Quotes about image
page 16

“Children need a safe space free from crude gender images, and that space should be school.”

Julia Klöckner (1972) German politician

About banning headscarves in Germany. German state looks to ban headscarves for girls https://www.telegraph.co.uk/news/2018/04/10/german-state-looks-ban-headscarves-girls/ (10 April 2018), The Daily Telegraph.

Children, School

“People had group values, because the children were group-owned. and that made a tremendous difference in the way the society imaged it self. people lived for the group, and in the core of the group were the children, and people always put them first. So everyone identified with the children, everybody was willing to face risk to preserve the younger gene pool. This concern for male paternity is really a poisonous factor…”

Terence McKenna (1946–2000) American ethnobotanist

History Ends in Green (1983)

Children, People, Way

“What people report is not properties of their image but of the objects they are imagining. Such properties as color, shape, size and so on are clearly properties of the objects that are being imagined. This distinction is crucial. The seemingly innocent scope slip that takes image of object X with property Pro mean (image of object X) with property P instead of the correct image of (object X with property P) is probably the most ubiquitous and damaging conclusion in the whole imagery literature.”

Zenon Pylyshyn (1937) Canadian philosopher

Pylyshyn (1981, 18-19), as cited in: Ken Clements, "Visual imagery and school mathematics." For the learning of mathematics 2.2 (1981): 2-9.

People, Color, Imagination, Literature

“Ru-h-ru-h-ru-h-h-h-h. Pooh-ooh-ooh. Tick-tick-tick-tick. Pre. R-r-r-r-r-uh-h. Huh! Bang. Su-su-su-ur. Booh-a-ah. R-r-r-r. Pooh…multitude of sounds, all mixed together. Motorcars, buses, carts, carriages, people, lamp-posts, trees.. all mixed together; in front of cafés, shops, offices, posters, shop windows: multitude of things. Motion and standstills: different movement. Movement in space and movement in time. Multitude of images and all sorts of ideas. Images are veiled truths. All different truths form what is true. What is individual does not display all in a single image.... Ru-ru-ru-u-u. Pre. Images are boundaries. Multitude of images and all sorts of boundaries. Elimination of images and boundaries through all sorts of images. Boundary clouds what is true. Rebus: where is what is true? Boundaries are just as relative as images, as time and space.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Mondrian's poem has strong connections with 'dynamism' of Futurism
Quote from his article 'The Grand Boulevards', Piet Mondriaan, in Dutch magazine 'De Groene Amsterdammer', 27 March 1920 pp. 4-5
1920's

People, Truth, Idea, Tree

“There are the two – the person and the witness, the observer. When you see them as one, and go beyond, you are in the supreme state. It is not perceivable, because it is what makes perception possible. It is beyond being and not being. It is neither the mirror nor the image in the mirror. It is what is – the timeless reality, unbelievably hard and solid.”

Nisargadatta Maharaj (1897–1981) Indian guru

Reality
Source: "I am That." P.36.

Reality, Personality

“The image of ourselves in the minds of others is the picture of a stranger we shall never see.”

Elizabeth Bibesco (1897–1945) writer, actress; Romanian princess

Haven (1951)

“…And in the year AH 631 (AD 1233) having made an incursion in the direction of the province of Malwah and taken Bhilsa and also captured the city of Ujjain, and having destroyed the idol-temple of Ujjain which had been built six hundred years previously, and was called Mahakal, he levelled it to its foundations, and threw down the image of Rai Vikrmajit from whom the Hindus reckon their era… and brought certain other images of cast molten brass and placed them on the ground in front of the door of the mosque of old Dihli and ordered the people to trample them under foot…”

`Abd al-Qadir Bada'uni book Muntakhab-ut-Tawarikh

Sultan Shamsu’d-Din Iltutmish (AD 1210~1236) Ujjain (Madhya Pradesh)
Muntakhab-ut-Tawarikh

People

“…it's not my job to preach a sermon. Art is anyhow a homily. My job is to speak in living images, not in arguments. I must exhibit life full-face, not discuss life.”

Nikolai Gogol (1809–1852) Russian writer

A letter to Zhukovsky, January 1848, quoted in Sculpting in Time (p49) by Andrei Tarkovsky

Life, Art

“Mathematical physics represents the purest image that the view of nature may generate in the human mind; this image presents all the character of the product of art; it begets some unity, it is true and has the quality of sublimity; this image is to physical nature what music is to the thousand noises of which the air is full…”

Théophile de Donder (1872–1957) Belgian physicist

as quoted by Ilya Prigogine in his Autobiography http://nobelprize.org/nobel_prizes/chemistry/laureates/1977/prigogine-autobio.html given at the occasion of Prigogine's 1977 Nobel Prize in Chemistry.

