
Lynn Hirschberg (June 1, 2008) "Banksable" http://www.nytimes.com/2008/06/01/magazine/01tyra-t.html?ei=5124&en=6a5e98a9634a54f6&ex=1369972800&partner=permalink&exprod=permalink&pagewanted=all, The New York Times, The New York Times Company.
Lynn Hirschberg (June 1, 2008) "Banksable" http://www.nytimes.com/2008/06/01/magazine/01tyra-t.html?ei=5124&en=6a5e98a9634a54f6&ex=1369972800&partner=permalink&exprod=permalink&pagewanted=all, The New York Times, The New York Times Company.
Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works".
The Light Gatherer, from Feminine Gospels (2002).
Source: 1940s, I is Style (2000), p. 100 : in 'My art and My live' (1940 – 1946), Kurt Schwitters.
Ballads Of Four Seasons: Summer (子夜四时歌 夏歌)
Source: Stamping Butterflies (2004), Chapter 37 (p. 237)
Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s
(The Us That Never Was, p. 29).
Book Sources, The American Poet Who Went Home Again (2008)
A Defence of Poetry http://www.bartleby.com/27/23.html (1821)
“Looking at yourself in a mirror isn’t exactly a study of life.”
As quoted in The Daily Mail (1 November 1990)
Wrap up Warm tour, May 2004
Stand-up
"Playboy Interview: Madalyn Murray", Playboy (October 1965)
III, 12
The Persian Bayán
New York City (p. 260).
States of Desire: Travels in Gay America (1980)
Source: Epigrams, p. 374
Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love
Source: The construction of nationhood: ethnicity, religion, and nationalism (1997), p. 2; As cited in: nationalismproject.org http://www.nationalismproject.org/what/hastings.htm by Eric G.E. Zuelow, 1999-2007.
Opera for the Man Who Reads Hamlet (1989).
Interview with Bill O'Reilly http://www.politifact.com/truth-o-meter/statements/2011/feb/08/bill-oreilly/bill-oreilly-tells-obama-he-also-asked-bush-about-/ (November 2010), Fox News.
2010s, 2010
“Almost always is it a the fear of being ourselves that brings us to the mirror.”
Casi siempre es el miedo de ser nosotros lo que nos lleva delante del espejo.
Voces (1943)
“If you want to know why Lisp doesn't win around you, find a mirror.”
Re: Java is really convenient. Re: Sun thinks about switching Java to S-expression syntax: Lava http://groups.google.com/group/comp.lang.lisp/msg/a6328749f51dfaee (Usenet article).
Usenet articles, Lisp
The Saviors of God (1923)
Context: All this world, all this rich, endless flow of appearances is not a deception, a multicolored phantasmagoria of our mirroring mind. Nor is it absolute reality which lives and evolves freely, independent of our mind's power.
It is not the resplendent robe which arrays the mystic body of God. Nor the obscurely translucent partition between man and mystery.
All this world that we see, hear, and touch is that accessible to the human senses, a condensation of the two enormous powers of the Universe permeated with all of God.
Source: Anarcho-Syndicalism (1938), Ch. 5 "The Methods of Anarcho-Syndicalism"
Context: Above all it is necessary to cure the labour movement of its inner ossification and rid it of the empty sloganeering of the political parties, so that it may forge ahead intellectually and develop within itself the creative conditions which must precede the realisation of Socialism. The practical attainability of this goal must become for the workers an inner certainty and must ripen into an ethical necessity. The great final goal of Socialism must emerge from all the practical daily struggles, and must give them a social character. In the pettiest struggle, born of the needs of the moment, there must be mirrored the great goal of social liberation, and each such struggle must help to smooth the way and strengthen the spirit which transforms the inner longing of its bearers into will and deed.
Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 53-54
Notes Toward a Supreme Fiction (1942), It Must Be Abstract
“A book is a mirror: if an ape looks into it an apostle is hardly likely to look out.”
E 49
Variant translations of first portion: A book is a mirror: If an ape peers into it, you can't expect an apostle to look out.
