Quotes about leave
page 37

T. B. Joshua photo

“Adopting a lifestyle that is on purpose provides an opportunity to enrich others by leaving your imprint in a positive way.”

T. B. Joshua (1963) Nigerian Christian leader

On the secrets of his success - "TB Joshua's Success Secrets Revealed" https://lusakavoice.com/2015/10/12/tb-joshuas-success-secrets-revealed/ Lusaka Voice, Zambia (October 12 2015)

Shawn Crahan photo

“You come into this world a zero, and you leave a zero.”

Shawn Crahan (1969) American musician

Jason Arnopp, Slipknot: Inside the Sickness, Behind the Masks (2001), ISBN 0091879337

Janis Joplin photo
James A. Garfield photo
James Connolly photo
Kate Bush photo

“This kicking here inside
Makes me leave you behind.
No more under the quilt
To keep you warm.
Your sister I was born.
You must lose me like an arrow,
Shot into the killer storm.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Kick Inside (1978)

Donald J. Trump photo
John Green photo

“It is very sad to me that some people are so intent on leaving their mark on the world that they don't care if that mark is a scar.”

John Green (1977) American author and vlogger

As quoted from Hank Green http://en.wikipedia.org/wiki/Hank_Green on his Twitter feed http://twitter.com/#!/hankgreen
YouTube

Fausto Cercignani photo

“Secret thoughts are only half free: they fly undisturbed in the skies of the inner freedom, but they can never leave them.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

Ilana Mercer photo
Julian of Norwich photo
Yagyū Munenori photo
James Anthony Froude photo
Vitruvius photo
Antoine François Prévost photo

“Only experience or example can rationally determine which way the heart should incline. Now experience is not an advantage that it is open to everyone to acquire, since it depends on the various situations in which, by chance, we find ourselves. For many people, then, this leaves only example that can offer any guidance as to how they should exercise virtue.”

Antoine François Prévost (1697–1763) French novelist

Il n'y a que l'expérience ou l'exemple qui puisse déterminer raisonnablement le penchant du cœur. Or l'expérience n'est point un avantage qu'il soit libre à tout le monde de se donner; elle dépend des situations différentes où l'on se trouve placé par la fortune. Il ne reste donc que l'exemple qui puisse servir de règle à quantité de personnes dans l'exercice de la vertu.
Avis de l'auteur, p. 32; translation pp. 4-5.
L'Histoire du chevalier des Grieux et de Manon Lescaut (1731)

Pearl S.  Buck photo
Bawa Muhaiyaddeen photo
Doris Lessing photo

“Parents should leave books lying around marked "forbidden" if they want their children to read.”

Doris Lessing (1919–2013) British novelist, poet, playwright, librettist, biographer and short story writer

Interview with Amanda Craig, "Grand dame of letters who's not going quietly," The Times, London (23 November 2003) http://www.timesonline.co.uk/article/0,,14449-1132868_3,00.html

Edward Rutledge photo

“I always considered an idle Life, as a real evil, but, a life of such hurry, such constant hurry, leaves us scarcely a moment for reflection or for the discharge of any other then the most immediate and pressing concerns.”

Edward Rutledge (1749–1800) American politician

As quoted in John and Edward Rutledge of South Carolina (1997) by James Haw; ISBN 0-820-31859-0), p. 233

Willem de Sitter photo

“To help us to understand three-dimensional spaces, two-dimensional analogies may be very useful… A two-dimensional space of zero curvature is a plane, say a sheet of paper. The two-dimensional space of positive curvature is a convex surface, such as the shell of an egg. It is bent away from the plane towards the same side in all directions. The curvature of the egg, however, is not constant: it is strongest at the small end. The surface of constant positive curvature is the sphere… The two-dimensional space of negative curvature is a surface that is convex in some directions and concave in others, such as the surface of a saddle or the middle part of an hour glass. Of these two-dimensional surfaces we can form a mental picture because we can view them from outside… But… a being… unable to leave the surface… could only decide of which kind his surface was by studying the properties of geometrical figures drawn on it. …On the sheet of paper the sum of the three angles of a triangle is equal to two right angles, on the egg, or the sphere, it is larger, on the saddle it is smaller. …The spaces of zero and negative curvature are infinite, that of positive curvature is finite. …the inhabitant of the two-dimensional surface could determine its curvature if he were able to study very large triangles or very long straight lines. If the curvature were so minute that the sum of the angles of the largest triangle that he could measure would… differ… by an amount too small to be appreciable… then he would be unable to determine the curvature, unless he had some means of communicating with somebody living in the third dimension…. our case with reference to three-dimensional space is exactly similar. …we must study very large triangles and rays of light coming from very great distances. Thus the decision must necessarily depend on astronomical observations.”

