optic nerves into the sensorium (which light itself cannot do), and there, I suppose, affect the sense with various colours, according to their bigness and mixture—the biggest with the strongest colours, reds and yellows; the least with the weakest, blues and violets; middle with green; and a confusion of all with white, much after the manner, that in the sense of hearing, nature makes use of aereal vibrations of several bignesses to generate sounds of divers tones; for the analogy of nature is to be observed.”

Isaac Newton (1643–1727) British physicist and mathematician and founder of modern classical physics

"Hypothesis explaining the Properties of Light" (1675)

Nature , Sense , Light

“The normal present connects the past and the future through limitation. Contiguity results, crystallization by means of solidification. There also exists, however, a spiritual present that identifies past and future through dissolution, and this mixture is the element, the atmosphere of the poet.”

Novalis book Blüthenstaub

Fragment No. 109
Blüthenstaub (1798)

Past , Future

“It is said in the sastras that the head of the body represents the brahmanas, the arms represent the ksatriyas, the abdomen represents the vaisyas, and the legs, beginning with the thighs, represent the sudras. The sudras are sometimes called black, or krsna. The brahmanas are called sukla, or white, and the ksatriyas and the vaisyas are a mixture of black and white. However, those who are extraordinarily white are said to have skin produced out of white leprosy. It may be concluded that white or a golden hue is the color of the higher caste, and black is the complexion of the sudras.”

A.C. Bhaktivedanta Swami Prabhupada (1896–1977) Indian guru

Srimad Bhagavatam, Bhaktivedanta Book Trust, 1999. Canto 4, chapter 14, verse 45, purport. Vedabase http://vedabase.net/sb/4/14/45/en1
Quotes from Books: Loving God, Quotes from Books: Racism and Homophobia

Color

“Sentiment de Napoléon sur la divinité de Jésus-Christ (1841), p. 59. Translated: "From first day to the last, he is the same, always the same, majestic and simple, extremely severe and extremely mild in the business of public life, so to speak, Jesus does not hold to any criticism, his prudent manner so delighted admiration by a mixture of strength and gentleness."”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

Depuis le premier jour jusqu'au dernier, il est le même, toujours le même, majestueux et simple , infiniment sévère et infiniment doux ; dans un commerce de vie pour ainsi dire public, Jésus ne donne jamais de prise à la moindre critique; sa conduite si prudente ravit l'admiration par un mélange de force et de douceur.

Life , Business , Christ

“It is difficult, it is impossible to believe that the Good Lord—“Our Father”—had a hand in the scandal of creation. Everything suggests that He took no part in it, that it proceeds from a god without scruples, a feculent god. Goodness does not create, lacking imagination; it takes imagination to put together a world, however botched. At the very least, there must be a mixture of good and evil in order to produce an action or a work.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

The New Gods (1969)

God , World , Imagination , Evil

“It is the maximum of the savage; and has, in these times, gained, precisely among the greatest weaklings, very many proselytes. By this ideal, man becomes a Beast-Spirit, a Mixture; whose brutal wit has, for weaklings, a brutal power of attraction.”

Novalis (1772–1801) German poet and writer

Novalis (1829)
Context: The ideal of Morality has no more dangerous rival than the ideal of highest Strength, of most powerful life; which also has been named (very falsely as it was there meant) the ideal of poetic greatness. It is the maximum of the savage; and has, in these times, gained, precisely among the greatest weaklings, very many proselytes. By this ideal, man becomes a Beast-Spirit, a Mixture; whose brutal wit has, for weaklings, a brutal power of attraction.

Time

“Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.”

Paul Valéry (1871–1945) French poet, essayist, and philosopher

Originally delivered as a lecture (late 1927); Pure Poetry: Notes for a Lecture The Creative Vision (1960)
Context: For the musician, before he has begun his work, all is in readiness so that the operation of his creative spirit may find, right from the start, the appropriate matter and means, without any possibility of error. He will not have to make this matter and means submit to any modification; he need only assemble elements which are clearly defined and ready-made. But in how different a situation is the poet! Before him is ordinary language, this aggregate of means which are not suited to his purpose, not made for him. There have not been physicians to determine the relationships of these means for him; there have not been constructors of scales; no diapason, no metronome, no certitude of this kind. He has nothing but the coarse instrument of the dictionary and the grammar. Moreover, he must address himself not to a special and unique sense like hearing, which the musician bends to his will, and which is, besides, the organ par excellence of expectation and attention; but rather to a general and diffused expectation, and he does so through a language which is a very odd mixture of incoherent stimuli.

Sense

“His vigor was always infectious, his wit barbed, his conversation a mixture of obscenity and good humor. He was at once stimulating and overbearing. George was a magnificent soldier.”

Omar Bradley (1893–1981) United States Army field commander during World War II

Source: A Soldier's Story (1951), p. 5.
Context: Precisely at 7 Patton boomed in to breakfast. His vigor was always infectious, his wit barbed, his conversation a mixture of obscenity and good humor. He was at once stimulating and overbearing. George was a magnificent soldier.

“It is from a strange mixture of tyranny and cowardice that exclusions have been set up and continued. The boldness to do wrong at first, changes afterwards into cowardly craft, and at last into fear.”