A book is a mirror: If an ass peers into it, you can't expect an apostle to look out. — this has actually been the most commonly cited form, but it is based on either a loose non-literal translation or a mistranslation of the German original: Ein Buch ist Spiegel, aus dem kein Apostel herausgucken kann, wenn ein Affe hineinguckt.
Aphorisms (1765-1799), Notebook E (1775 - 1776)
Context: A book is a mirror: if an ape looks into it an apostle is hardly likely to look out. We have no words for speaking of wisdom to the stupid. He who understands the wise is wise already.
The Telegraph interview (2005)
Context: The word workaholic is so severe, but I do focus a lot on my work... I think a lot about what I'm doing in all aspects of my life, what am I trying to achieve here, am I happy with this? Music is like a mirror in front of you. You're exposing everything, but surely that's better than suppressing.... You have to dig deep and that can be hard for anybody, no matter what profession. I feel that I need to actually push myself to the limit to feel happy with the end result.
"Paperjack" in Dreams Underfoot : The Newford Collection (2003), p. 396
Context: Everybody makes the same mistake. Fortune-telling doesn't reveal the future; it mirrors the present. It resonates against what your subconscious already knows and hauls it up out of the darkness so you can get a good look at it.
Strange Horizons interview (2008)
Context: I say the entities that are named as gods by Earthians are imagined into being by Earthians as personal helper-buddies, justifiers, threateners (my god can beat up your god). They don't "run on" anything any more than a mirror image "runs on" anything. They merely reflect what people want them to be. "I want to have more children than my brother does, thus proving I'm a better man than he is, so my god tells me I should have a big family." "I want to screw women, so my god is going to give me seventy virgins I can screw for all eternity." The "gods" in The Margarets who could really do anything were actually an old, highly evolved race of real people. The others were only reflections. The real God, who may really exist, is outside all that, perhaps watching closely, perhaps merely asleep for a few trillion years while the experiment runs out.
We — thee and me as individuals — will never know that God, though after a few trillion years, the universe as a whole may come to understand that God.
On Heath Ledger's death in January 2008, as quoted in Terry Gilliam on Heath Ledger’s death and The Imaginarium of Doctor Parnassus (14 May 2008) http://cma.staging-thetimes.co.uk/tto/arts/film/article2431428.ece
Context: We were devastated. We spent the whole day — Amy Gilliam, Nicola Pecorini, the director of photography, and myself — lying flat on the floor. Heath Ledger's dead, and you don't quite get over that. I suppose I'm in an interesting position because while I'm cutting the film I'm basically working with him every day and he's fine; he's in good shape. Ideas are floating around. Then finally we decided, 'OK, let's get three other people to take over the part'. And we were lucky because we have a magic mirror in this movie. Not every movie has a magic mirror. So you can very genuinely say that these other actors are different aspects of the character that Heath plays. And it works. The point was, we've got to keep going. It was a bit like half being there, but apparently on autopilot I can still do a few things.
The Camelot Project interview (1996)
Context: When the legend is retold, it mirrors the reality of the time, and one can learn from studying how various authors have attempted to retell the story. I don't think we have an obligation to change it radically. I think that if we ever move too far from the basic story, we would lose something very precious. I don't, for instance, approve of fantasy that attempts to go back and rewrite the Middle Ages until it conforms to political correctness in the twentieth century. That removes all the benefit from reading the story. If you don't understand other people in their time and why they did what they did, then you don't understand your own past. And when you lose your past, you lose some potential for your own future.
“The face is the mirror of the mind, and eyes without speaking confess the secrets of the heart.”
Speculum mentis est facies, et taciti oculi cordis fatentur arcana.
Letter 54
Letters
A variant reading of White's notes exists: Then later I said to Bobby — what's the line between histrionics and drama. I should have kept the blood on. but in White's own published memoir In Search of History: A Personal Adventure (1978) this is rendered "what's the line between history and drama?"