Willem de Sitter (1872–1934) Dutch cosmologist

Kosmos (1932)

Robert T. Bakker photo

“The dinosaur is for most people the epitome of extinctness, the proto­type of an animal so maladapted to a changing environment that it dies out, leaving fossils but no descendants.”

Robert T. Bakker (1945) American paleontologist

"Dinosaur Renaissance", Scientific American 232, no. 4 (April 1975), 58—78
Dinosaur Renaissance (1975)

“Using the scanty means at my disposal I attempted to paint the room together with several objects that I had gathered together, white on white. The white room is an interior to be made devoid of any specific sensualism emanated by objects. Ultimately it is a classic white canvas expanded into three-dimensional space. It was in these surroundings that I rolled across the room, my body wrapped up in pieces of white cloth like a pile of parcels. The pieces of cloth unwound themselves from my tense body, which for a long time remained in a catatonic position, with the soles of both my feet stuck as it were to the wall. […] I had planned to do some bodypainting for the second part of the performance. […] At first I poured black paint over the white objects, I painted Anni with the aim of making a “living painting”. But gradually a certain uncertainty crept in. This was caused by jealous fight between two photographers, which ended by one of them leaving the room in a rage. […] My unease increased, as I became aware of the defects in my “score”-and should this not have any, the mistakes in the way I was translating it into actions. Recognising this, I succumbed to a fit of painting which was like an instinct breaking through. I jammed myself into a step-ladder that had fallen over and on which I had previously done the most dreadful gymnastic exercises, and daubed the walls in frantic despair-until I was exhausted. The very last hour of “informel.””

Günter Brus (1938) Austrian artist

Mühl angrily ridiculed my relapse into a “technique” that had to be overcome.
Source: Nervous Stillness on the Horizon (2006), P. 120 (1985)

James Macpherson photo
Nathanael Greene photo
Orrin H. Pilkey photo
Muhammad photo

“Jabir B. Abdillah reported that once he was on an expedition with the Prophet salla Allahu ʿalayhi wa sallam, and when they were close to the city of Madinah, he sped on his mount. The Prophet salla Allahu ʿalayhi wa sallam asked him why he was in such a hurry to return home. Jabir replied, “I am recently married!” The Prophet salla Allahu ʿalayhi wa sallam asked, “To an older lady or a younger one?” [the Arabic could also read: “To a widow or a virgin?”], to which he replied, “A widow.” The Prophet salla Allahu ʿalayhi wa sallam said, “But why didn’t you marry a younger girl, so that you could play with her, and she could play with you, and you could make her laugh, and she could make you laugh?”He said, “O Messenger of Allah! My father died a martyr at Uhud, leaving behind daughters, so I did not wish to marry a young girl like them, but rather an older one who could take care of them and look after them.” The Prophet salla Allahu ʿalayhi wa salam replied, “You have made the correct choice.”Jabir continues, “So when we were about to enter the city, the Prophet salla Allahu ʿalayhi wa sallam said to me, "Slow down, and enter at night, so that she who has not combed may comb her hair, and she who has not shaved may shave her private area."”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Then he said to me, "When you enter upon her, then be wise and gentle.”
Narrated Jabir bin 'Abdullah [Reported by al-Bukhari and Muslim, with various wordings, in their two Sahihs]
Sunni Hadith

Colin Wilson photo
Paulo Coelho photo
Daniel Dennett photo

“[W]hat good to us is the gods' knowledge if we can't get it from them? How could one communicate with the gods? Our ancestors (while they were alive!) stumbled on an extremely ingenious solution: divination.