Thomas Paine (1737–1809) English and American political activist

1790s, Letter to the Addressers (1792)
Context: It is from a strange mixture of tyranny and cowardice that exclusions have been set up and continued. The boldness to do wrong at first, changes afterwards into cowardly craft, and at last into fear. The Representatives in England appear now to act as if they were afraid to do right, even in part, lest it should awaken the nation to a sense of all the wrongs it has endured. This case serves to shew that the same conduct that best constitutes the safety of an individual, namely, a strict adherence to principle, constitutes also the safety of a Government, and that without it safety is but an empty name. When the rich plunder the poor of his rights, it becomes an example of the poor to plunder the rich of his property, for the rights of the one are as much property to him as wealth is property to the other and the little all is as dear as the much. It is only by setting out on just principles that men are trained to be just to each other; and it will always be found, that when the rich protect the rights of the poor, the poor will protect the property of the rich. But the guarantee, to be effectual, must be parliamentarily reciprocal.

Fear , Change

“I have become a queer mixture of the East and the West … Out of place everywhere, at home nowhere.”

Jawaharlal Nehru (1889–1964) Indian lawyer, statesman, and writer, first Prime Minister of India

As quoted in Ambassador's Report (1954) by Chester Bowles, p. 59
Context: I have become a queer mixture of the East and the West … Out of place everywhere, at home nowhere. Perhaps my thoughts and approach to life are more akin to what is called Western than Eastern, but India clings to me, as she does to all her children, in innumerable ways … I am a stranger and alien in the West. I cannot be of it. But in my own country also, sometimes I have an exile's feeling.

Home

“Men get to be a mixture of the charming mannerisms of the women they have known.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

For Men , Women , Men

“I felt a queasy mixture of relief and horror: when you finally stop an itch and realize it’s because you’ve ripped a hole in your skin.”

Gillian Flynn book Gone Girl

Source: Gone Girl

“The right mixture of caring and not caring - I suppose that's what love is.”

James Hilton (1900–1954) British writer

Source: Nothing So Strange

Love

“This was what people fought wars over, she thought, and killed each other over, and destroyed their lives for: this nerve-shredding mixture of longing and pleasure.”

Cassandra Clare book Lady Midnight

Source: Lady Midnight

War , People , Pleasure

“I am quite alone. I am neither happy nor unhappy; I lie suspended like a hair or a feather in the cloudy mixtures of memory.”

Lawrence Durrell book Justine

Source: Justine

Lie , Memory , Happiness

“Her perfume was a mixture of roses and tear gas.”

Rick Riordan book The Serpent's Shadow

Source: The Serpent's Shadow

Tear

“Maybe the hardest lesson Han had learned was that nobody is purely bad or good. Everybody seemed to be a mixture of both.”

Cinda Williams Chima (1952) Novelist

Source: The Gray Wolf Throne

Learning

“Advertising - A judicious mixture of flattery and threats.”

Stephen Leacock (1869–1944) writer and economist

“Shall we for ever make new books, as apothecaries make new mixtures, by pouring only out of one vessel into another?”

Laurence Sterne book The Life and Opinions of Tristram Shandy, Gentleman

Source: The Life and Opinions of Tristram Shandy, Gentleman

Books

“Ignorance and power and pride are a deadly mixture, you know.”

Robert Fulghum book All I Really Need to Know I Learned in Kindergarten

Source: All I Really Need to Know I Learned in Kindergarten

“Now, I'm not very vain. If I'd ever been, making my living covered in various grease and dirt mixtures would have cured me quickly. Still, I wasn't up to facing two sexy men when I had one eye swollen mostly shut and half of my face black and blue.”

Patricia Briggs book Blood Bound

Source: Blood Bound

Men

“If she kissed him, would he taste like blood or cloves or a mixture of the two?”

Cassandra Clare book Lady Midnight

Source: Lady Midnight

Kiss

“My main inspiration is sardonic British TV critics like Charlie Brooker, whose excellent show Screenwipe is fully on Youtube, and I recommend everyone watch it. He used to write for a PC magazine I read fanatically as a child. My own style is a mixture of him, possibly Douglas Adams, and internet writers like Seanbaby, Old Man Murray, or Something Awful. I’m such a rip-off.”

Ben Croshaw (1983) English video game journalist

http://www.geek.com/interview-zero-punctuations-yahtzee/
Other Articles

Reading

“To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.”

Gerhard Richter (1932) German visual artist, born 1932

Quote of Richter on his 'Grey Paintings', in a letter to nl:Edy de Wilde, 23 February 1975; as cited on collected quotes on the website of Gerhard Richter: on 'Grey-paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/grey-paintings-9
1970's
Variant: It [grey color] makes no statement whatever... It has the capacity that no other color has, to make 'nothing' visible. To me grey is the welcome and only possible equivalent for indifference, non-commitment, absence of opinion, absence of shape (note 99).... but, grey like formlessness and the rest, can be real only as an idea.... The painting is then a mixture of grey as a fiction and grey as a visible, designated area of color.

Idea , Painting , Indifference

“a "mixture of frustration and progress is the daily grind of foreign affairs."”