The "Camelot" interview (29 November 1963)
Context: History!... Everybody kept saying to me to put a cold towel around my head and wipe the blood off... later, I saw myself in the mirror; my whole face spattered with blood and hair... I wiped it off with Kleenex... History! … I thought, no one really wants me there. Then one second later I thought, why did I wash the blood off? I should have left it there, let them see what they've done... If I'd just had the blood and caked hair when they took the picture … Then later I said to Bobby — what's the line between history and drama? I should have kept the blood on.
“Bronze is the mirror of the form; wine, of the heart.”
Fragment 384, reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Beating the drums of hope and faith (2004)
Context: Start small, put down the book you’re reading and sit with your grandmother to learn her language and find out about her life’s struggles and her history, before she passes on and your history is lost; put down the TV remote control and stop letting pop culture define who you are and go for a walk through your hometown’s historical landmarks. Find your identity by actually looking for the things in life that appeal to you or stir emotion in you. If you just let your government, your local imam, even your local pop singer or nasheed singer, define what you should be, you will never be more than that. Look in the mirror and ask yourself, ‘Who do I WANT to be?’ Start there.
I Am A Dancer (1952)
Variant: Think of the magic of that foot, comparatively small, upon which your whole weight rests. It's a miracle, and the dance is a celebration of that miracle.
Jonas Sima interview <!-- p. 117 -->
Bergman on Bergman (1970)
Context: To the fanatical believer physical and spiritual suffering is beside the point, compared with salvation. That is why, to him, everything happening around him is irrelevant, a mirror-image, a mere will-o'-the-wisp. … I can really never get shot of them, the fanatics. Whether they appear as religious fanatics or vegetarian fanatics makes no odds. They're catastrophic people. These types whose whole cast of mind as it were looks beyond mere human beings toward some unknown goal. The terrible thing is the great power they often wield over their fellow human beings. Apart from the fact that I believe they suffer like the very devil, I've no sympathy for them.
Revolution (2014)
Context: The women sway and jump and shriek. Whilst this is all almost entirely foreign, there is something familiar, like a place in your mouth where food always gets caught. Something I recognize. It is orgiastic. This Christianity with a voodoo twist is on the brink of Dionysian breakdown. Through this ritual, I see the root of ritual. The exorcising of the primal, the men engorged, enraged, the women serpentine and lithe. Only the child excluded. I get on my knees, which a few other people are doing, out of respect but also because I’m beginning to sense that it’s only a matter of time before I’m ushered to the front. I’ve not been taught how to be religious. Religious studies at school doesn’t even begin to cover it. There the world’s greatest faiths and the universe’s swirling mysteries are recited like bus timetables. No teacher of RE ever said to me: “Beyond the limited realm of the senses, the shallow pool of the known, is a great untamable ocean, and we don’t have a fucking clue what goes on in there.” What we receive through sight, sound, smell, taste, and touch is all we know. We have tools that can enhance that information, we have theories for things that we suspect lie beyond that information, filtered through an apparatus limited once more to those senses. Those senses are limited; the light range we detect is within a narrow spectrum, between infrared light and ultraviolet light; other species see light that we can’t see. In the auditory realm, we hear but a fraction of the sound vibrations; we don’t hear high-pitched frequencies, like dog whistles, and we don’t hear low frequencies like whale song. The world is awash with colors unseen and abuzz with unheard frequencies. Undetected and disregarded. The wise have always known that these inaccessible realms, these dimensions that cannot be breached by our beautifully blunt senses, hold the very codes to our existence, the invisible, electromagnetic foundations upon which our gross reality clumsily rests. Expressible only through symbol and story, as it can never be known by the innocent mind. The stories are formulas, poems, tools for reflection through which we may access the realm behind the thinking mind, the consciousness beyond knowing and known, the awareness that is not connected to the haphazard data of biography. The awareness that is not prickled and tugged by capricious emotion. The awareness that is aware that it is aware. In meditation I access it; in yoga I feel it; on drugs it hit me like a hammer—at sixteen, staring into a bathroom mirror on LSD, contrary to instruction (“Don’t look in the mirror, Russ, it’ll fuck your head up.” Mental note: “Look in mirror.”). I saw that my face wasn’t my face at all but a face that I lived behind and was welded to by a billion nerves. I looked into my eyes and saw that there was something looking back at me that was not me, not what I’d taken to be me. The unrefined ocean beyond the shallow pool was cascading through the mirror back at me. Nature looking at nature. Not me, little ol’ Russ, tossed about on turbulent seas; these distinctions were engineered. On acid, these realizations are absolute. The disobedient brain is whipped into its basket like a yapping hound cowed by Cesar Millan.
