Quotes about inside
page 14

Jane Roberts photo
Ai Weiwei photo
Vanna Bonta photo

“The 2suit is a utilitarian garment that functions by itself as a flight suit, and can unzip or attach with velcro and attach to a partner's suit with very lightweight fabric inside that can expand.”

Vanna Bonta (1958–2014) Italian-American writer, poet, inventor, actress, voice artist (1958-2014)

The Universe - Sex in Space (2008)

Elton John photo

“Don't wish it away,
Don't look at it like it's forever.
Between you and me I could honestly say
That things can only get better.And while I'm away,
Dust out the demons inside.
And it won't be long before you and me run
To the place in our hearts where we hide.”

Elton John (1947) English rock singer-songwriter, composer and pianist

I Guess That's Why They Call It the Blues, written by Elton John, Bernie Taupin, and Davey Johnstone
Song lyrics, Too Low for Zero (1983)

Ray Comfort photo

“All [atheists] have seen is the inside of a dead Catholic church or the hypocrisy of the money-hungry 'prosperity gospel' version of Christianity we find all over the airwaves and all across bookstore shelves today.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

You Can Lead an Atheist to Evidence, But You Can't Make Him Think (2009)

Haruo Nakajima photo
Jon Courtenay Grimwood photo
Tibor Fischer photo
Dave Barry photo
Eben Moglen photo

“The Entertainment Industry on Planet Earth had decided that in order to acquire Layer 7 Data Security, it was necessary to lock up layers 2, 3, 4, 5, and 6 so that no technological progress could occur without their permission. This was known by the IT Industry and the Consumer Electronics Industry on the planet to be offensive nonsense, but there was no counterweight to it, and there was no organised consumer dissent sufficient to require them to stand up for technical merit and their own right to run their own businesses without dictation from companies a tenth their size. Not surprisingly, since it is part of the role we play in this political power concentrated in poverty, humility, and sanctity, we brought them to a consensus they were unable to bring themselves to - which is represented in the license by a rule which fundamentally says "If you want to experiment with locking down layer below 7 in the pursuit of data networks inside businesses that keep the business's data at home, you may do so freely, we have no objection - not only do we have no objection to you doing it, we've no objection to your using our parts to do it with. But when you use our parts to build machines which control peoples' daily lives - which provide them with education and culture, build devices which are modifiable by them to the same extent that they're modifiable by you. That's all we want. If you can modify the device after you give it to them, then they must be able to modify the device after you give it to them - that's a price for using our parts. That's a deal which has been accepted.”

Eben Moglen (1959) American law professor and free software advocate

Talk titled The Global Software Industry in Transformation: After GPLv3, Edinburgh, Scotland, June 26, 2007 http://www.archive.org/details/EbenMoglenLectureEdinburghJune2007text.

Van Jones photo

“The end of the occupation. The right of return of the Palestinian people. These are critical dividing lines in human rights. We have to be here. No American would put up with an Israeli-style occupation of their hometown for 53 days let alone 54 years. US tax dollars are funding violence against people of color inside the US borders and outside the US borders.”

Van Jones (1968) American environmental advocate and civil rights activist

Wartimes : Reports From The Opposition (2003) a CD financed, produced and featuring the voice of Jones, as quoted at "Cool... But, Yes, Communist" by Marty Peretz, in The New Republic (10 September 2009) http://www.tnr.com/blog/the-spine/cool-yes-communist

Bill O'Reilly photo
Jayant Narlikar photo
Jacoba van Heemskerck photo

“Once again I talked with some painters, but the modern artists [in The Netherlands ] write more than they paint. If you write about art in such a way and you want to paint always with a fixed plan, then you will lose completely the deep, glorious and spontaneous art. You always have to create the new from the very deep, inside.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder einige Maler gesprochen, aber die Modernen [in Nederland] schreiben mehr als sie malen. Wenn man so über Kunst schreibt und immer so mit einem festen Plan malen will, dan verliert man ganz und gar die tiefe, herrliche, spontane Kunst. Man muss so ganz tief heraus immer Neuses schaffen.
in a letter to Herwarth Walden, 23 July 1915; the 'Sturm'-Archive, Berlin
very probably Jacoba is refering here to the Dutch Stijl-artists, as Piet Mondrian and Theo v. Doesburg
1910's

William H. Gass photo
Bram van Velde photo
Andy Partridge photo
Bruce Springsteen photo

“For the ones who had a notion,
A notion deep inside,
That it ain't no sin to be glad you're alive.”