Dean Acheson book Present at the Creation: My Years in the State Department

Present at the Creation: My Years in the State Department (1969), Principles

“Whether we believe the Greek poet, "it is sometimes even pleasant to be mad", or Plato, "he who is master of himself has knocked in vain at the doors of poetry"; or Aristotle, "no great genius was without a mixture of insanity"; the mind cannot express anything lofty and above the ordinary unless inspired. When it despises the common and the customary, and with sacred inspiration rises higher, then at length it sings something grander than that which can come from mortal lips. It cannot attain anything sublime and lofty so long as it is sane: it must depart from the customary, swing itself aloft, take the bit in its teeth, carry away its rider and bear him to a height whither he would have feared to ascend alone.”

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

In Latin, nullum magnum ingenium sine mixtura dementiae fuit (There is no great genius without some touch of madness). This passage by Seneca is the source most often cited in crediting Aristotle with this thought, but in Problemata xxx. 1, Aristotle says: 'Why is it that all those who have become eminent in philosophy or politics or poetry or the arts are clearly melancholic?' The quote by Plato is from the Dialogue Phaedrus (245a).
On Tranquility of the Mind

Fear , Singing , Madness

“Barring love and war, few enterprises are undertaken with such abandon, or by such diverse individuals, or with so paradoxical a mixture of appetite and altruism, as that group of avocations known as outdoor recreation. It is, by common consent, a good thing for people to get back to nature. But wherein lies the goodness, and what can be done to encourage its pursuit?”

Aldo Leopold book A Sand County Almanac

Source: A Sand County Almanac, 1949, "Conservation Esthetic", p. 165.

Love , War , People , Nature

“. Here [ Guernsey ] people bath among the rocks which serve as cabins, since there's nothing else; nothing is more attractive than this mixture of women and men crowded on these rocks. One would belief oneself in a landscape by Watteau rather than in the real world. So I'll have a source of real and graceful motives which I will be able to make use of. Some enchanting bathing-costumes... Nothing is more amusing when one is strolling through these rocks, than to surprise young girls getting ready to bathe... Despite the small number of things that I'll be able to bring back [to Paris], I hope to be able to give you an idea of these charming things.”

Pierre-Auguste Renoir (1841–1919) French painter and sculptor

In Renoir's letter to Paul Durand-Ruel, from Guernsey, 27 Sept, 1883; as cited in 'Renoir in Guernsey' (in 1883), text by John House http://museums.gov.gg/CHttpHandler.ashx?id=81297&p=0, Guernsey museum
1880's

Women , Men , People , World

“The unusual treatment began soon after his birth, when Micheau was sent to live with a humble family in a nearby village. Having a peasant wet-nurse was normal enough, but Montaigne’s father wanted his son to absorb an understanding of commoners’ ways along with their breast milk, so that be would grow up comfortable with the people who most needed a seigneur’s help. Instead of bringing a nurse to the baby, therefore, he sent the baby to the nurse, and left him there long enough to be weaned. Even at the christening, Pierre [Montaigne’s father] had “people of the lowest class” hold the infant over the font. From the start, Montaigne had the impression at once of being a peasant among peasants, and of being very special and different. This is the mixture of feelings that would stay with him for life. H felt ordinary, but knew that the very fact of realizing his ordinariness made him extraordinary.”

Sarah Bakewell book How to Live

Source: How to Live, or, A Life of Montaigne in one Question and Twenty Attempts at an Answer (2010), p. 52.

Life , People , Family , Way

“Friedan: A celebration of women's bodies is all right with me so long as there is no denial of the personhood of women. I suppose sometimes women are sex objects -- and men are too, by the way. It's the definition of women just as sex objects that bothers me. Women can celebrate themselves as sex objects, they can celebrate their own sexuality and can enjoy the sexuality of men as far as I'm concerted. Let's have men centerfolds. [.. ] Playboy's centerfold is fine. It's holding onto your own anachronism and it is not pornographic, though many of my sisters would disagree. It's harmless. […] Playboy strikes me as an odd mixture of sex -- sometimes juvenile --- and forward intellectual thoughts.”

Betty Friedan (1921–2006) American activist

The Playboy Interview (1992)

Women , Men , Sex , Way

“The mixture of the oral and the written traditions in the writings of Plato enabled him to dominate the history of the West.”

Harold Innis (1894–1952) Canadian professor of political economy

Minerva's Owl (1947), an address to the Royal Society of Canada, published in The Bias of Communication (1951) p. 10.
The Bias of Communication (1951)

History

“Human rights did not begin with the French Revolution… [they] really stem from a mixture of Judaism and Christianity… [we English] had 1688, our quiet revolution, where Parliament exerted its will over the King… it was not the sort of Revolution that France's was…'Liberty, equality, fraternity' – they forgot obligations and duties I think. And then of course the fraternity went missing for a long time.”

Margaret Thatcher (1925–2013) British stateswoman and politician

On the French Revolution; quoted in '"Les droits de l'homme n'ont pas commencé en France," nous déclare Mme Thatcher', Le Monde (13 July 1989)
Third term as Prime Minister

Thinking , Time

“This program fuses magic, suggestion, psychology, misdirection and showmanship. I achieve all the results you’ll see here through a varied mixture of those techniques. At no point are actors or stooges used in the show.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

“Even in his palmiest days there were good friends who could stand only limited stretches of the Lambert barrage of ideas, jokes, fantasy, quotations, apt instances, things that had struck him as he walked through London, not because these lacked quality, on the contrary because the mixture was after a while altogether too rich.”