“The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.”
Pt. III, st. 5
The Lady of Shalott (1832)
Context: She left the web, she left the loom,
She made three paces through the room,
She saw the water-lily bloom,
She saw the helmet and the plume,
She looked down to Camelot.
Out flew the web and floated wide;
The mirror cracked from side to side;
"The curse is come upon me," cried
The Lady of Shalott.
"Rivers Grow Small" (1963), trans. Czesław Miłosz
Bobo's Metamorphosis (1965)
Source: Solaris (1961), Ch. 6: "The Little Apocrypha", p. 72
Context: We are only seeking Man. We have no need of other worlds. We need mirrors. We don't know what to do with other worlds. A single world, our own, suffices us; but we can't accept it for what it is. We are seaching for an ideal image of our own world: we go in quest of a planet, of a civilisation superior to our own but developed on the basis of a prototype of our primeval past. At the same time, there is something inside us which we don't like to face up to, from which we try to protect ourselves, but which nevertheless remains, since we don't leave Earth in a state of primal innocence. We arrive here as we are in reality, and when the page is turned and that reality is revealed to us — that part of our reality which we would prefer to pass over in silence — then we don't like it any more.
Song lyrics, The Dreaming (1982)
Context: I won't open boxes
That I am told not to.
I'm not a Pandora.
I'm much more like
That girl in the mirror.
Between you and me
She don't stand a chance of getting anywhere at all.
Source: Truth and Method (1960), p. 289
Variant translation: In truth history does not belong to us but rather we to history. … The focus of subjectivity is a distorted mirror. Individual self-reflection is merely a flickering in the closed circuit of historical life. That is why the prejudices of an individual are —much more than that individual's judgments — the historical reality of his being.
As quoted in Tom Neton, "Hermeneutical Truth and the Structure of Human Experience: Gadamer's Critique of Dilthey" in The Specter of Relativism: Truth, Dialogue, and Phronesis in Philosophical Hermeneutics (1995) edited by Lawrence Schmidt.
“To live in prison is to live without mirrors. To live
without mirrors is to live without the self.”
Selected Poems 1976-1986 (1987), Marrying the Hangman
Context: To live in prison is to live without mirrors. To live
without mirrors is to live without the self. She is
living selflessly, she finds a hole in the stone wall and
on the other side of the wall, a voice. The voice
comes through darkness and has no face. This voice
becomes her mirror.
“He never had a doubt that such gods were;
He looked within, and saw them mirrored there.”
The Legend of Jubal (1869)
Context: When Cain was driven from Jehovah's land
He wandered eastward, seeking some far strand
Ruled by kind gods who asked no offerings
Save pure field-fruits, as aromatic things,
To feed the subtler sense of frames divine
That lived on fragrance for their food and [wine]]:
Wild joyous gods, who winked at faults and folly,
And could be pitiful and melancholy.
He never had a doubt that such gods were;
He looked within, and saw them mirrored there.
"Fear and loathing" (2001)
Context: Violence must come; America must have catharsis. We would hope that the response will be, above all, non-escalatory. It should also mirror the original attack in that it should have the capacity to astonish. A utopian example: the crippled and benighted people of Afghanistan, hunkering down for a winter of famine, should not be bombarded with cruise missiles; they should be bombarded with consignments of food, firmly marked LENDLEASE — USA.
