Quotes about intensity (952 quotes, page 9)

“Death, the Destroyer of Delights and the Sunderer of Society, had arrived at last.
Blackness. Nothingness. He did not even know that his heart had given out forever. Nothingness.
Then his eyes opened. His heart was beating strongly. He was strong, very strong! All the pain of the gout in his feet, the agony in his liver, the torture in his heart, all were gone.
It was so quiet he could hear the blood moving in his head. He was alone in a world of soundlessness.
A bright light of equal intensity was everywhere. He could see, yet he did not understand what he was seeing. What were these things above, beside, below him? Where was he?”

Philip José Farmer (1918–2009) American science fiction writer

Source: The Riverworld series, To Your Scattered Bodies Go (1971), Chapter 1 (p. 1)

Death , Pain , World , Understanding

“Today everyone knows that inequality is wrong. A century ago everyone knew that gay sex was wrong. The intuitions people have on moral questions are intensely felt. They are also shallow and transient to the last degree…. Justice is an artefact of custom. Where customs are unsettled its dictates soon become dated. Ideas of justice are as timeless as fashion in hats.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

The Vices of Morality: Justice and Fashion (p. 102-3)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

People , Justice , Sex , Idea

“The relatively small sector of the mind that stands in the intense light of purposeful will and thought is not a reliable standard of the inner strength and lucidity of consciousness in its totality.”

Nyanaponika Thera (1901–1994) German Buddhist monk

Source: The Vision of Dhamma (1994), p. 75

Light

“Prose will be used for the more objective branches of writing- novels, plays, essays.. Cadence will be used for personal, emotional, lyrical utterances in which the phrasing goes with a stronger beat and the words live together with an intense flame.”

F. S. Flint (1885–1960) English Imagist poet

Otherworld Cadences (1920)

Personality

“My work is getting stronger & stronger and more intense all the time.... I have such a rush of new energy & notions coming into my head, over my horizon like chariots of fire that all I want is freedom to step aside and execute them.”

Marsden Hartley (1877–1943) American artist

Hartley to Kuntz, February 2, 1940, as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 147
1931 - 1943

Freedom , Time

“When we arrived at New York I went, straight after clearing customs, to the Algonquin Hotel. I would not claim as of right a room in my own flat, since Hortense must now regard it as hers. After a couple of whisky sours in the Blue Bar I walked up Fifth Avenue. The September heat was intense and the air was all woollen shirts aboil. The town was full of jumbo steaks and ice cream, the shops pleaded that we buy useless gadgets. This was not Europe. This was very far from being Europe. Victory in Europe and Asia confirmed the excellence of the American way of life. Strong appetite and inviolable health. The afternoon sun was higher here than in any town of Europe, forced upwards by the skyscrapers. The place was rife with life.”

Anthony Burgess (1917–1993) English writer

Fiction, Earthly Powers (1980)

Life , Health , Way , Strong

“On the third floor of Manning's Coffee Shop in the Farmer's Market in Seattle confronting the Sound, the windows are opaque with fog. Sitting here in the long deserted room, I feel suspended enveloped by a white silence. Two floors below, the farmers are bending over their long rows of fruit and vegetables; washing and arranging their produce under intense lights shaded by circular green shades. Above, where I sit, the world seems obliterated from all save memory; abstracted without the feeling of being divorced from one’s roots. My eye keeps focusing upon the opaque windows [an equivalent of the picture plane]. Suddenly the vision is disturbed by the shape of a gull floating silently across the width of the window, a line of movement drawn across the picture surface. Then space again. In opposing lines to the gull's flight, the Sound moves northward through the Inland Passage... It is true that trains run daily out of Seattle to points East and South, but my mind takes but little cognizance of this fact. To me Seattle seems pocketed. There is only one way out: Alaska, toward the North! Swerving to the South, there is the Orient, although in San Francisco I feel the Orient rolling in with its tides. My imagination, it would seem, has its own geography.”

Mark Tobey (1890–1976) American abstract expressionist painter

Source: 1950's, In: Reminiscence and Reverie, 1951, pp. 45, 46

World , Way , Feeling , Imagination

“Becoming aware of the intense suffering of billions of animals, and of our own participation in that suffering, can bring up painful emotions: sorrow and grief for the animals; anger at the injustice and deception of the system; despair at the enormity of the problem; fear that trusted authorities and institutions are, in fact, untrustworthy; and guilt for having contributed to the problem. Bearing witness means choosing to suffer. Indeed, empathy is literally “feeling with.” Choosing to suffer is particularly difficult in a culture that is addicted to comfort—a culture that teaches that pain should be avoided whenever possible and that ignorance is bliss. We can reduce our resistance to witnessing by valuing authenticity over personal pleasure, and integration over ignorance.”

Melanie Joy book Why We Love Dogs, Eat Pigs, and Wear Cows

Source: Why We Love Dogs, Eat Pigs, and Wear Cows (2010), pp. 142-143

Pain , Pleasure , Fear , Feeling

“As we ambled along, the sheer professionalism of our tour guide struck me. Her task was not an easy one. She had to provide a veritable font of Elvis knowledge to all of the intense devotees. At the same time, she also had to acknowledge the absurdist nature of the experience for of the rest of the tour group.
With subtle changes in her facial expressions and slight adjustments in her tone of voice, our guide accomplished her task brilliantly. At no point in time did she diminish Elvis in the eyes of his devout followers. Still, I believe everyone left Graceland that day thoroughly satisfied with their visit.”

Daniel Drezner (1968) American journalist

Preface
Theories of International Politics and Zombies (2011)

Nature , Knowledge , Change , Time

“In art a thing is beautiful whenever it has character. Character — this is the intense truth of any natural spectacle, whether beautiful or ugly. You may even call it a double truth. For it is the inner essence expressed by the outer appearance. It is the soul, the sentiment, the idea that shines out through the features of a fare, the pose and action of a human body, the tones of a skym the line of a horizon.”

Auguste Rodin (1840–1917) French sculptor

Rodin on realism, 1910

Truth , Beauty , Art , Soul

“The market universe is composed of two types of oceans: red oceans and blue oceans. Red oceans are all the industries in existence today; they are increasingly characterized by intense competition. Blue oceans are all the industries not in existence today; they are untouched and uncontested. To prosper in the future, companies need to go beyond competing; they need to create blue oceans. The issue is how to do so.”

W. Chan Kim (1951) South Korean economist

Kim, W. Chan, and Renée Mauborgne. "Blue ocean strategy: from theory to practice." California Management Review 47.3 (2005). p. 105

Universe , Future

“The distinction between micro- and macro inventions matters because they appeared to be governed by different laws. Microinventions generally result from an intentional search for improvements, and are understandable -if not predictable- by economic forces. They are guided, at least to some extent, by the laws of supply and demand and by the intensity of search and the resources committed to them, and thus by signals emitted by the price mechanism. Furthermore, in so far as micro inventions are the by-products of experience through learning by doing or learning by using they are correlated with output or investment. Macroinventions are more difficult to understand, and seem to be governed by individual genius and luck as much as by economic forces. Often they are based on some fortunate event, in which an inventor stumbles on one thing while looking for another, arrives at the right conclusion for the wrong reason, or brings to bear a seemingly unrelated body of knowledge that just happen to hold the clue to the right solution. The timing of these inventions is consequently often hard to explain. Much of the economic literature dealing with the generation of technological progress through market mechanisms and incentive devices thus explain only part of the story. This does not mean that we have to give up the attempt to try to understand macroinventions. We must, however, look for explanations largely outside the trusted and familiar market mechanisms relied upon by economists.”

Joel Mokyr (1946) Israeli American economic historian

Source: The lever of riches: Technological creativity and economic progress, 1992, p. 295; as cited by Pol, Eduardo, and Peter Carroll.

Law , Search , Literature , Understanding

“As Magnitudes themselves are absolute Quantums Independent on all Kinds of Measure, tho' indeed we cannot tell what their Quantify is, unless we measure them; so Time is likewise a Quantum in itself, tho' in Order to find the Quantity of it, we are obliged to call in Motion to our Assistance as a Measure… and thus Time as measurable signifies Motion; for if all Things were to continue at Rest, it would be impossible to find out by any Method whatsoever how much Time has elaps'd; and the several Ages wou'd roll on imperceptibly and undistinguish'd. Do I say we shou'd not perceive how Time flows? No indeed, nor any Thing else, but remain like Stocks or Stones in a continual Insensibility. We perceive nothing, unless so far as we may be instigated by some Change affecting the Senses, or that our Souls are mov'd and excited by the internal Operation of the Mind. We esteem the Quantities and different Degrees of Things according to the Extension or Intension of Motions striking upon us either interiorly or exteriorly. So that the Quantity of Time so far as we can observe; depends upon the Extension of Motion.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

p, 125
Geometrical Lectures (1735)

Age , Soul , Sense , Change

“It is the quality and intensity of the dream only which raises men above the biological norm; and it is fidelity to the dream which differentiates the exceptional figure, the man of heroic stature, from the muddling, aimless mediocrities about him.”

