Quotes about language
page 11

Isaac Leib Peretz photo
Vincent Van Gogh photo
Robert E. Lee photo

“Duty is the sublimest word in our language. Do your duty in all things. You cannot do more. You should never wish to do less.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

Letter purportedly written to his son, G. W. Custis Lee (5 April 1852); published in The New York Sun (26 November 1864). Although the “Duty Letter” was presumed authentic for many decades and included in many biographies of Lee, it was repudiated in December 1864 by “a source entitled to know.” This repudiation was rediscovered by University of Virginia law professor Charles A. Graves who verified that the letter was inconsistent with Lee's biographical facts and letter-writing style. Lee's son also wrote to Graves that he did not recall ever receiving such a letter. “The Forged Letter of General Robert E. Lee”, Proceedings of the 26th annual meeting of the Virginia State Bar Association 17:176 http://books.google.com/books?id=EMkDAQAAIAAJ&pg=PA176 (1914)
Misattributed

Andrew Ure photo
Daniel Levitin photo
Bernard Lewis photo
Émile Durkheim photo
Italo Calvino photo
Eric Hobsbawm photo
George William Curtis photo

“A few years after the Constitution was adopted Alexander Hamilton said to Josiah Quincy that he thought the Union might endure for thirty years. He feared the centrifugal force of the system. The danger, he said, would proceed from the States, not from the national government. But Hamilton seems not to have considered that the vital necessity which had always united the colonies from the first New England league against the Indians, and which, in his own time, forced the people of the country from the sands of a confederacy to the rock of union, would become stronger every year and inevitably develop and confirm a nation. Whatever the intention of the fathers in 1787 might have been, whether a league or confederacy or treaty, the conclusion of the children in 1860 might have been predicted. Plant a homogeneous people along the coast of a virgin continent. Let them gradually overspread it to the farther sea, speaking the same language, virtually of the same religious faith, inter- marrying, and cherishing common heroic traditions. Suppose them sweeping from end to end of their vast domain without passports, the physical perils of their increasing extent constantly modified by science, steam, and the telegraph, making Maine and Oregon neighbors, their trade enormous, their prosperity a miracle, their commonwealth of unsurpassed importance in the world, and you may theorize as you will, but you have supposed an imperial nation, which may indeed be a power of evil as well as of good, but which can no more recede into its original elements and local sources than its own Mississippi, pouring broad and resistless into the Gulf, can turn backward to the petty forest springs and rills whence it flows. 'No, no', murmurs the mighty river, 'when you can take the blue out of the sky, when you can steal heat from fire, when you can strip splendor from the morning, then, and not before, may you reclaim your separate drops in me.”

George William Curtis (1824–1892) American writer

'Yes, yes, my river,' answers the Union, 'you speak for me. I am no more a child, but a man; no longer a confederacy, but a nation. I am no more Virginia, New York, Carolina, or Massachusetts, but the United States of America'.
1860s, The Good Fight (1865)

St. Vincent (musician) photo

“While Jesus is saving, I'm spending all my days
in backgrounds and landscapes with the languages of saints.”

St. Vincent (musician) (1982) American singer-songwriter

"Jesus Saves, I Spend" - ( Studio video on YouTube http://www.youtube.com/watch?v=bYoT14ZRY2E - Video of live performance on YouTube http://www.youtube.com/watch?v=qt3ykoc4tu0)
Marry Me (2007)
Context: While Jesus is saving, I'm spending all my days
in backgrounds and landscapes with the languages of saints.
While people are spinning like toys on Christmas day,
I'm inside a still life with the other absentee.

Camille Paglia photo
Benoît Minisini photo

“I am using many other languages, but I never forgot that I have learned and done a lot with Basic.”

Benoît Minisini (1973) French computer programmer

Quoted from the Gambas Website, http://gambas.sourceforge.net/introduction.html http://gambas.sourceforge.net/introduction.html

Uladzimir Nyaklyayew photo

“What I liked about Greece was […] the impressive force of the language itself, unconfined by dictionaries, spoken in the streets, in cafés and in the country.”