Constant Lambert (1905–1951) British composer and conductor

Anthony Powell Messengers of Day (1978) p. 60.
Criticism

Idea

“The mixture spoils two good things, as Charles Lamb (Elia) used to say of brandy and water.”

Charles Lamb (1775–1834) English essayist

Abraham Hayward, writing in the Edinburgh Review in 1848.
Attributed

Water

“Appearance and reality […] are not separated like oil and water in a vessel, but rather amalgamated like water and wine. To separate them, we must analyse them in the most 'classic' sense of the word: the elements of the mixture must be isolated.”

Henri Lefebvre (1901–1991) French philosopher

From Critique of Everyday Life: Volume 1 (1947/1991)

Reality , Sense , Water , Appearance

“Raised an Army brat in a constantly changing scene, Kitsy has always been at ease in any company. While she enjoys formal affairs, she has such an air of informality that in her corner of the room ritual is soon dispensed with. Kitsy was much impressed with the wives of Vietnamese officials. If the Vietnamese men, she liked to say, were half as strong as their women, the country would have no problem. She enjoyed their sense of humor, their propensity for earthly jokes. When she had difficulty deciphering the mixture of languages and getting to the point, one or another of the ladies would take her aside and explain. Kitsy shares some of my lack of affinity for foreign languages; her attempts at French drew the same wry smiles as my attempts at Vietnamese. Kitsy's sense of humor has brightened many an occasion. At a ceremony unveiling my official superintendent's portrait at West Point, the master of ceremonies asked her to say a few words. "This is the second time I have seen Westy unveiled," said Kitsy. "The first time was on our wedding night."”

William Westmoreland book A Soldier Reports

Source: A Soldier Reports (1976), p. 263.

Women , Men , Smile , Problem

“I liked Charentz straight off, but more important than this was the feeling that I had that he was a truly great man. Human greatness is a rather difficult thing to account for, and more often than not one is mistaken in one's hunches about somebody one has met. Charentz seemed great to me, I think, because he was made of a mixture of proud virtues and amusing flaws. On the one hand, his independence of spirit was balanced by a humorous worldliness, his acute intelligence by a curiosity that frequently made him seem naive, his profoundly gentle manners by a kind of mocking mischievousness which might easily be mistaken for rudeness. But he was never rude, he was witty, and the purpose of his wit was to keep himself from the terrible condition of pomposity.”

William Saroyan (1908–1981) American writer

On Armenian poet Yegishe Charentz, whom Saroyan met in Moscow in June, 1935.
I Used to Believe I Had Forever — Now I'm Not So Sure (1968)

Feeling , Intelligence , Thinking

“First I will make different color tests: I will study the dark – deep blue, deep violet, deep dirty green, etc. Often I see the colors before my eyes. Sometimes I imitate with my lips the deep sounds of the trumpet – then I see various deep mixtures which the word is uncapable od conceiving and which the palette can only feebly reproduce.”

Wassily Kandinsky (1866–1944) Russian painter

Quote in Kandinsky's letter to Gabriele Münter, 1915; as cited in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 16 note 54
1910 - 1915

Color , Study

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

Art , Feeling , Question , Thinking

“Two main alternative views of the regulation of industry are widely held. The first is that regulation is instituted primarily for the protection and benefit of the public at large or some large subclass of the public. In this view, the regulations which injure the public -as when the oil import quotas increase the cost of petroleum products to America by $5 billion or more a year- are costs of some social goal (here, national defense) or, occasionally, perversions of the regulatory philosophy. the second view is essentially that the political process defies rational explanation: "politics" is an imponderable, a constantly and unpredictably shifting mixture of forces of the most diverse nature, comprehending acts of great moral virtue (the emancipation of slaves) and of the most vulgar venality”

George Stigler (1911–1991) American economist

the congressman feathering his own nest
Source: "The theory of economic regulation," 1971, p. 3

Nature

“The Greeks follow a wrong usage in speaking of coming into being and passing away; for nothing comes into being or passes away, but there is mingling and separation of things that are. So they would be right to call coming into being mixture, and passing away separation.”

Anaxagoras (-500–-428 BC) ancient Greek philosopher

Frag. B 17, quoted in John Burnet's Early Greek Philosophy, (1920), Chapter 6.

“The ethnic composition of the population - and the particular mixture of nationalities, languages and cultures - is a matter of importance to all nations. The selection of immigrants should not be seen primarily as a test of which nationalities are best. It is more important to select immigrants with an eye to the collective effect on the nation. An immigration policy is not a symbol, a banner, of a nation's attitude to other peoples or races; and to reject potential immigrants is in no way to doubt the worthiness of their nationality or culture.”

Geoffrey Blainey book All for Australia

All for Australia (1984)

People , Way

“Or, to state his character as it stood in the scale of public opinion, when his friends and critics were in tantrums, he was considered rather a bad man; when they were pleased, he was rather a good man; when they were neither, he was a man whose moral colour was a kind of pepper-and-salt mixture.”