Burton Rascoe (1892–1957) American writer

Introduction to Chivalry (1921) by James Branch Cabell, later published in Prometheans : Ancient and Modern (1933), p. 279
Context: It is true, of course, that like the fruit of the tree of life, Mr. Cabell's artistic progeny sprang from a first conceptual germ — "In the beginning was the Word." That animating idea is the assumption that if life may be said to have an aim it must be an aim to terminate in success and splendor. It postulates the high, fine importance of excess, the choice or discovery of an overwhelming impulse in life and a conscientious dedication to its fullest realization. It is the quality and intensity of the dream only which raises men above the biological norm; and it is fidelity to the dream which differentiates the exceptional figure, the man of heroic stature, from the muddling, aimless mediocrities about him. What the dream is, matters not at all — it may be a dream of sainthood, kingship, love, art, asceticism or sensual pleasure — so long as it is fully expressed with all the resources of self. It is this sort of completion which Mr. Cabell has elected to depict in all his work: the complete sensualist in Demetrios, the complete phrase-maker in Felix Kennaston, the complete poet in Marlowe, the complete lover in Perion. In each he has shown that this complete self-expression is achieved at the expense of all other possible selves, and that herein lies the tragedy of the ideal. Perfection is a costly flower and is cultured only by an uncompromising, strict husbandry.

Men , Dreams

“We identify with the powerless and the vulnerable—the victims, all those dominated, oppressed, and exploited. And it is the nonhuman animals whose suffering is the most intense, widespread, expanding, systematic, and socially sanctioned of all.”

Henry Spira (1927–1998) American activist

Context: We identify with the powerless and the vulnerable—the victims, all those dominated, oppressed, and exploited. And it is the nonhuman animals whose suffering is the most intense, widespread, expanding, systematic, and socially sanctioned of all. What can be done? What are the patterns underlying effective social struggles?

Suffering , Animals

“What was thy pity's recompense?
A silent suffering, and intense”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

I.
Prometheus (1816)
Context: Titan! to whom immortal eyes
The sufferings of mortality
Seen in their sad reality,
Were not as things that gods despise;
What was thy pity's recompense?
A silent suffering, and intense;
The rock, the vulture, and the chain,
All that the proud can feel of pain,
The agony they do not show,
The suffocating sense of woe,
Which speaks but in its loneliness,
And then is jealous lest the sky
Should have a listener, nor will sigh
Until its voice is echoless.

Suffering

“His fashion is passion, sincere and intense, —
His impulse is simple and true”

Martin Farquhar Tupper (1810–1889) English writer and poet

Nature's Nobleman (1844)
Context: His fashion is passion, sincere and intense, —
His impulse is simple and true;
Yet temper'd by judgment, and taught by good sense,
And cordial with me and with you.

Fashion , Passion , Sincerity

“Here the notes in my laboratory journal cease. I was able to write the last words only with great effort. By now it was already clear to me that LSD had been the cause of the remarkable experience of the previous Friday, for the altered perceptions were of the same type as before, only much more intense.”

Albert Hofmann (1906–2008) Swiss chemist

Describing his first deliberate ingestion of LSD on the 19th of April 1943, in Ch. 1 : How LSD Originated http://www.psychedelic-library.org/child1.htm
LSD : My Problem Child (1980)
Context: 4/19/43 16:20: 0.5 cc of 1/2 promil aqueous solution of diethylamide tartrate orally = 0.25 mg tartrate. Taken diluted with about 10 cc water. Tasteless.
17:00: Beginning dizziness, feeling of anxiety, visual distortions, symptoms of paralysis, desire to laugh.
Supplement of 4/21: Home by bicycle. From 18:00- ca.20:00 most severe crisis. (See special report.)
Here the notes in my laboratory journal cease. I was able to write the last words only with great effort. By now it was already clear to me that LSD had been the cause of the remarkable experience of the previous Friday, for the altered perceptions were of the same type as before, only much more intense. I had to struggle to speak intelligibly. I asked my laboratory assistant, who was informed of the self-experiment, to escort me home. We went by bicycle, no automobile being available because of wartime restrictions on their use. On the way home, my condition began to assume threatening forms. Everything in my field of vision wavered and was distorted as if seen in a curved mirror. I also had the sensation of being unable to move from the spot. Nevertheless, my assistant later told me that we had traveled very rapidly. Finally, we arrived at home safe and sound, and I was just barely capable of asking my companion to summon our family doctor and request milk from the neighbors.
In spite of my delirious, bewildered condition, I had brief periods of clear and effective thinking — and chose milk as a nonspecific antidote for poisoning.

Effort

“Ten Practical Experiments
1. Spacing (use gray appearance charcoal)
2. Shape (in varying proportions)
3. Arrangement
4. Rhythm
5. Drawn Line (charcoal and brush)
6. Masses(Chinese and Japanese ink painting)
7. Tone (difference)
8. Color ( suggested by stain glass)
9. Dark and Light(crayon on black paper)
10. Intensities”

Arthur Wesley Dow (1857–1922) painter from the United States

A Course in Fine Arts- Arthur Dow- Bulletin of College of Art of Association of America Vol 1 no 4 September 1918
A Course in Fine Arts

Color , Light , Appearance , Painting

“Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour's household, and, underneath, another — secret and passionate and intense — which is the real life that stamps the faces and gives character to the voices of our friends.”

Willa Cather (1873–1947) American writer and novelist

Katherine Mansfield (1925)
Context: Even in harmonious families there is this double life: the group life, which is the one we can observe in our neighbour's household, and, underneath, another — secret and passionate and intense — which is the real life that stamps the faces and gives character to the voices of our friends. Always in his mind each member of these social units is escaping, running away, trying to break the net which circumstances and his own affections have woven about him.

Life , Secret , Family , Passion

“So far, war has been the only force that can discipline a whole community, and until and equivalent discipline is organized, I believe that war must have its way. But I have no serious doubt that the ordinary prides and shames of social man, once developed to a certain intensity, are capable of organizing such a moral equivalent as I have sketched, or some other just as effective for preserving manliness of type.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

1900s, The Moral Equivalent of War (1906)
Context: Such a conscription, with the state of public opinion that would have required it, and the many moral fruits it would bear, would preserve in the midst of a pacific civilization the manly virtues which the military party is so afraid of seeing disappear in peace. We should get toughness without callousness, authority with as little criminal cruelty as possible, and painful work done cheerily because the duty is temporary, and threatens not, as now, to degrade the whole remainder of one's life. I spoke of the "moral equivalent" of war. So far, war has been the only force that can discipline a whole community, and until and equivalent discipline is organized, I believe that war must have its way. But I have no serious doubt that the ordinary prides and shames of social man, once developed to a certain intensity, are capable of organizing such a moral equivalent as I have sketched, or some other just as effective for preserving manliness of type. It is but a question of time, of skilful propogandism, and of opinion-making men seizing historic opportunities.

War , Way , Communication

“An intense, unyielding stubbornness hides beneath an apparent obedience”

Wilhelm Stekel (1868–1940) Austrian physician and psychologist

Sadism and Masochism : The Psychology of Hatred and Cruelty, Vol. 1 (1939), p. 46
Context: An intense, unyielding stubbornness hides beneath an apparent obedience (the patient brings a vast number of dreams; his associations become endless; he produces an inexhaustible number of recollections, which seem to him very important but are actually of little moment; or he goes off upon some byroad suggested by the analyst and leads the latter into a blind alley).
The child manifests the same reactions of defiance and obedience. The child, too, can hide his stubbornness behind an excessive docility (the parent's command: You must be industrious. Industry may become a mania so that the child neither goes out nor has time to sleep). Obedience is the giving up of the resistance; obstinacy the setting up of fresh resistances. This resistance is externally active. We have in recent years had sufficient opportunity to observe the law of resistance (the passive resistance). Activity and defiance show great differences. Defiance is the reaction against activity (aggression) of the environment. It may then manifest itself actively or passively and stands in the service of the defensive tendency of the ego. Every resistance reveals the ego (one's own) in conflict with another.

“Perhaps you have felt already, from the tone of my letter, that I am more than ever now the bride of science. Religion to me is science, and science is religion. In that deeply-felt truth lies the secret of my intense devotion to the reading of God's natural works. It is reading Him. His will — His intelligence; and this again is learning to obey and to follow (to the best of our power) that will! For he who reads, who interprets the Divinity with a true and simple heart, then obeys and submits in acts and feelings as by an impupulse and instinct. He can't help doing so. At least, it appears so to me.”

Ada Lovelace (1815–1852) English mathematician, considered the first computer programmer

Englische Studien, Volume 19 https://archive.org/stream/englischestudien19leipuoft#page/157/mode/1up (1894), Leipzig; O.R. Reisland, "Byron's Daughter", p. 157-158.

God , Truth , Secret , Religion

“Every one who has seriously investigated a novel question, who has really interrogated Nature with a view to a distinct answer, will bear me out in saying that it requires intense and sustained effort of imagination.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: Every one who has seriously investigated a novel question, who has really interrogated Nature with a view to a distinct answer, will bear me out in saying that it requires intense and sustained effort of imagination. The relations of sequence among the phenomena must be seen; they are hidden; they can only be seen mentally; a thousand suggestions rise before the mind, but they are recognised as old suggestions, or as inadequate to reveal what is sought; the experiments by which the problem may be solved have to be imagined; and to imagine a good experiment is as difficult as to invent a good fable, for we must have distinctly present — clear mental vision — the known qualities and relations of all the objects, and must see what will be the effect of introducing some new qualifying agent. If any one thinks this is easy, let him try it: the trial will teach him a lesson respecting the methods of intellectual activity not without its use.