Peter Levi (1931–2000) writer, archaeologist, sometime Jesuit priest

Peter Levi. The Hill of Kronos. 1980.

Ralph Waldo Emerson photo

“Things added to things, as statistics, civil history, are inventories. Things used as language are inexhaustibly attractive.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Plato; or, The Philosopher
1850s, Representative Men (1850)

Hu Shih photo
Max Scheler photo

“These two characteristics make revenge the most suitable source for the formation of ressentiment. The nuances of language are precise. There is a progression of feeling which starts with revenge and runs via rancor, envy, and impulse to detract all the way to spite, coming close to ressentiment. Usually, revenge and envy still have specific objects. They do not arise without special reasons and are directed against definite objects, so that they do not outlast their motives. The desire for revenge disappears when vengeance has been taken, when the person against whom it was directed has been punished or has punished himself, or when one truly forgives him. In the same way, envy vanishes when the envied possession becomes ours. The impulse to detract, however, is not in the same sense tied to definite objects—it does not arise through specific causes with which it disappears. On the contrary, this affect seeks those objects, those aspects of men and things, from which it can draw gratification. It likes to disparage and to smash pedestals, to dwell on the negative aspects of excellent men and things, exulting in the fact that such faults are more perceptible through their contrast with the strongly positive qualities. Thus there is set a fixed pattern of experience which can accommodate the most diverse contents. This form or structure fashions each concrete experience of life and selects it from possible experiences. The impulse to detract, therefore, is no mere result of such an experience, and the experience will arise regardless of considerations whether its object could in any way, directly or indirectly, further or hamper the individual concerned. In “spite,” this impulse has become even more profound and deep-seated—it is, as it were, always ready to burst forth and to betray itself in an unbridled gesture, a way of smiling, etc. An analogous road leads from simple *Schadenfreude* to “malice.””

Max Scheler (1874–1928) German philosopher

The latter, more detached than the former from definite objects, tries to bring about ever new opportunities for *Schadenfreude*.
Das Ressentiment im Aufbau der Moralen (1912)

Michael Halliday photo
Geert Mak photo
Neal Stephenson photo
William Cowper photo

“Praise enough
To fill the ambition of a private man,
That Chatham's language was his mother tongue.”

Source: The Task (1785), Book II, The Timepiece, Line 235.

Walker Percy photo
John Wesley photo

“As to the word itself, it is generally allowed to be of Greek extraction. But whence the Greek word, enthousiasmos, is derived, none has yet been able to show. Some have endeavoured to derive it from en theoi, in God; because all enthusiasm has reference to him. … It is not improbable, that one reason why this uncouth word has been retained in so many languages was, because men were not better agreed concerning the meaning than concerning the derivation of it. They therefore adopted the Greek word, because they did not understand it: they did not translate it into their own tongues, because they knew not how to translate it; it having been always a word of a loose, uncertain sense, to which no determinate meaning was affixed.
It is not, therefore, at all surprising, that it is so variously taken at this day; different persons understanding it in different senses, quite inconsistent with each other. Some take it in a good sense, for a divine impulse or impression, superior to all the natural faculties, and suspending, for the time, either in whole or in part, both the reason and the outward senses. In this meaning of the word, both the Prophets of old, and the Apostles, were proper enthusiasts; being, at divers times, so filled with the Spirit, and so influenced by Him who dwelt in their hearts, that the exercise of their own reason, their senses, and all their natural faculties, being suspended, they were wholly actuated by the power of God, and “spake” only “as they were moved by the Holy Ghost.”
Others take the word in an indifferent sense, such as is neither morally good nor evil: thus they speak of the enthusiasm of the poets; of Homer and Virgil in particular. And this a late eminent writer extends so far as to assert, there is no man excellent in his profession, whatsoever it be, who has not in his temper a strong tincture of enthusiasm. By enthusiasm these appear to understand, all uncommon vigour of thought, a peculiar fervour of spirit, a vivacity and strength not to be found in common men; elevating the soul to greater and higher things than cool reason could have attained.
But neither of these is the sense wherein the word “enthusiasm” is most usually understood. The generality of men, if no farther agreed, at least agree thus far concerning it, that it is something evil: and this is plainly the sentiment of all those who call the religion of the heart “enthusiasm.” Accordingly, I shall take it in the following pages, as an evil; a misfortune, if not a fault. As to the nature of enthusiasm, it is, undoubtedly a disorder of the mind; and such a disorder as greatly hinders the exercise of reason. Nay, sometimes it wholly sets it aside: it not only dims but shuts the eyes of the understanding. It may, therefore, well be accounted a species of madness; of madness rather than of folly: seeing a fool is properly one who draws wrong conclusions from right premisses; whereas a madman draws right conclusions, but from wrong premisses. And so does an enthusiast suppose his premisses true, and his conclusions would necessarily follow. But here lies his mistake: his premisses are false. He imagines himself to be what he is not: and therefore, setting out wrong, the farther he goes, the more he wanders out of the way.”

