Quotes about mirror
page 7

Tyra Banks photo

“Smiles come naturally to me, but I started thinking of them as an art form at my command. I studied all the time. I looked at magazines, I'd practice in front of the mirror and I'd ask photographers about the best angles. I can now pull out a smile at will.”

Tyra Banks (1973) American model, author and television personality

Lynn Hirschberg (June 1, 2008) "Banksable" http://www.nytimes.com/2008/06/01/magazine/01tyra-t.html?ei=5124&en=6a5e98a9634a54f6&ex=1369972800&partner=permalink&exprod=permalink&pagewanted=all, The New York Times, The New York Times Company.

William Herschel photo

“Here [in Slough], soon after my arrival, I began to lay the foundation upon which by degrees the whole structure was raised as it now stands, and the speculum being highly polished and put into the tube, I had the first view through it on February 19, 1787. …the first speculum, by a mismanagement of the person who cast it, came out thinner on the centre of the back than was intended, and on account of its weakness would not permit a good figure to be given to it. …A second mirror was cast January 26, 1788, but it cracked in cooling. February 16 we recast it, and it proved to be of a proper degree of strength. October 24 it was brought to a pretty good figure and polish, and I observed the planet Saturn with it. But not being satisfied, I continued to work upon it till August 27, 1789, when it was tried upon the fixed stars, and I found it to give a pretty sharp image. Large stars were a little affected with scattered light, owing to many remaining scratches on the mirror. August the 28th, 1789, having brought the telescope to the parallel of Saturn, I discovered a sixth satellite of that planet, and also saw the spots upon Saturn better than I had ever seen them before, so that I may date the finishing of the forty-foot telescope from that time.”

William Herschel (1738–1822) German-born British astronomer, technical expert, and composer

Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works".

Carol Ann Duffy photo
Nisargadatta Maharaj photo
Kurt Schwitters photo
Li Bai photo
Margaret Atwood photo

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Jon Courtenay Grimwood photo
Percy Bysshe Shelley photo
Kyuzo Mifune photo
Lauren Bacall photo

“Looking at yourself in a mirror isn’t exactly a study of life.”

Lauren Bacall (1924–2014) American actress, model

As quoted in The Daily Mail (1 November 1990)

Madalyn Murray O'Hair photo
Michael Rosen photo
Báb photo
Octavio Paz photo
Edmund White photo
Ambrose Bierce photo

“While you have a future do not live too much in contemplation of your past: unless you are content to walk backward the mirror is a poor guide.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 374

Nicolaus Copernicus photo
Paul Bourget photo
George W. Bush photo
George Steiner photo
Elie Wiesel photo
Robert E. Howard photo

“Almost always is it a the fear of being ourselves that brings us to the mirror.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Casi siempre es el miedo de ser nosotros lo que nos lleva delante del espejo.
Voces (1943)

Erik Naggum photo

“If you want to know why Lisp doesn't win around you, find a mirror.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Java is really convenient. Re: Sun thinks about switching Java to S-expression syntax: Lava http://groups.google.com/group/comp.lang.lisp/msg/a6328749f51dfaee (Usenet article).
Usenet articles, Lisp

Charles Stross photo
E.M. Forster photo

“A mirror does not develop because an historical pageant passes in front of it. It only develops when it gets a fresh coat of quicksilver”

in other words, when it acquires new sensitiveness; and the novel's success lies in its own sensitiveness, not in the success of its subject matter.
Source: Aspects of the Novel (1927), Chapter One: Introductory

Nikos Kazantzakis photo

“All this world, all this rich, endless flow of appearances is not a deception, a multicolored phantasmagoria of our mirroring mind. Nor is it absolute reality which lives and evolves freely, independent of our mind's power.”

The Saviors of God (1923)
Context: All this world, all this rich, endless flow of appearances is not a deception, a multicolored phantasmagoria of our mirroring mind. Nor is it absolute reality which lives and evolves freely, independent of our mind's power.
It is not the resplendent robe which arrays the mystic body of God. Nor the obscurely translucent partition between man and mystery.
All this world that we see, hear, and touch is that accessible to the human senses, a condensation of the two enormous powers of the Universe permeated with all of God.

