Quotes about memorial
page 2

Virginia Woolf photo
Saul Bellow photo

“Everybody needs his memories. They keep the wolf of insignificance from the door.”

Mr. Sammler's Planet (1970) [Penguin Classics, 2004, ISBN 0-142-43783-2], p. 156
General sources

Haruki Murakami photo
Friedrich Nietzsche photo

“Many a man fails to become a thinker only because his memory is too good.”

Mancher wird nur deshalb kein Denker, weil sein Gedächtnis zu gut ist.
II.122
Human, All Too Human (1878)

John Newton photo

“Although my memory's fading, I remember two things very clearly: I am a great sinner and Christ is a great Savior.”

John Newton (1725–1807) Anglican clergyman and hymn-writer

Source: Amazing Grace

Carlos Ruiz Zafón photo

“Memories are worse than bullets.”

Variant: There are worse prisons than words.
Source: La sombra del viento (The Shadow of the Wind) (2001)

George Eliot photo
Terry Pratchett photo
Lois Lowry photo

“The worst part of holding the memories is not the pain. It's the loneliness of it. Memories need to be shared.”

Variant: The worse part of holding the memories is not the pain. It's the loneliness of it. Memories need to be shared.
Source: The Giver

Tom Stoppard photo
Daniel H. Wilson photo

“Memories fade but words hang around forever.”

Source: Robopocalypse

Leonardo Da Vinci photo
Maurice Maeterlinck photo

“When we lose one we love, our bitterest tears are called forth by the memory of hours when we loved not enough.”

Maurice Maeterlinck (1862–1949) Belgian playwright, poet, and essayist

Quand nous perdons un être aimé, ce qui nous fait pleurer les larmes qui ne soulagent point, c'est le souvenir des moments où nous ne l'avons pas assez aimé.
Wisdom and Destiny (1898)

John Cleese photo
Stephen King photo

“Time's the thief of memory”

Source: The Gunslinger

Erich Maria Remarque photo
Andrzej Sapkowski photo
Haruki Murakami photo
Leonard Nimoy photo

“A life is like a garden. Perfect moments can be had, but not preserved, except in memory. LLAP”

Leonard Nimoy (1931–2015) American actor, film director, poet, musician and photographer

Leonard Nimoy's last tweet https://twitter.com/therealnimoy/status/569762773204217857 (February 23, 2015), quoted in Miriam Kramer, " Star Trek's Leonard Nimoy Dies at 83 http://www.scientificamerican.com/article/star-trek-s-leonard-nimoy-dies-at-83/", Scientific American (February 27, 2015).

Mark Twain photo
Oscar Wilde photo
Friedrich Nietzsche photo

“Memory says, 'I did that.' Pride replies, 'I could not have done that.' Eventually, memory yields.”

Friedrich Nietzsche (1844–1900) German philosopher, poet, composer, cultural critic, and classical philologist
Harlan Ellison photo
Ruth Ozeki photo
Carlos Ruiz Zafón photo
Khaled Hosseini photo
Eileen Chang photo

“Between memory and reality there are awkward discrepancies…”

Eileen Chang (1920–1995) Chinese writer and screenwriter

2. "Writing of One's Own" (pp. 17–18)
Liuyan [《流言》] (1968)
Context: In this era, the old things are being swept away and the new things are still being born. But until this historical era reaches its culmination, all certainty will remain an exception. People sense that everything about their everyday lives is a little out of order, out of order to a terrifying degree. All of us must live within a certain historical era, but this era sinks away from us like a shadow, and we feel we have been abandoned. In order to confirm our own existence, we need to take hold of something real, of something most fundamental, and to that end we seek the help of an ancient memory, the memory of a humanity that has lived through every era, a memory clearer and closer to our hearts than anything we might see gazing far into the future. And this gives rise to a strange apprehension about the reality surrounding us. We begin to suspect that this is an absurd and antiquated world, dark and bright at the same time. Between memory and reality there are awkward discrepancies, producing a solemn but subtle agitation, an intense but as yet indefinable struggle.