Thomas Hardy book Far from the Madding Crowd

Source: Far from the Madding Crowd (1874), Ch. 1

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Love , Women , Men , People

“It is manifest that there is no danger at all in the proportion or quantity of knowledge, how large soever, lest it should make it swell or out-compass itself; no, but it is merely the quality of knowledge, which, be it in quantity more or less, if it be taken without the true corrective thereof, hath in it some nature of venom or malignity, and some effects of that venom, which is ventosity or swelling. This corrective spice, the mixture whereof maketh knowledge so sovereign, is charity, which the Apostle immediately addeth to the former clause; for so he saith, “Knowledge bloweth up, but charity buildeth up.””

Francis Bacon book The Advancement of Learning

Book I
The Advancement of Learning (1605)

Nature , Knowledge

“She [Lucrezia] also had bright yellow hair, which she washed once a week with a mixture of saffron, box shavings, wood ash, barley straw, madder, cumin seed, and one thing and another to bring out the hidden glints and restore its natural color. You left it on your head for twenty-four hours and washed it off with lye made from cabbage stalks, the only hazard of which was the second-degree burn. If your hair remained on the scalp, you were a blonde.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part III: Strange Bedfellows, Lucrezia Borgia

Color , Nature , Box

“One reason nature pleases us is its endless use of a few simple principles: the cube-square law; fractals; spirals; the way that waves, wheels, trig functions, and harmonic oscillators are alike; the importance of ratios between small primes; bilateral symmetry; Fibonacci series, golden sections, quantization, strange attractors, path-dependency, all the things that show up in places where you don’t expect them…these rules work with and against each other ceaselessly at all levels, so that out of their intrinsic simplicity comes the rich complexity of the world around us. That tension—between the simple rules that describe the world and the complex world we see—is itself both simple in execution and immensely complex in effect. Thus exactly the levels, mixtures, and relations of complexity that seem to be hardwired into the pleasure centers of the human brain—or are they, perhaps, intrinsic to intelligence and perception, pleasant to anything that can see, think, create?—are the ones found in the world around us.”

John Barnes book Mother of Storms

Source: Mother of Storms (1994), pp. 470-471

Pleasure , World , Law , Way

“Our French Republic is no more than a great gullet swallowing the negroizing of the French at the command of the Jews. Our governors are a clique of sadistic yids and yellow-bellied masons sworn to swallow us up, to bastardize us further, to boil us down by all the grotesque, primitive means of inter-mixture, part negro, part yellow, part white, part red, part monkey, part Jewish, part everything.”

Louis-ferdinand Céline (1894–1961) French writer

219
L'Ecole des cadavres (1938)

Parting

“Prep school, public school, university: these now tedious influences standardize English autobiography, giving the educated Englishman the sad if fascinating appearance of a stuffed bird of sly and beady eye in some old seaside museum. The fixation on school has become a class trait. It manifests itself as a mixture of incurious piety and parlour game.”

V.S. Pritchett (1900–1997) British writer and critic

"Evelyn Waugh: Club and Country", p. 95
The Tale Bearers: English and American Writers (1980)

Education , Sadness , School , Game

“If one of these elements, heat, becomes predominant in any body whatsoever, it destroys and dissolves all the others with its violence. …Again if too much moisture enters the channels of a body, and thus introduces disproportion, the other elements, adulterated by the liquid, are impaired, and the virtues of the mixture dissolved. This defect, in turn, may arise from the cooling properties of moist winds and breezes blowing upon the body. In the same way, increase or diminution of the proportion of air or of the earthy which is natural to the body may enfeeble the other elements.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter IV, Sec. 6

Way , Nature

“The Korean economic miracle was the result of a clever and pragmatic mixture of market incentives and state direction.”

Ha-Joon Chang book Bad Samaritans: The Myth of Free Trade and the Secret History of Capitalism

Prologue, p. 15
Bad Samaritans: The Myth of Free Trade and the Secret History of Capitalism (2008)

“The portrait I have to paint is of…an ambiguous character, a mixture of virtues and vices, a perpetual contrast between good impulses and bad actions.”

Antoine François Prévost (1697–1763) French novelist

J'ai à peindre…un caractère ambigu, un mélange de vertus et de vices, un contraste perpétuel de bons sentiments et d'actions mauvaises.
Avis de l'auteur, p. 30; translation p. 3.
L'Histoire du chevalier des Grieux et de Manon Lescaut (1731)

Painting

“.. can you [contemporary painters] ever get close, even vaguely, to the solidity, the transparency, the lyric strength of colour, to the clarity, the mystery, the emotion of any of the paintings of Fra Angelico, Piero della Francesca, Botticelli, Dürer, Holbein or of young Raphael? Friends, have you ever realized that with the oil colours used today this is absolutely impossible?... In the museums of Europe I have observed the work of the Flemish painters at length – those earlier, later as well as contemporary to the [brothers] Van Eycks – and I am convinced that the above mentioned brothers were not the discoverers of oil paint in its true sense, as is held today, but that what they did was introduce oil in emulsion with other substances, especially live and fossil resins, into so-called oil tempera emulsion, which was already known in the Flanders, to enable them through the use of veiling to give a greater finish, cleanliness and strength of colour to their painting.
'These oils which are their tempera' said Vasari, speaking of the Flemish [painters] in his Life of Antonello; and without doubt he was alluding to Flemish oil tempera emulsion, but it is sure, absolutely sure, that.... we are dealing with.... a tempera based mixture (egg, glue, resin, tempera etc) in which oil was only used as a means of unity and for the finish of the painting.”

