Quotes about instrumentation
page 3

“Reason will not decide at last; the sword will decide.
The sword: an obsolete instrument of bronze or steel,
formerly used to kill men, but here
In the sense of a symbol.”

Robinson Jeffers (1887–1962) American poet

"Contemplation of The Sword" (1938)

Men, Sense

“I adopt Mr. Darwin's hypothesis, therefore, subject to the production of proof that physiological species may be produced by selective breeding; just as a physical philosopher may accept the undulatory theory of light, subject to the proof of the existence of the hypothetical ether; or as the chemist adopts the atomic theory, subject to the proof of the existence of atoms; and for exactly the same reasons, namely, that it has an immense amount of primâ facie probability: that it is the only means at present within reach of reducing the chaos of observed facts to order; and lastly, that it is the most powerful instrument of investigation which has been presented to naturalists since the invention of the natural system of classification and the commencement of the systematic study of embryology.”

Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist

Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 128

Nature, Study, Light

“In most cases, to be reasonable means not to be obstinate, which in turn points to conformity with reality as it is. The principle of adjustment is taken for granted. When the idea of reason was conceived, it was intended to achieve more than the mere regulation of the relation between means and ends: it was regarded as the instrument for understanding the ends, for determining them.”

Max Horkheimer book Eclipse of Reason

Source: Eclipse of Reason (1947), p. 10.

Idea, Understanding, Reality

“I collect movies, I still buy records constantly. I collect musical instruments and most of my time I spend making music, it's pretty much what I do 90% of the time I'm home. Aside from just normal stuff, I walk the dog, I hang out with my girlfriend, get dinner. Pretty mellow stuff.”

Patrick Stump (1984) American musician

AbsolutePunk.net, Patrick Stump, Part 2 - 10.13.08

Dogs, Music, Home, Time

“Einstein's theory was that everything about the laws of the universe and nature was relative. What you observe about something depends greatly upon your frame of reference at the time. That's why I can stand here in this concord cabin and drop my pen in comfort. In here I'm not traveling 1,400mph, am I? Everything works like that. Conditioned by its frame of reference. All the electronics in all the instruments in this cockpit obey the exact same laws they would if the plane were standing still. Because in this frame, like me they are not traveling at Mach two. And all the laws of nature behave the same way. This beam of light is going out in all directions at 186,000 miles per second. Being on the concord makes no difference to it's speed going forward, backwards sideways.”

James Burke (science historian) (1936) British broadcaster, science historian, author, and television producer

The Day the Universe Changed (1985)

Law, Way, Travel, Nature

“The mind was a marvellous instrument, thought Shimrod; when left to wander untended, it often arrived at curious destinations.”

Jack Vance Lyonesse Trilogy

Source: Lyonesse Trilogy (1983-1989), Madouc (1989), Chapter 11, section 2 (p. 968)

“Marx, although a man of broad knowledge, had one blind spot: he was ignorant of the true character of economics. He did not realize that economics can only be understood in close relationship to the other humanities (and certain sciences), and therefore should not be studied in vacuo. Ironically, this very weakness was largely instrumental in making Marxism successful. Marxist economics—yet another instance of a false but clear idea—can be explained to the merest child in a matter of minutes. (Conversely, to explain the workings of the free market economy to an adult would take weeks of hard work.) Because it was easily grasped, Marxism flooded the world within a few decades, as had other simplistic ideologies and religions, such as Islam and the Enlightenment; this same sort of simplicity gave rise to the French Revolution and national socialism. Christianity, on the other hand, took three centuries to triumph.”

Erik von Kuehnelt-Leddihn (1909–1999) Austrian noble and political theorist

Source: Leftism Revisited (1990), p. 337

World, Religion, Idea, Knowledge

“Cannon, n. An instrument employed in the rectification of national boundaries.”

Ambrose Bierce book The Devil's Dictionary

The Devil's Dictionary (1911)

“When once clear awareness and comprehension have been firmly established in a limited but vital sector of the mind’s expanse, the light will gradually and naturally spread, and will reach even distant and obscure corners of the mind’s realm which hitherto had been inaccessible. This will mainly be due to the fact that the instrument of that search for knowledge will have undergone a radical change: the searching mind itself will have gained in lucidity and penetrative strength.”

Nyanaponika Thera (1901–1994) German Buddhist monk

Source: The Heart of Buddhist Meditation (1965), p. 34

Search, Nature, Knowledge, Light

“In what time does man live? The thinkers have always known that he does not live in any time at all. The immortality of thoughts and deeds banishes him to a timeless realm at whose heart an inscrutable death lies in wait. … Devoured by the countless demands of the moment, time slipped away from him; the medium in which the pure melody of his youth would swell was destroyed. The fulfilled tranquility in which his late maturity would ripen was stolen from him. It was purloined by everyday reality, which, with its events, chance occurrences, and obligations, disrupted the myriad opportunities of youthful time, immortal time. … From day to day, second to second, the self preserves itself, clinging to that instrument: time, the instrument that it was supposed to play.”

Walter Benjamin (1892–1940) German literary critic, philosopher and social critic (1892-1940)

"The Metaphysics of Youth," in Walter Benjamin: Selected Writings, Vol. 1 (1996), pp. 10-11

Death, Youth, Reality, Chance

“When dealing with the distribution of powers between the General Government and the States, Chief Justice Marshall declared: 'When the American people created a national legislature, with certain enumerated powers, it was neither necessary nor proper to define the powers retained by the States. Those powers proceed, not from the people of America, but from the people of the several States, and remain after the adoption of the Constitution what they were before, except in so far as they may be abridged by that instrument.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Reign of Law (1925)

People, Justice

“Men who cannot believe in the mystery of our Saviour's redemption can believe that spirits from the dead have visited them in a stranger's parlour, because they see a table shake and do not know how it is shaken; because they hear a rapping on a board, and cannot see the instrument that raps it; because they are touched in the dark, and do not know the hand that touches them.”

Anthony Trollope (1815–1882) English novelist (1815-1882)

The New Zealander (1965), p. 73

Men, Dead

“To master this instrument the religious thinker must make a preliminary study of logic, just as the lawyer must study legal reasoning. This is no more heretical in the one case than in the other. And logic must be learned from the ancient masters, regardless of the fact that they were not Muslims.”