Rudolf Rocker photo

“In the pettiest struggle, born of the needs of the moment, there must be mirrored the great goal of social liberation, and each such struggle must help to smooth the way and strengthen the spirit which transforms the inner longing of its bearers into will and deed.”

Source: Anarcho-Syndicalism (1938), Ch. 5 "The Methods of Anarcho-Syndicalism"
Context: Above all it is necessary to cure the labour movement of its inner ossification and rid it of the empty sloganeering of the political parties, so that it may forge ahead intellectually and develop within itself the creative conditions which must precede the realisation of Socialism. The practical attainability of this goal must become for the workers an inner certainty and must ripen into an ethical necessity. The great final goal of Socialism must emerge from all the practical daily struggles, and must give them a social character. In the pettiest struggle, born of the needs of the moment, there must be mirrored the great goal of social liberation, and each such struggle must help to smooth the way and strengthen the spirit which transforms the inner longing of its bearers into will and deed.

Alan Watts photo
Wallace Stevens photo

“The first idea was not our own. Adam
In Eden was the father of Descartes
And eve made air the mirror of herself,

Of her sons and of her daughters.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

Georg Christoph Lichtenberg photo

“A book is a mirror: if an ape looks into it an apostle is hardly likely to look out.”

Georg Christoph Lichtenberg (1742–1799) German scientist, satirist

E 49
Variant translations of first portion: A book is a mirror: If an ape peers into it, you can't expect an apostle to look out.
A book is a mirror: If an ass peers into it, you can't expect an apostle to look out. — this has actually been the most commonly cited form, but it is based on either a loose non-literal translation or a mistranslation of the German original: Ein Buch ist Spiegel, aus dem kein Apostel herausgucken kann, wenn ein Affe hineinguckt.
Aphorisms (1765-1799), Notebook E (1775 - 1776)
Context: A book is a mirror: if an ape looks into it an apostle is hardly likely to look out. We have no words for speaking of wisdom to the stupid. He who understands the wise is wise already.

“Music is like a mirror in front of you. You're exposing everything, but surely that's better than suppressing. … You have to dig deep and that can be hard for anybody, no matter what profession. I feel that I need to actually push myself to the limit to feel happy with the end result.”

Enya (1961) Irish singer, songwriter, and musician

The Telegraph interview (2005)
Context: The word workaholic is so severe, but I do focus a lot on my work... I think a lot about what I'm doing in all aspects of my life, what am I trying to achieve here, am I happy with this? Music is like a mirror in front of you. You're exposing everything, but surely that's better than suppressing.... You have to dig deep and that can be hard for anybody, no matter what profession. I feel that I need to actually push myself to the limit to feel happy with the end result.

“Everybody makes the same mistake. Fortune-telling doesn't reveal the future; it mirrors the present.”

Charles de Lint (1951) author

"Paperjack" in Dreams Underfoot : The Newford Collection (2003), p. 396
Context: Everybody makes the same mistake. Fortune-telling doesn't reveal the future; it mirrors the present. It resonates against what your subconscious already knows and hauls it up out of the darkness so you can get a good look at it.

“I say the entities that are named as gods by Earthians are imagined into being by Earthians as personal helper-buddies, justifiers, threateners (my god can beat up your god). They don't "run on" anything any more than a mirror image "runs on" anything. They merely reflect what people want them to be.”

Sheri S. Tepper (1929–2016) American fiction writer

Strange Horizons interview (2008)
Context: I say the entities that are named as gods by Earthians are imagined into being by Earthians as personal helper-buddies, justifiers, threateners (my god can beat up your god). They don't "run on" anything any more than a mirror image "runs on" anything. They merely reflect what people want them to be. "I want to have more children than my brother does, thus proving I'm a better man than he is, so my god tells me I should have a big family." "I want to screw women, so my god is going to give me seventy virgins I can screw for all eternity." The "gods" in The Margarets who could really do anything were actually an old, highly evolved race of real people. The others were only reflections. The real God, who may really exist, is outside all that, perhaps watching closely, perhaps merely asleep for a few trillion years while the experiment runs out.
We — thee and me as individuals — will never know that God, though after a few trillion years, the universe as a whole may come to understand that God.