We all know how hard it is to make the major decisions of life: should I hang tough or admit my transgression, should I move or stay in my present position, should I go to war or not, should I follow my heart or my head? We still haven't figured out any satisfactory systematic way of deciding these things. Anything that can relieve the burden of figuring out how to make these hard calls is bound to be an attractive idea.

Consider flipping a coin, for instance. Why do we do it? To take away the burden of having to find a reason for choosing A over B. We like to have reasons for what we do, but sometimes nothing sufficiently persuasive comes to mind, and we recognize that we have to decide soon, so we concoct a little gadget, an external thing that will make the decision for us. But if the decision is about something momentous, like whether to go to war, or marry, or confess, anything like flipping a coin would be just too, well, flippant.

In such a case, choosing for no good reason would be too obviously a sign of incompetence, and, besides, if the decision is really that important, once the coin has landed you'll have to confront the further choice: should you honor your just-avowed commitment to be bound by the flip of the coin, or should you reconsider? Faced with such quandaries, we recognize the need for some treatment stronger than a coin flip. Something more ceremonial, more impressive, like divination, which not only tells you what to do, but gives you a reason (if you squint just right and use your imagination).

Scholars have uncovered a comically variegated profusion of ancient ways of delegating important decisions to uncontrollable externalities. Instead of flipping a coin, you can flip arrows (belomancy) or rods (rhabdomancy) or bones or cards (sortilege), and instead of looking at tea leaves (tasseography), you can examine the livers of sacrificed animals (hepatoscopy) or other entrails (haruspicy) or melted wax poured into water (ceroscopy). Then there is moleosophy (divination by blemishes), myomancy (divination by rodent behavior), nephomancy (divination by clouds), and of course the old favorites, numerology and astrology, among dozens of others.”

Breaking the Spell (2006)

Robert A. Heinlein photo
Max Scheler photo

“"Another situation generally exposed to ressentiment danger is the older generation's relation with the younger. The process of aging can only be fruitful and satisfactory if the important transitions are accompanied by free resignation, by the renunciation of the values proper to the preceding stage of life. Those spiritual and intellectual values which remain untouched by the process of aging, together with the values of the next stage of life, must compensate for what has been lost. Only if this happens can we cheerfully relive the values of our past in memory, without envy for the young to whom they are still accessible. If we cannot compensate, we avoid and flee the “tormenting” recollection of youth, thus blocking our possibilities of understanding younger people. At the same time we tend to negate the specific values of earlier stages. No wonder that youth always has a hard fight to sustain against the ressentiment of the older generation. Yet this source of ressentiment is also subject to an important historical variation. In the earliest stages of civilization, old age as such is so highly honored and respected for its experience that ressentiment has hardly any chance to develop. But education spreads through printing and other modern media and increasingly replaces the advantage of experience. Younger people displace the old from their positions and professions and push them into the defensive. As the pace of “progress” increases in all fields, and as the changes of fashion tend to affect even the higher domains (such as art and science), the old can no longer keep up with their juniors. “Novelty‟ becomes an ever greater value. This is doubly true when the generation as such is seized by an intense lust for life, and when the generations compete with each other instead of cooperating for the creation of works which outlast them. “Every cathedral,” Werner Sombart writes, “every monastery, every town hall, every castle of the Middle Ages bears testimony to the transcendence of the individual's span of life: its completion spans generations which thought that they lived for ever. Only when the individual cut himself loose from the community which outlasted him, did the duration of his personal life become his standard of happiness.” Therefore buildings are constructed ever more hastily—Sombart cites a number of examples. A corresponding phenomenon is the ever more rapid alternation of political regimes which goes hand in hand with the progression of the democratic movement. But every change of government, every parliamentary change of party domination leaves a remnant of absolute opposition against the values of the new ruling group. This opposition is spent in ressentiment the more the losing group feels unable to return to power. The “retired official” with his followers is a typical ressentiment figure. Even a man like Bismarck did not entirely escape from this danger."”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