Terry Pratchett photo
Tennessee Williams photo

“The scene is memory and is therefore nonrealistic. Memory takes a lot of poetic license. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart.”

Variant: Memory takes a lot of poetic licence. It omits some details; others are exaggerated, according to the emotional value of the articles it touches, for memory is seated predominantly in the heart. The interior is therefore rather dim and poetic.
Source: The Glass Menagerie

Tad Williams photo

“Never make your home in a place. Make a home for yourself inside your own head. You'll find what you need to furnish it- memory, friends you can trust, love of learning, and other such things. That way it will go with you wherever you journey.”

Tad Williams (1957) novelist

Source: Memory, Sorrow, and Thorn, The Dragonbone Chair (1988), Chapter 42, “Beneath the Uduntree” (p. 718).
Context: “Never make your home in a place,” the old man had said, too lazy in the spring warmth to do more than wag a finger. “Make a home for yourself inside your own head. You’ll find what you need to furnish it—memory, friends you can trust, love of learning, and other such things.” Morgenes had grinned. “That way it will go with you wherever you journey. You’ll never lack for a home—unless you lose your head, of course...”

Jim Davis photo
Juan Rulfo photo
Friedrich Nietzsche photo
Arthur Rimbaud photo
Carlos Ruiz Zafón photo
Neal Shusterman photo
Leonardo Da Vinci photo
Raymond Carver photo
Orison Swett Marden photo
Terry Pratchett photo
Osama bin Laden photo
Leonardo Da Vinci photo

“Just as eating against one’s will is injurious to health, so studying without a liking for it spoils the memory, and it retains nothing it takes in.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

http://books.google.com/books?id=lFXyZLM1XxYC&pg=PT412&dq=%22Just+as+eating+against+one%E2%80%99s+will+is+injurious+to+health%22&hl=en&ei=GFRbTIjiGoL-8AbytdC4Ag&sa=X&oi=book_result&ct=result&resnum=2&ved=0CDUQ6AEwAQ#v=onepage&q=%22Just%20as%20eating%20against%20one%E2%80%99s%20will%20is%20injurious%20to%20health%22&f=false
The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Napoleon I of France photo

“Waterloo will wipe out the memory of my forty victories; but that which nothing can wipe out is my Civil Code. That will live forever.”

Napoleon I of France (1769–1821) French general, First Consul and later Emperor of the French

As quoted in The Story of World Progress (1922) by Willis Mason West, p. 437
Attributed

Leonardo Da Vinci photo

“Things that are separate shall be united and acquire such virtue that they will restore to man his lost memory.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Of papyrus
The Notebooks of Leonardo da Vinci (1883), XX Humorous Writings

Emil M. Cioran photo
H.P. Lovecraft photo
Theodore Roosevelt photo
Barack Obama photo
Hunter S. Thompson photo
Lewis Carroll photo

“I charm in vain; for never again,
All keenly as my glance I bend,
Will Memory, goddess coy,
Embody for my joy
Departed days, nor let me gaze
On thee, my fairy friend!”

Lewis Carroll (1832–1898) English writer, logician, Anglican deacon and photographer

"To my Child-friend" in The Game Of Logic (1886)

John Pilger photo
Emanuel Lasker photo
C.G. Jung photo

“The overdevelopment of the maternal instinct is identical with that well-known image of the mother which has been glorified in all ages and all tongues. This is the motherlove which is one of the most moving and unforgettable memories of our lives, the mysterious root of all growth and change; the love that means homecoming, shelter, and the long silence from which everything begins and in which everything ends. Intimately known and yet strange like Nature, lovingly tender and yet cruel like fate, 'oyous and untiring giver of life-mater dolorosa and mute implacable portal that closes upon the dead. Mother is motherlove, my experience and my secret. Why risk saying too much, too much that is false and inadequate and beside the point, about that human being who was our mother, the accidental carrier of that great experience which includes herself and myself and all mankind, and indeed the whole of created nature, the experience of life whose children we are? The attempt to say these things has always been made, and probably always will be; but a sensitive person cannot in all fairness load that enormous burden of meaning, responsibility, duty, heaven and hell, on to the shoulders of one frail and fallible human being-so deserving of love, indulgence, understanding, and forgiveness-who was our mother. He knows that the mother carries for us that inborn image of the mater nature and mater spiritualis, of the totality of life of which we are a small and helpless part.”