Imagination , Question , Nature , Effort

“The intensity of these storms is terrifying. They are…the intensity is rising because of climate change. This isn’t about the future – it’s about right now.”

Jeffrey D. Sachs (1954) American economist

Climate, Welfare..., Australian Broadcasting Corporation, 15 October, 2018 http://www.abc.net.au/tv/qanda/txt/s4892252.htm
Context: The intensity of these storms is terrifying. They are... the intensity is rising because of climate change. This isn’t about the future – it’s about right now. And yet, a senator in Florida today said, “I don’t know where climate change comes from.” What is the matter with these people? How dare they either hold the office if they really don’t know, which is not the point, or they’re so corrupt in taking oil money that they pretend that they don’t know? And so, that’s the real story here. The governments are not representing you properly right now. Because the planet is facing profound dangers, we’re all at risk, and our governments need to act. And they promised that they would act, and they’re not acting right now.

Change , Future

“I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous.”

Patricia Rozema (1958) Canadian film director

In "Audio Commentary with Writer/Director Patricia Rozema" on Mansfield Park DVD (2000)
Context: I believe in tension and release, in that if you stay in the the same tone and mode and intensity for too long, it actually becomes monotonous. When you change up your pace or your humour level, then the release is welcome. … I believe that's my biggest job: tone control, and maintaining enough unity so that it all feels like one movie and all the scenes belong together, and yet diversity so that emotional and narrative interest is maintained.

“In his best work, Howard's writing seems so highly charged with energy that it nearly gives off sparks. Stories such as "The People of the Black Circle" glow with the fierce and eldritch light of his frenzied intensity.”

Robert E. Howard (1906–1936) American author

About
Context: "This sort of fiction, commonly called "sword and sorcery" by its fans, is not fantasy at its lowest, but it still has a pretty tacky feel; mostly it's the Hardy Boys dressed up in animal skins and rated R ( and with cover art by Jeff Jones, as likely as not). Sword and sorcery novels and stories are tales of power for the powerless. The fellow who is afraid of being rousted by those young punks who hang around his bus stop can go home at night and imagine himself wielding a sword, his potbelly miraculously gone, his slack muscles magically transmuted into those "iron thews" which have been sung and storied in the pulps for the last fifty years.
"The only writer who really got away with this sort of stuff was Robert E. Howard, a peculiar genius who lived and died in rural Texas ( Howard committed suicide as his mother lay comatose and terminally ill, apparently unable to face life without her). Howard overcame the limitations of his puerile material by the force and fury of his writing and by his imagination, which was powerful beyond his hero Conan's wildest dreams of power. In his best work, Howard's writing seems so highly charged with energy that it nearly gives off sparks. Stories such as "The People of the Black Circle" glow with the fierce and eldritch light of his frenzied intensity. At his best, Howard was the Thomas Wolfe of fantasy, and most of his Conan tales seem to almost fall over themselves in their need to get out. Yet his other work was either unremarkable or just abysmal... The word will hurt and anger his legion of fans, but I don't believe any other word fits. Robert Bloch, one of Howard's contemporaries, suggested in his first letter to Weird Tales that even Conan wasn't that much shakes. Bloch's idea was that Conan should be banished to the outer darkness where he could use his sword to cut out paper dolls. Needless to say, this suggestion did not go over well with the marching hordes of Conan fans; they probably would have lynched poor Bob Bloch on the spot, had they caught up with him back there in Milwaukee." ~ Stephen King, Danse Macabre, p. 204,

People , Light

“In the Eastern religions and in mysticism, the love of God is an intense feeling experience of oneness, inseparably linked with the expression of this love in every act of living.”

Erich Fromm book The Art of Loving

Source: The Art of Loving (1956), Ch. 2
Context: In the dominant Western religious system, the love of God is essentially the same as the belief in God, in God’s existence, God’s justice, God’s love. The love of God is essentially a thought experience. In the Eastern religions and in mysticism, the love of God is an intense feeling experience of oneness, inseparably linked with the expression of this love in every act of living.

Love , God , Religion , Feeling

“May I reach
That purest heaven, — be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
”

George Eliot (1819–1880) English novelist, journalist and translator

O May I Join the Choir Invisible (1867)
Context: This is life to come, —
Which martyred men have made more glorious
For us who strive to follow. May I reach
That purest heaven, — be to other souls
The cup of strength in some great agony,
Enkindle generous ardor, feed pure love,
Beget the smiles that have no cruelty,
Be the sweet presence of a good diffused,
And in diffusion ever more intense!
So shall I join the choir invisible
Whose music is the gladness of the world.

Love , Smile , Soul

“The situation can be controlled and even reversed but it demands co-operation on a scale and intensity beyond anything achieved so far…I realise that there are any number of vital causes to be fought for, I sympathise with people who work up a passionate concern about the all too many examples of inhumanity, injustice, and unfairness, but behind all this hangs a really deadly cloud. Still largely unnoticed and unrecognised, the process of destroying our natural environment is gathering speed and momentum. If we fail to cope with this challenge, all the other problems will pale into insignificance.”

Prince Philip, Duke of Edinburgh (1921) member of the British Royal Family, consort to Queen Elizabeth II

Edinburgh University Union (1969)
The Environmental Revolution: Speeches on Conservation, 1962–77 (1978)
Context: The sheer weight of numbers of the human population, our habitations, our machinery and our ruthless exploitation of the living and organic resources of the earth; together these are changing our whole environment. This is what we call progress and much of this development is naturally to the direct and welcome benefit of mankind. However, we cannot at the same time ignore the awkward consequences and the most direct and menacing, but not the only consequence of this change, is pollution... Pollution is a direct outcome of man's ruthless exploitation of the earth's resources. Experience shows that the growth of successful organic populations is eventually balanced by the destruction of its own habitat. The vast man-made deserts show that the human population started this process long ago. There are two important differences today. In the first place the process has gone from a walking pace to a breakneck gallop. Secondly we know exactly what is happening. If not exactly in all cases, we know enough to appreciate what is happening and the need to take care... Pollution is no longer a matter of local incidents, today it has the whole biosphere in its grip. The processes which devastated the Welsh valleys a hundred years ago are now at work, over, on and under the earth and the oceans. Even if we bury all this waste underground there still remains the risk that toxic materials through chemical reactions will be washed out and into underground water courses. If ever there was an area of research more closely related to human welfare it is the problem of the safe disposal of waste and effluents... The fact is that we have got to make a choice between human prosperity on the one hand and the total well-being of the planet Earth on the other. Even then it is hardly a choice because if we only look for human prosperity we shall certainly destroy by pollution the earth and the human population which has existed on it for millions of years... If the world pollution situation is not critical at the moment it is as certain as anything can be that the situation will become increasingly intolerable within a very short time. The situation can be controlled and even reversed but it demands co-operation on a scale and intensity beyond anything achieved so far... I realise that there are any number of vital causes to be fought for, I sympathise with people who work up a passionate concern about the all too many examples of inhumanity, injustice, and unfairness, but behind all this hangs a really deadly cloud. Still largely unnoticed and unrecognised, the process of destroying our natural environment is gathering speed and momentum. If we fail to cope with this challenge, all the other problems will pale into insignificance.

People , Nature , Problem , Passion

“The world to me is a dream and the people in it are sleepers. I have known a few instances of intensity but that is all. I want to find a world in which these instances are united.”

Katherine Mansfield (1888–1923) New Zealand author

Letter to S. S. Koteliansky, as quoted in "Always my thoughts & feelings go back to New Zealand" by Vincent O'Sullivan, in NZ Listener Vol 214 No 3556, (July 5-11 2008) http://www.nzlistener.co.nz/issue/3556/features/11387/printable/always_my_thoughts_feelings_go_back_to_new_zealand.html;jsessionid=7E38C804BAA963EB74F59C8EA61F048B
Context: The world to me is a dream and the people in it are sleepers. I have known a few instances of intensity but that is all. I want to find a world in which these instances are united. Shall I succeed? I scarcely care. What is important is to try & learn to live, and in relation to everything – not isolated. This isolation is death to me.

People , World , Dreams

“She has a very intense poetic mind. That's what makes it — that voice that comes in.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

While listening to 50 Words for Snow
2010s, The Kate Bush Story (2014)

“The thing we must do intensely is be human together. People are more important than things.”

Frank Herbert (1920–1986) American writer

"Introduction" to New World or No World (1970)
General sources
Context: The thing we must do intensely is be human together. People are more important than things. We must get together. The best thing humans can have going for them is each other. We have each other. We must reject everything which humiliates us. Humans are not objects of consumption. We must develop an absolute priority of humans ahead of profit — any humans ahead of any profit. Then we will survive. … Together.

People

“Feelings are constantly changing. None is dependable for long. You can love someone intensely today, and tomorrow or next month not feel a thing.”

Barry Long (1926–2003) Australian spiritual teacher and writer

Love is not a feeling ~ The Article (1995)
Context: Feelings are constantly changing. None is dependable for long. You can love someone intensely today, and tomorrow or next month not feel a thing. Except perhaps for the feeling of doubt or depression that what was so beautiful could change so quickly.