George Bernard Shaw photo

“He had come there dissatisfied with his work, even though his multi-kinetic work was admired and winning him professional recognition. However, at that moment, other ideas were gestating and he wanted to add what he called a "fifth dimension" to his art - that of artificial intelligence. […] : [At the colony, ] he was able to turn his thoughts inward, hoping to discover the new methods and direction that would more deeply satisfy his creative needs. It was at this point, while watching the motions and patterns of sun on leaves in the New Hampshire woods one morning, that Tsai finally achieved the revelatory breakthrough that changed his art and liberated his creative energies. As he put it, he wanted to create "natural movements in dynamic equilibrium, with intelligence," and he found his solution in an unlikely combination of natural phenomenon, the precedent of Gabo's singular (and unrepeated) kinetic sculpture, and the new resource of contemporary analog and digital technology. Speaking of this moment of revelation, Tsai said that he had quite deliberately turned himself into "a sort of plant": facing his chair into the sunshine in the morning, he turned his body in stages throughout the day, mulling over ways of make an "art that presented the observer with natural movements in dynamic equilibrium, and art that could convey the awe I felt while watching sunbeams shimmer through forest leaves." But a work that would "shimmer" simply did not do enough either for the artist or viewer, Tsai concluded. It must also respond in some way to the observer; it would have to work on a new feedback principle and actually engage the observer directly. In short, a cybernetic sculpture was required. To create such radically participatory works, he understood, would require that he draw on his engineering skills rather than suppress them, as he had been trying to do in his period of oil painting.”

Sam Hunter (1923–2014) American art historian

Source: The Cybernetic Sculpture of Tsai Wen-Ying, 1989, p. 67

Thomas Carlyle photo
Agnes Repplier photo
Kate Bush photo

“Hammer Horror, Hammer Horror,
Won't leave me alone.
The first time in my life,
I leave the lights on
To ease my soul.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Lionheart (1978)

Frances Kellor photo
Richard Nixon photo
Jean Baudrillard photo
Henry M. Jackson photo
John Ruskin photo
Walther Funk photo

“It was so flat, you know, you could see the curves of the earth. And when a train came into vision at nine o'clock in the morning, it was still leaving at noon.... it took that long to get across the prairie.”

Agnes Martin (1912–2004) American artist

In Mary Lance's intimate documentary 'With My Back to the World' (2002)
Martin's quote about the landscape of her youth in Macklin, Saskatchewan, where her parents Malcolm and Margaret Martin farmed the vast, sometimes hard land
after 2000

Michael Chabon photo
Tom Waits photo

“If I exorcise my devils, well, my angels may leave too.”

Tom Waits (1949) American singer-songwriter and actor

"Please Call Me, Baby", The Heart of Saturday Night (1974).

John Leguizamo photo
Dennis Miller photo

“We're not allowed to do anything to nature anymore, except look at it. It's like porn with leaves.”

Dennis Miller (1953) American stand-up comedian, television host, and actor

When Did Nature Get So Whiney? (12 September 2003)

“Bend color names which should be made of neon or copper tubing. Place an object on a surface – trace the object – then bend the object – leaving some part of it attached.”

Jasper Johns (1930) American artist

Book A (sketchbook), p 43, c 1963-64: as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 54
1960s

Yoshida Kenkō photo

“Leave undone whatever you hesitate to do.”

Yoshida Kenkō (1283–1350) japanese writer

One of the sayings of the venerable sages, called Ichigon Hödan.
Tsurezure-Gusa (Essays in Idleness)

Roberto Clemente photo
Debito Arudou photo
Henry Wadsworth Longfellow photo
Howard Phillips (politician) photo

“If some day I, or the Constitution Party, should ever abandon the core principles of the Party, don’t wait. Leave and start a new party.”