C.G. Jung (1875–1961) Swiss psychiatrist and psychotherapist who founded analytical psychology

"Psychological Aspects of the Mother Archetype" (1939) In CW 9, Part I: The Archetypes and the Collective Unconscious P.172

Nisargadatta Maharaj photo

“Desire is the memory of pleasure and fear is the memory of pain. Both make the mind restless. (…)”

Nisargadatta Maharaj (1897–1981) Indian guru

Desire and fear
Source: "I am That." P.8

Leonardo Da Vinci photo

“Whoever in discussion adduces authority uses not intellect but rather memory.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

Variant translations:
Anyone who conducts an argument by appealing to authority is not using his intelligence; he is just using his memory.
As quoted in The Book of Unusual Quotations (1957) by Rudolf Flesch, p. 12
Any one who in discussion relies upon authority uses, not his understanding, but rather his memory.
The Notebooks of Leonardo da Vinci (1883), I Prolegomena and General Introduction to the Book on Painting

Basil of Caesarea photo
Zygmunt Krasiński photo
Henri Barbusse photo

“All that we can remember is almost nothing. Memory is greater than we are, but memory is living and mortal as well.”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XXIII - Face To Face

Abraham Lincoln photo

“We are now a mighty nation, we are thirty — or about thirty millions of people, and we own and inhabit about one‑fifteenth part of the dry land of the whole earth. We run our memory back over the pages of history for about eighty‑two years and we discover that we were then a very small people in point of numbers, vastly inferior to what we are now, with a vastly less extent of country, with vastly less of everything we deem desirable among men, we look upon the change as exceedingly advantageous to us and to our posterity, and we fix upon something that happened away back, as in some way or other being connected with this rise of prosperity. We find a race of men living in that day whom we claim as our fathers and grandfathers; they were iron men, they fought for the principle that they were contending for; and we understood that by what they then did it has followed that the degree of prosperity that we now enjoy has come to us. We hold this annual celebration to remind ourselves of all the good done in this process of time of how it was done and who did it, and how we are historically connected with it; and we go from these meetings in better humor with ourselves — we feel more attached the one to the other, and more firmly bound to the country we inhabit. In every way we are better men in the age, and race, and country in which we live for these celebrations. But after we have done all this we have not yet reached the whole.”

Abraham Lincoln (1809–1865) 16th President of the United States

1850s, Speech at Chicago (1858)

Alexander the Great photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Barack Obama photo

“On this Memorial Day, as our nation honors its unbroken line of fallen heroes — and I see many of them in the audience here today — our sense of patriotism is particularly strong.”

Barack Obama (1961) 44th President of the United States of America

Campaign rally on Memorial Day, New Mexico (26 May 2008) http://www.cnn.com/2008/LIVING/studentnews/05/26/transcript.tue/
2008

Arsène Houssaye photo

“We must always have old memories and young hopes.”

Arsène Houssaye (1814–1896) French writer

Attributed to Houssaye in: Forty Thousand Sublime and Beautiful Thoughts Gathered from the Roses, Clover Blossoms, Geraniums, Violets, Morning-glories, and Pansies of Literature, Christian Herald, 1915.

