Quotes about inspiration
page 10

“One expected growth, change; without it, the world was less, the well of inspiration dried up, the muses fled.”

Charles de Lint (1951) author

"Footprints in the Dust", p. 19
Memory and Dream (1994)

Letitia Elizabeth Landon photo
E. W. Hobson photo

“Much of the skill of the true mathematical physicist and of the mathematical astronomer consists in the power of adapting methods and results carried out on an exact mathematical basis to obtain approximations sufficient for the purposes of physical measurements. It might perhaps be thought that a scheme of Mathematics on a frankly approximative basis would be sufficient for all the practical purposes of application in Physics, Engineering Science, and Astronomy, and no doubt it would be possible to develop, to some extent at least, a species of Mathematics on these lines. Such a system would, however, involve an intolerable awkwardness and prolixity in the statements of results, especially in view of the fact that the degree of approximation necessary for various purposes is very different, and thus that unassigned grades of approximation would have to be provided for. Moreover, the mathematician working on these lines would be cut off from the chief sources of inspiration, the ideals of exactitude and logical rigour, as well as from one of his most indispensable guides to discovery, symmetry, and permanence of mathematical form. The history of the actual movements of mathematical thought through the centuries shows that these ideals are the very life-blood of the science, and warrants the conclusion that a constant striving toward their attainment is an absolutely essential condition of vigorous growth. These ideals have their roots in irresistible impulses and deep-seated needs of the human mind, manifested in its efforts to introduce intelligibility in certain great domains of the world of thought.”

E. W. Hobson (1856–1933) British mathematician

Source: Presidential Address British Association for the Advancement of Science, Section A (1910), pp. 285-286; Cited in: Moritz (1914, 229): Mathematics and Science.

Joe the Plumber photo

“I feel more important to just encourage people to get involved, one way or another. If I can inspire some leaders, that would be great. I don't know if I want to be a leader.”

Joe the Plumber (1973) American conservative activist and commentator

"Q & A: 'Joe the Plumber'" interview by Sarah Pulliam, in Christianity Today (May 2009) Web-only article

Roger Raveel photo

“The city offers certainly advantages, I agree. But I think that they do not outweigh the direct, unadulterated inspiration of the natural life that I find here”

Roger Raveel (1921–2013) painter

in the country, in Machelen
version in original Flemish (citaat van Roger Raveel, in het Vlaams): De stad biedt ongemene voordelen, accoord. Maar ik vind dat ze niet opwegen tegen de directe, onvervalste inspiratie van het natuurlijke leven dat ik hier [in Machelen] vindt.
Quote of Raveel, in an interview with Hugo Claus, published in the Flemish magazine 'Vooruit' in 1957 (translation: Fons Heijnsbroek)
Raveel lived his entire life in the Flemish village of Machelen, on the river De Leie
1945 - 1960

Robert G. Ingersoll photo
Mahatma Gandhi photo
Evelyn Waugh photo
James Fenimore Cooper photo
Tom Cruise photo
Asger Jorn photo
Syama Prasad Mookerjee photo
Robert Sheckley photo
Gloria Allred photo

“It is exciting and inspiring to see young women stand up and say 'we know that we have rights, and we intend to assert them.”

Gloria Allred (1941) American civil rights lawyer

December 6, 2014, Gloria Allred: The Battle Over Sexual Assault is the ‘Civil Rights Movement of Our Time’, May 15, 2014, Time magazine, Gloria Allred http://time.com/100055/campus-sexual-assault-gloria-allred/,