Averroes (1126–1198) Medieval Arab scholar and philosopher

The Decisive Treatise
Source: Jon McGinnis, David C. Reisman (2007) Classical Arabic Philosophy: An Anthology of Sources. p. 310

Study, Learning

“It is the general authority to undertake the establishment of religion through the revival of religious sciences, the establishment of the pillars of Islam, the organization of jihad and its related functions of maintenance of armies, financing the soldiers, and allocation of their rightful portions from the spoils of war, administration of justice, enforcement of [the limits ordained by Allah, including the punishment for crimes (hudud)], elimination of injustice, and enjoining good and forbidding evil, to be exercised on behalf of the Prophet… It is no mercy to them to stop at intellectually establishing the truth of Religion to them. Rather, true mercy towards them is to compel them so that Faith finds a way to their minds despite themselves. It is like a bitter medicine administered to a sick man. Moreover, there can be no compulsion without eliminating those who are a source of great harm or aggression, or liquidating their force, and capturing their riches, so as to render them incapable of posing any challenge to Religion. Thus their followers and progeny are able to enter the faith with free and conscious submission… Jihad made it possible for the early followers of Islam from the Muhajirun and the Ansar to be instrumental in the entry of the Quraysh and the people around them into the fold of Islam. Subsequently, God destined that Mesopotamia and Syria be conquered at their hands. Later on it was through the Muslims of these areas that God made the empires of the Persians and Romans to be subdued. And again, it was through the Muslims of these newly conquered realms that God actualized the conquests of India, Turkey and Sudan. In this way, the benefits of jihad multiply incessantly, and it becomes, in that respect, similar to creating an endowment, building inns and other kinds of recurring charities.… Jihad is an exercise replete with tremendous benefits for the Muslim community, and it is the instrument of jihad alone that can bring about their victory.… The supremacy of his Religion over all other religions cannot be realized without jihad and the necessary preparation for it, including the procurement of its instruments. Therefore, if the Prophet’s followers abandon jihad and pursue the tails of cows [that is, become farmers] they will soon be overcome by disgrace, and the people of other religions will overpower them.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

Source: Quoted in Bonney, Jihad from Qur’an to bin Laden, 101-3 Quoted from Spencer, Robert (2018). The history of Jihad: From Muhammad to ISIS.
Source: Shah Waliullah Dehlawi: in: Muhammad Al-Ghazali, Socio-political Thought of Shah Wali Allah. (Also quoted in Jihād: From Qur’ān to bin Laden by Richard Bonney. Palgrave Macmillan, 2004. also in Spencer, Robert in The history of Jihad: From Muhammad to ISIS, 2018.)

People, Exercises, Way, God

“And now, at the end of the twentieth century, with the pressure of modern information and the advances of data processing, graphics is passing through a new and fundamental stage. The great difference between the graphic representation of yesterday, which was poorly dissociated from the figurative image, and the graphics of tomorrow, is the disappearance of the congential fixity of the image.
When one can superimpose, juxtapose, transpose, and permute graphic images in ways that lead to groupings and classings, the graphic image passes from the dead image, the 'illustration,' to the living image, the widely accessible research instrument it is now becoming. The graphic is no longer only the 'representation' of a final simplification, it is a point of departure for the discovery of these simplifications and the means for their justification. The graphic has become, by its manageability, an instrument for information processing.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 4

Way, Departure, Dead

“For to pass by those Ancients, the wonderful Pythagoras, the sagacious Democritus, the divine Plato, the most subtle and very learned Aristotle, Men whom every Age has hitherto acknowledged as deservedly honored, as the greatest Philosophers, the Ring-leaders of Arts; in whose Judgments how much these Studies [mathematics] were esteemed, is abundantly proclaimed in History and confirmed by their famous Monuments, which are everywhere interspersed and bespangled with Mathematical Reasonings and Examples, as with so many Stars; and consequently anyone not in some Degree conversant in these Studies will in vain expect to understand, or unlock their hidden Meanings, without the Help of a Mathematical Key: For who can play well on Aristotle’s Instrument but with a Mathematical Quill; or not be altogether deaf to the Lessons of natural Philosophy, while ignorant of Geometry? Who void of (Geometry shall I say, or) Arithmetic can comprehend Plato’s 218 Socrates lisping with Children concerning Square Numbers; or can conceive Plato himself treating not only of the Universe, but the Polity of Commonwealths regulated by the Laws of Geometry, and formed according to a Mathematical Plan?”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), pp. 26-27

Men, Children, Age, Law

“The missionaries should be men of apostolic zeal, patience, endurance, willing to be all things to all men. May the Lord raise up suitable instruments, and fit me for this work.”

James Hudson Taylor (1832–1905) Missionary in China

(A.J. Broomhall. Hudson Taylor and China’s Open Century, Book Two: Over the Treaty Wall. London: Hodder and Stoughton and Overseas Missionary Fellowship, 1982, 23).

Men, Patience

“In life, the way we perceive life and reality is often instrumental in how things can unfold.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

Vanna Bonta Talks About Quantum fiction: Author Interview (2007)

Life, Way, Reality

“Sonia has achieved such terrifying power, a glance of her, a silence, just being there, is enough for her inner circle to act; she has subverted so much of the instruments of Indian democracy and she controls such huge amounts of unlisted money that sooner or later this 'karma' may come back to her under one form or the other.”

François Gautier (1959) French journalist

On Sonia Gandhi, quoted from "Why is Sonia Gandhi so scared of Narendra Modi?" http://www.dnaindia.com/india/analysis-why-is-sonia-gandhi-so-scared-of-narendra-modi-1539917, DNA India (6 May 2011)

Money, Democracy, Silence

“Mathematical programming assisted by electronic computers becomes the fundamental instrument of long-term economic planning, as well as of solving dynamic economic problems of a more limited scope. Here, the electronic computer does not replace the market. It fulfils a function which the market never was able to perform.”

Oskar R. Lange (1904–1965) Polish economist

"The computer and the market" (1967)

Mathematics, Problem

“The proletarian works with the instruments of production of another, for the account of this other, in exchange for a part of the product. … The proletarian liberates himself by abolishing competition, private property, and all class differences.”

Friedrich Engels book Principles of Communism

Principles of Communism (1847)

Parting

“The very system of education which was deemed essential for forging bonds of unbroken alliance with the British power succeeded in unleashing revolutionary ideas and thoughts, which ultimately helped to throw off the yoke of alien rule in India. If we take a dispassionate view of what happened during the last one century, we must acknowledge that this has been an era in which good has been mixed with evil. The contact between the Indian mind and western thought and civilisation did not enslave the soul of India. In every domain of thought, in arts and architecture, in science, in history, philosophy and letters, in social services and in religious thought, great Indians gave their best, maintaining their stamp of originality as well as imbibing and assimilating fruits of western skill and knowledge. Though the number of Indians affected by such spread of knowledge was comparatively small, many of them assumed a much needed political leadership and became the instruments of agitation and mass movements, leading ultimately to the political liberation of their country. The cultural Renaissance preceded and created the silent Revolution.”

Syama Prasad Mookerjee (1901–1953) Indian politician

Speech delivered at Delhi University Convocation on 13th December 1952.

Education, Art, Soul, History

“When the leaders choose to make themselves bidders at an auction of popularity, their talents, in the construction of the state, will be of no service. They will become flatterers instead of legislators; the instruments, not the guides, of the people.”

Edmund Burke book Reflections on the Revolution in France

Reflections on the Revolution in France (1790)

People

“The power is with the silent ones, who only live and love and then withdraw their personality. They never say “me” and “mine”; they are only blessed in being instruments.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

Pearls of Wisdom

Love, Personality

“You see, it is not enough to be a great composer. To write music like that you must be a chosen instrument of God.”