Mark Twain photo

“For example, in Year 1 that useless letter "c" would be dropped to be replased either by "k" or "s", and likewise "x" would no longer be part of the alphabet. The only kase in which "c" would be retained would be the "ch" formation, which will be dealt with later. Year 2 might reform "w" spelling, so that "which" and "one" would take the same konsonant, wile Year 3 might well abolish "y" replasing it with "i" and Iear 4 might fiks the "g/j" anomali wonse and for all. Jenerally, then, the improvement would kontinue iear bai iear with Iear 5 doing awai with useless double konsonants, and Iears 6-12 or so modifaiing vowlz and the rimeining voist and unvoist konsonants. Bai Iear 15 or sou, it wud fainali bi posibl tu meik ius ov thi ridandant letez "c", "y" and "x" — bai now jast a memori in the maindz ov ould doderez — tu riplais "ch", "sh", and "th" rispektivli. Fainali, xen, aafte sam 20 iers ov orxogrefkl riform, wi wud hev a lojikl, kohirnt speling in ius xrewawt xe Ingliy-spiking werld.”

Mark Twain (1835–1910) American author and humorist

Actual source: A letter to The Economist (16 January 1971), written by one M.J. Shields (or M.J. Yilz, by the end of the letter). The letter is quoted in full in one of Willard Espy's Words at Play books. This was a modified version of a piece "Meihem in ce Klasrum", published in the September 1946 issue of Astounding Science Fiction magazine. http://www.spellingsociety.org/journals/j31/satires.php
Misattributed

Hayao Miyazaki photo
Madeleine K. Albright photo

“Our nation's memory is long and our reach is far.”

Madeleine K. Albright (1937–2022) Former U.S. Secretary of State

Public statement in response to the 1998 bombings of U.S. embassies in Nairobi and Dar es Salaam. In: Schweid, Barry (August 10, 1998) " Albright Offers $2M Bombings Reward http://www.apnewsarchive.com/1998/Albright-Offers-$2M-Bombings-Reward/id-199d52a55e4601c022b587363eefe099".
1990s

Leonardo Da Vinci photo
Bertrand Russell photo
Marcel Proust photo

“When from a long-distant past nothing subsists, after the people are dead, after the things are broken and scattered, still, alone, more fragile, but with more vitality, more unsubstantial, more persistent, more faithful, the smell and taste of things remain poised a long time, like souls, ready to remind us, waiting and hoping for their moment, amid the ruins of all the rest; and bear unfaltering, in the tiny and almost impalpable drop of their essence, the vast structure of recollection.And once again I had recognized the taste of the crumb of madeleine soaked in her decoction of lime-flowers which my aunt used to give me (although I did not yet know and must long postpone the discovery of why this memory made me so happy), immediately the old gray house upon the street, where her room was, rose up like the scenery of a theater.”

Mais, quand d’un passé ancien rien ne subsiste, après la mort des êtres, après la destruction des choses, seules, plus frêles mais plus vivaces, plus immatérielles, plus persistantes, plus fidèles, l’odeur et la saveur restent encore longtemps, comme des âmes, à se rappeler, à attendre, à espérer, sur la ruine de tout le reste, à porter sans fléchir, sur leur gouttelette presque impalpable, l’édifice immense du souvenir.<p>Et dès que j’eus reconnu le goût du morceau de madeleine trempé dans le tilleul que me donnait ma tante (quoique je ne susse pas encore et dusse remettre à bien plus tard de découvrir pourquoi ce souvenir me rendait si heureux), aussitôt la vieille maison grise sur la rue, où était sa chambre, vint comme un décor de théâtre.
"Overture"
In Search of Lost Time, Remembrance of Things Past (1913-1927), Vol I: Swann's Way (1913)