Giorgio de Chirico (1888–1978) Italian artist

Quote from De Chirico's text 'Pro tempera oratio', c. 1920; from 'PRO TEMPERA ORATIO' http://www.fondazionedechirico.org/wp-content/uploads/475-480Metafisica5_6.pdf, p. 475
1920s and later

Life , Sense , Painting

“Said the great Teacher, “If your son asks for bread, will you give him a stone?” The body calls for bread, for life-giving food, but how often we supply, instead, such indigestible, unwholesome rubbish as pickles, green olives, fried foods, and various abominable mixtures which bring into the body death rather than life. How often, too, the voice which calls for pure, life-giving water is insanely answered by such disease-producing drinks as beer, whisky, wine, tea, or coffee, and the like.”

John Harvey Kellogg (1852–1943) American physician

Source: The Living Temple, p. 58

Life , Death , Disease , Food

“So, what I do is a mixture of genuine psychological technique as well as all the chicanery and showmanship of the magician but it was enormously tempting to see what a clinical psychologist would make of it.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

“A society like the Church, which claims to be Divine is perhaps more dangerous on account of the ersatz good which it contains then on account of the evil which sullies it.
Something of the social labelled divine: an intoxicating mixture which carries with it every sort of license. Devil disguised.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), The Great Beast (1947), p. 122

Evil

“You can be a permanent fixture in my lyrical mixture.”

Eminem (1972) American rapper and actor

"Bagpipes from Baghdad".
2000s, Relapse (2009)

“Or he may study the hidden mind of the animal. A mixture of feelings and of thoughts, of dumb intelligences and of rudimentary affections, he reads the whole humble moral life of the beast in its eyes and in its movements.
He is even the confidant of nature. The trees, the plants talk to him like friends. The old gnarled oaks speak to him of their kindliness for the human race whom they protect beneath their sheltering branches. The flowers commune with him by the gracious swaying of their stalks, by the singing tones of their petals — each blossom amidst the grass is a friendly word addressed to him by nature.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Ch. II. To the artist, all in nature is beautiful, p. 48

Life , Feeling , Confidence , Intelligence

“No government, at that time, appeared in the world, nor is perhaps to be found in the records of any history, which subsisted without the mixture of some arbitrary authority, committed to some magistrate; and it might reasonably, beforehand, appear doubtful, whether human society could ever arrive at that state of perfection, as to support itself with no other control, than the general and rigid maxims of law and equity. But the parliament justly thought, that the King was too eminent a magistrate to be trusted with discretionary power, which he might so easily turn to the destruction of liberty. And in the event it has been found, that, though some inconveniencies arise from the maxim of adhering strictly to law, yet the advantages so much overbalance them, as should render the English forever grateful to the memory of their ancestors, who, after repeated contests, at last established that noble principle.”

David Hume The History of England

Volume V, Chapter LIV (Indianapolis: Liberty Fund, 1983), pp. 329-30; referring to the abolition of the Star Chamber
The History of England (1754-62)

World , Law , History , Support

“The means of expression is the optical mixture of tones, of tints (of local color and the illuminating color: sun, oil lamp, gas, etc.), that is, of the lights and of their reactions (shadows) following the laws of contrast, of gradation, of irradiation.”

Georges Seurat (1859–1891) French painter

Quotes, 1881 - 1890, Letter to Maurice Beaubourg', August 1890

Law , Color , Light , Sun

“In the contemporary economy, however, and with the labor relations of post-Fordism, mobility increasingly defines the labor market as a whole, and all categories are tending toward the condition of mobility and cultural mixture common to the migrant. **133”

Antonio Negri book Multitude: War and Democracy in the Age of Empire

Multitude: War and Democracy in the Age of Empire

“It is too easy to see Crowley as an overgrown juvenile delinquent with a passion for self-advertisement. But there was another Crowley, the Crowley recognized and admired by Frank Bennett. Unless we understand this, we totally fail to grasp the extraordinary influence that Crowley could exert on women like Rose and Leah, and on men like Neuberg, Sullivan and Bennett. They came to believe that Crowley was exactly what he claimed to be: a great teacher, the messiah of a new age. And this was not the gullibility of born dupes; Sullivan, at least, was one of the most intelligent men of his age (as his book on Beethoven reveals). Crowley was, in part, a great teacher, a man of profound insights. Mencius says: 'Those who follow the part of themselves that is great become great men; those who follow the part of themselves that is small will become small men.' But Crowley was a strange mixture who devoted about equal time to following both parts of himself, and so became a curious combination of greatness and smallness. A summary of his life, and his extraordinary goings-on, makes us aware of the smallness; but it would be sheer short-sightedness to overlook the element of greatness that so impressed Bennett.”

Colin Wilson (1931–2013) author

Source: Aleister Crowley: The Nature of the Beast (1987), p. 127-128

Life , Women , Men , Books

“It [i. e., his look] held the fatal mixture of stupidity and cunning that lurks at the bottom of all evil.”

