Quotes about look
page 89

Han-shan photo
Warren Zevon photo
Arnold Schwarzenegger photo
Saki photo
Ross Mintzer photo
Marcel Duchamp photo
Anne Murray photo
D.H. Lawrence photo
Nathan Deal photo
Bernard Mandeville photo
Leigh Hunt photo
Edwin Percy Whipple photo
Donald Barthelme photo

“• Top down implies level of detail that is, looking at the highest level of summarization and then decomposing hierarchically to lower levels of detail as required.”

John Zachman (1934) American computer scientist

Source: Business Systems Planning and Business Information Control Study: A comparison, 1982, p. 34

Mary Martin photo

“Mother was the disciplinarian, but it was Daddy who could turn me into an angel with just one look.”

Mary Martin (1913–1990) American actress

Source: My Heart Belongs (1976), p. 19

Enoch Powell photo

“As I look ahead, I am filled with foreboding. Like the Roman, I seem to see "the River Tiber foaming with much blood."”

Enoch Powell (1912–1998) British politician

Alluding to Virgil's report of the Sybil's prophesy, from the Aeneid, Book 6, line 87: "Et Thybrim multo spumantem sanguine cerno." This is one of the concluding lines that gave the speech its common title.
The 'Rivers of Blood' speech

Roger Ebert photo

“It was W. C. Fields who hated to appear in the same scene with a child, a dog, or a plunging neckline - because nobody in the audience would be looking at him. Jennifer Aniston has the same problem in this movie even when she's in scenes all by herself.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/picture-perfect-1997 of Picture Perfect (1 August 1997)
Reviews, Two star reviews

Margaret Thatcher photo

“Douglas, Douglas, you would make Neville Chamberlain look like a warmonger.”

Margaret Thatcher (1925–2013) British stateswoman and politician

On Douglas Hurd, as quoted in "Atticus", The Sunday Times (2 May 1993)
Post-Prime Ministerial

Natalie Portman photo

“I had a fashion designer tell me that when I wear a dress of his, it sells out across the country because Jewish girls ‘look to me,’ and Jewish girls are the ones that buy expensive dresses. It made me sad, because I want to be an influence in ways other than by a pretty dress.”

Natalie Portman (1981) Israeli-American actress

Interview, Jewish Chronicle, 6 July 2007 http://thejc.com/home.aspx?AId=44797&ATypeId=1&search=true2&srchstr=Natalie%20Portman&srchtxt=1&srchhead=1&srchauthor=1&srchsandp=1&scsrch=0

Yogi Berra photo

“Lopat was the cutest of the gang, the easiest to catch because he had almost perfect control of every pitch at different speeds. He made batters impatient. They couldn't wait for what looked so easy to hit and they'd swing at his motion.”

Yogi Berra (1925–2015) American baseball player, manager, coach

As quoted in "Raschi Was Best Hurler: Yogi" https://news.google.com/newspapers?id=2rEfAAAAIBAJ&sjid=PdcEAAAAIBAJ&pg=1965%2C6170607.

Dr. Seuss photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Jean Cocteau photo

“He has the manner of a giant with the look of a child, a lazy activeness, a mad wisdom, a solitude encompassing the world.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

On Orson Welles, as quoted in The New York Times (11 October 1985)

Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

Andrew Vachss photo
Richard Feynman photo
Malcolm McDowell photo

“I do recall one particular night shoot… We were called to the set at four o'clock in the afternoon. As usual, nothing was ready. They'd built a set of Tiberius's grotto, on three acres, and were assembling all of the extras and background. The producers worriedly asked if I would go into Peter's trailer (he was playing Tiberius) and go through the lines with him, which we did few times.
And then he told me the most remarkable story – whether it is true or not I have no idea – about his grave-robbing Etruscan tombs. He said the best way to find Etruscan jewellery and artefacts was to find the drains in the tombs, and very gingerly sift through them with your fingers because, as the bodies decompose, all of the artifacts deposit themselves into the channels. The thought of Peter O'Toole on his hands and knees in an Etruscan catacomb makes for a lovely image.
We spent hours and hours in this trailer. He was smoking … it certainly wasn't tobacco. By the time we got onto the set, 12 hours had passed. We couldn't believe our eyes: the set was covered with people engaging in every sexual perversion in the book. We were totally bemused.
Peter would start off his speech, "Rome was but a city…" then pause, look around, and say to me: "Are they doing the Irish jig over there?"”