Terry Gilliam photo

“And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror.”

Terry Gilliam (1940) American-born British screenwriter, film director, animator, actor and member of the Monty Python comedy troupe

On Heath Ledger's death in January 2008, as quoted in Terry Gilliam on Heath Ledger’s death and The Imaginarium of Doctor Parnassus (14 May 2008) http://cma.staging-thetimes.co.uk/tto/arts/film/article2431428.ece
Context: We were devastated. We spent the whole day — Amy Gilliam, Nicola Pecorini, the director of photography, and myself — lying flat on the floor. Heath Ledger's dead, and you don't quite get over that. I suppose I'm in an interesting position because while I'm cutting the film I'm basically working with him every day and he's fine; he's in good shape. Ideas are floating around. Then finally we decided, 'OK, let's get three other people to take over the part'. And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror. So you can very genuinely say that these other actors are different aspects of the character that Heath plays. And it works. The point was, we've got to keep going. It was a bit like half being there, but apparently on autopilot I can still do a few things.

C. J. Cherryh photo

“When the legend is retold, it mirrors the reality of the time, and one can learn from studying how various authors have attempted to retell the story.”

C. J. Cherryh (1942) United States science fiction and fantasy author

The Camelot Project interview (1996)
Context: When the legend is retold, it mirrors the reality of the time, and one can learn from studying how various authors have attempted to retell the story. I don't think we have an obligation to change it radically. I think that if we ever move too far from the basic story, we would lose something very precious. I don't, for instance, approve of fantasy that attempts to go back and rewrite the Middle Ages until it conforms to political correctness in the twentieth century. That removes all the benefit from reading the story. If you don't understand other people in their time and why they did what they did, then you don't understand your own past. And when you lose your past, you lose some potential for your own future.

Jerome photo

“The face is the mirror of the mind, and eyes without speaking confess the secrets of the heart.”
Speculum mentis est facies, et taciti oculi cordis fatentur arcana.

Jerome (345–420) Catholic saint and Doctor of the Church

Letter 54
Letters

Jacqueline Kennedy Onassis photo

“I saw myself in the mirror; my whole face spattered with blood and hair… I wiped it off with Kleenex… History! … I thought, no one really wants me there. Then one second later I thought, why did I wash the blood off? I should have left it there, let them see what they've done…”

Jacqueline Kennedy Onassis (1929–1994) public figure, First Lady to 35th U.S. President John F. Kennedy

A variant reading of White's notes exists: Then later I said to Bobby — what's the line between histrionics and drama. I should have kept the blood on. but in White's own published memoir In Search of History: A Personal Adventure (1978) this is rendered "what's the line between history and drama?"
The "Camelot" interview (29 November 1963)
Context: History!... Everybody kept saying to me to put a cold towel around my head and wipe the blood off... later, I saw myself in the mirror; my whole face spattered with blood and hair... I wiped it off with Kleenex... History! … I thought, no one really wants me there. Then one second later I thought, why did I wash the blood off? I should have left it there, let them see what they've done... If I'd just had the blood and caked hair when they took the picture … Then later I said to Bobby — what's the line between history and drama? I should have kept the blood on.

Aeschylus photo

“Bronze is the mirror of the form; wine, of the heart.”

Aeschylus (-525–-456 BC) ancient Athenian playwright

Fragment 384, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

“Find your identity by actually looking for the things in life that appeal to you or stir emotion in you. If you just let your government, your local imam, even your local pop singer or nasheed singer, define what you should be, you will never be more than that. Look in the mirror and ask yourself, ‘Who do I WANT to be?’ Start there.”