John Wesley (1703–1791) Christian theologian

Sermon 37 "The Nature of Enthusiasm"
Sermons on Several Occasions (1771)

Anthony Trollope photo
Eugéne Ionesco photo
Tami Stronach photo
Gancho Tsenov photo
René Girard photo

“An examination of our terms, such as competition, rivalry, emulation, etc., reveals that the traditional perspective remains inscribed in the language. Competitors are fundamentally those who run or walk together, rivals who dwell on opposite banks of the same river, etc…The modern view of competition and conflict is the unusual and exceptional view, and our incomprehension is perhaps more problematic than the phenomenon of primitive prohibition. Primitive societies have never shared our conception of violence. For us, violence has a conceptual autonomy, a specificity that is utterly unknown to primitive societies. We tend to focus on the individual act, whereas primitive societies attach only limited importance to it and have essentially pragmatic reasons for refusing to isolate such an act from its context. This context is one of violence. What permits us to conceive abstractly of an act of violence and view it as an isolated crime is the power of a judicial institution that transcends all antagonists. If the transcendence of the judicial institution is no longer there, if the institution loses its efficacy or becomes incapable of commanding respect, the imitative and repetitious character of violence becomes manifest once more; the imitative character of violence is in fact most manifest in explicit violence, where it acquires a formal perfection it had not previously possessed. At the level of the blood feud, in fact, there is always only one act, murder, which is performed in the same way for the same reasons in vengeful imitation of the preceding murder. And this imitation propagates itself by degrees. It becomes a duty for distant relatives who had nothing to do with the original act, if in fact an original act can be identified; it surpasses limits in space and time and leaves destruction everywhere in its wake; it moves from generation to generation. In such cases, in its perfection and paroxysm mimesis becomes a chain reaction of vengeance, in which human beings are constrained to the monotonous repetition of homicide. Vengeance turns them into doubles.”

Source: Things Hidden Since the Foundation of the World (1978), p. 11-12.

John Wilson photo

“Music is the universal language of mankind.”

John Wilson (1785–1854) Scottish advocate, literary critic and author (1785-1854)

Nocted Ambrosianae (1822-5).

Stephen Corry photo
Joseph Massad photo
David Graeber photo

“To tell the history of debt, then, is also necessarily to reconstruct how the language of the marketplace has come to pervade every aspect of human life—even to provide the terminology for the moral and religious voices ostensibly raised against it.”

David Graeber (1961) American anthropologist and anarchist

Source: Debt: The First 5,000 Years (2011), Chapter Five, "A Brief Treatise on the Moral Grounds of Moral Relations", p. 89

“Prose uses the medium of language whilst poetry serves language and explores it.”