Art, Music, Mathematics, Nature

“In those days, a man at least as boring as I, Pierre Reverdy, was writing: 'The image is a pure creation of the mind. It cannot be born from a comparison but from a juxtaposition of two more or less distant realities. The more the relationship between the two juxtaposed realities is distant and true, the stronger the image will be – the greater its emotional power and poetic reality..' (in the 'Nord-Sud', March 1918). These words, however sibylline for the uninitiated, were extremely revealing, and I pondered them for a long time.”

André Breton (1896–1966) French writer

Le Manifeste du Surréalisme, Andre Breton (Manifesto of Surrealism; 1924)

Reality, Distant, Time

“The broken image of Man moves in minute by minute and cell by cell…. Poverty, hatred, war, police-criminals, bureaucracy, insanity, all symptoms of The Human Virus. 'The Human Virus can now be isolated and treated.”

William S. Burroughs book Naked Lunch

Islam Incorporated and the Parties of Interzone
Naked Lunch (1959)

War

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

People, Truth, Fear, Literature

“The reality of buried truths raised suddenly into light is like a scalpel driven solely by an intent to slash, irregardless of whether or not a healing follows. And within the dim corridors of such an observation dwells many dangers indeed; chief among them perhaps, the horror of a man glimpsing his image in a shard of truth’s mirror and discovering he is––or at least that some fundamental segment of him remains––as yet, a lost and broken little boy.”

Aberjhani (1957) author

(The Us That Never Was, p. 29).
Book Sources, The American Poet Who Went Home Again (2008)

Truth, Boy, Reality, Light

“Mental states of every kind — sensations, feelings, images— which were at one time present in consciousness and then have disappeared from it — have not with their disappearance absolutely ceased to exist. Although the inwardly - turned look may no longer be able to find them, nevertheless they have not been utterly destroyed and annulled, but in a certain manner they, continue to exist, stored up to speak, in the memory.”

Hermann Ebbinghaus (1850–1909) German psychologist

Source: Memory: A contribution to experimental psychology, 1885, p. 1; Cited in: Richard F. Thompson, Stephen A. Madigan (2013) Memory: The Key to Consciousness, p. 87

Feeling, Memory, Time

“The term "cognition" refers to all processes by which the sensory input is transformed, reduced, elaborated, stored, recovered, and used. It is concerned with these processes even when they operate in the absence of relevant stimulation, as in images and hallucinations. Such terms as sensation. perception. imagery. retention. recall. problem-solving. and thinking. among others. refer to hypothetical stages or aspects of cognition.”

Ulric Neisser (1928–2012) American psychologist

Source: Cognitive Psychology, 1967, p. 4

Problem, Thinking

“The longer my production moves in a definite direction, the less gaily it progresses. But just now something new seems to be happening to the stream: it is broadening into a lake. I hope it will not lack a corresponding depth. I was the faithful image of a part of art history; I moved towards Impressionism and beyond it. I don't want to say that I grew out of it; I hope this is not so... In lucid moments, I now have a clear view of twelve years of the history of my inner self. First the cramped self, that self with the big blinkers, then the disappearance of the blinkers and the self, now gradually the re-emergence of a self without blinkers. It is good that one didn't know this in advance.”

Paul Klee (1879–1940) German Swiss painter

Quote (1911), Diary # 899; as cited by Francesco Mazzaferro, in 'The Diaries of Paul Klee Part Four', : Klee as an Expressionist and Constructivist Painter http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev27.html 1911 - 1914

Faith, Hope, Art, History

“One day I rode in company with ‘Alã-ul-mulk and arrived at a plain called Tarna at a distance of seven miles from the city. There I saw innumerable stone images and animals, many of which had undergone a change, the original shape being obliterated. Some were reduced to a head, others to a foot and so on. Some of the stones were shaped like grain, wheat, peas, beans and lentils. And there were traces of a house which contained a chamber built of hewn stone, the whole of which looked like one solid mass. Upon it was a statue in the form of a man, the only difference being that its head was long, its mouth was towards a side of its face and its hands at its back like a captive’s. There were pools of water from which an extremely bad smell came. Some of the walls bore Hindî inscriptions. ‘Alã-ul-mulk told me that the historians assume that on this site there was a big city, most of the inhabitants of which were notorious. They were changed into stone. The petrified human form on the platform in the house mentioned above was that of their king. The house still goes by the name of ‘the king’s house’. It is presumed that the Hindî inscriptions, which some of the walls bear, give the history of the destruction of the inhabitants of this city. The destruction took place about a thousand years ago…”

Ibn Battuta (1304–1377) Moroccan explorer

Lahari Bandar (Sindh) . The Rehalã of Ibn Battûta translated into English by Mahdi Hussain, Baroda, 1967, p. 10.
Travels in Asia and Africa (Rehalã of Ibn Battûta)

History, Water, Change, Animals

“It's understandable that the avoiding statements have created an illogical image. I believe that the information I will now present will be helpful to form a correct image.”