Love , Feeling , Change , Dependency

“I do have this one purpose — increasing the intensity of my consciousness of life.”

Homi J. Bhabha (1909–1966) 1909-1966, Indian nuclear physicist

As quoted in the "Homi Jehangir Bhabha" profile at the Vigyan Prasar Science Portal http://www.vigyanprasar.gov.in/scientists/bhabha/BHABHANEW.HTM
Context: I know quite clearly what I want out of my life. Life and my emotions are the only things I am conscious of. I love the consciousness of life and I want as much of it as I can get. But the span of one's life is limited. What comes after death no one knows. Nor do I care. Since, therefore, I cannot increase the content of life by increasing its duration, I will increase it by increasing its intensity. Art, music, poetry and everything else … I do have this one purpose — increasing the intensity of my consciousness of life.

Life

“Since the Chernobyl accident, we have worked all over the globe to raise nuclear safety performance. And since the September 2001 terrorist attacks, we have worked with even greater intensity on nuclear security.”

Mohamed ElBaradei (1942) Egyptian law scholar and diplomat, former Director General of the International Atomic Energy Agency, and Nobel …

Nobel lecture (2005)
Context: Since the Chernobyl accident, we have worked all over the globe to raise nuclear safety performance. And since the September 2001 terrorist attacks, we have worked with even greater intensity on nuclear security. On both fronts, we have built an international network of legal norms and performance standards. But our most tangible impact has been on the ground. Hundreds of missions, in every part of the world, with international experts making sure nuclear activities are safe and secure.
I am very proud of the 2,300 hard working men and women that make up the IAEA staff — the colleagues with whom I share this honour. Some of them are here with me today. We come from over 90 countries. We bring many different perspectives to our work. Our diversity is our strength.
We are limited in our authority. We have a very modest budget. And we have no armies.
But armed with the strength of our convictions, we will continue to speak truth to power. And we will continue to carry out our mandate with independence and objectivity.

“O, dreadful is the check — intense the agony
When the ear begins to hear and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh and the flesh to feel the chain.”

Emily Brontë (1818–1848) English novelist and poet

The Prisoner (October 1845)
Context: p>But first a hush of peace, a soundless calm descends;
The struggle of distress and fierce impatience ends
Mute music sooths my breast — unuttered harmony
That I could never dream till earth was lost to me.Then dawns the Invisible; the Unseen its truth reveals;
My outward sense is gone, my inward essence feels —
Its wings are almost free, its home, its harbour found;
Measuring the gulf, it stoops and dares the final bound — O, dreadful is the check — intense the agony
When the ear begins to hear and the eye begins to see;
When the pulse begins to throb, the brain to think again,
The soul to feel the flesh and the flesh to feel the chain.Yet I would lose no sting, would wish no torture less;
The more that anguish racks the earlier it will bless;
And robed in fires of Hell, or bright with heavenly shine
If it but herald Death, the vision is divine —</p

Feeling , Soul , Thinking

“I have spent all my life with dance and being a dancer. It's permitting life to use you in a very intense way. Sometimes it is not pleasant. Sometimes it is fearful. But nevertheless it is inevitable.”

Martha Graham (1894–1991) American dancer and choreographer

As quoted in "About Martha Graham" at the Martha Graham Center of Contemporary Dance http://marthagraham.org/resources/aboutgraham.

Life , Fear , Way , Dance

“The Art of painting is itself an intensely personal activity.”

Patrick Swift (1927–1983) British artist

X magazine (1959-62)
Context: The Art of painting is itself an intensely personal activity. It may be labouring the obvious to say so but it is too little recognised in art journalism now that a picture is a unique and private event in the life of the painter: an object made alone with a man and a blank canvas... A real painting is something which happens to the painter once in a given minute; it is unique in that it will never happen again and in this sense is an impossible object. It is judged by the painter simply as a success or failure without qualification. And it is something which happens in life not in art: a picture which was merely the product of art would not be very interesting and could tell us nothing we were not already aware of. The old saying, “what you don’t know can’t hurt you”, expresses the opposite idea to that which animates the painter before his canvas. It is precisely what he does not know which may destroy him.

Art , Painting , Personality

“The normal man, he does not care much what he does except that he should eat and sleep and make love. But the scientist is intensely religious—he is so religious that he will not accept quarter-truths, because they are an insult to his faith.
He wants that everything should be subject to inexorable laws. He is equal opposed to the capitalists who t'ink their silly money-grabbing is a system, and to liberals who t'ink man is not a fighting animal; he takes both the American booster and the European aristocrat, and he ignores all their blithering. Ignores it! All of it! He hates the preachers who talk their fables, but he iss not too kindly to the anthropologists and historians who can only make guesses, yet they have the nerf to call themselves scientists! Oh, yes, he is a man that all nice good-natured people should naturally hate!”

Sinclair Lewis book Arrowsmith

Arrowsmith (1925)
Context: Perhaps I am a crank, Martin. There are many who hate me. There are plots against me—oh, you t'ink I imagine it, but you shall see! I make many mistakes. But one thing I keep always pure: the religion of a scientist.
To be a scientist—it is not just a different job, so that a man should choose between being a scientist and being an explorer or a bond-salesman or a physician or a king or a farmer. It is a tangle of ver-y obscure emotions, like mysticism, or wanting to write poetry; it makes its victim all different from the good normal man. The normal man, he does not care much what he does except that he should eat and sleep and make love. But the scientist is intensely religious—he is so religious that he will not accept quarter-truths, because they are an insult to his faith.
He wants that everything should be subject to inexorable laws. He is equal opposed to the capitalists who t'ink their silly money-grabbing is a system, and to liberals who t'ink man is not a fighting animal; he takes both the American booster and the European aristocrat, and he ignores all their blithering. Ignores it! All of it! He hates the preachers who talk their fables, but he iss not too kindly to the anthropologists and historians who can only make guesses, yet they have the nerf to call themselves scientists! Oh, yes, he is a man that all nice good-natured people should naturally hate! ~ Gottlieb, Ch. 26

Love , Money , Hate , People

“But whoever has undergone the intense experience of successful advances made in this domain is moved by profound reverence for the rationality made manifest in existence.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1940s, Science and Religion (1941)
Context: If it is one of the goals of religion to liberate mankind as far as possible from the bondage of egocentric cravings, desires, and fears, scientific reasoning can aid religion in yet another sense. Although it is true that it is the goal of science to discover rules which permit the association and foretelling of facts, this is not its only aim. It also seeks to reduce the connections discovered to the smallest possible number of mutually independent conceptual elements.
It is in this striving after the rational unification of the manifold that it encounters its greatest successes, even though it is precisely this attempt which causes it to run the greatest risk of falling a prey to illusions. But whoever has undergone the intense experience of successful advances made in this domain is moved by profound reverence for the rationality made manifest in existence. By way of the understanding he achieves a far-reaching emancipation from the shackles of personal hopes and desires, and thereby attains that humble attitude of mind toward the grandeur of reason incarnate in existence, and which, in its profoundest depths, is inaccessible to man.
This attitude, however, appears to me to be religious, in the highest sense of the word. And so it seems to me that science not only purifies the religious impulse of the dross of its anthropomorphism but also contributes to a religious spiritualization of our understanding of life.
The further the spiritual evolution of mankind advances, the more certain it seems to me that the path to genuine religiosity does not lie through the fear of life, and the fear of death, and blind faith, but through striving after rational knowledge. E = mc²

Success

“Social and cultural factors very broadly channel and limit sexual variation in human populations. Sexual laws, codes, and roles do restrict the range and intensity of sexual practices, as far as we can judge from the cross-cultural literature (Herdt and Stoller 1990). Kinsey lent his support to this view; Ford and Beach (1950) documented it in surveys; and Margaret Mead (1961) did so in her ethnographic studies. But biosocial, genetic, and hormonal predispositions also broadly limit and channel.”

Gilbert Herdt (1949) American anthropologist

"Bisexuality and the Causes of Homosexuality: The Case of the Sambia"
Context: Social and cultural factors very broadly channel and limit sexual variation in human populations. Sexual laws, codes, and roles do restrict the range and intensity of sexual practices, as far as we can judge from the cross-cultural literature (Herdt and Stoller 1990). Kinsey lent his support to this view; Ford and Beach (1950) documented it in surveys; and Margaret Mead (1961) did so in her ethnographic studies. But biosocial, genetic, and hormonal predispositions also broadly limit and channel. Each culture's theory of the combination of these social and biological constraints we could call its theory of human sexual nature. Yet none of these broad principles, nor the local theory of human sexual nature, entirely explains or predicts a particular person's sexual desires or behaviors. A sexual behavior, that is, does not necessarily indicate an erotic orientation, preference, or desire. The homosexual is not the same as the homoerotic; whether in our society or one very exotic, I will claim, we can distinguish the homosexual from the homoerotic, as Oscar Wilde's case first hinted.

Law , Literature , Support , Study

“You can't get rid of evil. We can't, and I feel that so intensely. All the idiots that keep coming into the world and wrecking people's lives.”