Malcolm McDowell (1943) English actor

I'd look over and there would be two dwarves and an amputee dancing around some girls splayed out on a giant dildo. This went on quite a few times.
As quoted in "Malcolm McDowell on Peter O'Toole: Caligula, catacombs and chicken gizzards" https://www.theguardian.com/film/filmblog/2013/dec/17/malcolm-mcdowell-peter-otoole-caligula-graves, The Guardian (17 December, 2013)

Mary Tyler Moore photo

“It may take a while, but there will probably come a time when we look back and say, "Good Lord, do you believe that in the twentieth century and early part of the twenty-first, people were still eating animals?"”

Mary Tyler Moore (1936–2017) American actress, television producer

As quoted in The Vegetarian Solution: Your Answer to Cancer, Heart Disease, Global Warming and More (2007) by Stewart D. Rose, p. 114

“Anyone seen Kaka's wife? Funnily enough, she's a complete sort. She's the sort of woman who, if she looked you in the eye in a bar and asked you where the fag machine was, you'd start giggling and snort.”

Ben Dirs journalist

Quotes of the Week, 2007-05-09, BBC http://news.bbc.co.uk/solpda/ifs_sport/hi/newsid_6635000/6635253.stm,
Football Commentary

Mark Tobey photo

“They do not see what they look at, hence they know not what they do.”

Frederick Franck (1909–2006) Dutch painter

Source: Echoes from the Bottomless Well (1985), p. 124

April Winchell photo

“Look at you, turning on me like a Pomeranian!”

April Winchell (1960) American voice actor and writer

KFI-Los Angeles broadcast, October 8, 2000, available at AprilWinchell.com http://www.aprilwinchell.com/2000/10/08/kfi-sunday-october-2000/

Carl Barron photo
Michael Foot photo
Glenn Beck photo
Calvin Coolidge photo
Philip Roth photo
Dylan Moran photo
Tom Baker photo
Stanley Holloway photo
Murray Walker photo

“I'm a frustrated driver. I would love to be out on the track instead of them. I look at them with envy.”

Murray Walker (1923) Motorsport commentator and journalist

Jasper Gerard (December 17, 2000) "It's the last lap and … I don't believe it! - Interview", The Sunday Times, p. News Review 5.
Interviews

Joni Mitchell photo

“I don't like being too looked up at or too looked down on. I prefer meeting in the middle to being worshipped or spat out.”

Joni Mitchell (1943) Canadian musician

The New York Times (February 4, 2007)

Ludovico Ariosto photo

“Most wretched is the mortal that would shun
To look upon the visage of the sun.”

Misero è ben chi veder schiva il sole!
Canto XXXII, stanza 23 (tr. W. S. Rose)
Orlando Furioso (1532)

Daniel Handler photo

“At this point in the dreadful story I am writing, I must interrupt for a moment and describe something that happened to a good friend of mine named Mr. Sirin. Mr. Sirin was a lepidoptrerist, a word which usually means "a person who studies butterflies." In this case, however, the word "lepidopterist" means "a man who was being pursued by angry government officials," and on the night I am telling you about they were right on his heels. Mr. Sirin looked back to see how close they were--four officers in their bright-pink uniforms, with small flashlights in their left hands and large nets in their right--and realized that in a moment they would catch up, and arrest him and his six favorite butterflies, which were frantically flapping alongside him. Mr. Sirin did not care much if he was captured--he had been in prison four and a half times over the course of his long and complicated life--but he cared very much about the butterflies. He realized that these six delicate insects would undoubtedly perish in bug prison, where poisonous spiders, stinging bees, and other criminals would rip them to shreds. So, as the secret police closed in, Mr. Sirin opened his mouth as wide as he could and swallowed all six butterflies whole, quickly placing them in the dark but safe confines of his empty stomach. It was not a pleasant feeling to have these six insects living inside him, but Mr. Sirin kept them there for three years, eating only the lightest foods served in prison so as not to crush the insects with a clump of broccoli or a baked potato. When his prison sentence was over, Mr. Sirin burped up the grateful butterflies and resumed his lepidoptery work in a community that was much more friendly to scientists and their specimens.”