Brian W. Aldiss book Hothouse

Source: Hothouse (1962), Chapter 22

Stupidity , Evil

“I did not come to know part II of 'Faust' until long after I made my illustrations, and even then only very superficially. It struck me as an ill-digested work, of little interest from the literary standpoint, but among those most calculated to inspire a painter owing to the mixture of characters and styles it contains... You asked what gave me the first idea of the Faust lithographs. I remember that about 1821 I saw the designs made by Retch [ Retzsch] and found them rather striking; but it was above all the performance of a dramatic opera on Faust that I saw in London in 1825 which stirred me to do something on the subject. The actor.... was a perfect Mephistopheles; he was fat, but that in no way diminished his nimbleness and his Satanic character.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix' letter to Philippe Burty, 1 March 1862; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 76
Delacroix describes the source of his series Faust lithographs
1831 - 1863

Way , Idea , Parting , Perfection

“These examples point to the third and most fundamental aspect of the incommensurability of competing paradigms. In a sense that I am unable to explicate further, the proponents of competing paradigms practice their trades in different worlds. One contains constrained bodies that fall slowly, the other pendulums that repeat their motions again and again. In one, solutions are compounds, in the other mixtures. One is embedded in a flat, the other in a curved, matrix of space. Practicing in different worlds, the two groups of scientists see different things when they look from the same point in the same direction. Again, that is not to say that they can see anything they please. Both are looking at the world, and what they look at has not changed. But in some areas they see different things, and they see them in different relations one to the other. That is why a law that cannot even be demonstrated to one group of scientists may occasionally seem intuitively obvious to another.”

Thomas Kuhn book The Structure of Scientific Revolutions

Source: The Structure of Scientific Revolutions (1962), XII. The Resolution of Revolutions, p. 149

World , Law , Sense , Change

“Universities are bastions of free speech and incubators of new and challenging ideas. But sometimes they fail to see the creeping extremism on their campuses. When David Irving goes to a university to deny the Holocaust – university leaders rightly come out and condemn him. They don’t deny his right to speak but they do challenge what he says. But when an Islamist extremist goes there to promote their poisonous ideology, too often university leaders look the other way through a mixture of misguided liberalism and cultural sensitivity.”

David Cameron (1966) Former Prime Minister of the United Kingdom

2010s, 2015, Speech on (20 July 2015)

Way , Idea , Universe

“The law is an adroit mixture of customs that are beneficial to society, and could be followed even if no law existed, and others that are of advantage to a ruling minority, but harmful to the masses of men, and can be enforced on them only by terror.”

Peter Kropotkin (1842–1921) Russian zoologist, evolutionary theorist, philosopher, scientist, revolutionary, economist, activist, geogr…

"Words of a Rebel"; as quoted in The Heretic's Handbook of Quotations: Cutting Comments on Burning Issues (1992) by Charles Bufe, p. 26

Men , Law

“Perhaps she was not really so perfect, but he had made her so in his mind. People did this; he had seen it. As though the world of humans was created from their desires as much as their perception—an issue the empiricists tried to deal with in their natural philosophy.
Although he realized this was a trivial truth, still, trying to comprehend the reality of a situation was his constant activity. He could not necessarily trust the word of ministers, who all had their own purposes; nor what his mother might think, for her own perception was colored by her desire to see people in certain ways. One did not trust the periodicals, certainly, and pamphleteers were never disinterested. Everyone seemed to see the world and events a little differently, depending on their own personal mixture of desire and pragmatism. In history there were any number of rulers whose perception of events was so far removed from reality that it led to calamity. Prince Wilam did not want to be one of those—at any cost. Even if it meant giving up the world as he desired it to be.”

Sean Russell (1952) author

Source: Sea Without a Shore (1996), Chapter 26 (p. 352)

People , Truth , World , Color

“In appearance and behaviour, Norbert Wiener was a baroque figure, short, rotund, and myopic, combining these and many qualities in extreme degree. His conversation was a curious mixture of pomposity and wantonness. He was a poor listener. His self-praise was playful, convincing and never offensive. He spoke many languages but was not easy to understand in any of them. He was a famously bad lecturer.”

Hans Freudenthal (1905–1990) Dutch mathematician

Norbert Wiener (2008)

Understanding , Appearance

“The mixture of highly differentiated populations is a recurrent process in our history.”

David Reich (geneticist) book Who We Are and How We Got Here

David Reich, Who We Are and How We Got Here: Ancient DNA and the New Science of the Human Past, Knopf Doubleday Publishing Group, 2018, p.10

History

“Montaigne speaks of an “Abecedarian” ignorance that precedes knowledge, and a doctoral ignorance that comes after it. The first is the ignorance of those who, not knowing their A-B-C’s, cannot read at all. The second is the ignorance of those who have misread many books. They are, as Alexander Pope rightly calls them, “bookful blockheads, ignorantly read.” There have always been literate ignoramuses, who have read too widely, and not well. The Greeks had a name for such a mixture of learning and folly which might be applied to the bookish but poorly read of all ages. They are all “sophomores.””

Mortimer J. Adler book How to Read a Book

Source: How to Read a Book (1940, 1972), p. 11

Books , Age , Knowledge , Learning

“Utopia is a mixture of childish rationalism and secularized angelism.”