Maurice Sendak (1928–2012) American illustrator and writer of children's books

NOW interview (2004)
Context: You can't get rid of evil. We can't, and I feel that so intensely. All the idiots that keep coming into the world and wrecking people's lives.
And it is such an abundance of idiocy that you lose courage, okay? That you lose hope — I don't want to lose hope. I get through every day — I'm pretty good — I work. I sleep. I sing. I walk. But, I'm losing hope.

People , World , Feeling , Evil

“I suffer those varying levels or intensities of belief which are, it seems, the human condition.”

William Golding (1911–1993) British novelist, poet, playwright and Nobel Prize for Literature laureate

"Belief and Creativity" Address in Hamburg (11 April 1980); as quoted in Moving Target https://books.google.com.mx/books?id=2SwUAAAAQBAJ&source=gbs_navlinks_s (2013), Faber & Faber
Context: Reason, when it is refined into logic, has something to offer but only in terms of itself and depends for its effect and use on the nature of the premise. That useful argument as to how many angels can stand on the point of a needle would turn into nothing without the concept of angels. I took a further step into my new world. I formulated what I had felt against a mass of reasonable evidence and saw that to explain the near infinite mysteries of life by scholastic Darwinism, by the doctrine of natural selection, was like looking at a sunset and saying "Someone has struck a match". As for Freud, the reductionism of his system made me remember the refrain out of Marianna in Moated Grande — "He cometh not, she said, she said I am aweary aweary, O God that I were dead!". This was my mind, not his, and I had a right to it....
We question free will, doubt it, dismiss it, experience it. We declare our own triviality on a small speck of dirt circling a small star at the rim of one countless galaxies and ignore the heroic insolence of the declaration. We have diminished the world of God and man in a universe ablaze with all the glories that contradict that diminution.
Of man and God. We have come to it, have we not? I believe in God; and you may think to yourselves — here is a man who has left a procession and gone off by himself only to end with another gasfilled image he towns round with him at the end of the rope. You would be right of course. I suffer those varying levels or intensities of belief which are, it seems, the human condition. Despite the letters I still get from people who believe me to be still alive and who are deceived by the air of confident authority that seems to stand behind that first book, Lord of the Flies, nevertheless like everyone else I have had to rely on memories of moments, bet on what once seemed a certainty but may now be an outsider, remember in faith what I cannot recreate.

Suffering

“These were the rhythms of his life: indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger- like water ebbing and flowing from the tug of a far-away, invisible force.”

Richard Wright (1908–1960) African-American writer

"Fear", pp. 31, Harper Row 1966
Native Son (1940)

Life , Silence , Water , Anger

“During the class sessions I witnessed I deliberately strolled behind the instructor, looking at the students. I thought certainly some of the Korean students would break their concentration on the instructor and sneak a glance at me. I didn't catch a one. I made it a practice to make this test often during visits to ROK training schools. Never once did I catch an eye looking my way. I have never in my life been so impressed with the intensity of military students.”

Mark W. Clark (1896–1984) American general

Source: From the Danube to the Yalu (1954), p. 175
Context: After I went to the Far East I witnessed this same concentration time after time in the schools the Koreans established for their officers and noncoms. The students would squat on their haunches for hours listening to an instructor explain something like the care and use of a light machine gun. They would focus their eyes on the instructor almost without blinking. Never once did a single student that I saw let his gaze wander. I even tested them. They knew who I was, and in addition the short-statured Oriental has a compulsion to look at a tall man. During the class sessions I witnessed I deliberately strolled behind the instructor, looking at the students. I thought certainly some of the Korean students would break their concentration on the instructor and sneak a glance at me. I didn't catch a one. I made it a practice to make this test often during visits to ROK training schools. Never once did I catch an eye looking my way. I have never in my life been so impressed with the intensity of military students.

Life , School , Way , Training

“Thus he seeks to discover a system which will prove them all right, and all wrong; which will reconcile their differences; will unite past creeds; will account for the present, and will anticipate the future with a continuous and uninterrupted development; this, too, by a process, not negative and distinctive, but, on the contrary, intensely positive and constructive.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870), Note I : Hâjî Abdû, The Man
Context: He looks with impartial eye upon the endless variety of systems, maintained with equal confidence and self-sufficiency, by men of equal ability and honesty. He is weary of wandering over the world, and of finding every petty race wedded to its own opinions; claiming the monopoly of Truth; holding all others to be in error, and raising disputes whose violence, acerbity and virulence are in inverse ratio to the importance of the disputed matter. A peculiarly active and acute observation taught him that many of these jarring families, especially those of the same blood, are par in the intellectual processes of perception and reflection; that in the business of the visible working world they are confessedly by no means superior to one another; whereas in abstruse matters of mere Faith, not admitting direct and sensual evidence, one in a hundred will claim to be right, and immodestly charge the other ninety-nine with being wrong.
Thus he seeks to discover a system which will prove them all right, and all wrong; which will reconcile their differences; will unite past creeds; will account for the present, and will anticipate the future with a continuous and uninterrupted development; this, too, by a process, not negative and distinctive, but, on the contrary, intensely positive and constructive. I am not called upon to sit in the seat of judgment; but I may say that it would be singular if the attempt succeeded. Such a system would be all-comprehensive, because not limited by space, time, or race; its principle would be extensive as Matter itself, and, consequently, eternal. Meanwhile he satisfies himself, — the main point.

Past , Future

“I was like you once, Tim. Blonde hair, scraggly beard, child-like ears. Full of beans and spunk. I once punched a bloke in the face for saying Hawk the Slayer was rubbish… but that's not the point, Tim. The point is, I was defending the fantasy genre with terminal intensity when what I should have said is "Dad, you're right. But let's give Krull a try, and we'll discuss it later."”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Lyrics, Misc.

“Day by day, religious conceptions grow less and less intense. Day by day, the old spirit dies out of book and creed.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

"The Gods" (1876) as published in The Gods and Other Lectures (1879).
Context: Day by day, religious conceptions grow less and less intense. Day by day, the old spirit dies out of book and creed. The burning enthusiasm, the quenchless zeal of the early church have gone, never, never to return. The ceremonies remain, but the ancient faith is fading out of the human heart. The worn-out arguments fail to convince, and denunciations that once blanched the faces of a race, excite in us only derision and disgust. As time rolls on, the miracles grow mean and small, and the evidences our fathers thought conclusive utterly fail to satisfy us.

Books

“I lived, particularly in childhood but with lessening intensity right on to middle age, in a world that was peculiarly and intimately my own, scarcely to be shared with others or even made plausible to them.”

George F. Kennan (1904–2005) American advisor, diplomat, political scientist and historian

A passage from the first volume of his Memoirs as quoted in Political Realism in American Thought (1977) by John W. Coffey, p. 26
Context: I lived, particularly in childhood but with lessening intensity right on to middle age, in a world that was peculiarly and intimately my own, scarcely to be shared with others or even made plausible to them. I habitually read special meanings into things, scenes and places — qualities of wonder, beauty, promise, or horror — for which there was no external evidence visible or plausible to others. My world was peopled with mysteries, seductive hints, vague menaces, "intimations of immortality."

Age , World , Childhood

“Is it inconceivable that intense thought concentrated toward a sensitive with whom the thinker is in close sympathy may induce a telepathic chain of brain waves, along which the message of thought can go straight to its goal without loss of energy due to distance?”

William Crookes (1832–1919) British chemist and physicist

Address to the Society for Psychical Research (1897)
Context: It may be objected that brain waves, like any other waves, must obey physical laws. Therefore, transmission of thought must be easier or more certain the nearer the agent and recipient are to each other, and should die out altogether before great distances are reached. Also it can be urged that if brain waves diffuse in all directions they should affect all sensitives within their radius of action, instead of impressing only one brain. The electric telegraph is not a parallel case, for there a material wire intervenes to conduct and guide the energy to its destination.
These are weighty objections, but not, I think, insurmountable. Far be it from me to say anything disrespectful of the law of inverse squares, but I have already endeavored to show we are dealing with conditions removed from our material and limited conceptions of space, matter, form. Is it inconceivable that intense thought concentrated toward a sensitive with whom the thinker is in close sympathy may induce a telepathic chain of brain waves, along which the message of thought can go straight to its goal without loss of energy due to distance? And is it also inconceivable that our mundane ideas of space and distance may be superseded in these subtle regions of unsubstantial thought, where "near" and "far" may lose their usual meaning?

Loss

“This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/red-1994 of Three Colors: Red (2 December 1994)
Reviews, Four star reviews
Context: We are connected with some people and never meet others, but it could easily have happened otherwise. Looking back over a lifetime, we describe what happened as if it had a plan. To fully understand how accidental and random life is — how vast the odds are against any single event taking place — would be humbling. … This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be.

Feeling , Personality

“It’s a perfect set of circumstances to give us the time Yeats foretold, with the best having lost all conviction and the worst full of passionate intensity. I’m an optimist. In order to be libertarian, you have to be an optimist. You have to have a benign view of human nature, to believe that human beings left to their own devices are basically good.”

John Perry Barlow (1947–2018) American poet and essayist

John Perry Barlow 2.0 (2004)
Context: It’s a perfect set of circumstances to give us the time Yeats foretold, with the best having lost all conviction and the worst full of passionate intensity. I’m an optimist. In order to be libertarian, you have to be an optimist. You have to have a benign view of human nature, to believe that human beings left to their own devices are basically good. But I’m not so sure about human institutions, and I think the real point of argument here is whether or not large corporations are human institutions or some other entity we need to be thinking about curtailing. Most libertarians are worried about government but not worried about business. I think we need to be worrying about business in exactly the same way we are worrying about government.