Howard Phillips (politician) (1941–2013) American politician

My Party, My Choice: The Constitution Party Goes Pro-abort http://www.covenantnews.com/deParrie060502.htm

Natalie Merchant photo
Donald J. Trump photo

“Today, I would like to provide the American people with an update on the White House transition and our policy plans for the first 100 days. Our transition team is working very smoothly, efficiently, and effectively. Truly great and talented men and women, patriots indeed are being brought in and many will soon be a part of our government, helping us to Make America Great Again. My agenda will be based on a simple core principle: putting America First. Whether it's producing steel, building cars, or curing disease, I want the next generation of production and innovation to happen right here, in our great homeland: America – creating wealth and jobs for American workers. As part of this plan, I've asked my transition team to develop a list of executive actions we can take on day one to restore our laws and bring back our jobs. It's about time. These include the following: On trade, I am going to issue our notification of intent to withdraw from the Trans-Pacific Partnership, a potential disaster for our country. Instead, we will negotiate fair, bilateral trade deals that bring jobs and industry back onto American shores. On energy, I will cancel job-killing restrictions on the production of American energy – including shale energy and clean coal – creating many millions of high-paying jobs. That's what we want, that's what we've been waiting for. On regulation, I will formulate a rule which says that for every one new regulation, two old regulations must be eliminated, it's so important. On national security, I will ask the Department of Defense and the Chairman of the Joint Chiefs of Staff to develop a comprehensive plan to protect America's vital infrastructure from cyber-attacks, and all other form of attacks. On immigration, I will direct the Department of Labor to investigate all abuses of visa programs that undercut the American worker. On ethics reform, as part of our plan to Drain the Swamp, we will impose a five-year ban on executive officials becoming lobbyists after they leave the Administration – and a lifetime ban on executive officials lobbying on behalf of a foreign government. These are just a few of the steps we will take to reform Washington and rebuild our middle class. I will provide more updates in the coming days, as we work together to Make America Great Again for everyone.”

Donald J. Trump (1946) 45th President of the United States of America

A Message from President-Elect Donald J. Trump https://www.youtube.com/watch?v=7xX_KaStFT8 (21 November 2016)
2010s, 2016, November

Gene Wolfe photo

“Such was the man who was sent on an embassy to Ajmir, in order that the Rai (Pithaura) of that country might see the right way without the intervention of the sword, and that he might incline from the track of opposition into the path of propriety, leaving his airy follies for the institutes of the knowledge of Allah, and acknowledging the expediency of uttering the words of martyrdom and repeating the precepts of the law, and might abstain from infidelity and darkness, which entails the loss of this world and that to come, and might place in his ear the ring of slavery to the sublime Court (may Allah exalt it!) which is the centre of justice and mercy, and the pivot of the Sultans of the worldand by these means and modes might cleanse the fords of good life from the sins of impurity'…'The army of Islam was completely victorious, and 'an hundred thousand grovelling Hindus swiftly departed to the fire of hell'… After this great victory, the army of Islam marched forward to Ajmir, where it arrived at a fortunate moment and under an auspicious bird, and obtained so much booty and wealth, that you might have said that the secret depositories of the seas and hills had been revealed….'While the Sultan remained at Ajmir, he destroyed the pillars and foundations of the idol temples, and built in their stead mosques and colleges, and the precepts of Islam, and the customs of the law were divulged and established”

Hasan Nizami Persian language poet and historian

About the conquest of Ajmer (Rajasthan) Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 213-216. Also quoted (in part) in Jain, Meenakshi (2011). The India they saw: Foreign accounts.

Letitia Elizabeth Landon photo

“It is a gem which hath the power to show
If plighted lovers keep their faith or no :
If faithful, it is like the leaves of spring;
If faithless, like those leaves when withering.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Emerald Ring — a Superstition from The London Literary Gazette (28th December 1822) Fragments in Rhyme XI
The Improvisatrice (1824)

Agatha Christie photo
Shunryu Suzuki photo

“When you do something, you should burn yourself completely, like a good bonfire, leaving no trace of yourself.”

Shunryu Suzuki (1904–1971) Japanese Buddhist missionary

Quoted in 'Enter the Heart of the Fire : A collection of Mystical Poems (1981) by Mary E. Giles and Kathryn Hohlwein

John Napier photo

“If a first sine be multiplied into a second producing a third, the Logarithm of the first added to the Logarithm of the second produces the Logarithm of the third. So in division, the Logarithm of the divisor subtracted from the Logarithm of the dividend leaves the Logarithm of the quotient.”