Anneli Jäätteenmäki (1955) Finnish politician

Understanding, Help

“She recalled her absurd attempt to construct an example—an image that, because it was constructed of things it simply did not fit, reversed the idea into an idea silly by itself, ridiculous in application—a ridiculousness that could easily, she saw, have strayed into the pernicious, the odious, or the destructive, depending on how widely one had insisted on applying it.”

Samuel R. Delany book Tales of Nevèrÿon

Section 2 (p. 104)
Tales of Nevèrÿon (1979)

Idea, Dependency

“…we might now formulate a maxim to the effect that art -- that is, in our case, pictorial representation --- employs the image of concrete things to create abstract ideas.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, The application of the foregoing principles, p. 13

Art, Idea

“There is no acceptable true image.”

Edmund Cooper book Transit

Transit (1964)

“'In the fitful light of the dusky hall the newcomer's face suddenly appeared fiery-eyed and menacing, and, glancing at a portrait of Mephistopheles, Rosamond exclaimed, "Why, you are the very image of Meph--"”

Louisa May Alcott A Long Fatal Love Chase

A Long Fatal Love Chase (1866)

Light, Appearance

“Transhumanists are building the Tower of Babel not to challenge God but to better understand the universe and human beings created in God’s image.”

Newton Lee American computer scientist

Google It: Total Information Awareness, 2016

God, Understanding, Universe

“Lost in the barrage of images and self-serving analysis are the economic and social causes of the conflict.”

Michel Chossudovsky (1946) Canadian economist

Source: The Globalization of Poverty and the New World Order - Second Edition - (2003), Chapter 17, Dismantling Former Yugoslavia, p. 257

“To glorify the cult of images (my great, my only, my earliest passion).”

Charles Baudelaire (1821–1867) French poet

Journaux intimes (1864–1867; published 1887), Mon cœur mis à nu (1864)

Passion

“Since September 11, 2001, I have often thought that perhaps it was fortunate for the world that the attackers targeted the World Trade Center instead of the Statue of Liberty, for if they had destroyed our sacred symbol of democracy I fear we as Americans would have been unable to keep ourselves from indulging in paroxysms of revenge of a sort the world has never seen before. If that had happened, it would have befouled the meaning of the Statue of Liberty beyond any hope of subsequent redemption — if there were any people left to care. I have learned from my students that this upsetting thought of mine is subject to several unfortunate misconstruals, so let me expand on it to ward them off. The killing of thousands of innocents in the World Trade Center was a heinous crime, much more evil than the destruction of the Statue of Liberty would have been. And, yes, the World Trade Center was a much more appropriate symbol of al Qaeda's wrath than the Statue of Liberty would have been, but for that very reason it didn't mean as much, as a symbol, to us. It was Mammon and Plutocrats and Globalization, not Lady Liberty. I do suspect that the fury with which Americans would have responded to the unspeakable defilement of our cherished national symbol, the purest image of our aspirations as a democracy, would have made a sane and measured response extraordinarily difficult. This is the great danger of symbols — they can become too "sacred."”

Daniel Dennett book Breaking the Spell: Religion as a Natural Phenomenon

An important task for religious people of all faiths in the twenty-first century will be spreading the conviction that there are no acts more dishonorable than harming "infidels" of one stripe or another for "disrespecting" a flag, a cross, a holy text.
Breaking the Spell (2006)