Nature , Passion , Time , Perfection

“I was always intensely Romantic, even when I was too young to understand what that meant.”

George Raymond Richard Martin (1948) American writer, screenwriter and television producer

infinity plus interview (2001)
Context: I was always intensely Romantic, even when I was too young to understand what that meant. But Romanticism has its dark side, as any Romantic soon discovers... which is where the melancholy comes in, I suppose. I don't know if this is a matter of artistic influences so much as it is of temperament. But there's always been something in a twilight that moves me, and a sunset speaks to me in a way that no sunrise ever has.

Understanding

“This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it and to think of it as divine.”

Robinson Jeffers (1887–1962) American poet

Letter to Sister Mary James Power (1 October 1934); published in The Wild God of the World : An Anthology of Robinson Jeffers (2003), edited by Albert Gelpi, p. 189; also partly quoted in the essay "Robinson Jeffers, Pantheist Poet" http://web.archive.org/20011119074326/members.aol.com/PHarri5642/jeffers.htm by John Courtney
Context: I believe that the Universe is one being, all its parts are different expressions of the same energy, and they are all in communication with each other, therefore parts of one organic whole. (This is physics, I believe, as well as religion.) The parts change and pass, or die, people and races and rocks and stars, none of them seems to me important in itself, but only the whole. This whole is in all its parts so beautiful, and is felt by me to be so intensely in earnest, that I am compelled to love it and to think of it as divine. It seems to me that this whole alone is worthy of the deeper sort of love and there is peace, freedom, I might say a kind of salvation, in turning one's affections outward toward this one God, rather than inwards on one's self, or on humanity, or on human imaginations and abstractions — the world of spirits.
I think it is our privilege and felicity to love God for his beauty, without claiming or expecting love from him. We are not important to him, but he to us.

Love , Beauty , Thinking , Parting

“The Art of painting is itself an intensely personal activity… a picture is a unique and private event in the life of the painter”

Patrick Swift (1927–1983) British artist

"The Painter in the Press", X magazine, Vol. I, No.4 (October 1960).
Context: The Art of painting is itself an intensely personal activity… a picture is a unique and private event in the life of the painter: an object made alone with a man and a blank canvas... A real painting is something which happens to the painter once in a given minute; it is unique in that it will never happen again and in this sense is an impossible object... And it is something which happens in life not in art: a picture which was merely the product of art would not be very interesting and could tell us nothing we were not already aware of. The old saying, “what you don’t know can’t hurt you”, expresses the opposite idea to that which animates the painter before his canvas. It is precisely what he does not know which may destroy him.

Life , Art , Painting , Personality

“A writer — and, I believe, generally all persons — must think that whatever happens to him or her is a resource. All things have been given to us for a purpose, and an artist must feel this more intensely. All that happens to us, including our humiliations, our misfortunes, our embarrassments, all is given to us as raw material, as clay, so that we may shape our art.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Twenty-four Conversations with Borges, Including a Selection of Poems: Interviews by Roberto Alifano, 1981–1983 (1984)

Art , Feeling , Thinking , Personality

“It isn’t what he says that counts as a work of art, it’s what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.”

William Carlos Williams (1883–1963) American poet

Introduction
The Wedge (1944)
Context: When a man makes a poem, makes it, mind you, he takes words as he finds them interrelated about him and composes them — without distortion which would mar their exact significances — into an intense expression of his perceptions and ardors that they may constitute a revelation in the speech that he uses. It isn’t what he says that counts as a work of art, it’s what he makes, with such intensity of perception that it lives with an intrinsic movement of its own to verify its authenticity.

Art

“The controlled chaos is one way to get creativity. The intensity of it, the physical rush, the intimacy created the kind of dialogue that leads to synergy”

Richard Holbrooke (1941–2010) American diplomat

On the strategies of the Clinton Global Initiative conference, as quoted in "Clinton global aid meeting gathers $1.25 bln" in The (Malaysian) Star (18 September 2005) http://thestar.com.my/news/story.asp?file=/2005/9/18/worldupdates/2005-09-18T070527Z_01_NOOTR_RTRJONC_0_-216516-1&sec=Worldupdates
2000s
Context: The controlled chaos is one way to get creativity. The intensity of it, the physical rush, the intimacy created the kind of dialogue that leads to synergy … The U. N. by contrast is sterile, overly concerned with protocol, overly formal, filled with set-piece speeches. This is what the U. N. in theory is supposed to be but can't.

Way

“The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)
Context: I wish to call special attention to the psychological fact, that fairies and demons, remote as they are from experience, are not created by a more vigorous effort of imagination than milk maids and poachers. The intensity of vision in the artist and of vividness in his creations are the sole tests of his imaginative power.

Imagination

“This being the case, industry, skill, frugality, and intelligence can avail the individual only in so far as they are superior to the general level just as in a race speed can avail the runner only in so far as it exceeds that of his competitors. If one man work harder, or with superior skill or intelligence than ordinary, he will get ahead; but if the average of industry, skill, or intelligence be brought up to the higher point, the increased intensity of application will secure but the old rate of wages, and he who would get ahead must work harder still.”

Henry George book Progress and Poverty

Progress and Poverty (1879)
Context: There is, and always has been, a widespread belief among the more comfortable classes that the poverty and suffering of the masses are due to their lack of industry, frugality, and intelligence. This belief, which at once soothes the sense of responsibility and flatters by its suggestion of superiority, is probably even more prevalent in countries like the United States, where all men are politically equal, and where, owing to the newness of society, the differentiation into classes has been of individuals rather than of families, than it is in older countries, where the lines of separation have been longer, and are more sharply, drawn. It is but natural for those who can trace their own better circumstances to the superior industry and frugality that gave them a start, and the superior intelligence that enabled them to take advantage of every opportunity, to imagine that those who remain poor do so simply from lack of these qualities.
But whoever has grasped the laws of the distribution of wealth, as in previous chapters they have been traced out, will see the mistake in this notion. The fallacy is similar to that which would be involved in the assertion that every one of a number of competitors might win a race. That any one might is true; that every one might is impossible.
For, as soon as land acquires a value, wages, as we have seen, do not depend upon the real earnings or product of labor, but upon what is left to labor after rent is taken out; and when land is all monopolized, as it is everywhere except in the newest communities, rent must drive wages down to the point at which the poorest paid class will he just able to live and reproduce, and thus wages are forced to a minimum fixed by what is called the standard of comfort — that is, the amount of necessaries and comforts which habit leads the working classes to demand as the lowest on which they will consent to maintain their numbers. This being the case, industry, skill, frugality, and intelligence can avail the individual only in so far as they are superior to the general level just as in a race speed can avail the runner only in so far as it exceeds that of his competitors. If one man work harder, or with superior skill or intelligence than ordinary, he will get ahead; but if the average of industry, skill, or intelligence be brought up to the higher point, the increased intensity of application will secure but the old rate of wages, and he who would get ahead must work harder still.

Intelligence , Speed

“Through me course wide rivers and in me rise tall mountains. And beyond the thickets of my agitation and confusion there stretch the wide plains of my peace and surrender. All landscapes are within me. And there is room for everything. The earth is in me, and the sky. And I well know that something like hell can also be in one, though I no longer experience it in myself, but I can still feel it in others with great intensity. And that is as it should be, or else I might grow too complacent.”

Etty Hillesum (1914–1943) Jewish diarist

Mountain , Peace , Hell , Feeling

“Protestantism made the West not only work, but also save and read. The Industrial Revolution was indeed a product of technological innovation and consumption. But it also required an increase in the intensity and duration of work, combined with the accumulation of capital through saving and investment. Above all, it depended on the accumulation of human capital. The literacy that Protestantism promoted was vital to all of this. On reflection, we would do better to talk about the Protestant word ethic.”

Niall Ferguson book Civilization: The West and the Rest

Civilization: The West and the Rest (2011)

Reading , Dependency

“Gangs have always existed—they are primarily a community a young men trying to find intensity, meaning, a path to the outer world (outside of home) that most tribal groupings addressed with rituals, rites of passage, initiation ceremonies. We’ve lost this knowledge as a culture. Gangs also exist when there are lots of empties in a person, in family, in community. It points out how we need to do more to bring real art, passions, teachings, caring, and resources into the emptiness of young peoples’ lives…”

Luis J. Rodriguez (1954) pinto poetry, Chicanismo, and Chicano literature

On how gangs might be viewed in “An Interview with Luis J. Rodriguez” https://www.epl.org/an-interview-with-luis-j-rodriguez-2/ (Evanston Public Library; 2011)

Home , Family , Personality , People

“Many great writers inspired me, of course, but inspiration is not the same as a direct influence. I was often stirred by the beauty of great prose, the passion and startling intensity of hard-won truths, which leapt from that creative fire. … For the writer, therefore the reader, fresh truth is exhilarating, even painful truth, as in Kafka or Céline. Isn’t that what good writing finally arrives at? The insights and epigrams of Alexander Pope weren’t clichés when he wrote them, any more than those resounding lines in Shakespeare. They only became dog-eared from overuse.”