Dinu Lipatti (1917–1950) Pianist, Composer

Listening Beethoven's F minor Quartet; Quoted by Walter Legge, in Walter Legge: Words and Music (1998) edited by Alan Sanders

God, Music

“I don't feel that attached to my instruments. It's almost like I'm going to dominate them in some sort of way. I don't feel like they're part of me; they stand between me and something new.”

The Edge (1961) Irish rock musician, guitar player of U2

On being a musician

Way, Feeling, Parting

“Play us a tune on an unbroken spinet, and let the bells ring, let the bells ring! Play music now: play us a tune on an unbroken spinet. Do not make echoes of forgotten time, do not strike music from old broken keys, do not make ghosts with faded tinklings on the yellowed board; but play us a tune on an unbroken spinet, play lively music when the instrument was new, let us see Mozart playing in the parlor, and let us hear the sound of the ladies' voices. But more than that; waken the turmoil of forgotten streets, let us hear their sounds again unmuted, and unchanged by time, throw the light of Wednesday morning on the Third Crusade, and let us see Athens on an average day.”

Thomas Wolfe book Of Time and the River

Of Time and the River (1935)

Music, Light, Time

“By this time Mozart had been dead for almost fourteen years and Haydn was too weak to compose. Beethoven was unchallenged throughout Europe as the greatest living composer of instrumental music. Even more, he was generally recognized as having surpassed his famous predecessors. This, of course, did not prevent critics from greeting each new work as a disappointment after his by then acceptable achievements of the previous years.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal

Music, Disappointment, Time, Dead

“Every man lives in two realms, the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals, and religion. The external is that complex of devices, techniques, mechanisms, and instrumentalities by means of which we live. Our problem today is that we have allowed the internal to become lost in the external. We have allowed the means by which we live to outdistance the ends for which we live.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Quest for Peace and Justice (1964)
Context: Every man lives in two realms, the internal and the external. The internal is that realm of spiritual ends expressed in art, literature, morals, and religion. The external is that complex of devices, techniques, mechanisms, and instrumentalities by means of which we live. Our problem today is that we have allowed the internal to become lost in the external. We have allowed the means by which we live to outdistance the ends for which we live. So much of modern life can be summarized in that arresting dictum of the poet Thoreau: "Improved means to an unimproved end". This is the serious predicament, the deep and haunting problem confronting modern man. If we are to survive today, our moral and spiritual "lag" must be eliminated. Enlarged material powers spell enlarged peril if there is not proportionate growth of the soul. When the "without" of man's nature subjugates the "within", dark storm clouds begin to form in the world.

Religion, Art, Literature, Problem

“[make drawings of] series of instruments and players; their shapes, twisting of the hands, arms and neck of the violinist; for example, puffing out and hollowing of the cheeks of bassoonists, oboists, etc..”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebook (undated); as quoted in Impressionism: A Centenary Exhibition, Anne Distel, Michel Hoog, Charles S. Moffett, the Metropolitan Museum of Art, (New York, N.Y.) 1975, pp. 81-82
quotes, undated

Drawing

“The only measurable and therefore undebatably existing human value is the instrumental value of an individual. There can be a justified hierarchy of individuals based on how much the removal of their talents or skills would weaken the community.”

Jussi Halla-aho (1971) Finnish Slavic linguist, blogger and a politician

Jussi Halla-aho (2005), published in the blog Scripta Ihmisarvosta http://www.halla-aho.com/scripta/ihmisarvosta.html, April 13, 2005 2005-09

Communication

“Quantum theory can be described as a new kind of language to be used in a dialogue between us and the systems we study with our instruments. …It tells us nothing about what the world would be like in our absence.”

Lee Smolin (1955) American cosmologist

The Trouble With Physics: The Rise of String Theory, The Fall of a Science, and What Comes Next (2007)

World, Study

“I'm kind of an accidental instrument, really, through which I hope that the judgment and the will of this nation can be expressed.”

Eugene McCarthy (1916–2005) American politician

The New York Times (11 December 2005)

Hope

“I had this very interesting experience when I was about 13. I went to Finland and it was dead in the middle of winter. It was freezing cold. There was so much snow and I went to Ainola, which is Sibelius' house. It was completely isolated -- just snow and forest, trees and the lake, completely beautiful but very quiet. And very serene. And I thought, well, this is where he was composing his stuff. And his great symphonies and the violin concerto, this is where it basically came from. I also got this little handbook about Ainola and there's a part that says that Sibelius wouldn't allow running water in his house because it disturbed him and his thought processes. So his daughters had to go out to the well which was half a mile away and then bring back water. So I thought, "Wow!" This person was really that much into control and silence. So you go and look at the concerto after that and the way it starts in the beginning: very shimmery. Very beautiful. But in a way it is isolated, and you feel kind of lonely when you're playing that. And gradually of course it builds up into this great big climax when every single orchestra-like instrument known to mankind is clashing and you're trying to break out there and you're trying to play your heart out. But really it did help me realize what he is like.”

Sarah Chang (1980) violinist

PBS.org 1998 http://www.pbs.org/lflc/backstage/march3/chang.htm

Beauty, Way, Feeling, Tree

“The artist's studio will be like a glass-bell or a hollow crystal. The painter himself must be white, which is to say, without tragedy or sorrow. The pallet must be of glass; the brush must be square and hard, dust-free and as immaculate as a surgical instrument. Doubtless there is much to learn from a medical laboratory... The studio of the modern painter must reflect the ambiance of mountains which are nine thousand feet high and topped with a eternal cap of snow. There the cold kills the microbes.”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote in Van Doesburg's article 'Elementarism', as cited in De Stijl – Van Doesburg Issue, January 1932, pp. 17–19
1926 – 1931

Mountain, Learning

“Hegel’s lack of charity toward the instrument metaphor is not arbitrary. It represents his disenchantment with the assumption that knowledge is power and that method is the means to this end. … Descartes’ conception of method, like Bacon’s, is linked to this idea of knowledge as an instrument of power. … The same could be said of Locke. Hegel can rightly claim that the instrument metaphor pervades the epistemological tradition he is seeking to transcend.”

Merold Westphal (1940)

Source: History and Truth in Hegel’s Phenomenology (1979), pp. 3-4

Idea, Knowledge

“War is an instrument entirely inefficient toward redressing wrong; and multiplies, instead of indemnifying losses.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to John Sinclair (1798)
1790s

War, Loss

“I held it imperative to evolve an instrument of thought which would aid in cutting through all cultural opiates, past and present, so that a direct, immediate, and truly free vision could be achieved, and an idea be revealed with clarity. To acquire such an instrument, however… demanded full resolution of the past, and present through it. No shouting about individualism, no capering before an expanse of canvas, no manipulation of academic conceits or technical fetishes can truly liberate..”

Clyfford Still (1904–1980) American artist

Letter to Gordon Smith, January 1, 1959, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 194
1950s

Idea, Past

“You can put this another way by saying that while in other sciences the instruments you use are things external to yourself (things like microscopes and telescopes), the instrument through which you see God is your whole self. And if a man's self is not kept clean and bright, his glimpse of God will be blurred—like the Moon seen through a dirty telescope. That is why horrible nations have horrible religions: they have been looking at God through a dirty lens.”