Michael Schmidt (poet) (1947) American poet

The Great Modern Poets, London, 2006

Alastair Reynolds photo
Warren Farrell photo
Zainab Salbi photo

“We have been so consumed with seemingly objective discussions of politics, tactics, weapons, dollars and casualties. This is the language of sterility.”

Zainab Salbi (1969) Iraqi American author, women's rights activist

Speech at TEDGlobal 2010

Rollo May photo
Letitia Elizabeth Landon photo
Hendrik Verwoerd photo
Erik Naggum photo

“C is not clean – the language has many gotchas and traps, and although its semantics are simple in some sense, it is not any cleaner than the assembly-language design it is based on.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: teaching and learning with LISP/Scheme http://groups.google.com/group/comp.lang.lisp/msg/1c0fd1ffdb5d1b8b (Usenet article).
Usenet articles

Rose Wilder Lane photo
Henri Matisse photo

“An artist must possess Nature. He must identify himself with her rhythms, by effort that will prepare the mastery which will later enable him to express himself in his own language.”

Henri Matisse (1869–1954) French artist

In a letter to Mr. Clifford, February 14, 1948; as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson , London, 1963, p. 238
1940s

Jules Michelet photo

“The history of France begins with the French language. Language is the primary sign of nationality.”

Jules Michelet (1798–1874) French historian

[Histoire de France, Michelet, Jules, Chamerot, 1861, 1, book 3]
History of France, 1833-1867

Norbert Wiener photo
Guillaume Apollinaire photo

“O mouths humanity seeks a new language
Beyond the reach of grammarians”

Ô bouches l'homme est a la recherche d'un nouveau langage
Auquel le grammairien d'aucune langue n'aura rien à dire
"Victoire" (Victory), line 21; p. 125.
Calligrammes (1918)

Valentina Lisitsa photo
Hans Freudenthal photo
Susan Cooper photo

“But why Latin?” demanded Barney.
“I don’t know, the monks just always used it, that’s all, it was one of their things. I suppose it’s a religious-sounding kind of language.”

Susan Cooper (1935) English fantasy writer

Source: The Dark Is Rising (1965-1977), Over Sea, Under Stone (1965), Chapter 3 (p. 31)

Andrei Codrescu photo
David Crystal photo
Daniel Dennett photo
Marshall McLuhan photo

“Typography extended its character to the regulation and fixations of languages.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Variant: Typography extended its character to the regulation and fixation of languages. (p. 229)
Source: 1960s, The Gutenberg Galaxy (1962), p. 260

Robert E. Howard photo
David Hume photo

“The admirers and followers of the Alcoran insist on the excellent moral precepts interspersed through that wild and absurd performance. But it is to be supposed, that the Arabic words, which correspond to the English, equity, justice, temperance, meekness, charity were such as, from the constant use of that tongue, must always be taken in a good sense; and it would have argued the greatest ignorance, not of morals, but of language, to have mentioned them with any epithets, besides those of applause and approbation. But would we know, whether the pretended prophet had really attained a just sentiment of morals? Let us attend to his narration; and we shall soon find, that he bestows praise on such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilized society. No steady rule of right seems there to be attended to; and every action is blamed or praised, so far only as it is beneficial or hurtful to the true believers.”

David Hume, Of the Standard of Taste, 1760
Variant: The admirers and followers of the Alcoran insist on the excellent moral precepts interspersed through that wild and absurd performance. But it is to be supposed, that the Arabic words, which correspond to the English, equity, justice, temperance, meekness, charity were such as, from the constant use of that tongue, must always be taken in a good sense; and it would have argued the greatest ignorance, not of morals, but of language, to have mentioned them with any epithets, besides those of applause and approbation. But would we know, whether the pretended prophet had really attained a just sentiment of morals? Let us attend to his narration; and we shall soon find, that he bestows praise on such instances of treachery, inhumanity, cruelty, revenge, bigotry, as are utterly incompatible with civilized society. No steady rule of right seems there to be attended to; and every action is blamed or praised, so far only as it is beneficial or hurtful to the true believers.