Peter Matthiessen (1927–2014) American novelist

The Paris Review interview (1999)

Pain , Beauty , Dogs , Truth

“Religions remain what they are. Zen is meditation. Meditation is the foundation of every religion. People today feel an intense need to go back to the source of religious life, to the pure essence in the depths of themselves which they can discover only through actually experiencing it. They also need to be able to concentrate their minds in order to find the highest wisdom and freedom, which is spiritual in nature, in their efforts to deal with the influences of every description imposed upon them by their environment. Human wisdom alone is not enough, it is not complete. Only universal truth can provide the highest wisdom. Take away the word Zen and put Truth or Order of the Universe in its place.”

Taisen Deshimaru (1914–1982) Japanese Buddhist monk

Online interview "Questions to Master Deshimaru" at zen-deshimaru.com https://web.archive.org/web/20111008034614/http://www.zen-deshimaru.com/EN/sangha/deshimaru/q-r/0101.htm

Religion , Freedom , People , Feeling

“The most important opportunity offered by increased exposure is the chance to focus with greater faith and intensity upon the hard work of writing.”

David Chariandy (1969) Canadian writer

On his increased exposure as a writer in “Interviews: David Chariandy” https://bookpage.com/interviews/22971-david-chariandy-fiction#.XfgMUulKjcs in BookPage (2018 Aug 1)

Chance , Faith

“I’m often inspired by the everyday beauty and resilience of black and brown families caught up in deeply challenging circumstances. I wanted to capture this ordinary beauty in its variations and intensity.”

David Chariandy (1969) Canadian writer

On the inspiration for his novel Brother in “Interviews: David Chariandy” https://bookpage.com/interviews/22971-david-chariandy-fiction#.XfgMUulKjcs in BookPage (2018 Aug 1)

Family , Beauty

“The setting, with all of its contradictions, is crucial. The land provides a deceptive promise of freedom, yet also presents itself as a burden. I’m drawn to these contradictions. They feed the emotional intensity of the novel…”

Jon Pineda (1971) American writer

On placing his characters on a stretch of land in “Coming of Age With a Dog Named Marianne Moore” https://chireviewofbooks.com/2018/06/01/lets-no-one-get-hurt-jon-pineda-interview/ in the Chicago Review of Books (2018 Jun 1)

Freedom

“The world of adolescence was all I was interested in exploring, I suppose because there is no other period in your life when you feel as intensely. Love, hate, jealousy, loyalty: I remember the power of these emotions as a teenager and how navigating questions of identity at the same time was truly terrifying and exhilarating. Writing in that moment of a person’s life has always felt so right to me.”

Randa Abdel-Fattah (1979) contemporary Australian writer of novels for young adults

On writing young adult novels in “Randa Abdel-Fattah: Identity and emotion” https://www.writermag.com/writing-inspiration/author-interviews/randa-abdel-fattah/ in The Writer (2018 Jan 18)

Life , Time , Hate , Question

“I love the short story: I love its flexibility, its distillation of language, the pressure it exerts on the moment. A story demands that the reader look closely. And yet, despite the intensity and constraints, a story can be surprisingly capacious…”

Kirstin Valdez Quade American writer

On why she loves writing short stories in “Kirstin Valdez Quade: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/kirstin-valdez-quade/ in The Writer (2017 Apr 21)

Love , Making love

“This self-analysis is one of the most important magic preliminaries. Many of the occult systems have neglected it, and that is why they did not achieve good results. This psychic preliminary work is indispensable to obtain the magic equilibrium, and without it, there is no regular progress of the development to be thought of. Therefore you ought to devote some minutes’ time to self-criticism in the morning and at night. If you have got the chance of some free moments during the day, avail yourself of them and do some intensive thinking...”

Franz Bardon book Initiation Into Hermetics

Source: Initiation Into Hermetics (1956), p. 36

Chance , Time , Night , Self-confidence

“It was a lesson he’d never forgotten. That humans only have so much emotional energy. No matter how intense the situation, or how powerful the feelings, it was impossible to maintain a heightened emotional state forever. Eventually you’d just get tired and want it to end.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Abaddon's Gate (2013), Chapter 22 (p. 230)

Feeling

“The intensity of your feelings isn’t evidence.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Caliban's War (2012), Chapter 22 (p. 243)

Feeling

“This evolution toward noise-sound is only possible today. The ear of an eighteenth century man never could have withstood the discordant intensity of some of the chords produced by our orchestras (whose performers are three times as numerous); on the other hand our ears rejoice in it, for they are attuned to modern life, rich in all sorts of noises. But our ears far from being satisfied, keep asking for bigger acoustic sensations. However, musical sound is too restricted in the variety and the quality of its tones. Music marks time in this small circle and vainly tries to create a new variety of tones... We must break at all cost from this restrictive circle of pure sounds and conquer the infinite variety of noise-sounds.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 6

Music , Life , Time

“Britain thought he could now go back to being just some English bloke and eating chips. It turns out this notion is utterly wrong, because when Martin walks into a room, I am rather startled to find that a stellar quality enters with him. His energy hits you from across the room: the intense stare, the piercing blue eyes, the feet that are usually barefoot nowadays.”

Chris Martin (1977) musician, co-founder of Coldplay

Sophie Heawood from 23 June, 2016 article on The Guardian.

“Content, of course, must have some form. And form, of course, creates its content/commentary. This is why their chimeras have chased each other through moment after moment of history, the intense perception of one or the other producing the overwhelming effect: Art.”

Samuel R. Delany book Flight from Nevèrÿon

Section 8.21 (p. 232)
Flight from Nevèrÿon (1985)

History , Art

“Poetry was a meeting of mind and heart, I felt at one with poetry itself. I like the concentrated language, the play with form, and the way you can muck around with words in a way that you can’t in a novel. Poetry allows you to be intense, because to some degree people expect it.”

Daljit Nagra (1966) British poet, teacher and broadcaster

On how he views poetry in “Daljit Nagra” https://www.aestheticamagazine.com/daljit-nagra/ in Aesthetica

Way , People , Heart

“The doctrine of Universal Kinship is not a new doctrine, born from the more brilliant loins of modern understanding. It is as old almost as human philosophy. It was taught by Buddha twenty-four hundred years ago. And the teachings of this divine soul, spreading over the plains and peninsulas of Asia, have made unnumbered millions mild. It was taught also by Pythagoras and all his school of philosophers, and rigidly practised in their daily lives. Plutarch, one of the grandest characters of antiquity, wrote several essays in advocacy of it. In these essays, as well as in many passages of his writings generally, he demonstrates that he was far ahead of his contemporaries in the breadth and intensity of his moral nature, and in advance even of all except a very few of those living to-day, 2,000 years after him. Shelley among the poets of modern times, and Tolstoy in these latter days, are others among the eminent adherents of this holy cause.”

J. Howard Moore (1862–1916)

"Ethical Implications of Evolution", pp. 322–323
The Universal Kinship (1906), The Ethical Kinship

School , Soul , Time , Understanding

“The sad and unmistakable thing one observes in looking out over the universe of conscious existence is the preponderance of egoism, the intense and almost maniacal regard with which beings, as a rule, act in behalf of themselves, and the lukewarm consideration, on the whole, allowed to others.”

J. Howard Moore (1862–1916)

Source: Better-World Philosophy: A Sociological Synthesis (1899), The Preponderance of Egoism, p. 122

Universe , Sadness

“Maitreya appears now, actually ahead of schedule, as the Agent of Divine Intervention, to mitigate the effects of earthquakes which have been mounting in frequency and intensity throughout the world over the past 150 years. If He were to come before the world, uninvited, He would infringe, to some degree, human free will. This He is reluctant to do (and would do only as a last resort) because it would limit, to some extent, His ability to act as the Agent of Divine Intervention. The result would be greater human suffering from earthquake activities.”

Benjamin Creme (1922–2016) artist, author, esotericist

Maitreya's Mission Vol. I (1986)

World , Past , Appearance , Suffering

“If the world’s largest economy looked poised to show that kind of visionary leadership, other major emitters — like the European Union, China, and India — would almost certainly find themselves under intense pressure from their own populations to follow suit.”

Naomi Klein (1970) Canadian author and activist

The Game-Changing Promise of a Green New Deal, The Intercept, https://theintercept.com/2018/11/27/green-new-deal-congress-climate-change/ (27 November 2018)

World

“The ingredients are always the same: from the very beginnings, the Guess women have always been feminine, sensual, self-confident, independent, free and happy. This image is very far from that of traditional models, often too skinny and sad. Our campaigns express an intense yet smiling seduction, strongly different from the vulgarity dominating today’s world.”

Paul Marciano (1952) American fashion designer

Interview with Paul Marciano for Grazia magazine, May 25 2017 https://guessjournal.com/interviews/interview-paul-marciano/

Confidence , Smile , Self-confidence , World

“Christ’s death on the Cross should live in our thoughts and imagination, for frequent thought on the Passion of Christ keeps aflame and brings to intense heat the fires of earnest piety.”