People, World, Fear, Faith

“Andrew Holland was prosecuted in the UK for possessing "extreme pornography", a term which appears to mean porn that judges and prosecutors consider shocking. He had received a video showing a tiger having sex with a woman, or at least apparently so.
He was found innocent because the video he received was a joke. I am glad he was not punished, but this law is nonetheless a threat to other people. If Mr Holland had had a serious video depicting a tiger having sex with a woman, he still would not deserve to go to prison. … I've read that male dolphins try to have sex with humans, and female apes solicit sex from humans. What is wrong with giving them what they want, if that's what turns you on, or even just to gratify them?
But this law is not concerned with protecting animals, since it does not care whether the animal really had sex, or really existed at all. It only panders to the prejudice of censors.
A parrot once had sex with me. I did not recognize the act as sex until it was explained to me afterward, but being stroked on the hand by his soft belly feathers was so pleasurable that I yearn for another chance. I have a photo of that act; should I go to prison for it?
Perhaps I am spared because this photo isn't "disgusting", but "disgusting" is a subjective matter; we must not imprison people merely because someone feels disgusted. I find the sight of wounds disgusting; fortunately surgeons do not. Maybe there is someone who considers it disgusting for a parrot to have sex with a human. Or for a dolphin or tiger to have sex with a human. So what? Others feel that all sex is disgusting. There are prejudiced people that want to ban all depiction of sex, and force all women to cover their faces. This law and the laws they want are the same in spirit.
Threatening people with death or injury is a very bad thing, but violence is no less bad for being nonsexual. Is it worse to shoot someone while stroking that person's genitals than to shoot someone from a few feet away? If I were going to be the victim, and I were invited to choose one or the other, I would choose whichever one gave me the best chance to escape.
Images of violence can be painful to see, but they are no better for being nonsexual. I saw images of gruesome bodily harm in the movie Pulp Fiction. I do not want to see anything like that again, sex or no sex. That is no reason to censor these works, and would still not be a reason even if most people reacted to them as I do.
Since the law doesn't care whether a real human was really threatened with harm, it is not really concerned about our safety from violence, any more than it is concerned with avoiding suffering for corpses or animals. It is only prejudice, taking a form that can ruin people's lives.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

"Extreme Pornography Law in the UK" (2010) http://stallman.org/articles/extreme.html 2010s

Death, Women, Pain, People

“…I suppose that the image people have of me is one that's quite talkative, because in interviews and that you can sometimes get nervous, and the thing when you meet people… I tend to be quite chatty just because that's just something I do. But in terms of Maps' character, I'm like him in that I'm perfectly happy in my own company. And I'm probably happiest when I'm being quiet.”

Daniel Radcliffe (1989) English actor

During a December Boys Promotion in 2007 http://www.danradcliffe.com/index.php?option=com_content&view=article&id=23&Itemid=28

People, Happiness

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

John Brunner book The Sheep Look Up

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Smile, Star, Spring, Flowers

“To the question how she can be the image of God, [Augustine] answers as follows: "Woman," says he, "compared to other creatures, is the image of God, for she bears dominion over them. But compared unto man, she may not be called the image of God, for she bears not rule and lordship over man, but ought to obey him," etc. [57] And how that woman ought to obey man, he speaks yet more clearly in these words, "The woman shall be subject to man as unto Christ. For woman," says he, "has not her example from the body and from the flesh, that so she shall be subject to man, as the flesh is unto the Spirit, because that the flesh in the weakness and mortality of this life lusts and strives against the Spirit, and therefore would not the Holy Ghost give example of subjection to the woman of any such thing," etc. This sentence of Augustine ought to be noted of all women, for in it he plainly affirms, that woman ought to be subject to man, that she never ought more to desire preeminence [over] him, than that she ought to desire above Christ Jesus”

John Knox (1514–1572) Scottish clergyman, writer and historian

The First Blast to Awaken Women Degenerate

Life, Women, God, Question

“Evil does not approach us as pride any more, but on the contrary as slumber, lassitude, concealment of the "I." … It may make us so quickly contented, that any definitive fire will die down. The venomous, breathtaking frigid mist seems able … to harden hearts and fill them with envy, obduracy and resentment, with bloody scorn for the divine image and light, with all the causes of the only true original sin, which is not wanting to be like God.”

Ernst Bloch (1885–1977) German philosopher

Source: Man on His Own: Essays in the Philosophy of Religion (1959), p. 62

God, Light, Evil, Heart

“People who say: 'Ah, this Beuys will go back to the middle ages, or to the stone dwellers, cliff dwellers.' No, there is a misunderstanding. I have nothing against the materialistic methodology of analytics, but I think we have to enlarge this thing, not to get caught in a very restricted one-sidedness in our way of looking towards life. Because the problems of life, soul, humankind's spirit, the problems of intuition, imagination, and inspiration, the problems of birth and death, the problems of survival in a bigger shape, and to bring in the image of the meaning of man.”

Joseph Beuys (1921–1986) German visual artist

Source: 1970's, Interview with Louwrien Wijers, 1979, p. 249; Also cited in: Louwrien Wijers (1996). Writing as Sculpture: 1978 - 1987. p. 40

Life, Death, People, Age

“The utopias of a better world and a more just society have to do with words, with the generation of dreams, with imagination, with a very important identity that overcomes languages and is the identity of the human condition, to be able to recognize our own image in every fellow man, in a different age. I believe that the key to our time lies in this respect for diversity.”