Emil M. Cioran book History and Utopia

History and Utopia (1960)

Angels

“As late as 1959, a friend and colleague of Albert Schweitzer defended his unsterile hospital in the following terms: Now to the domestic animals at the Hospital. People have been shocked by the informality with which animals and people mix, and although it is perhaps not always defensible on hygienic grounds, the mixture adds considerably to the charm of the place. The writer was a dental surgeon from New York, who would obviously have had a fit if a goat or chicken had wandered into his New York surgery. He knew full well that at Schweitzer’s hospital “the goats, dogs and cats visit hospital wards teeming with microbial life of the most horrifying varieties,” but he defended their habitation with Africans because that was part of the culture and charm that had to be preserved!”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 385

Life , People , Dogs , Cats

““Whites” are not derived from a population that existed from time immemorial, as some people believe. Instead, “whites” represent a mixture of four ancient populations that lived 10,000 years ago and were each as different from one another as Europeans and East Asians are today.”

David Reich (geneticist) (1974) American geneticist, Professor of Genetics

How Genetics Is Changing Our Understanding of ‘Race’ https://www.nytimes.com/2018/03/23/opinion/sunday/genetics-race.html, NY Times, 23 March, 2018

People , Time

““A curious mixture, you,” I said, pulling her firmly toward me over the bowl of cement and commencing a lengthy kiss of agreement, exploration, adoration and lust.”

Michael Kurland book The Unicorn Girl

Source: The Unicorn Girl (1969), Chapter 7 (p. 96)

Kiss

“The United States has an isolationist and insular culture, combined with a global and interventionist posture. This highly dangerous and febrile mixture, which greatly facilitates the task of the fear-mongers and chauvinists, needs a very exact and nuanced diagnosis. I don't think that analogies from the totalitarian model, however suggestive, are sufficient.”

Christopher Hitchens (1949–2011) British American author and journalist

"The 'We' Fallacy" (1988).
1990s, For the Sake of Argument: Essays and Minority Reports (1993)

Fear , Thinking

“Unpredictable events, or the coincidence of vital events happening side by side, play their part in history. In the emerging of the United States of America, the South American nations, South Africa, Canada and Australia the unforeseen mixture of events was especially powerful in the final decades of the 18th century. Many of those events pirouetted around the fortunes of France, whose influence was as decisive when it was losing as when it was winning wars.”

Geoffrey Blainey book A Short History of the World

A Short History of the World (2000)

War , History , Decision , Parting

“I wish I was more cheerful, it is more pleasant,
Also it is a duty, we should smile as well as submitting
To the purpose of One Above who is experimenting
With various mixtures of human character which goes best,
All is interesting for him it is exciting, but not for us.
There I go again. Smile, smile, and get some work to do
Then you will be practically unconscious without positively having to go.”

Stevie Smith (1902–1971) poet, novelist, illustrator, performer

"Thoughts about the Person from Porlock (continued)"
Selected Poems (1962)

Smile

“Government is the most successful idea in the world, but for all its success and importance it is something imperfect. There is no ideal state. After thousands of years it is still a mixture of good and evil.”

Elmer Eric Schattschneider (1892–1971) American political scientist

Source: Two Hundred Million Americans in Search of a Government (1969), p. 116

World , Idea , Evil , Success

“I feel that destiny is a mixture of preparation and luck. You can be very lucky, but it is useless if you're not prepared. You can be prepared, but it is useless if you're not lucky.”

Luis Miguel (1970) Puerto Rican singer; music producer

http://www.youtube.com/watch?v=aipyRne6dso
Interview in Mexico, 1995

Feeling

“The character, or tone, of a society depends on what the society regards as the most respectable or most worthy of admiration. But by regarding certain habits or attitudes as most respectable, a society admits the superiority, the superior dignity, of those human beings who most perfectly embody the habits or attitudes in question. That is to say, every society regards a specific human type (or a specific mixture of human types) as authoritative. When the authoritative type is the common man, everything has to justify itself before the tribunal of the common man; everything which cannot be justified before that tribunal becomes, at best, merely tolerated, if not despised or suspect. And even those who do not recognize that tribunal are, willy-nilly, molded by its verdicts.”

Leo Strauss (1899–1973) Classical philosophy specialist and father of neoconservativism

Source: Natural Right and History (1953), p. 137

Question , Dependency

“His character does not appear more extraordinary and unusual by the mixture of so much absurdity with so much penetration, than by his tempering such violent ambition, and such enraged fanaticism with so much regard to justice and humanity.”

David Hume The History of England

Volume III, Chapter LXI; referring to Oliver Cromwell
The History of England (1754-62)

Justice , Appearance

“.. in order to etch, take white turpentine oil, and add half the turpentine to it; pour the mixture into a small glass bottle and let it boil in pure [? ] water for half an hour.”

Rembrandt van Rijn (1606–1669) Dutch 17th century painter and etcher

Rembrandt's 'recipe for a stopping-out varnish' on the verso of a drawing 'Landcape with a River and Trees', undated, c. 1654-55; (Benesch 1351) http://remdoc.huygens.knaw.nl/#/document/remdoc/e12886
It is evident that Rembrandt refers (alas fragmentarily) to a so-called 'stopping-out varnish', used to terminate the bite of acid in select areas of a plate that had already been exposed to the etching agent. Thus other portions will remain exposed to the acid to deepen the bite. Also Samuel van Hoogstraten, the first student of Rembrandt in Amsterdam, mentions the use of such a varnish in his 'Inleyding tot de Hooge Schoolde der Schilderkunst', Middelburg 1671 / Rotterdam 1678
1640 - 1670

Water