Clive Staples Lewis book Mere Christianity

Book IV, Chapter 2, "The Three-personal God"
Mere Christianity (1952)

God, Religion, Way, Science

“The national passion for secular music admitted of little or no abatement by the disgrace and dispersion of the minstrels. Professional musicians, both vocal and instrumental, were afterwards retained at the court, and also in the mansions of the nobility. In the sixteenth century, a knowledge of music was considered as a genteel accomplishment for persons of high rank. Henry VIII not only sang well, but played upon several sorts of instruments; he also wrote songs, and composed the tunes for them; and his example was followed by several of the nobility, his favourites.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 259
The Sports and Pastimes of the People of England (1801), Minstrels

Music, Knowledge, Passion, Personality

“Ambiguity lurks in generality and may thus become an instrument of severity.”

Felix Frankfurter (1882–1965) American judge

McComb v. Jacksonville Paper Co., 336 U.S. 187, 197 (1949).
Judicial opinions

“As we study [the British Empire's] destiny, we are bound to think of it less as a human achievement than as an instrument of Divine Providence for the promotion of the progress of mankind.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech in Hyde Park (24 May 1929), published in This Torch of Freedom (1935), p. 26.
1929

Thinking, Study

“Physiologists have usually represented that our species holds a middle rank, in the masticatory and digestive apparatus, between the flesh-eating and the herbivorous animals; — a statement which seems rather to have been deduced from what we have learned by experience on this subject, than to result fairly from an actual comparison of man and animals. … The teeth of man have not the slightest resemblance to those of the carnivorous animals, except that their enamel is confined to the external surface. He possesses, indeed, teeth called canine, but they do not exceed the level of the others, and are obviously unsuited to the purposes which the corresponding teeth execute in carnivorous animals. … Thus we find that, whether we consider the teeth and jaws, or the immediate instruments of digestion, the human structure closely resembles that of the simiæ; all of which, in their natural state, are completely herbivorous.”

Sir William Lawrence, 1st Baronet (1783–1867) British surgeon

Lectures on Comparative Anatomy, Physiology, Zoology, and the Natural History of Man, Eighth Edition (London: John Taylor, 1840), Section I, Chapter VI, pp. 148-150. Full text online at the Internet Archive https://archive.org/stream/lecturesoncompar00lawr#page/n5/mode/2up.

Nature, Learning, Animals

“Our minds tell us, and history confirms, that the great threat to freedom is the concentration of power. Government is necessary to preserve our freedom, it is an instrument through which we can exercise our freedom; yet by concentrating power in political hands, it is also a threat to freedom. Even though the men who wield this power initially be of good will and even though they be not corrupted by the power they exercise, the power will both attract and form men of a different stamp.”

Milton Friedman book Capitalism and Freedom

Introduction
Capitalism and Freedom (1962)
Context: The free man will ask neither what his country can do for him nor what he can do for his country. He will ask rather "What can I and my compatriots do through government" to help us discharge our individual responsibilities, to achieve our several goals and purposes, and above all, to protect our freedom? And he will accompany this question with another: How can we keep the government we create from becoming a Frankenstein that will destroy the very freedom we establish it to protect? Freedom is a rare and delicate plant. Our minds tell us, and history confirms, that the great threat to freedom is the concentration of power. Government is necessary to preserve our freedom, it is an instrument through which we can exercise our freedom; yet by concentrating power in political hands, it is also a threat to freedom. Even though the men who wield this power initially be of good will and even though they be not corrupted by the power they exercise, the power will both attract and form men of a different stamp.

Men, Exercises, History, Freedom

“This instrument is so easy, its a joke.”

Stewart Copeland (1952) American musician; drummer of The Police

From a television interview with Jools Holland.

“A civil sword (as woeful experience in all ages has proved) is so far from bringing or helping forward an opposite in religion to repentance that magistrates sin grievously against the work of God and blood of souls by such proceedings… Religion cannot be true which needs such instruments of violence to uphold it so.”

Roger Williams (theologian) (1603–1684) English Protestant theologian and founder of the colony of Providence Plantation

The Bloudy Tenent of Persecution, for Cause of Conscience (1644)

God, Age, Religion, Soul

“Complete knowledge of every theoretical and instrumental detail can only be obtained by those who will devote… a large portion of their lives; but sound knowledge of the principles… can be obtained by the reasonable efforts of persons possessing common opportunities for general knowledge.”

George Biddell Airy (1801–1892) English mathematician and astronomer

Introduction
Popular Astronomy: A Series of Lectures Delivered at Ipswich (1868)

Knowledge, Effort, Personality

“During the daily peak viewing periods, television in the main insulates us from the realities of the world in which we live. If this state of affairs continues, we may alter an advertising slogan to read: LOOK NOW AND PAY LATER.
For surely we shall pay for using this most powerful instrument of communication to insulate the citizenry from the hard and demanding realities which must be faced if we are to survive. I mean the word survive literally.”

Edward R. Murrow (1908–1965) Television journalist

RTNDA Convention Speech (1958)

World, Communication, Reality, Reading

“When the pots containing two worms which had remained quite indifferent to the sound of the piano, were placed on this instrument, and the note C in the bass clef was struck, both instantly retreated into their burrows.”

Charles Darwin book The Formation of Vegetable Mould through the Action of Worms

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 1: Habits of Worms, p. 28. http://darwin-online.org.uk/content/frameset?pageseq=43&itemID=F1357&viewtype=image

Indifference

“War must always start with imperfect instruments.”

S.L.A. Marshall (1900–1977) United States Army general and Military historian

The Illusion of Power. p. 20.
Men Against Fire: The Problem of Battle Command (1947)

War

“The equilibrium… in order to become static—should be steady, permanent, lasting. …This type of equilibrium… is… independent of any scale. A reduced model will show the same effects as the proper structure. Experiments on models are simple and… instrumental for understanding such structural problems.”

Eduardo Torroja (1899–1961) Spanish architect

Philosophy of Structures (1958)

Understanding, Problem

“We commemorate a man, a leader, who in the years of creation and achievement towered above his contemporaries in figure and manner, in voice and power, who worked and fought, and who suffered—as they all suffered who dared to preach socialism in an unreceptive and hostile age. He was a man who had vision, and dared all in those years to make that vision a reality; a man who inspired affection in his associates as in his own domestic circle, and who, daring all, created a lasting and durable political instrument which today 60 years after its first political success, provides the Government of this country and in so providing owes more than many are prepared to admit to the young Ramsay MacDonald.”

Harold Wilson (1916–1995) Former Prime Minister of the United Kingdom

Speech at a luncheon in the House of Commons to commemorate the centenary of Ramsay MacDonald's birth (12 October 1966), quoted in The Times (13 October 1966), p. 12.
Prime Minister

Hostility, Age, Reality, Suffering

“The book is one of the springs of creative individualism, that individualism which, in these uncertain times, remains the guardian angel of human society. For five hundred years the book has been, for the solitary mind, an incomparable instrument of uplift and liberation.”