Dawud Wharnsby (1972) Canadian musician

Beating the drums of hope and faith (2004)
Context: Start small, put down the book you’re reading and sit with your grandmother to learn her language and find out about her life’s struggles and her history, before she passes on and your history is lost; put down the TV remote control and stop letting pop culture define who you are and go for a walk through your hometown’s historical landmarks. Find your identity by actually looking for the things in life that appeal to you or stir emotion in you. If you just let your government, your local imam, even your local pop singer or nasheed singer, define what you should be, you will never be more than that. Look in the mirror and ask yourself, ‘Who do I WANT to be?’ Start there.

Martha Graham photo

“The next time you look into the mirror, just look at the way the ears rest next to the head; look at the way the hairline grows; think of all the little bones in your wrist. It is a miracle. And the dance is a celebration of that miracle.”

Martha Graham (1894–1991) American dancer and choreographer

I Am A Dancer (1952)
Variant: Think of the magic of that foot, comparatively small, upon which your whole weight rests. It's a miracle, and the dance is a celebration of that miracle.

Alfred, Lord Tennyson photo
Ingmar Bergman photo

“To the fanatical believer physical and spiritual suffering is beside the point, compared with salvation. That is why, to him, everything happening around him is irrelevant, a mirror-image, a mere will-o'-the-wisp. … I can really never get shot of them, the fanatics. Whether they appear as religious fanatics or vegetarian fanatics makes no odds. They're catastrophic people.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview <!-- p. 117 -->
Bergman on Bergman (1970)
Context: To the fanatical believer physical and spiritual suffering is beside the point, compared with salvation. That is why, to him, everything happening around him is irrelevant, a mirror-image, a mere will-o'-the-wisp. … I can really never get shot of them, the fanatics. Whether they appear as religious fanatics or vegetarian fanatics makes no odds. They're catastrophic people. These types whose whole cast of mind as it were looks beyond mere human beings toward some unknown goal. The terrible thing is the great power they often wield over their fellow human beings. Apart from the fact that I believe they suffer like the very devil, I've no sympathy for them.

Russell Brand photo

“I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature. Not me, little ol’ Russ, tossed about on turbulent seas; these distinctions were engineered. On acid, these realizations are absolute. The disobedient brain is whipped into its basket like a yapping hound cowed by Cesar Millan.”

Revolution (2014)
Context: The women sway and jump and shriek. Whilst this is all almost entirely foreign, there is something familiar, like a place in your mouth where food always gets caught. Something I recognize. It is orgiastic. This Christianity with a voodoo twist is on the brink of Dionysian breakdown. Through this ritual, I see the root of ritual. The exorcising of the primal, the men engorged, enraged, the women serpentine and lithe. Only the child excluded. I get on my knees, which a few other people are doing, out of respect but also because I’m beginning to sense that it’s only a matter of time before I’m ushered to the front. I’ve not been taught how to be religious. Religious studies at school doesn’t even begin to cover it. There the world’s greatest faiths and the universe’s swirling mysteries are recited like bus timetables. No teacher of RE ever said to me: “Beyond the limited realm of the senses, the shallow pool of the known, is a great untamable ocean, and we don’t have a fucking clue what goes on in there.” What we receive through sight, sound, smell, taste, and touch is all we know. We have tools that can enhance that information, we have theories for things that we suspect lie beyond that information, filtered through an apparatus limited once more to those senses. Those senses are limited; the light range we detect is within a narrow spectrum, between infrared light and ultraviolet light; other species see light that we can’t see. In the auditory realm, we hear but a fraction of the sound vibrations; we don’t hear high-pitched frequencies, like dog whistles, and we don’t hear low frequencies like whale song. The world is awash with colors unseen and abuzz with unheard frequencies. Undetected and disregarded. The wise have always known that these inaccessible realms, these dimensions that cannot be breached by our beautifully blunt senses, hold the very codes to our existence, the invisible, electromagnetic foundations upon which our gross reality clumsily rests. Expressible only through symbol and story, as it can never be known by the innocent mind. The stories are formulas, poems, tools for reflection through which we may access the realm behind the thinking mind, the consciousness beyond knowing and known, the awareness that is not connected to the haphazard data of biography. The awareness that is not prickled and tugged by capricious emotion. The awareness that is aware that it is aware. In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer—at sixteen, staring into a bathroom mirror on LSD, contrary to instruction (“Don’t look in the mirror, Russ, it’ll fuck your head up.” Mental note: “Look in mirror.”). I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature. Not me, little ol’ Russ, tossed about on turbulent seas; these distinctions were engineered. On acid, these realizations are absolute. The disobedient brain is whipped into its basket like a yapping hound cowed by Cesar Millan.