Jacques Derrida photo

“In order to try to remove what we are going to say from what risks happening, if we judge by the many signs, to Marx's work today, which is to say also to his injunction. What risks happening is that one will try to play Marx off against Marxism so as to neutralize, or at any rate muffle the political imperative in the untroubled exegesis of a classified work. One can sense a coming fashion or stylishness in this regard in the culture and more precisely in the university. And what is there to worry about here? Why fear what may also become a cushioning operation? This recent stereotype would be destined, whether one wishes it or not, to depoliticize profoundly the Marxist reference, to do its best, by putting on a tolerant face, to neutralize a potential force, first of all by enervating a corpus, by silencing in it the revolt [the return is acceptable provided that the revolt, which initially inspired uprising, indignation, insurrection, revolutionary momentum, does not come back]. People would be ready to accept the return of Marx or the return to Marx, on the condition that a silence is maintained about Marx's injunction not just to decipher but to act and to make the deciphering [the interpretation] into a transformation that "changes the world. In the name of an old concept of reading, such an ongoing neutralization would attempt to conjure away a danger: now that Marx is dead, and especially now that Marxism seems to be in rapid decomposition, some people seem to say, we are going to be able to concern ourselves with Marx without being bothered-by the Marxists and, why not, by Marx himself, that is, by a ghost that goes on speaking. We'll treat him calmly, objectively, without bias: according to the academic rules, in the University, in the library, in colloquia! We'll do it systematically, by respecting the norms of hermeneutical, philological, philosophical exegesis. If one listens closely, one already hears whispered: "Marx, you see, was despite everything a philosopher like any other; what is more [and one can say this now that so many Marxists have fallen silent], he was a great-philosopher who deserves to figure on the list of those works we assign for study and from which he has been banned for too long.29 He doesn't belong to the communists, to the Marxists, to the parties-, he ought to figure within our great canon of Western political philosophy. Return to Marx, let's finally read him as a great philosopher."”

We have heard this and we will hear it again.
Injunctions of Marx
Specters of Marx (1993)

“If no one gambled against the grain in good times, there would be no winners to inspire people in the bad times.”

Aaron C. Brown (1956) American financial analyst

Source: The Poker Face of Wall Street (2006), Chapter 4, A Brief History of Risk Denial, p. 81

George Sarton photo
Dinesh D'Souza photo
Salvador Dalí photo
Rani Mukerji photo
Torquato Tasso photo

“O heavenly Muse, that not with fading bays
Deckest thy brow by the Heliconian spring,
But sittest crowned with stars' immortal rays
In Heaven, where legions of bright angels sing;
Inspire life in my wit, my thoughts upraise,
My verse ennoble, and forgive the thing,
If fictions light I mix with truth divine,
And fill these lines with other praise than thine.”

Torquato Tasso (1544–1595) Italian poet

O Musa, tu, che di caduchi allori
Non circondi la fronte in Elicona,
Ma su nel Cielo infra i beati cori
Hai di stelle immortali aurea corona;
Tu spira al petto mio celesti ardori,
Tu rischiara il mio canto, e tu perdona
S'intesso fregj al ver, s'adorno in parte
D'altri diletti, che de' tuoi le carte.
Canto I, stanza 2 (tr. Edward Fairfax)
Gerusalemme Liberata (1581)

Sean Penn photo
Zine El Abidine Ben Ali photo
Ernst Ludwig Kirchner photo

“I was born near a station. The first things that I saw in my life were the moving locomotives and trains, and I drew them as a three-year-old. Perhaps it is because of this that observations of movement are my impetus for my inspiration to create. Out of this I receive a creative experience of life, which is the source of creativity.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Kirchner had been inspired by movement and trains his whole life. He painted a. o. 'Nollendorfplatz' in West Berlin https://commons.wikimedia.org/wiki/File:Ernst_Ludwig_Kirchner_-_Nollendorfplatz.jpg - it was one of the stops on the first electrical tram (Straßenbahn) in 1896, according to 'Lexicon der Berliner Stadtentwicklung'. Berlin, 2002. The Underground (Untergrundbahn) followed in 1902, also with a stop at 'Nollendorfplatz'
undated
Source: Ernst Ludwig Kirchner: ein Künstlerleben in Selbstzeugnissen, Andreas Gabelmann; Hatje Cantz Verlag, Ostfildern, Germany 2010, p. 17 (transl. Claire Albiez)

Tori Amos photo
Justin D. Fox photo
Jayachamarajendra Wadiyar photo
Michelle Obama photo

“Every day, the people I meet inspire me, every day, they make me proud, every day they remind me how blessed we are to live in the greatest nation on earth.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2010s, Democratic National Convention speech (2012)

Sarojini Naidu photo

“A country's greatness lies in its undying ideals of love and sacrifice that inspire the mothers of shubh”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html,

Mark Rothko photo
Freeman Dyson photo
Frank McCourt photo
William Ellery Channing photo
Maajid Nawaz photo

“The ‘spirituality’ of this art, in which scholars have tried to find all the essentials of the later medieval conceptions of art, is in reality only the same indefinite sort of spirituality which inspired the last centuries of paganism.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter IV. The Middle Ages

Charlotte Brontë photo
Kent Hovind photo
Isa Genzken photo
John of St. Samson photo

“Impressionism owes its birth to Constable; and its ultimate glory, the works of Claude Monet, is profoundly inspired by the genius of Turner.”