Georges Duhamel (1884–1966) French writer

Source: Défense des Lettres [In Defense of Letters] (1937), p. vii

Books, Angels, Spring, Time

“According to Heidegger, the blind desire for manipulation [of nature] came about because modernity turned reason—which was, for the ancients, and even for the medievals, a source of valuable goals—into a purely instrumental faculty.”

Alexander Nehamas (1946) Professor of philosophy

Foreword to Alain Renaut, The Era of the Individual (1999), p. xi.

Nature

“First-world science is one science among many; by claiming to be more it ceases to be an instrument of research and turns into a (political) pressure group.”

Paul Karl Feyerabend book Against Method

Pg iii (Intro to the Chinese Edition of AM).
Against Method (1975)

World, Science

““Continuous attention must be directed to the behaviour of others and ourselves, trying to pinpoint the creative aspect, the contribution towards the good, the opening towards a greater value, the courage of having decided against the majority. It will seem to us that the moral contribution of the ones who have made themselves the instruments of prejudice and privileges is small, and instead it is great the contribution of those who try to awaken the conscience of everyone, even with their own personal sacrifice.”

Aldo Capitini (1899–1968) Italian philosopher and political activist

Hymn

Courage, Personality

“Yet in a relatively short creative life of twenty years or so, Chopin redrew the boundaries of Romantic music, and his self-imposed restriction to the 88 keys of the piano keyboard sublimated nothing less than the aesthetic essence of piano music. It was his total identification with the instrument which, in its radical regeneration of the lyric and the dramatic, fantasy and passion and their unique fusion, shaped a tonal language which united an aristocratic sense of style and formal Classical training and intuition with an ascetic rigor. Chopin’s precisely marshaled trains of thought permitted no experiments, and so he did not ‘wander about’ within his stylistic points of reference as Scriabin was to do. Chopin’s works may seem light and improvisatory, but they are planned in meticulous details, exactly and well calculated.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Life, Music, Sense, Light

“I always had a knack for it [music]. I bought a drum kit for like 50 bucks, and within three weeks I was in a band. Not only was I in a band, but people were saying that I was really good. Being someone with a short attention span who didn't have much patience for anything, that was great, 'cause it didn't take much. I could just sit down and do it instantly. I could play a basic rock beat right away, so it didn't require much patience, and that's probably why I ended up doing it. As I got some of the rewards for it, it fueled me to want to be better. Then the rewards thing gets old, and what you really want is to be good and understand it, 'cause you're so enthused by it. That's what got me into all the other instruments and songwriting and singing.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml, Soundgarden Era

People, Music, Understanding, Singing

“Another war is always coming, Robert. They are never properly extinguished. What sparks war? The will to power, the backbone of human nature. The threat of violence, the fear of violence, or actual violence, is the instrument of this dreadful will… The nation state is merely human nature inflated to monstrous proportions. QED, nations are entities whose laws are written by violence. Thus it ever was, so ever shall it be.”

David Mitchell book Cloud Atlas

"Letters from Zedelghem", p. 462
Cloud Atlas (2004)

War, Fear, Law, Nature

“Several features or attributes of organizations can therefore be recognized
# Organizations are social institutions (entities) composed of sets of persons with established patterns of interaction.
# Organizations develop to achieve specific goals. Therefore, organizations are social creations that require order and cooperation.
# Organizations are social instruments possessing relatively identifiable boundaries and existing on a relatively permanent basis. While this final point is perhaps less clear than were those that precede it, the identification of fixed boundaries (for instance, the distinction between members and nonmembers) and continuity (that is, existence and identity over time) provide a conceptual framework for the study of organizational activity.”

Arthur G. Bedeian (1946) American business theorist

Source: Organizations: Theory and Analysis, 1984, p. 3-4 (1984: 2-3)

Study, Time, Personality

“The International War Crimes Tribunal, located at The Hague. When it was established by the United Nations Security Council in 1993, the tribunal was widely viewed as little more that a public relations device. It got off to a slow start (…) During our negotiations, the tribunal emerged as a valuable instrument of policy that allowed us, for example, to bar Karadzic and all other indicted war criminals from public office. Yet no mechanism existed for the arrest of indicted war criminals.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), pp. 189-190

War

“Let me start a different/ analysis by recalling an idea from Max Weber. He characterized cultural modernity as the separation of the substantive reason expressed in religion and metaphysics into three autonomous spheres. They are science, morality and art. These came to be differentiated because the unified world-views of religion and metaphysics fell apart. Since the 18th century, the problems inherited from these older world-views could be arranged so as to fall under specific aspects of validity: truth, normative rightness, authenticity and beauty. They could then be handled as questions of knowledge, or of justice and morality, or of taste. Scientific discourse, theories of morality, Jurisprudence, and the production and criticism of art could in turn be institutionalized. Each domain of culture could be made to correspond to cultural professions in which problems could be dealt with as the concern of special experts. This professionalized treatment of the cultural tradition brings to the fore the intrinsic structures of each of the three dimensions of culture. There appear the structures of cognitive-instrumental, of moral-practical and of aesthetic-expressive rationality, each of these under the control of specialists who seem more adept at being logical in these particular ways than other people are. As a result, the distance grows between the culture of the experts and that of the larger public. What accrues to culture through specialized treatment and reflection does not immediately and necessarily become the property of everyday praxis. With cultural rationalization of this sort, the threat increases that the life-world, whose traditional substance has already been devalued, will become more and more impoverished.”

Manuel Castells (1942) Spanish sociologist (b.1942)

Source: Modernity — An Incomplete Project, 1983, p. 8-9

Life, People, Truth, World

“All history attests that man has subjected woman to his will, used her as a means to promote his selfish gratification, to minister to his sensual pleasures, to be instrumental in promoting his comfort; but never has he desired to elevate her to that rank she was created to fill. He has done all he could to debase and enslave her mind; and now he looks triumphantly on the ruin he has wrought, and say, the being he has thus deeply injured is his inferior.”

Sarah Grimké (1792–1873) American abolitionist

Letter 2 (July 17, 1837).
Letters on the Equality of the Sexes and the Condition of Woman (1837)

Pleasure, History, Selfishness

“God, who prepares His work for the ages, accomplishes it by the feeblest instruments. It is the method of His providence to produce great results from inconsiderable means. The law which prevades the kingdom of nature is discerned in the history of mankind. Truth makes silent progress, like the water that trickles behind the rocks, and loosens them from the mountain on which they rest. Suddenly the hidden operation is revealed, and a single day suffices to lay bare the work of years, if not of ages.”

John Lanahan (1815–1903)

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 389.

God, Truth, Age, Law

“Too many crucial things about this country turn out to be highly recommended because they are 'invisible'. There is the 'hidden hand' of the free market, the 'unwritten' Constitution, the 'invisible earnings' of the financial service sector, the 'magic' of monarchy and the 'mystery' of the Church and its claim to the interpretation of revealed truth. When we do get as far as the visible or the palpable, too much of it is deemed secret. How right it is that senior ministers, having kissed hands with the monarch, are sworn to the cult of secrecy by 'The Privy Council Oath'. How right it is that our major foreign alliance - the 'special relationship' with the United States - is codified by no known treaty and regulated by no known Parliamentary instrument.”