Alfred, Lord Tennyson photo

“The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.”

Pt. III, st. 5
The Lady of Shalott (1832)
Context: She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.

Czeslaw Milosz photo

“Consciousness even in my sleep changes primary colors.
The features of my face melt like a wax doll in the fire.
And who can consent to see in the mirror the mere face of man?”

Czeslaw Milosz (1911–2004) Polish, poet, diplomat, prosaist, writer, and translator

"Rivers Grow Small" (1963), trans. Czesław Miłosz
Bobo's Metamorphosis (1965)

Stanisław Lem photo

“We are only seeking Man. We have no need of other worlds. We need mirrors. We don't know what to do with other worlds.”

Source: Solaris (1961), Ch. 6: "The Little Apocrypha", p. 72
Context: We are only seeking Man. We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; but we can't accept it for what it is. We are seaching for an ideal image of our own world: we go in quest of a planet, of a civilisation superior to our own but developed on the basis of a prototype of our primeval past. At the same time, there is something inside us which we don't like to face up to, from which we try to protect ourselves, but which nevertheless remains, since we don't leave Earth in a state of primal innocence. We arrive here as we are in reality, and when the page is turned and that reality is revealed to us — that part of our reality which we would prefer to pass over in silence — then we don't like it any more.

Kate Bush photo

“I won't open boxes
That I am told not to.
I'm not a Pandora.
I'm much more like
That girl in the mirror.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Dreaming (1982)
Context: I won't open boxes
That I am told not to.
I'm not a Pandora.
I'm much more like
That girl in the mirror.
Between you and me
She don't stand a chance of getting anywhere at all.

Hans-Georg Gadamer photo

“In fact history does not belong to us but rather we to it. Long before we understand ourselves through the process of self-examination, we understand ourselves in a self-evident way in the family, society, and state in which we live. The focus of subjectivity is a distorting mirror. The self awareness of the Individual is only a flickering in the closed circuit of historical life. That is why the prejudices of an individual are — much more than that individual's judgments — the historical reality of his being.”

Source: Truth and Method (1960), p. 289
Variant translation: In truth history does not belong to us but rather we to history. … The focus of subjectivity is a distorted mirror. Individual self-reflection is merely a flickering in the closed circuit of historical life. That is why the prejudices of an individual are —much more than that individual's judgments — the historical reality of his being.
As quoted in Tom Neton, "Hermeneutical Truth and the Structure of Human Experience: Gadamer's Critique of Dilthey" in The Specter of Relativism: Truth, Dialogue, and Phronesis in Philosophical Hermeneutics (1995) edited by Lawrence Schmidt.

Margaret Atwood photo

“To live in prison is to live without mirrors. To live
without mirrors is to live without the self.”

Margaret Atwood (1939) Canadian writer

Selected Poems 1976-1986 (1987), Marrying the Hangman
Context: To live in prison is to live without mirrors. To live
without mirrors is to live without the self. She is
living selflessly, she finds a hole in the stone wall and
on the other side of the wall, a voice. The voice
comes through darkness and has no face. This voice
becomes her mirror.

George Eliot photo

“He never had a doubt that such gods were;
He looked within, and saw them mirrored there.”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)
Context: When Cain was driven from Jehovah's land
He wandered eastward, seeking some far strand
Ruled by kind gods who asked no offerings
Save pure field-fruits, as aromatic things,
To feed the subtler sense of frames divine
That lived on fragrance for their food and [wine]]:
Wild joyous gods, who winked at faults and folly,
And could be pitiful and melancholy.
He never had a doubt that such gods were;
He looked within, and saw them mirrored there.