“Mirrors, those revealers of the truth, are hated; that does not prevent them from being of use.”
Letter To M. Daelli on Les Misérables (1862)
Context: This book, Les Misérables, is no less your mirror than ours. Certain men, certain castes, rise in revolt against this book, — I understand that. Mirrors, those revealers of the truth, are hated; that does not prevent them from being of use. As for myself, I have written for all, with a profound love for my own country, but without being engrossed by France more than by any other nation. In proportion as I advance in life, I grow more simple, and I become more and more patriotic for humanity.
Pointed to a sign on the wall: a spider with a line through it. "Oh, fair enough."
He said "I can offer you an upgrade, fifty quid, and we can include in it policies set in place by the Marquis de Laplace, the French scientist who declared that all things in the universe are predetermined, so you would be covered even if time-travel was invented during the period of rental.”
I said, "Nah, probably leave it."
Part Troll (2004)
"Einstein's Reply to Criticisms" (1949), The World As I See It (1949)
Context: There are few enough people with sufficient independence to see the weaknesses and follies of their contemporaries and remain themselves untouched by them. And these isolated few usually soon lose their zeal for putting things to rights when they have come face to face with human obduracy. Only to a tiny minority is it given to fascinate their generation by subtle humour and grace and to hold the mirror up to it by the impersonal agency of art. To-day I salute with sincere emotion the supreme master of this method, who has delighted — and educated — us all.
Aunt Jane’s Nieces and Uncle John (1911)
Novels published under the pseudonym Edith van Dyne
Context: I think the world is like a great mirror, and reflects our lives just as we ourselves look upon it. Those who turn sad faces toward the world find only sadness reflected. But a smile is reflected in the same way, and cheers and brightens our hearts. You think there is no pleasure to be had in life. That is because you are heartsick and — and tired, as you say. With one sad story ended you are afraid to begin another — a sequel — feeling it would be equally sad. But why should it be? Isn't the joy or sorrow equally divided in life?
Vorkosigan Saga, Mirror Dance (1994)
Context: It's important that someone celebrate our existence... People are the only mirror we have to see ourselves in. The domain of all meaning. All virtue, all evil, are contained only in people. There is none in the universe at large. Solitary confinement is a punishment in every human culture.
Remarks http://www.dailyrecord.co.uk/news/politics/alex-salmond-insists-wrath-khan-4301649 during a television interview (21 September 2014).
Context: When you have the majority of a country up to the age of 55 already voting for independence, then I think the writing's on the wall for Westminster. I think Scots of my generation and above should be looking at themselves in the mirror and wonder if we by majority, as a result of our decision, have actually impeded progress for the next generation, something no generation should do. The destination is pretty certain – we're only now debating the timescale and the method. I'll contribute to that debate, but I think it's time for new leadership. There are a number of political opportunities coming up. For many, many years, a referendum route wasn't the chosen route of the SNP or Scotland. For many years, there was a gradual attitude to independence. You establish a parliament and establish successively more powers until you have a situation where you're independent in all but name, and then presumably declare yourself to be independent. Many countries have proceeded through that route – there is a parliamentary route where people can make their voice heard as well – so a referendum is only one of a number of routes. I think that’s the best route. That’s always been my opinion but my opinion is only one of many.
“Come you lost Atoms to your Centre draw,
And be the Eternal Mirror that you saw”
The Conference of the Birds (1177)
Context: Come you lost Atoms to your Centre draw,
And be the Eternal Mirror that you saw:
Rays that have wander'd into Darkness wide
Return and back into your Sun subside.
Source: I Am Legend (1954), Ch. 2
Context: They were strange, the facts about them: their staying inside by day, their avoidance of garlic, their death by stake, their reputed fear of crosses, their supposed dread of mirrors.
Take that last, now. According to legend, they were invisible in mirrors, but he knew that was untrue. As untrue as the belief that they transformed themselves into bats. That was a superstition that logic, plus observation had easily disposed of. ‘It was equally foolish to believe that they could transform themselves into wolves. Without a doubt there were vampire dogs; he had seen and heard them outside his house at night. But they were only dogs.