Abraham Lincoln photo

“I mean the powerful influence which the interesting scenes of the Revolution had upon the passions of the people as distinguished from their judgment. By this influence, the jealousy, envy, and avarice incident to our nature and so common to a state of peace, prosperity, and conscious strength, were for the time in a great measure smothered and rendered inactive, while the deep-rooted principles of hate, and the powerful motive of revenge, instead of being turned against each other, were directed exclusively against the British nation. And thus, from the force of circumstances, the basest principles of our nature, were either made to lie dormant, or to become the active agents in the advancement of the noblest cause — that of establishing and maintaining civil and religious liberty. But this state of feeling must fade, is fading, has faded, with the circumstances that produced it. I do not mean to say that the scenes of the Revolution are now or ever will be entirely forgotten, but that, like everything else, they must fade upon the memory of the world, and grow more and more dim by the lapse of time. In history, we hope, they will be read of, and recounted, so long as the Bible shall be read; but even granting that they will, their influence cannot be what it heretofore has been. Even then they cannot be so universally known nor so vividly felt as they were by the generation just gone to rest. At the close of that struggle, nearly every adult male had been a participator in some of its scenes. The consequence was that of those scenes, in the form of a husband, a father, a son, or a brother, a living history was to be found in every family — a history bearing the indubitable testimonies of its own authenticity, in the limbs mangled, in the scars of wounds received, in the midst of the very scenes related — a history, too, that could be read and understood alike by all, the wise and the ignorant, the learned and the unlearned. But those histories are gone. They can be read no more forever. They were a fortress of strength; but what invading foeman could never do, the silent artillery of time has done — the leveling of its walls. They are gone. They were a forest of giant oaks; but the all-restless hurricane has swept over them, and left only here and there a lonely trunk, despoiled of its verdure, shorn of its foliage, unshading and unshaded, to murmur in a few more gentle breezes, and to combat with its mutilated limbs a few more ruder storms, then to sink and be no more. They were pillars of the temple of liberty; and now that they have crumbled away that temple must fall unless we, their descendants, supply their places with other pillars, hewn from the solid quarry of sober reason.”

Abraham Lincoln (1809–1865) 16th President of the United States

1830s, The Lyceum Address (1838)

Milkha Singh photo
Benjamin Disraeli photo

“But he has left us the legacy of heroes—the memory of his great name, and the inspiration of his great example.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Speech http://hansard.millbanksystems.com/commons/1849/feb/01/address-in-answer-to-the-speech in the House of Commons (1 February 1849).
1840s

H.P. Lovecraft photo
Oliver Goldsmith photo

“O Memory! thou fond deceiver.”

Oliver Goldsmith (1728–1774) Irish physician and writer

Act I.
The Captivity, An Oratorio (1764)

Leonardo Da Vinci photo
Leonardo Da Vinci photo

“The memory of benefits is a frail defence against ingratitude.”

Leonardo Da Vinci (1452–1519) Italian Renaissance polymath

The Notebooks of Leonardo da Vinci (1883), XIX Philosophical Maxims. Morals. Polemics and Speculations.

Lisa Gerrard photo
Theodor W. Adorno photo

“Advancing bourgeois society liquidates memory, time, recollection as irrational leftovers of the past.”

Theodor W. Adorno (1903–1969) German sociologist, philosopher and musicologist known for his critical theory of society

“Was bedeutet Aufarbeitung der Vergangenheit” (1959)

Leonardo Da Vinci photo
Emil M. Cioran photo

“If you don't want to explode with rage, leave your memory alone, abstain from burrowing there.”

Emil M. Cioran (1911–1995) Romanian philosopher and essayist

Anathemas and Admirations (1987)

Jane Addams photo
Van Morrison photo
André Maurois photo

“The use of video evidence is not always conclusive, but it sure beats the memory bank of most witnesses.”

Jack Gibson (1929–2008) Australian rugby league player and coach

Gibson is a massive supporter of modern technology being used in top-grade Rugby League to clear up any decisions that the match referee may not be able to adjudicate on definitively.

Quintilian photo

“In either case the orator should bear clearly in mind throughout his whole speech what the fiction is to which he has committed himself, since we are apt to forget our falsehoods, and there is no doubt about the truth of the proverb that a liar should have a good memory.”
Vtrubique autem orator meminisse debebit actione tota quid finxerit, quoniam solent excidere quae falsa sunt: verumque est illud quod vulgo dicitur, mendacem memorem esse oportere.

Quintilian (35–96) ancient Roman rhetor

Book IV, Chapter II, 91; translation by H. E. Butler
Compare: "Liars ought to have good memories", Algernon Sidney, Discourses on Government, chapter ii, section xv.
Alternate translation for "solent excidere quae falsa sunt": False things tend to be forgotten
De Institutione Oratoria (c. 95 AD)

Rasmus Lerdorf photo