Martin Amis photo

“Violence must come; America must have catharsis. We would hope that the response will be, above all, non-escalatory. It should also mirror the original attack in that it should have the capacity to astonish.”

Martin Amis (1949) Welsh novelist

"Fear and loathing" (2001)
Context: Violence must come; America must have catharsis. We would hope that the response will be, above all, non-escalatory. It should also mirror the original attack in that it should have the capacity to astonish. A utopian example: the crippled and benighted people of Afghanistan, hunkering down for a winter of famine, should not be bombarded with cruise missiles; they should be bombarded with consignments of food, firmly marked LENDLEASE — USA.

Victor Hugo photo

“Mirrors, those revealers of the truth, are hated; that does not prevent them from being of use.”

Victor Hugo (1802–1885) French poet, novelist, and dramatist

Letter To M. Daelli on Les Misérables (1862)
Context: This book, Les Misérables, is no less your mirror than ours. Certain men, certain castes, rise in revolt against this book, — I understand that. Mirrors, those revealers of the truth, are hated; that does not prevent them from being of use. As for myself, I have written for all, with a profound love for my own country, but without being engrossed by France more than by any other nation. In proportion as I advance in life, I grow more simple, and I become more and more patriotic for humanity.

Bill Bailey photo

“Even if you’re not particularly religious, then you have to admit that religion surrounds us even in the most mundane aspects of our lives. I was trying to rent a car, and the bloke said to me: "You’re not covered for acts of God."
I said: "What do you mean by that?", he said: [waving arms] "Woooooh!"
I said, "Can you be a bit more specific?", and he went, [vaguely gesticulating] "Eh… ooooh… uh?"
I said, "I’m intrigued because you said 'acts of God', and not gods, or spirits, or jinn, or nymphs, but 'God', a capital God, a monotheistic religion, maybe a Judeo-Christian religion, which would imply a belief system, which would perhaps lead to free-will and determinism, so logically anything that man does directly or indirectly is in fact an act of God, so I’m not covered for anything!"
He said, "I’ll get the manager."
Then I said, "What do you mean by an act of God? What do you mean by that?"
He said, "I dunno, a plague of locusts or something."
"'A plague of locusts'? They swarm round the vehicle, rip the wing mirrors off, and I’m liable for a fifty pound excess?”
And he said, "No, like, rain or something."
I said, "Yeah, but how much rain? It’s drizzling a bit now, is that an act of God? At what point does the rain reach a certain level beyond which it takes on the more apocalyptic mantle of the water-based punishment of the Lord!?"
And he said, [despairing] "I just work Saturdays."
I said "You can’t answer me, can you? Your policy is riddled with theological inconsistency. You disgust me. You twist and turn. You remind me of the Siberian hunting spider, which adopts a highly-convincing limp in three of its eight legs in order to attract its main prey, the so-called Samaritan squirrel, which takes pity on the spider, and then the spider jumps on it and injects the paralysing venom, and the squirrel remains bafflingly philosophical about the whole thing. Not to be confused with the Ukrainian hunting spider, which actually has got a limp and is, as such, completely harmless, and a little bit bitter about the whole thing: [imitating spider] 'Siberian spider have good leg, have nice day, can catch fly, can make web, can catch fly for family, I can do nothing, my leg, it drags behind! It drags! [audience laughs] And you laugh! You make fun! Oh, ha, big joke! I am failure! I am freak! [singing] But in my dreams I can fly, I'm the greatest spider in town. But I wake and it's cold, and I feel so old, and my legs are dragging me down.'"
And then the manager came out, and he said: “Stop all that spider singing."”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Pointed to a sign on the wall: a spider with a line through it. "Oh, fair enough."
He said "I can offer you an upgrade, fifty quid, and we can include in it policies set in place by the Marquis de Laplace, the French scientist who declared that all things in the universe are predetermined, so you would be covered even if time-travel was invented during the period of rental.”
I said, "Nah, probably leave it."
Part Troll (2004)