Christopher Hitchens (1949–2011) British American author and journalist

1990s, The Monarchy: A Critique of Britain's Favourite Fetish

Truth, Secret, Kiss, Country

“The universe appears to me like an immense, inexorable torture-garden…Passions, greed, hatred, and lies; social institutions, justice, love, glory, heroism, and religion: these are its monstrous flowers and its hideous instruments of eternal human suffering.”

Octave Mirbeau (1848–1917) French journalist, art critic, travel writer, pamphleteer, novelist, and playwright

Garden of Tortures

Love, Religion, Justice, Flowers

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love, Beauty, Music, Color

“For me the different religions are beautiful flowers from the same garden, or they are branches of the same majestic tree. Therefore they are equally true, though being received and interpreted through human instruments equally imperfect.”

Mahatma Gandhi (1869–1948) pre-eminent leader of Indian nationalism during British-ruled India

Harijan, 30-1-1937, p. 407; In: My God (1962), Chapter 13. Pathways of God http://www.mkgandhi.org/god/mygod/pathwaystogod.html, Printed and Published by: Jitendra T. Desai, Navajivan Mudranalaya, Ahemadabad-380014 India Posthumous publications (1950s and later)

Religion, Beauty, Flowers, Tree

“To the gross senses the chair seems solid and substantial. But the gross senses and be refined by means of instruments. Closer observations are made, as the result of which we are forced to conclude that the chair is “really” a swarm of electric charges whizzing about in empty space. … While the substantial chair is an abstraction easily made from the memories of innumerable sensations of sight and touch, the electric charge chair is a difficult and far-fetched abstraction from certain visual sensations so excessively rare (they can only come to us in the course of elaborate experiments) that not one man in a million has ever been in the position to make it for himself. The overwhelming majority of us accept the electric-charge chair on authority, as good Catholics accept transubstantiation.”

Aldous Huxley (1894–1963) English writer

“One and Many,” pp. 8–9
Do What You Will (1928)

Sense, Memory

“We are using electronic instruments both in the studio and on stage but we are not living in an ivory tower, banned from any kind of popularity doing just intellectual research on electronics. So we really like to entertain people in the best way possible to show how modern, sophisticated equipment can be used today in order to create a futuristic sound.”

Edgar Froese (1944–2015) German musician and founder of Tangerine Dream

People, Way

“It started out — my mom and dad took a little vacation to Mexico and they left $250 for food. But instead of food we went and bought some instruments. We got a bass, guitar and a set of drums. … I was 19. Dennis was 15. Carl was 17. Mike was 18. Al was 19. And so we wrote a song called "Surfin'" in my living room. We were all playing and singing and Mike and I wrote a song called "Surfin'" and that's how it all started.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

CNN interview (2004)

Food, Moms, Singing

“First, technical perfection as something natural. Second, an insight into the development of the piano sound, as perfected by the pianist-composers of the late 19th and early 20th centuries, composers who understood the piano both as a human voice … and as an orchestra with which they could produce a variety of colors. Third, the need to learn how to use every aspect of our new instruments, which are richer in sound. Fourth, the importance of differentiation.”

Ivo Pogorelić (1958) Croatian pianist

Ivo Pogorelić about the most important things Aliza Kezeradze taught him, Die Zeit, Ich möchte gern mein Publikum sein, Hans Josef, Herbort, May 15, 1981, June 30, 2015 http://www.zeit.de/1981/21/ich-moechte-gern-mein-publikum-sein, (in German language)

Color, Nature, Learning, Perfection

“There were the vast numbers of ordinary Africans, who, animated by a lively national consciousness, sought knowledge as an instrument of national emancipation and integrity. This is not to say that these Africans overlooked the purely cultural value of their studies. But in order that their cultural acquisition should be valuable, they needed to be capable of appreciating it as free men.”

Kwame Nkrumah (1909–1972) Pan Africanist and First Prime Minister and President of Ghana

Source: Consciencism (1964), Introduction, p. 4.

Men, Knowledge, Study, Animals

“As surgeons keep their instruments and knives always at hand for cases requiring immediate treatment, so shouldst thou have thy thoughts ready to understand things divine and human, remembering in thy every act, even the smallest, how close is the bond that unites the two.”

Marcus Aurelius book Meditations

III, 13
Meditations (c. 121–180 AD), Book III

Understanding

“The pioneering instrument of reform was the Bank of England. Of all institutions concerned with economics none has for so long enjoyed such prestige. It is, in all respects, to money as St. Peter's is to Faith.”

John Kenneth Galbraith (1908–2006) American economist and diplomat

Source: Money: Whence It Came, Where It Went (1975), Chapter IV, The Bank, p. 30

Money, Faith

“Even in respect to those crimes which seem perfectly beyond human foresight, such as murders committed in general at the close of quarrels, arising without a motive, and under other circumstances to all appearance the most fortuitous or accidental; nevertheless, experience proves that murders are committed annually, not only pretty nearly to the same extent, but even that the instruments employed are in the same proportions. Now, if this occurs in the case of crimes whose origin seems to be purely accidental, what shall we say of those admitted to be the result of reflection.”

Adolphe Quetelet (1796–1874) Belgian astronomer, mathematician, statistician and sociologist

Introductory
A Treatise on Man and the Development of His Faculties (1842)

Motivation, Appearance

“We do not ask ourselves what the ultimate ideas behind our civilization are that have brought us into this danger; we do not search for the human face behind the bewildering array of instruments that man has forged; in a word, we do not dare to be philosophical.”

William Barrett (philosopher) book Irrational Man: A Study in Existential Philosophy

Source: Irrational Man: A Study in Existential Philosophy (1958), Chapter One, The Advent of Existentialism, p. 3

Search, Idea

“I know it's tedious, but you aren't SL4 until you appreciate the depth of human irrationality. Yes rationality is there, but at a level that just barely shows up when measured with precise instruments. This is important with respect to non-human intelligences, because super-rationality, almost as much as superintelligence, is potentially overwhelming and because intelligence bootstraping moves a system towards rationality. Appreciate how far humans are from rational and you appreciate how utterly transformed, and essentially recreated, they would be by haphazard bootstrapping. Appreciate how formidable rationality is and you see why a highly rational infrahuman GAI would still be a massive existential threat.”

Michael Vassar (1979) President of the Singularity Institute

"Another reminder of irrationality" http://sl4.org/archive/0602/14276.html, February 2006

Intelligence

“The words "routine analyses" are used to denote the analyses performed by laboratories, frequently attached to industrial plants, and distinguished by the following characteristics: (1) All the analyses or measurements of the same kind, for example, are designed to measure the sugar content in beets or to determine the coordinates of a star. (2) The analyses are carried out day after day using the same methods and the same instruments. (3) While all the analyses are of the same kind, the quantity n varies from time to time, where n represents some small number, 2, 3, 4, 5.”