Lemony Snicket
The Hostile Hospital (2001)

Adolf Eichmann photo
George William Curtis photo
Waheeda Rehman photo
Karl Pilkington photo

“Get married, get on with it, email us the pictures, we're happy to have a look.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

The Moaning of Life, Karl on Marriage

Jonathan Pearce photo

“Fabregas looking left….. this is Abou Diaby…tall, rangy…and going for goal…. OOOHHHH - What an absolute screamer! Abou Diaby! Arsenal 1, Derby County 0. A glorious strike! Found in space, cut inside worked the yard more in space and thumped it!”

Jonathan Pearce (1959) British football commentator

Abou Diaby's first goal of the season, which was best described as an "absolute screamer" by Pearce. The goal, which was followed by an Adebayor hat-trick and a Fabregas shot, helped cement Arsenal's position at the top of the Premier League summit in early September 2007.

Henry Ward Beecher photo
Joe Satriani photo

“Sounds cool. Looks cool. Feels cool.”

Joe Satriani (1956) American guitar player

On what he likes most about the guitar, as quoted by Metal Edge (April 1994).

Ray Comfort photo
Henry Ward Beecher photo

“I had no idea what I was doing when I wrote Search. There was no carefully designed work plan. There was no theory that I was out to prove. I went out and talked to genuinely smart, remarkably interesting, first-rate people. I had an infinite travel budget that allowed me to fly first class and stay at top-notch hotels and a license from McKinsey to talk to as many cool people as I could all around the United States and the world.
I went to see Karl Weick, who had totally influenced my life. I had read his work a thousand times, and I'd never met him. I went to Oslo to talk with Einar Thorsrud, who had studied empowerment on oil tankers. I went to the Tavistock Institute in London, where the leading thinkers on organizational development were looking at why people work together effectively in team configurations under certain circumstances.
Word of the meeting got back to McKinsey USA, and I was invited to give a presentation to the top management of PepsiCo… The time was drawing near for the Pepsi presentation to take place. One morning at about 6, I sat down at my desk overlooking the San Francisco Bay from the 48th floor of the Bank of America Tower, and I closed my eyes. Then I leaned forward, and I wrote down eight things on a pad of paper. Those eight things haven't changed since that moment. They were the eight basic principles of Search.”

Tom Peters (1942) American writer on business management practices

Tom Peters (2001) "Tom Peters's True Confessions" in Fast Company, December 2001 ( online http://www.fastcompany.com/44077/tom-peterss-true-confessions, Nov 31, 2001).

Steven Erikson photo

“Let's look at ten small places in our lives where we are trying to do the impossible and where, as a result of our misunderstanding, we are still sowing and reaping the harvest of frustration and headache:”

Guy Finley (1949) American self-help writer, philosopher, and spiritual teacher, and former professional songwriter and musician

Let Go and Live in the Now

Laura Antoniou photo
Šantidéva photo
Peter Jackson photo
Chinmayananda Saraswati photo
Grandma Moses photo
Thomas Hood photo
Donald J. Trump photo
Dennis Skinner photo
Lewis Pugh photo

“I look for swims where I can carry a powerful message. No message, no swim. I don’t get wet now unless it’s for a reason.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

Website

Ann Leckie photo
Bryant Gumbel photo

“White people love Wayne Brady, because he makes Bryant Gumbel look like Malcolm X.”

Bryant Gumbel (1948) American sportscaster

Chappelle's Show, Prophesised by "Negrodamus"

Arthur Schopenhauer photo
Kris Kristofferson photo
Larry Bird photo
Henry Adams photo
John Banville photo
Francis Escudero photo
George Moore (novelist) photo

“The hours I spend with you I look upon as sort of a perfumed garden, a dim twilight, and a fountain singing to it… you and you alone make me feel that I am alive… Other men it is said have seen angels, but I have seen thee and thou art enough.”

George Moore (novelist) (1852–1933) Irish novelist, short-story writer, poet, art critic, memoirist and dramatist

Letter to Lady Emerald Cunard, quoted in The Everything Wedding Vows Book : Anything and Everything You Could Possibly Say at the Altar, and then Some. (2001) by Janet Anastasio and Michelle Bevilacqua, p. 97.

Zhu Rongji photo
John Ruskin photo
Erving Goffman photo
Ray Comfort photo
Dave Attell photo

“Is she crazy, like it says on her bracelet, or is she just looking at my sheets? I dunno!”

Dave Attell (1965) comedian

"Skanks for the Memories"

Herman Cain photo
Aldo Palazzeschi photo
Colin Blackburn, Baron Blackburn photo