Albert Einstein photo

“Only to a tiny minority is it given to fascinate their generation by subtle humour and grace and to hold the mirror up to it by the impersonal agency of art. To-day I salute with sincere emotion the supreme master of this method, who has delighted — and educated — us all.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

"Einstein's Reply to Criticisms" (1949), The World As I See It (1949)
Context: There are few enough people with sufficient independence to see the weaknesses and follies of their contemporaries and remain themselves untouched by them. And these isolated few usually soon lose their zeal for putting things to rights when they have come face to face with human obduracy. Only to a tiny minority is it given to fascinate their generation by subtle humour and grace and to hold the mirror up to it by the impersonal agency of art. To-day I salute with sincere emotion the supreme master of this method, who has delighted — and educated — us all.

L. Frank Baum photo

“I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it.”

L. Frank Baum (1856–1919) Children's writer, editor, journalist, screenwriter

Aunt Jane’s Nieces and Uncle John (1911)
Novels published under the pseudonym Edith van Dyne
Context: I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it. Those who turn sad faces toward the world find only sadness reflected. But a smile is reflected in the same way, and cheers and brightens our hearts. You think there is no pleasure to be had in life. That is because you are heartsick and — and tired, as you say. With one sad story ended you are afraid to begin another — a sequel — feeling it would be equally sad. But why should it be? Isn't the joy or sorrow equally divided in life?

Lois McMaster Bujold photo

“It's important that someone celebrate our existence… People are the only mirror we have to see ourselves in.”

Vorkosigan Saga, Mirror Dance (1994)
Context: It's important that someone celebrate our existence... People are the only mirror we have to see ourselves in. The domain of all meaning. All virtue, all evil, are contained only in people. There is none in the universe at large. Solitary confinement is a punishment in every human culture.

Alex Salmond photo

“Scots of my generation and above should be looking at themselves in the mirror and wonder if we by majority, as a result of our decision, have actually impeded progress for the next generation, something no generation should do.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Remarks http://www.dailyrecord.co.uk/news/politics/alex-salmond-insists-wrath-khan-4301649 during a television interview (21 September 2014).
Context: When you have the majority of a country up to the age of 55 already voting for independence, then I think the writing's on the wall for Westminster. I think Scots of my generation and above should be looking at themselves in the mirror and wonder if we by majority, as a result of our decision, have actually impeded progress for the next generation, something no generation should do. The destination is pretty certain – we're only now debating the timescale and the method. I'll contribute to that debate, but I think it's time for new leadership. There are a number of political opportunities coming up. For many, many years, a referendum route wasn't the chosen route of the SNP or Scotland. For many years, there was a gradual attitude to independence. You establish a parliament and establish successively more powers until you have a situation where you're independent in all but name, and then presumably declare yourself to be independent. Many countries have proceeded through that route – there is a parliamentary route where people can make their voice heard as well – so a referendum is only one of a number of routes. I think that’s the best route. That’s always been my opinion but my opinion is only one of many.

Attar of Nishapur photo

“Come you lost Atoms to your Centre draw,
And be the Eternal Mirror that you saw”

The Conference of the Birds (1177)
Context: Come you lost Atoms to your Centre draw,
And be the Eternal Mirror that you saw:
Rays that have wander'd into Darkness wide
Return and back into your Sun subside.

Richard Matheson photo

“They were strange, the facts about them: their staying inside by day, their avoidance of garlic, their death by stake, their reputed fear of crosses, their supposed dread of mirrors.”

Source: I Am Legend (1954), Ch. 2
Context: They were strange, the facts about them: their staying inside by day, their avoidance of garlic, their death by stake, their reputed fear of crosses, their supposed dread of mirrors.
Take that last, now. According to legend, they were invisible in mirrors, but he knew that was untrue. As untrue as the belief that they transformed themselves into bats. That was a superstition that logic, plus observation had easily disposed of. ‘It was equally foolish to believe that they could transform themselves into wolves. Without a doubt there were vampire dogs; he had seen and heard them outside his house at night. But they were only dogs.