Jerzy Neyman (1894–1981) Polish statistician

p. 46 of "On a statistical problem arising in routine analyses and in sampling inspections of mass production." http://www.jstor.org/stable/2235624 The Annals of Mathematical Statistics 12, no. 1 (1941): 46–76.

Star, Time

“Unlike private enterprise which quickly modifies its actions to meet emergencies — unlike the shopkeeper who promptly finds the wherewith to satisfy a sudden demand — unlike the railway company which doubles its trains to carry a special influx of passengers; the law-made instrumentality lumbers on under all varieties of circumstances at its habitual rate. By its very nature it is fitted only for average requirements, and inevitably fails under unusual requirements.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Vol. 3, Ch. VII, Over-Legislation
Essays: Scientific, Political, and Speculative (1891)

Law, Nature, Training

“Punishment is the last and least effective instrument in the hands of the legislator for the prevention of crime.”

John Ruskin (1819–1900) English writer and art critic

Notes on the General Principles of Employment for the Destitute and Criminal Classes (1868).

“A final moral concerns terminology. Why did such serious people take so seriously axioms which now seem so arbitrary? I suspect that they were misled by the pernicious misuse of the word ‘measurement’ in contemporary theory. This word very strongly suggests the ascertaining of some preexisting property of some thing, any instrument involved playing a purely passive role. Quantum experiments are just not like that, as we learned especially from Bohr. The results have to be regarded as the joint product of ‘system’ and ‘apparatus,’ the complete experimental set-up.”

John S. Bell (1928–1990) Northern Irish physicist

"On the impossible pilot wave" (1982), included in Speakable and Unspeakable in Quantum Mechanics (1987), p. 166

People, Learning

“We would enter the League not because we believe in a perfect instrument—on the contrary, its weakness and grave imperfections are fully recognized—but because the place for a powerful nation like the United States is on the inside, where it may aid in determining the character of its activities and the scope of its jurisdiction, rather than on the outside, indulging in harshest criticism.”

Kirby Page (1890–1957) American clergyman

An American Peace Policy (1925)

Perfection

“The eulogy of the non-lover in the speech of Lysias … stresses the fact that the non-lover … does not commit extreme acts under the influence of passions. Since he acts from calculation, he never has occasion for remorse. … The non-lover demonstrates his superiority through prudence and objectivity. … We must now observe how these points of superiority correspond to those of “semantically purified” speech, … the kind of speech approaching pure notation in the respect that it communicates abstract intelligence without impulsion. It is a simple instrumentality, showing no affection for the object of its symbolizing and incapable of inducing bias in the hearer. In its ideal conception, it would have less power to move than 2 + 2 = 4, since it is generally admitted that mathematical equations may have the beauty of elegance, and hence are not above suspicion where beauty is suspect. But this neuter language will be an unqualified medium of transmission of meanings from mind to mind, and by virtue of it minds can remain in an unprejudiced relationship to the world and also to other minds. … Instead of passion, it offers the serviceability of objectivity … It distrusts any departure from the literal and prosaic.”

Richard M. Weaver (1910–1963) American scholar

“The Phaedrus and the Nature of Rhetoric,” pp. 6-7.
The Ethics of Rhetoric (1953)

World, Beauty, Intelligence, Communication

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Love, Life, Pleasure, Fear

“Suggestion, or rather Autosuggestion, is quite a new subject, and yet at the same time it is as old as the world. It is new in the sense that until now it has been wrongly studied and in consequence wrongly understood; t is old because it dates from the appearance of man on the earth. In fact autosuggestion is an instrument that we possess at birth, and in this instrument, or rather in this force, resides a marvellous and incalculable power”

Emile Coué (1857–1926) French psychologist and pharmacist

Self Mastery Through Conscious Autosuggestion (1922/2007) p. 5.

World, Birth, Sense, Study

“At the Everyman Cinema there is a season of Satyajit Ray. He watches the Apu trilogy on successive nights in a state of rapt absorption. In Apu's bitter, trapped mother, his engaging, feckless father he recognizes, with a pang of guilt, his own parents. But it is the music above all that grips him, dizzyingly complex interplays between drums and stringed instruments, long arias on the flute whose scale or mode — he does not know enough about music theory to be sure which — catches at his heart, sending him into a mood of sensual melancholy that last long after the film has ended.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Music, Mood, Parent, Success

“A pen is certainly an excellent instrument to fix a man's attention and to inflame his ambition.”

John Adams (1735–1826) 2nd President of the United States

14 November 1760
1750s, Diaries (1750s-1790s)

“This is the love that does all things; that brings to pass even the evils we suffer; so shaping them that they are but instruments of preparing the good which, as yet, has not arrived.”

François Fénelon (1651–1715) Catholic bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 270.

Love, Suffering, Evil

“The work of art … is an instrument for tilling the human psyche, that it may continue to yield a harvest of vital beauty.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

Source: Collected Poems (1966), p. 20

Beauty, Art

“Every little school boy is trained to recite the weaknesses and inefficiencies of the Articles of Confederation. It is taken as axiomatic that under them the new nation was falling into anarchy and was only saved by the wisdom and energy of the Convention. … The nation had to be strong to repel invasion, strong to pay to the last loved copper penny the debts of the propertied and the provident ones, strong to keep the unpropertied and improvident from ever using the government to secure their own prosperity at the expense of moneyed capital. … No one suggests that the anxiety of the leaders of the heretofore unquestioned ruling classes desired the revision of the Articles and labored so weightily over a new instrument not because the nation was failing under the Articles, but because it was succeeding only too well. Without intervention from the leaders, reconstruction threatened in time to turn the new nation into an agrarian and proletarian democracy. … All we know is that at a time when the current of political progress was in the direction of agrarian and proletarian democracy, a force hostile to it gripped the nation and imposed upon it a powerful form against which it was never to succeed in doing more than blindly struggle. The liberating virus of the Revolution was definitely expunged, and henceforth if it worked at all it had to work against the State, in opposition to the armed and respectable power of the nation.”

Randolph Bourne (1886–1918) American writer

¶13. Published under "The Development of the American State," The State https://mises.org/library/state (Tucson, Arizona: See Sharp Press, 1998), pp. 33–34. "The State" (1918), II