Wynford Dewhurst (1864–1941) British artist

Source: Impressionist Painting: its genesis and development. (1904), p. 4.

Robert A. Heinlein photo
Jon Courtenay Grimwood photo
Haruo Nakajima photo
Alan Rusbridger photo
Jahangir photo
Groucho Marx photo

“They say Allen got something from the Marx Brothers. He got nothing. Maybe twenty years ago, he might have been inspired. Today he's an original. The best, the funniest.”

Groucho Marx (1890–1977) American comedian

On Woody Allen, in an interview with Roger Ebert in Esquire magazine (7 March 1972) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/19720307/PEOPLE/41116001

Henry Adams photo
Max Frisch photo
George W. Bush photo
Louis Tronson photo

“Do we have all the hatred and all the aversion for the world which Our Lord requires, and which his example must inspire in us?”

Louis Tronson (1622–1700) French Roman Catholic priest

Avons-nous pour le monde toute la haine et toute l'aversion que Notre Seigneur demande, et que nous doit inspirer son exemple?
Examens particuliers sur divers sujets, p. 321 http://books.google.com/books?id=esY9AAAAIAAJ&pg=PA321 as translated by Mary Ilford in The Bourgeois: Catholicism vs. Capitalism in Eighteenth-Century France (1968), p. 116
Examens particuliers sur divers sujets [Examination of Conscience upon Special Subjects] (1690)

Francis Fukuyama photo
Stanley Baldwin photo

“Toryism, as we know it, was illuminated, expounded, and made a gospel for a large portion of this country by the genius of Benjamin Disraeli. Most of us who have worked for our great party have founded our beliefs on, and derived our inspiration from that statesman.”

Stanley Baldwin (1867–1947) Former Prime Minister of the United Kingdom

Speech to the centenary dinner of the City of London Conservative and Unionist Association (2 July 1936), quoted in Service of Our Lives (1937), pp. 37-38.
1936

“Roecker seems to have been as inspired by Todd Haynes's legendary underground film "Superstar" -- in which he told Karen Carpenter's life story with surprising tenderness using Barbie dolls and a bootlegged soundtrack -- as by the stop-motion animation of Ray Harryhausen and the "Frosty the Snowman" cartoon.”

John Roecker (1966) American film director

Ann Hornaday — quoted in The Washington Post, The Washington Post Company, One Forgettable 'Freak' Show, January 27, 2006, Ann, Hornaday http://www.washingtonpost.com/wp-dyn/content/article/2006/01/26/AR2006012600739.html,
About

Nicholas Murray Butler photo

“Many pages of Prokofiev’s oeuvre continue the important tradition of Russian music based on fairy tale–inspired imagery.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Carol Ann Duffy photo
Asger Jorn photo
George Soros photo
Prito Reza photo
Abraham Cowley photo
Gregory of Nyssa photo

“Just as, in the case of the sunlight, on one who has never from the day of his birth seen it, all efforts at translating it into words are quite thrown away; you cannot make the splendour of the ray shine through his ears; in like manner, to see the beauty of the true and intellectual light, each man has need of eyes of his own; and he who by a gift of Divine inspiration can see it retains his ecstasy unexpressed in the depths of his consciousness; while he who sees it not cannot be made to know even the greatness of his loss. How should he? This good escapes his perception, and it cannot be represented to him; it is unspeakable, and cannot be delineated. We have not learned the peculiar language expressive of this beauty. … What words could be invented to show the greatness of this loss to him who suffers it? Well does the great David seem to me to express the impossibility of doing this. He has been lifted by the power of the Spirit out of himself, and sees in a blessed state of ecstacy the boundless and incomprehensible Beauty; he sees it as fully as a mortal can see who has quitted his fleshly envelopments and entered, by the mere power of thought, upon the contemplation of the spiritual and intellectual world, and in his longing to speak a word worthy of the spectacle he bursts forth with that cry, which all re-echo, "Every man a liar!"”

Gregory of Nyssa (335–395) bishop of Nyssa

I take that to mean that any man who entrusts to language the task of presenting the ineffable Light is really and truly a liar; not because of any hatred on his part of the truth, but because of the feebleness of his instrument for expressing the thing thought of.
On Virginity, Chapter 10

Florbela Espanca photo

“I dream I am the chosen Poet,
Who knows all there is to know on Earth,
The one whose inspiration’s pure and perfect,
And captures infinity in a verse!I dream a verse of mine has all the brightness
To light the whole world! And it will please
Even those who long and die of sadness!
And even wise, unhappy souls it will appease.”