John Napier (1550–1617) Scottish mathematician

Appendix, The relations of Logarithms & their natural numbers to each other
The Construction of the Wonderful Canon of Logarithms (1889)

George W. Bush photo
Gloria Estefan photo

“I'm singing the hardest song [the national anthem] you could possibly sing at this hour of the morning [8 a. m. ]. [I came from Cuba] when I was sixteen months old, although I didn't become a citizen until I was actually about 9 or 10 years old [1966-67]. I had to leave the country to become a citizen, because we had to go to Canada -- and I'll never forget that trip as long as I live. But it was very important for me then, and for them [new citizens] today, What more special day can you have: July 4th in the American Mecca. It doesn't get better than that for them. Well, I'll tell you this -- and I can base it on my own feelings. The beauty of this country is that you can become a citizen of this wonderful nation, and still keep who you are: your culture, your lifestyle. It's a melting pot that allows you not to melt if you don't want to. And it's a wonderful place. I love this country. I really admire it: its ideals, the freedom, the things it stands for. As an immigrant that came from a country that doesn't have those freedoms and still doesn't have them -- which is Cuba -- it's much more special to me: To be able to live here and to be able to have the life that I do in this country.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

interview with Sam Champion on Good Morning America television progam before ceremony at Walt Disney World in Orlando, Florida to swear in 1,000 new U.S. citizens (July 4, 2007)
2007, 2008

Richard A. Posner photo
Vilna Gaon photo
Thomas Wyatt photo
Cuauhtémoc Blanco photo

“Beg God that I don´t score a goal because I´m gonna leave a stain on you.”

Cuauhtémoc Blanco (1973) Mexican footballer

To Felix Fernandez
Interview with BigSoccer.com

Brian W. Aldiss photo
David Starr Jordan photo
Paul LePage photo
Francois Rabelais photo

“I have nothing, owe a great deal, and the rest I leave to the poor.”

Francois Rabelais (1494–1553) major French Renaissance writer

Je n'ai rien vaillant; je dois beaucoup; je donne le reste aux pauvres.
His one line will, as quoted in Arthur Machen : A Short Account of His Life and Work (1964) by Aidan Reynolds and William E. Charlton, p. 186.

Billy Joel photo
Helen Hayes photo
Derren Brown photo
Henrik Ibsen photo

“Back he'll come…With vine leaves in his hair. Flushed and confident.”

Henrik Ibsen (1828–1906) Norwegian playwright, theatre director, and poet

Hedda, Act II
Hedda Gabler (1890)

George W. Bush photo
William Morris photo
William A. Dembski photo
Gabriel García Márquez photo
Ernest Gellner photo
Tom Waits photo

“How do the angels get to sleep / When the Devil leaves his porch light on?”

Tom Waits (1949) American singer-songwriter and actor

"Mr. Siegal", Heartattack and Vine (1980).

Eugene V. Debs photo
John Keats photo

“And then there crept
A little noiseless noise among the leaves,
Born of the very sigh that silence heaves.”

John Keats (1795–1821) English Romantic poet

"I Stood Tiptoe", l. 10
Poems (1817)

Francis Escudero photo

“I leave it to those concerned the launching of a hate campaign against me based on imagined and manufactured allegations. Please get the facts straight and don’t try to put words in my mouth.”

Francis Escudero (1969) Filipino politician

The Official Website of the Senate of the Philippines http://www.senate.gov.ph/press_release/2013/0410_escudero1.asp
2013, Mid-Term Campaign Trail

Niall Ferguson photo
Neil Peart photo
Nicole Richie photo

“When my dad divorced my mom it was kind of like him leaving me also. I just really didn't understand why he wasn't returning my phone calls, or why I couldn't see him whenever I wanted to. That was the most hurtful thing to me.”

Nicole Richie (1981) American television personality, musician, actress, and author

Source: Lionel Richie and Daughter Nicole on Fame, Drugs and Divorce http://www.oprah.com/tows/slide/200405/20040521/tows_slide_20040521_01.jhtml Interview with Oprah Winfrey, May 21, 2004 (March 6, 2008)

Wole Soyinka photo