Love, Wisdom, Money, Hostility

“We are so accustomed to hear arithmetic spoken of as one of the three fundamental ingredients in all schemes of instruction, that it seems like inquiring too curiously to ask why this should be. Reading, Writing, and Arithmetic—these three are assumed to be of co-ordinate rank. Are they indeed co-ordinate, and if so on what grounds?
In this modern “trivium” the art of reading is put first. Well, there is no doubt as to its right to the foremost place. For reading is the instrument of all our acquisition. It is indispensable. There is not an hour in our lives in which it does not make a great difference to us whether we can read or not. And the art of Writing, too; that is the instrument of all communication, and it becomes, in one form or other, useful to us every day. But Counting—doing sums,—how often in life does this accomplishment come into exercise? Beyond the simplest additions, and the power to check the items of a bill, the arithmetical knowledge required of any well-informed person in private life is very limited. For all practical purposes, whatever I may have learned at school of fractions, or proportion, or decimals, is, unless I happen to be in business, far less available to me in life than a knowledge, say, of history of my own country, or the elementary truths of physics. The truth is, that regarded as practical arts, reading, writing, and arithmetic have no right to be classed together as co-ordinate elements of education; for the last of these is considerably less useful to the average man or woman not only than the other two, but than 267 many others that might be named. But reading, writing, and such mathematical or logical exercise as may be gained in connection with the manifestation of numbers, have a right to constitute the primary elements of instruction. And I believe that arithmetic, if it deserves the high place that it conventionally holds in our educational system, deserves it mainly on the ground that it is to be treated as a logical exercise. It is the only branch of mathematics which has found its way into primary and early education; other departments of pure science being reserved for what is called higher or university instruction. But all the arguments in favor of teaching algebra and trigonometry to advanced students, apply equally to the teaching of the principles or theory of arithmetic to schoolboys. It is calculated to do for them exactly the same kind of service, to educate one side of their minds, to bring into play one set of faculties which cannot be so severely or properly exercised in any other department of learning. In short, relatively to the needs of a beginner, Arithmetic, as a science, is just as valuable—it is certainly quite as intelligible—as the higher mathematics to a university student.”

Joshua Girling Fitch (1824–1903) British educationalist

Source: Lectures on Teaching, (1906), pp. 267-268.

Life, Truth, Education, School

“Abysmal instruments make sounds like pips
Of the sweeping meanings that we add to them.”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Be Abstract

“Propose to an Englishman any principle, or any instrument, however admirable, and you will observe that the whole effort of the English mind is directed to find a difficulty, a defect, or an impossibility in it. If you speak to him of a machine for peeling a potato, he will pronounce it impossible: if you peel a potato with it before his eyes, he will declare it useless, because it will not slice a pineapple. Impart the same principle or show the same machine to an American or to one of our Colonists, and you will observe that the whole effort of his mind is to find some new application of the principle, some new use for the instrument.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Quoted in Richard H. Babbage (1948), "The Work of Charles Babbage", 'Annals of the Computation Laboratory of Harvard University, vol. 16
Excerpt listed online, here: http://www.ed-thelen.org/bab/bab_philosopher.html
Attributed

Effort

“Man's role is uncertain, undefined, and perhaps unnecessary. By a great effort man has hit upon a method of compensating himself for his basic inferiority. Equipped with various mysterious noise-making instruments, whose potency rests upon their actual form's being unknown to those who hear the sounds — that is, the women and children must never know that they are really bamboo flutes, or hollow logs, or bits of elliptic wood whirled on strings — they can get the male children away from the women, brand them as incomplete, and themselves turn boys into men. Women, it is true, make human beings, but only men can make men.”

Margaret Mead (1901–1978) American anthropologist

Source: 1940s, Male and Female (1949), p. 84 as cited in: John Whiting, Eleanor Hollenberg Chasdi, Roy D'Andrade (2006) Culture and Human Development: The Selected Papers of John Whiting. p. 240

Women, Men, Children, Boy

“That's wild! I'll start off with five stars and work backwards from there. Now there, to me, is the most perfect band in existence, whether you're thinking of it orchestrationally or in terms of Duke's immensely creative writing. I can't think of anybody I admire more than this man; nobody could even be compared with him, except Billy Strayhorn. Duke does something with this old, tired instrumentation of trumpets, trombones and saxophones, and he has a perfect way of utilizing the men's specific sounds. Anything he plays is a work of art. The band is out of tune, for instance, and it doesn't even matter. They almost have their own brand of intonation. Duke can take an exotic-sounding idea and create something – you might call it sophisticated crudity. It gives both the qualities that I look for – an earthy quality and the sophisticated quality.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing " Agra https://www.youtube.com/watch?v=P6MDDbrAqqg" from Far East Suite, as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

Men, Art, Way, Star

“The biggest danger to our rights today is not from government acting against the will of the majority but from government which has become the mere instrument of that majority. Think about it. That's where the abuse of power comes from. Not the tyranny of the King but the tyranny of the majority. Wrong will be done as much by an all-powerful people as by an all-powerful Prince.”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

This appears to be a manufactured quote for a PBS documentary on the American Revolution, created by condensing, rewriting, and paraphrasing portions of a lengthy letter James Madison wrote to Thomas Jefferson on 17 October 1788 http://oll.libertyfund.org/?option=com_staticxt&staticfile=show.php%3Ftitle=1937&chapter=118854&layout=html&Itemid=27, about the need for a Bill of Rights and the danger of an establishment of religion. The resulting "quote" profoundly changed the import of what Madison was trying to say and uses modern English. The phrases "biggest danger" and "tyranny of the majority" aren't even in the original letter. The relevant portions of the original letter are (italics in the original; bold added for emphasis):<blockquote>"… In Virginia I have seen the bill of rights violated in every instance where it has been opposed to a popular current. Notwithstanding the explicit provision contained in that instrument for the rights of Conscience, it is well known that a religious establishment would have taken place in that State, if the Legislative majority had found as they expected, a majority of the people in favor of the measure; and I am persuaded that if a majority of the people were now of one sect, the measure would still take place and on narrower ground than was then proposed, notwithstanding the additional obstacle which the law has since created. Wherever the real power in a Government lies, there is the danger of oppression. In our Governments the real power lies in the majority of the Community, and the invasion of private rights is chiefly to be apprehended, not from acts of Government contrary to the sense of its constituents, but from acts in which the Government is the mere instrument of the major number of the Constituents. This is a truth of great importance, but not yet sufficiently attended to; and is probably more strongly impressed on my mind by facts, and reflections suggested by them, than on yours which has contemplated abuses of power issuing from a very different quarter. Wherever there is an interest and power to do wrong, wrong will generally be done, and not less readily by a powerful & interested party than by a powerful and interested prince. …"</blockquote> Misattributed

People, Thinking

“The defects of German philosophy are those of professionalism: a closed atmosphere, books instead of life, inability to communicate discoveries to the world at large, contempt for good style, inbreeding, lack of general culture, gruesome earnestness. The defects of the cultured philosophe are those of amateurism: too many interests, superficiality, the cultivation of good style as an end in itself, the sacrifice of truth to wit, lack of intellectual honesty, philosophizing but no philosophy, inconsistency. Nietzsche achieves a balance between these two types of mind and two styles of expression: he is profound but not obscure; he aims at good style but reconciles it with good thinking; he is serious but not earnest; he is a sensitive critic of the arts and of culture but not an aesthete; he is an aphorist and epigrammist, but his aphorisms and epigrams derive from a consistent philosophy; he is the wittiest of philosophers, but he rarely succumbs to the temptation to sacrifice truth to a witty phrase; he has many interests but never loses sight of his main interests. He achieves, especially in his later works, a conciseness and limpidity notoriously rare in German writing: no modern thinker of a like profundity has had at his command so flexible an instrument of expression.”

R. J. Hollingdale (1930–2001) British Author

1. The Child
Nietzsche (1965, 1999)

Life, Truth, Books, World