Bruce Springsteen (1949) American singer and songwriter

"Badlands"
Song lyrics, Darkness on the Edge of Town (1978)

Bill Engvall photo
Samuel R. Delany photo
Gulzarilal Nanda photo

“I had seen him [Mahatama Gandhi] from a distance This was going to be the first personal contact. As I ascended the stairs of Manibahavan…I was feeling the thrill of anticipation of a great event. I entered the room and the awe which the scene inside inspired in my heart has not been erased from my memory. I sat in front of the Mahatma…After a while Gandhiji turned to me and asked me about the work that I was doing…He then inquired about my situation. Would I have to face any difficulties if I came away to join the movement? I reflected for a few fleeting moments. I asked myself…How can an army like this function if every soldier who is recruited has to place his personal difficulties before the General. I replied to him that I had no problems for his consideration. Then an interesting conversation followed. Lala Lajpat Rai took up the thread and asked Gandhiji to permit me to proceed to the Punjab, the place of my origin and join him, in the work of the movement there. Thereafter Shankarlal Banker put forward the argument that since my political birth was in Bombay I should stick to this place. The Mahatma gave his verdict in favour of Bombay and thus the interview ended. I found that Bunker was the key figure in the organization in Bombay then and a number of activities were being carried out under his personal direction.”

Gulzarilal Nanda (1898–1998) Prime Minister of India

In, p. 5-6
Gulzarilal Nanda: A Life in the Service of the People

“You have to look beyond race because as a human being you have to experience the person from the inside first”

Henrik Larsson http://www.theredcard.ie/news/2006_03_01_archive.html

Gregory Colbert photo

“If you look at Paleolithic cave paintings, you see how people were depicted inside nature, not outside it. It was a kind of dream time. That’s what I’m exploring.”

Gregory Colbert (1960) Canadian photographer

"Peerless on the Pier" in Town & Country (March 2005) http://www.accessmylibrary.com/article-1G1-131688118/peerless-pier-arts-culture.html

Bruce Springsteen photo
Paul Klee photo
Rahm Emanuel photo

“With Rahm, you get someone who is both a great strategic thinker and a great tactician. It's great to have someone who knows the Congress inside and out. There can often be major differences between the executive branch and the congressional branch, even when you're from the same party. It will certainly help in terms of getting things done.”

Rahm Emanuel (1959) politician, investment banker, White House Chief of Staff

Chris Van Hollen, quoted in San Francisco Chronicle http://www.sfgate.com/cgi-bin/article.cgi?f=/c/a/2008/11/06/MN6C13VKH5.DTL&type=politics.
About

Elisabetta Canalis photo

“Each fur jacket and piece of fur trim is taken from a terrified living being who was trapped in the wild … or who had a miserable life locked inside a barren wire cage before being drowned, electrocuted, poisoned, or skinned alive. … I, along with many … would love to see … take a step into the compassionate future of fashion by pledging not to feature fur.”

Elisabetta Canalis (1978) Italian model and actress

Letter to Vogue Italia; quoted in "Lose the Fur: Elisabetta Canalis’ Message to New Editor of ‘Vogue Italia’" https://www.peta.org.uk/blog/lose-the-fur-elisabetta-canalis-vogue-italia/, PETA UK (22 February 2017).

Walter Scott photo
George William Curtis photo
Paul Graham photo
Ryan Adams photo
Masiela Lusha photo

“Although I was quiet as a child, I had this resistless passion inside of me–this need and hunger to create my own world. Poetry filled that void, and its words fed that vital necessity of ownership.”

Masiela Lusha (1985) Albanian actress, writer, author

On her poetry as a child http://reelladies.wordpress.com/2008/09/01/reel-lady-masiela-lusha/

Ben Gibbard photo
Ralph Ellison photo
Jim Morrison photo
Mickey Spillane photo

“Love, when it fits inside a flower, is infinite.”

Antonio Porchia (1885–1968) Italian Argentinian poet

Voces (1943)

Charles Lamb photo
Gary Oldman photo
Peter Weiss photo
Italo Calvino photo
Gino Severini photo
Prem Rawat photo

“The shape of something uncaring and
perversely cold stands up inside a man
and he finds himself completely deceived.
This world’s anguish is no different
from the love we insist on holding back.”