Thomas Jefferson photo

“Let what will be said or done, preserve your sang-froid immovably, and to every obstacle, oppose patience, perseverance, and soothing language.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to William Short (18 March 1792)
1790s

Javad Alizadeh photo
Salvador Dalí photo
David Crystal photo
Michel Bréal photo
Fernand Léger photo
Arthur Kekewich photo

“It is impossible for us English lawyers, dealing with the English language, to express our views except in the technical language of our law.”

Arthur Kekewich (1832–1907) British judge

Lauri v. Renad (1892), L. R. 3 C. D. [1892], p. 413.

Rudolf Pannwitz photo

“Translations [into the German language], even the best ones, proceed from a mistaken premise. They want to turn Hindi, Greek, English into German instead of turning German into Hindi, Greek, English. … The basic error of the translator is that he preserves the state in which his own language happens to be instead of allowing his language to be powerfully affected by the foreign tongue.”

Rudolf Pannwitz (1881–1969) German writer and philosopher

Unsere übertragungen, auch die besten, gehen von einem falschen grundsatz aus, sie wollen das indische, griechische, englische verdeutschen, anstatt das deutsche zu verindischen, vergriechischen, verenglischen. ... Der grundsätzliche irrtum des übertragenden ist, daß er den zufälligen stand der eigenen sprache festhält, anstatt sie durch die fremde gewaltig bewegen zu lassen.
Die Krisis der europäischen Kultur (1917), as translated in Walter Benjamin, Selected Writings: Volume 1, 1913-1926 (1996), pp. 261-262

Peter Greenaway photo
Ken Thompson photo
Ralph Waldo Emerson photo

“Language is the archives of history … Language is fossil poetry.”

1840s, Essays: Second Series (1844), The Poet

Jimmy Wales photo

“Other times I am pestered by a recurrent visual image and this image will resonate with some tone-rhythm pattern, only after that does language start to come.”

Jan Zwicky (1955) Canadian philosopher

'Perfect Fluency' interview with Scott Rosenberg, University of Wyoming Campus, Oct. 2010.
Other

Will Eisner photo
William Saroyan photo

“I couldn't understand the language, I couldn't understand a word in the whole book, but it was somehow too eloquent to use for a fire.”

William Saroyan (1908–1981) American writer

The Daring Young Man on the Flying Trapeze (1934), A Cold Day

William Lai photo

“I will set a policy goal next year to make Taiwan a bilingual country, with English and Chinese being its official languages.”

William Lai (1959) Taiwanese politician

William Lai (2018) cited in " Taiwan to Make English an Official Language https://www.breitbart.com/national-security/2018/08/31/taiwan-english-official-language/" on Breitbart, 31 August 2018.

John Lancaster Spalding photo

“Language should be pure, noble and graceful, as the body should be so: for both are vestures of the Soul.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 127

Edward Herbert, 1st Baron Herbert of Cherbury photo
Gioachino Rossini photo

“Music is a kind of harmonious language.”

Gioachino Rossini (1792–1868) Italian composer

Zanolini, Biografia di Gioachino Rossini (1875)

Bei Dao photo

“a perpetual stranger
am I to the world
I don't understand its language
my silence it can't comprehend”

Bei Dao (1949) contemporary Chinese (PRC) avant garde poet

"A perpetual stranger...", p. 110
Variant translation:
In the world I am
Always a stranger
I do not understand its language
It does not understand my silence
The August Sleepwalker (1990)

David Crystal photo
Christopher Langton photo
Monier Monier-Williams photo
Peggy Noonan photo
Francis Marion Crawford photo
Thomas Hobbes photo
Leo Tolstoy photo
Jack Vance photo