Bonaventure (1221–1274) franciscan, bishop, cardinal, Doctor of the Church, catholic saint

Holiness of Life

Passion , Imagination , Death , Christ

“The most personal and intense instance of Mussolini’s coming to grips with Marxism is his confrontation with Lenin and the Bolshevik revolution. During his stay in Switzerland, Mussolini had had contact, if not with Lenin himself, with men around him; he had read some of Lenin’s writings; Angelica Balabanov, Mussolini’s former tutor, was now with Lenin in Russia… But it is typical of Mussolini’s prevailing interests of the moment that, like his dialogue with Marxism, even the duel with Lenin appears at first as merely one further aspect of the struggle against Germany.”

Ernst Nolte (1923–2016) German historian and philosopher

Source: Three Faces of Fascism: Action Française, Italian Fascism, National Socialism (1965), p. 176

Personality , Appearance , Reading , Men

“The Soviet Union was the largest, longest, and most ambitious effort to implement socialism in human history. It was also an evil, totalitarian slave state that survived only by militarizing all of society and sustaining a permanent state of emergency for seven decades. As soon as it began to relax, it collapsed. If socialism failed in its biggest and most intensive effort, there is no strong reason to believe it will succeed elsewhere.”

Paul D. Miller (academic) American academic

Why Socialism Is Bad (2018)

Strong , Evil , History , Effort

“This was certainly at the root of my intense dislike of machinery, and my firm determination never to work in an office or anything of that nature.”

Christian Dior (1905–1957) French fashion designer

His aversion for his father’s factories about which he was terrified. He was guided in all things by his mother. His senses were simulated by the floral, ornamental opulence of her world. P.11
Christian Dior: The Man who Made the World Look New

Nature

“Profound and sympathetic judge possessed of the highest perspective faculties, and inspired with an intense desire to do right. His opinion was of the greatest value to his colleagues, and his decisions will stand in the future as a monument of his erudition and learning.”

Mahadev Govind Ranade (1842–1901) Indian scholar, social reformer and author

Views of Chief Justice Sir Laurence Jenkins on Ranade’s seven years tenure as justice in the High Court.Quoted in "Mahadev Govind Ranade" page =108

Future , Learning , Decision

“Sarojini Naidu writes instant poetry where images and metaphors come rolling ready on the hot plates of imagination. Her poetry is intensely emotionally, at times passionate to the point of eroticism and always has a spring.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

View by H.R. Prasad quoted in [Critical Response To Indian Poetry In English, http://books.google.com/books?id=4NcHdrqUJpYC&pg=PA11, 1 January 2008, Sarup & Sons, 978-81-7625-825-8, 11–]

Passion , Imagination , Time , Spring

“Many consider that Shostakovich is the greatest 20th-century composer. In his 15 symphonies, 15 quartets, and in other works he demonstrated mastery of the largest and most challenging forms with music of great emotional power and technical invention…All his works are marked by emotional extremes – tragic intensity, grotesque and bizarre wit, humour, parody, and savage sarcasm.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

Michael Kennedy The Concise Oxford Dictionary of Music (1980) p. 593.

Music

“You know, comrades, that Konstantin Ustinovich has been gravely ill for a long time, and has been in the hospital in recent months. On the part of the Fourth Main Department, all necessary measures were taken in order to treat Konstantin Ustinovich. But the illness did not submit to the cure, it started to weaken his systems first slowly, and then faster and faster. It became especially aggravated as a result of pneumonia in both lungs, which Konstantin Ustinovich developed during his vacation in Kislovodsk. There were periods when we succeeded in alleviating the lung and heart insufficiencies, and during those periods Konstantin Ustinovich found enough strength to come to work. Several times he conducted Politburo sessions, and put in work days, although shortened ones. Emphysema of the lungs and the aggravated lung and heart insufficiency had worsened significantly in the last two or three weeks. Another, accompanying illness had developed—chronic hepatitis, i. e. liver failure with its transformation into cirrhosis. The cirrhosis of the liver and the worsening dystrophic changes in the organs and tissues led to the situation where not with standing intensive therapy, which was administered actively on a daily basis, the state of his health gradually deteriorated. On March 10 at 3:00 p. m., Konstantin Ustinovich lost consciousness, and at 19:20 death occurred as a result of heart failure.”

Konstantin Chernenko (1911–1985) Soviet politician

Yevgeni Chazov, spoken in a special session of the Central Committee one day after Chernenko died.

Time , Heart , Health , Death

“What greater challenge today.... to disorder and insensitivity; what greater propaganda for integration than this emotionally intense, dramatic division of space?”

Ad Reinhardt (1913–1967) American painter

quote in 1943, discussing the art of Piet Mondrian
Quote of Ad Reinhardt in: Abstract Expressionism, Davind Anfam, Thames and Hudson Ltd London, 1990, p. ?
1940 - 1955

“The evolutionary urge drives man to seek for intenser forms of fulfillment, since his basic urge is for more life, more consciousness, and this contentment has an air of stagnation that the healthy mind rejects.”

Colin Wilson (1931–2013) author

This recognition lies at the centre of my own 'outsider theory': that there are human beings to whom comfort means nothing, but whose happiness consists in following an obscure inner-drive, an 'appetite for reality'.
Source: Tree By Tolkien (1974), p. 32

Life

“Being an incomplete female, the male spends his life attempting to complete himself, become female. He attempts to do this by constantly seeking out, fraternizing with and trying to live through and fuse with the female and by claiming as his own all female characteristics - emotional strength and independence, forcefulness, dynamism, decisiveness, coolness, objectivity, assertiveness, courage, integrity, vitality, intensity, depth of character, grooviness, etc.”

Valerie Solanas book SCUM Manifesto

and projecting onto women all male traits - vanity, frivolity, triviality, weakness, etc. It should be said, though, that the male has one glaring area of superiority over the female - public relations. He has done a brilliant job of convincing millions of women that men are women and women are men.
Source: SCUM MANIFESTO (1967), p. 2 (hyphens (not en- or em-dashes) so in original).

Courage , Life , Decision

“There was no doubt that the man could talk. At the drop of a hat, Mr. Keyes could deliver a grammatically flawless disquisition on virtually any topic. On the stump, he could wind himself up into a fiery intensity, his body rocking, his brow running with sweat, his fingers jabbing the air, his high-pitched voice trembling with emotion as he called the faithful to do battle against the forces of evil.”

Alan Keyes (1950) American politician

Barack Obama. Quoted in The Audacity of Hope - Page 210 - by Barack Obama.

Faith , Evil

“Making models was reputed to be hugely enjoyable… But when you got the kit home and opened the box the contents turned out to be of a uniform leaden gray or olive green, consisting of perhaps sixty thousand tiny parts, some no larger than a proton, all attached in some organic, inseparable way to plastic stalks like swizzle sticks. The tubes of glue by contrast were the size of large pastry tubes. No matter how gently you depressed them they would blurp out a pint or so of a clear viscous goo whose one instinct was to attach itself to some foreign object—a human finger, the living-room drapes, the fur of a passing animal—and become an infinitely long string. Any attempt to break the string resulted in the creation of more strings. Within moments you would be attached to hundreds of sagging strands, all connected to something that had nothing to do with model airplanes or World War II. The only thing the glue wouldn’t stick to, interestingly, was a piece of plastic model; then it just became a slippery lubricant that allowed any two pieces of model to glide endlessly over each other, never drying. The upshot was that after about forty minutes of intensive but troubled endeavor you and your immediate surroundings were covered in a glistening spiderweb of glue at the heart of which was a gray fuselage with one wing on upside down and a pilot accidentally but irremediably attached by his flying cap to the cockpit ceiling. Happily by this point you were so high on the glue that you didn’t give a shit about the pilot, the model, or anything else.”

Bill Bryson The Life and Times of the Thunderbolt Kid

Source: The Life And Times of the Thunderbolt Kid (2006), p. 81

Home , War , Box , Heart

“Most people think that love is to feel intensely positive towards something or someone. This is not the case. That is the byproduct of love. To love something is to take it as a part of yourself.”

Teal Swan (1984) American spiritual teacher

People , Thinking , Love , Making love

“Conformity to nature has no connection whatever with right and wrong. The idea can never be fitly introduced into ethical discussions at all, except, occasionally and partially, into the question of degrees of culpability. To illustrate this point, let us consider the phrase by which the greatest intensity of condemnatory feeling is conveyed in connection with the idea of nature - the word "unnatural."”

John Stuart Mill (1806–1873) British philosopher and political economist

That a thing is unnatural, in any precise meaning which can be attached to the word, is no argument for its being blamable; since the most criminal actions are to a being like man not more unnatural than most of the virtues.
Source: On Nature (1874), p. 102

Nature , Idea , Feeling , Question

“If today the Middle Ages are retiring into the thick shadows of convents, it is due to triumphant skepticism; and if the epidemic disease of religion no longer appears with the terrible intensity of former times, it is due to the diminution of the political power of the Church.”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

1900s, God Does Not Exist (1904)

Religion , Time , Appearance , Age

“… his work gradually became identifiably Simakian — constrained, intensely emotional beneath a calmly competent Genre SF surface; tales deeply Pastoral in the sense that his idylls, his Edens, were almost inevitably supported by some superior civilization, sometimes urban… <…”

Clifford D. Simak (1904–1988) American writer, journalist

Sense , Support

Quotes about intensity page 9

Quotes about intensity
page 9