On wearing leotards and fishnet stockings in his early performances.
Rolling Stone interview (2003)
Context: I wore that because it makes me look beautiful. I stare at myself in the mirror and I think, "Wow, I'm really great-looking."... I think I'm the greatest, anyway.
Card I : The Magician http://www.sacred-texts.com/tarot/sot/sot02.htm
The Symbolism of the Tarot (1913)
Context: I Saw the Man.
His figure reached from earth to heaven and was clad in a purple mantle. He stood deep in foliage and flowers and his head, on which was the head-band of an initiate, seemed to disappear mysteriously in infinity.
Before him on a cube-shaped altar were four symbols of magic — the sceptre, the cup, the sword and the pentacle.
His right hand pointed to heaven, his left to earth. Under his mantle he wore a white tunic girded with a serpent swallowing its tail.
His face was luminous and serene, and, when his eyes met mine, I felt that he saw most intimate recesses of my soul. I saw myself reflected in him as in a mirror and in his eyes I seemed to look upon myself.
And I heard a voice saying:
—"Look, this is the Great Magician!
The She-Ancient, in Pt. V
1920s, Back to Methuselah (1921)
Context: Art is the magic mirror you make to reflect your invisible dreams in visible pictures. You use a glass mirror to see your face: you use works of art to see your soul. But we who are older use neither glass mirrors nor works of art. We have a direct sense of life. When you gain that you will put aside your mirrors and statues, your toys and your dolls.
“All I see in the mirror every morning is a face that needs washing.”
"Alex Jones is in a Death Battle" https://www.youtube.com/watch?v=W5lGpU-OnAs, The Alex Jones Show, January 29, 2017.
2017
[Mirror symmetry and elliptic curves by Robert Dijkgraaf, The moduli space of curves, 149–163, Progress in Mathematics, vol. 129, Birkhäuser Boston, 1995, 10.1007/978-1-4612-4264-2_5]
Balsamo the Magician (or The Memoirs of a Physician) by Alex. Dumas (1891)
Source: Caliban's War (2012), Chapter 3 (p. 26)
"Modern Ethics", pp. 270–271
The Universal Kinship (1906), The Ethical Kinship
On how women should embrace their true selves in “Lena Waithe's Message to Women: 'Stop Giving a S--- What Other People Think'” https://variety.com/video/lena-waithe-message-to-women-variety-cover-shoot/ in Variety Magazine
Aristotle, and nearly two millennia of successors, designated the large bee that leads the swarm as a king.
"Glow, Big Glowworm", p. 256
Bully for Brontosaurus (1991)
"Man an Animal", p. 17
The Universal Kinship (1906), The Physical Kinship
Source: The Lights in the Sky Are Stars (1953), Chapter 1, “1997” (p. 147)
Source: Henry Rios series of novels, The Hidden Law (1992), p.55
The Journey of the Mind to God
Friedrich Schleiermacher, On Religion: Speeches to its Cultured Despisers (1799) [original in German]
S - Z
“These words are not enough to save my soul,
they just mock me from the mirror.”
"This side of the Looking-Glass" on Over (1977)
The Aquarian Conspiracy (1980), Chapter Eleven, Spiritual Adventure: Connection to the Source
On being more of a social rather than political writer in “Joanna Trollope on families, fiction and feminism: ‘Society still expects women to do all the caring’” https://www.theguardian.com/books/2020/mar/02/joanna-trollope-on-families-fiction-and-feminism-society-still-expects-women-to-do-all-the-caring in The Guardian (2020 Mar 2)
Bedil: Selected Poems, p. 59
Rubaʿiyat (Quatrains), Stanza
Tweet https://twitter.com/IzabellaMiko/status/1047571250061692928 (October 3, 2018)
And it turns out I save about 97 minutes a week. I can take a pottery class.
From Her Tours and CDs, The Notorious C.H.O. Tour