Iggy Pop photo

“I wore that because it makes me look beautiful. I stare at myself in the mirror and I think, "Wow, I'm really great-looking." … I think I'm the greatest, anyway.”

Iggy Pop (1947) American rock singer-songwriter, musician, and actor

On wearing leotards and fishnet stockings in his early performances.
Rolling Stone interview (2003)
Context: I wore that because it makes me look beautiful. I stare at myself in the mirror and I think, "Wow, I'm really great-looking."... I think I'm the greatest, anyway.

P. D. Ouspensky photo

“I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!”

P. D. Ouspensky (1878–1947) Russian esotericist

Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm
The Symbolism of the Tarot (1913)
Context: I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity.
Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle.
His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail.
His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!

George Bernard Shaw photo

“We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.”

George Bernard Shaw (1856–1950) Irish playwright

The She-Ancient, in Pt. V
1920s, Back to Methuselah (1921)
Context: Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.

LeBron James photo
Alex Jones photo
Robbert Dijkgraaf photo

“Mirror symmetry is concerned with counting the number of holomorphic curves on Calabi-Yau manifolds, i.e. compact Kähler manifolds X with trivial canonical bundle KX.”

Robbert Dijkgraaf (1960) Dutch mathematical physicist and string theorist

[Mirror symmetry and elliptic curves by Robert Dijkgraaf, The moduli space of curves, 149–163, Progress in Mathematics, vol. 129, Birkhäuser Boston, 1995, 10.1007/978-1-4612-4264-2_5]

Noah Levine photo
Alessandro Cagliostro photo

“You are right not to meet my glance, my lord, for then I see into your heart too clearly. It is a mirror which retains the image which it has reflected.”

Alessandro Cagliostro (1743–1795) Italian occultist

Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)

Daniel Abraham photo
J. Howard Moore photo
James Branch Cabell photo
Lena Waithe photo

“Stop giving a s— what other people think of you. We make decisions too often based on that…When we start to live for ourselves, and be a little bit more selfish, I think we’ll lead more fulfilling lives. So I think what we need to do, is stare at ourselves in the mirror a little bit longer, and really own who we are and not try to be what we think others want us to be.”

Lena Waithe (1984) American actress, producer, and screenwriter

On how women should embrace their true selves in “Lena Waithe's Message to Women: 'Stop Giving a S--- What Other People Think'” https://variety.com/video/lena-waithe-message-to-women-variety-cover-shoot/ in Variety Magazine

“Most impediments to scientific understanding are conceptual locks, not factual lacks. Most difficult to dislodge are those biases that escape our scrutiny because they seem so obviously, even ineluctably, just. We know ourselves best and tend to view other creatures as mirrors of our own constitution and social arrangements.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

Aristotle, and nearly two millennia of successors, designated the large bee that leads the swarm as a king.
"Glow, Big Glowworm", p. 256
Bully for Brontosaurus (1991)

J. Howard Moore photo
Yuval Noah Harari photo
Plutarch photo
Bonaventure photo
Baruch Spinoza photo
Teal Swan photo
Peter Hammill photo

“These words are not enough to save my soul,
they just mock me from the mirror.”

Peter Hammill (1948) British musician

"This side of the Looking-Glass" on Over (1977)

Marilyn Ferguson photo
Daniel Hannan photo
Joanna Trollope photo

“What I’m trying to do in all these novels is mirror a contemporary preoccupation. I’m not providing any solutions. I’m simply saying: ‘Can we please get the conversation going?’”

Joanna Trollope (1943) British writer

On being more of a social rather than political writer in “Joanna Trollope on families, fiction and feminism: ‘Society still expects women to do all the caring’” https://www.theguardian.com/books/2020/mar/02/joanna-trollope-on-families-fiction-and-feminism-society-still-expects-women-to-do-all-the-caring in The Guardian (2020 Mar 2)

Alex Grey photo
Bhagawan Nityananda photo
Alexis Karpouzos photo
Izabella Miko photo
Margaret Cho photo
Kadda Sheekoff photo