Aberjhani (1957) author

(The Homeless, Psalm 85:10, p. 111).
Book Sources, ELEMENTAL, The Power of Illuminated Love (2008)

John Fante photo
Clifford D. Simak photo
Bill Whittle photo

“You tell the big lie by carefully selecting only the small, isolated truths, linking them in such a way that that advance the bigger lie by painting a picture inside the viewer's head. The Ascended High Master of this Dark Art is Noam Chomsky.”

Bill Whittle (1959) author, director, screenwriter, editor

MAGIC https://web.archive.org/web/20030602124318/http://www.ejectejecteject.com/archives/000051.html (18 May 2003)
2000s

Stella Vine photo

“I always wanted her to say, "I love you, I’ll stand by you, you are very important to me," but she never did. She loved me inside, but I didn’t feel it.”

Stella Vine (1969) English artist

Catherine Deveney, "Stripped bare", http://living.scotsman.com/index.cfm?id=288312004 The Scotsman, (2004-03-14)
On her mother.

Osama bin Laden photo
Ursula K. Le Guin photo
Maxwell D. Taylor photo
Harry Chapin photo
Kate Bush photo

“I found a book on how to be invisible
You take a pinch of keyhole,
And fold yourself up,
You cut along the dotted lines.
You think inside out.
You're invisible.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Aerial (2005), A Sea of Honey (Disc 1)

Mark Heard photo

“But the music business is no more about truth on the outside of the Christian ghetto than it is on the inside.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

Primo Levi photo

“Interviewer: Is it possible to abolish man's humanity?
Levi: Unfortunately, yes. Unfortunately, yes; and that is really the characteristic of the Nazi lager [concentration camp]. About the others, I don't know, because I don't know them; perhaps in Russia the same thing happens. It's to abolish man's personality, inside and outside: not only of the prisoner, but also of the jailer. He too lost his personality in the lager.
These are two different itineraries, but with the same result, and I would say that only a few had the good fortune of remaining aware during their imprisonment; some regained their awareness of the experience later, but during it, they had lost it; many forgot everything. They did not record their experiences in their mind. They didn't impress on their memory track. Thus it happened to all, a profound modification in their personality. Most of all, our sensibility lost sharpness, so that the memories of our home had fallen into second place; the memory of family had fallen into second place in face of urgent needs, of hunger, of the necessity to protect oneself against cold, beatings, fatigue… all of this brought about some reactions which we could call animal-like; we were like work animals.
It is curious how this animal-like condition would repeat itself in language: in German there are two words for eating. One is essen and it refers to people, and the other is fressen, referring to animals. We say a horse frisst, for example, or a cat. In the lager, without anyone having decided that it should be so, the verb for eating was fressen. As if the perception of the animalesque regression was clear to all.”

Primo Levi (1918–1987) Italian chemist, memoirist, short story writer, novelist, essayist

Interview http://www.inch.com/~ari/levi1.html with Daniel Toaff, Sorgenti di Vita (Springs of Life), a program on the Unione Comunita Israelitiche Italiane, Radiotelevisione Italiana [RAI] (25 March 1983); translated by Mirto Stone

Colin Wilson photo
Bruce Parry photo

“They loved that I put a bone through my nose. They loved that I had my penis pushed back inside me.”

Bruce Parry (1969) British documentarian

As quoted in "Do you really want to be in our tribe?" in The Telegraph (1 March 2005)

Jim Yong Kim photo
Timo K. Mukka photo
Linus Torvalds photo
Mickey Spillane photo

“Nobody ever walked across the bridge, not on a night like this. The rain was misty enough to be almost fog-like, a cold gray curtain that separated me from the pale ovals of white that were faces locked behind the steamed-up windows of the cars that hissed by. Even the brilliance that was Manhattan by night was reduced to a few sleepy, yellow lights off in the distance.
Some place over there I had left my car and started walking, burying my head in the collar of my raincoat, with the night pulled in around me like a blanket. I walked and I smoked and I flipped the spent butts ahead of me and watched them arch to the pavement and fizzle out with one last wink. If there was life behind the windows of the buildings on either side of me, I didn't notice it. The street was mine, all mine. They gave it to me gladly and wondered why I wanted it so nice and all alone.
There were others like me, sharing the dark and the solitude, but they were huddled in the recessions of the doorways not wanting to share the wet and the cold. I could feel their eyes follow me briefly before they turned inward to their thoughts again.
So I followed the hard concrete footpaths of the city through the towering canyons of the buildings and never noticed when the sheer cliffs of brick and masonry diminished and disappeared altogether, and the footpath led into a ramp then on to the spidery steel skeleton that was the bridge linking two states.
I climbed to the hump in the middle and stood there leaning on the handrail with a butt in my fingers, watching the red and green lights of the boats in the river below. They winked at me and called in low, throaty notes before disappearing into the night.
Like eyes and faces. And voices.
I buried my face in my hands until everything straightened itself out again, wondering what the judge would say if he could see me now. Maybe he'd laugh because I was supposed to be so damn tough, and here I was with hands that wouldn't stand still and an empty feeling inside my chest.”