Florbela Espanca (1894–1930) Portuguese poet

Sonho que sou a Poetisa eleita,
Aquela que diz tudo e tudo sabe,
Que tem a inspiração pura e perfeita,
Que reúne num verso a imensidade!<p>Sonho que um verso meu tem claridade
Para encher todo o mundo! E que deleita
Mesmo aqueles que morrem de saudade!
Mesmo os de alma profunda e insatisfeita!
Quoted in Trocando olhares (1994), p. 131
Translated by John D. Godinho
Book of Sorrows (1919), "Vaidade"

Richard Holbrooke photo

“Dayton shook the leadership elite of post-Cold War Europe. The Europeans were grateful to the United States for the leading the effort that finally ended the war in Bosnia, but some European officials were embarassed that American involvement had been necessary. Jacque Poos's 1991 assertion that Europe's "hour had dawned" lay in history's dustbin, alongside James Baker's view that we had no dog in that fight. "One cannot call it an American peace", French Foreign Minister de Charette told the press, "even if President Clinton and the Americans have tried to pull the blanket over to their side. The fact is that the Americans looked at this affair in ex-Yugoslavia from a great distance for nearly four years and basically blocked the progression of things." But de Charette also acknowledged that "Europe as such was not present, and this, it is true, was a failure of the European Union." Prime Minister Alain Juppé, after praising the Dayton agreement, could not resist adding, "Of course, it resembles like a twin the European plan we presented eighteen months ago" - when he was Foreign Minister. Agence France-Presse reported that many European diplomats were "left smarting" at Dayton. In an article clearly inspired by someone at the French Foreign Ministry, Le Figaro said that "Richard Holbrooke, the American mediator, did not leave his European collegues with good memories from the air base at Dayton." They quoted an unnamed Franch diplomat as saying, "He flatters, he lies, he humiliates: he is a sort of brutal and schizophrenic Mazarin." President Chirac's national security assistant, Jean-David Levitte, called to apologize for this comment, saying it did not represent the views of his boss. I replied that such minidramas were inevitable given the pressures and frustrations we faced at Dayton and were inconsequential considering that the war was over.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 318

Emil Nolde photo
Daniel Johns photo
Nico Perrone photo
Robert G. Ingersoll photo
Stephen Harper photo

“[Y]our country, and particularly your conservative movement, is a light and an inspiration to people in this country and across the world.”

Stephen Harper (1959) 22nd Prime Minister of Canada

1990s, Speech to the Council for National Policy (1997)

“The single most important factor that has undermined the notion of inspiration is the rise of an historical consciousness.”

Roger Haight (1936) American theologian

Source: Dynamics Of Theology, Chapter Five, The Status of Scripture in the Church, p. 91

Alphonse de Lamartine photo
Ang Lee photo
Vincent Van Gogh photo
Tenzin Gyatso photo
Samuel Butler photo
Francis Picabia photo
N. Gregory Mankiw photo
Ellen Page photo
Pope Benedict XVI photo
Eric Holder photo
Joseph Lewis photo

“The Bible is not a divine revelation from God. It is not inspired; on the contrary, it is a wicked book …. It has been responsible for more suffering and torture than any other volume ever printed……”

Joseph Lewis (1889–1968) American activist

Quoted from Talreja, K. M. (2000). Holy Vedas and holy Bible: A comparative study. New Delhi: Rashtriya Chetana Sangathan.

Adam Roberts photo

“I am participating in the evolution of inspired action.”

Source: Life, the Truth, and Being Free (2010), p. 140

Robert G. Ingersoll photo

“If this “sacred” book teaches man to enslave his brother, it is not inspired. A god who would establish slavery is as cruel and heartless as any devil could be.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

My Reviewers Reviewed (lecture from June 27, 1877, San Francisco, CA)

Peter Greenaway photo

“Inspiration: A miasma originating in the head that pollutes the body and irritates good sense.”

Peter Greenaway (1942) British film director

Rosa: The Death of a Composer

Bill Frist photo
M. C. Escher photo

“Now, I should like to say something else to you about the connection with music, primarily that of Bach, i. e. the Fugue or, put more simply, the canon... It has a great deal in common with my own motifs, which I make turn on various axes too. Nowadays I have such a powerful sense of relationship, of affinity, that when I am listening to Bach I frequently get inspired and feel an overwhelming instinct for his insistent rhythm, a cadence seeking something of the infinite. In the Fugue everything is based on a single motif, often consisting of just a few notes. In my work, too, everything revolves around a single closed contour..”

M. C. Escher (1898–1972) Dutch graphic artist

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): 'Nu wou ik je nog wat zeggen over het verband met muziek, en wel in hoofdzaak met die van Bach, d.w.z. de Fuga, of eenvoudiger canon.. .Het heeft heel veel van mijn motieven, die ik ook om verschillende assen laat draaien. Ik heb dat gevoel van relatie, verwantschap, tegenwoordig zoo sterk, dat ik tijdens het luisteren naar Bach, dikwijls geïnspireerd word en een sterke drang naar zijn dwingende ritme voel, een cadans die iets van de eindeloosheid zoekt. In de Fuga is alles gebaseerd op een enkel motief, dikwijls maar van enkele noten. Bij mij draait ook alles om een enkele gesloten contour..
Quote from Escher’s letter, 1940 to his friend Hein 's-Gravezande; as cited (and translated!) on the website of museum 'Escher in the Palace', The Hague: dutch original text https://www.escherinhetpaleis.nl/escher-vandaag and english translation https://www.escherinhetpaleis.nl/escher-today/?lang=en
1940's

Michelle Obama photo

“And that brings me to the other big lesson that I want to share with you today. It’s a lesson about how to get through those struggles, and that is, instead of letting your hardships and failures discourage or exhaust you, let them inspire you. Let them make you even hungrier to succeed. Now, I know that many of you have already dealt with some serious losses in your lives. Maybe someone in your family lost a job or struggled with drugs or alcohol or an illness. Maybe you’ve lost someone you love […]. […] So, yes, maybe you’ve been tested a lot more and a lot earlier in life than many other young people. Maybe you have more scars than they do. Maybe you have days when you feel more tired than someone your age should ever really feel. But, graduates, tonight, I want you to understand that every scar that you have is a reminder not just that you got hurt, but that you survived. And as painful as they are, those holes we all have in our hearts are what truly connect us to each other. They are the spaces we can make for other people’s sorrow and pain, as well as their joy and their love so that eventually, instead of feeling empty, our hearts feel even bigger and fuller. So it’s okay to feel the sadness and the grief that comes with those losses. But instead of letting those feelings defeat you, let them motivate you. Let them serve as fuel for your journey.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2010s, Commencement speech for Martin Luther King Jr. College Prep graduates (2015)

Christopher A. Wray photo
Alan Shepard photo

“There's no question that all the generations got excited about the first flights, with Kennedy's inspiration to go to the moon, leaving the planet for the first time, and fortunately coming back.”

Alan Shepard (1923–1998) American astronaut

Richard Louv (August 2, 1995) "The thrill of space? Let's ask Alan Shepard", The San Diego Union-Tribune, p. A-2.

Tina Fey photo
Max Scheler photo

“There is usually no ressentiment just where a superficial view would look for it first: in the criminal. The criminal is essentially an active type. Instead of repressing hatred, revenge, envy, and greed, he releases them in crime. Ressentiment is a basic impulse only in the crimes of spite. These are crimes which require only a minimum of action and risk and from which the criminal draws no advantage, since they are inspired by nothing but the desire to do harm. The arsonist is the purest type in point, provided that he is not motivated by the pathological urge of watching fire (a rare case) or by the wish to collect insurance. Criminals of this type strangely resemble each other. Usually they are quiet, taciturn, shy, quite settled and hostile to all alcoholic or other excesses. Their criminal act is nearly always a sudden outburst of impulses of revenge or envy which have been repressed for years. A typical cause would be the continual deflation of one's ego by the constant sight of the neighbor's rich and beautiful farm. Certain expressions of class ressentiment, which have lately been on the increase, also fall under this heading. I mention a crime committed near Berlin in 1912: in the darkness, the criminal stretched a wire between two trees across the road, so that the heads of passing automobilists would be shorn off. This is a typical case of ressentiment, for any car driver or passenger at all could be the victim, and there is no interested motive. Also in cases of slander and defamation of character, ressentiment often plays a major role...”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Philip Oakey photo
George Holmes Howison photo