One Lonely Night (1951)

Amy Grant photo

“Sometimes I see you
And you don't know why I'm there
And I'm washed away by emotions
I hold deep down inside
Getting stronger with time
It's living through the fire
And holding on we find That's what love is for …”

Amy Grant (1960) American musician

"That's What Love Is For", co-written with Michael Omartian and Mark Mueller
Song lyrics, Heart in Motion (1991)

Alan Moore photo
Mariah Carey photo
Haruki Murakami photo
Harry Turtledove photo
Syed Ahmed Khan photo

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

Anthony Burgess photo
Colum McCann photo
Tony Benn photo
Farah Pahlavi photo
Daisy Ashford photo
Amitabh Bachchan photo
John Moffat photo
Antonio Gramsci photo

“It is all a matter of comparing one’s own life with something worse and consoling oneself with the relativity of human fortunes. When I was eight or nine I had an experience which came clearly to mind when I read your advice. I used to know a family in a little village near mine: father, mother and sons: they were small landowners and had an inn. Very energetic people, especially the woman. I knew (I had heard) that besides the sons we knew, this woman had another son nobody had seen, who was spoken of in whispers, as if he were a great disgrace for the mother, an idiot, a monster or worse. I remember that my mother referred to this woman often as a martyr, who made great sacrifices for this son, and put up with great sorrows. One Sunday morning about ten, I was sent to this woman’s: I had to deliver some crocheting and get the money. I found her shutting the door, dressed up to go out to mass, she had a hamper under her arm. On seeing me she hesitated then decided. She told me to accompany her to a certain place, and that she would take delivery and give me the money on our return. She took me out of the village, into an orchard filled with rubbish and plaster; in one corner there was a sort of pig sty, about four feet high, and windowless, with only a strong door. She opened the door and I could hear an animal-like howling. Inside was her son, a robust boy of 18, who couldn’t stand up and hence scraped along on his seat to the door, as far as he was permitted to move by a chain linked to his waist and attached to the ring in the wall. He was covered with filth, and his eyes shone red, like those of a nocturnal animal. His mother dumped the contents of her basket – a mixed mess of household leftovers – into a stone trough. She filled another trough with water, and we left. I said nothing to my mother about what I had seen, so great an impression it had made on me, and so convinced was I that nobody would believe me. Nor when I later heard of the misery which had befallen that poor mother, did I interrupt to talk of the misery of the poor human wreck who had such a mother.”

Antonio Gramsci (1891–1937) Italian writer, politician, theorist, sociologist and linguist

Gramsci, 1965, p. 737 cited in Davidson, 1977, p. 35.

James K. Morrow photo
Tarkan photo

“Love is the sweetest pain inside.”

Tarkan (1972) Turkish singer

If Only You Knew
Come Closer (2006)

Ken Livingstone photo
George W. Bush photo

“…a clear lesson I learned in the museum was that outside forces that tend to divide people up inside their country are unbelievably counterproductive. In other words, people came from other countries — I guess you'd call them colonialists — and they pitted one group of people against another.”

George W. Bush (1946) 43rd President of the United States

Press Availability with President Kagame of Rwanda (February 19, 2008) http://georgewbush-whitehouse.archives.gov/news/releases/2008/02/20080219-6.html http://thinkprogress.org/2008/02/20/bush-outside-forces-tend-to-divide-people-up
2000s, 2008

Simone Weil photo
Anish Kapoor photo
Ezra Taft Benson photo

“The Lord works from the inside out.”

Ezra Taft Benson (1899–1994) President of The Church of Jesus Christ of Latter-day Saints
Anthony Burgess photo
Brian Clevinger photo
Lorin Morgan-Richards photo

“Though my body gets older, I still commune with the child inside.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Instagram social media post by the author on (6 November 2017).

Sam Harris photo
Camille Paglia photo
Lloyd Kaufman photo