Cristina Fernández de Kirchner (1953) Argentine politician and ex President of Argentina

Speech A speech published in the web site of the Cervantes Virtual Center http://cvc.cervantes.es/obref/congresos/rosario/clausura/fernandez_c.htm Unsourced, 2007

Age, World, Dreams, Imagination

“It began in images and it ended in symbolism.”

B. W. Powe (1955) Canadian writer

Forms, Eulogies, Images and Symbols, p. 160
Mystic Trudeau: The Fire and the Rose (2007)

“How can you save lay persons when you ascribe to images the power which God gave to his word alone?”

Andreas Karlstadt (1486–1541) German theologian

Source: On the Removal of Images (1522), p. 108

God, Personality

“Ah, my friends, we must look out and around to see what God is like. It is when we persist in turning our eyes inward, and prying curiously over our own imperfections, that we learn to make God after our own image, and fancy that our own darkness and hardness of heart are the patterns of His light and love.”

Charles Kingsley (1819–1875) English clergyman, historian and novelist

Source: Attributed, Dictionary of Burning Words of Brilliant Writers (1895), P. 257.

Love, God, Light, Learning

“Let us never forget that the deep things that are American are the soul and the spirit. The Statue of Liberty is not tired, and not because it is made of bronze. It is because no matter what happens, here the individual is dignified because he is created in the image of his God. Let us not forget it.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

Source: 1950s, Speech to the B'nai B'rith (1953)

God, Soul, Forgetting

“Well, I was interested in a subjective image [in the 1940's].... stemming perhaps from the subconscious. Because the external world as far as I was concerned had been totally explored in painting and there was a whole ripe new area in the inner world that we all have. Now in order to externalise this you have to use visual means and so the visual means may have some relation tot the external world. However what I was trying to focus on was what I experienced within my mind, within my feelings, rather than on the external world which I can see.”

Adolph Gottlieb (1903–1974) American artist

Source: 1960s, Interview with Dorothy Seckler, 1967, p. 55-59.

World, Feeling, Painting

“History breaks down in images not into stories.”

Walter Benjamin book Arcades Project

Arcades Project (1927-1940)

History

“It has been a continuing theme of this book that our commitment to any approach to the problems of existence (the overcoming of the world, the humanization of the world, and the struggle with the world first among them) can enjoy no definitive justification. Its demands always exceed, immeasurably, its grounds for making them. It says, “Follow me.” It can never give a conclusive reason to do so. All that it can do is to make an incomplete argument and a defeasible appeal. It cannot escape the circularity in all our large-scale transformative projects: for better or worse, each of them is a partly self-fulfilling prophecy. If it is embraced and it works, it remakes part of experience in its image.”

Roberto Mangabeira Unger The Religion of the Future

Source: The Religion of the Future (2014), p. 298-9

Books, World, Problem, Parting

“The television screen, so unlike the movie screen, sharply reduced human beings, revealed them as small, trivial, flat, in two banal dimensions, drained of color. Wasn’t there something reassuring about it! — that human beings were in fact merely images of a kind registered in one another’s eyes and brains, phenomena composed of microscopic flickering dots like atoms. They were atoms — nothing more. A quick switch of the dial and they disappeared and who could lament the loss?”

Joyce Carol Oates book You Must Remember This

You Must Remember This (1987), pt. 1, ch. 13

Color, Loss

“I have often thought that if photography were difficult in the true sense of the term — meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching — there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.”

Ansel Adams (1902–1984) American photographer and environmentalist

"A Personal Credo" (1943), published in American Annual of Photography (1944), reprinted in Nathan Lyons, editor, Photographers on Photography (1966), reprinted in Vicki Goldberg, editor, Photography in Print: Writings from 1816 to the Present (1988)

Sense, Effort, Time

“I don't want my image to appear in the mass media, since it would detract from the project.”

Gustav Metzger (1926–2017) Artist and political activist

Gustav Metzger: 'Destroy, and you create', 2012

Appearance

“The common purpose of pornography is to enhance sexual pleasure or sexual fantasy. It is meant to be free of things like guilt, insecurity, anger or responsibility. It can also be detached from the struggles of intimacy. I chose to use imagery common in pornography but placed these images in the emotional context which included intense guilt, anger, regret, anguish, and confusion. In this context, it is difficult for the images to enhance sexual pleasure or sexual fantasy. Instead, the graphic images work better to enhance the discomfort of intimacy.”

Vincent Gallo (1961) American film director, writer, model, actor and musician

Another Man Essay

Pleasure, Anger

“A job competency is an underlying characteristic of a person in that it may be a motive, trait, skill, aspect of one’s self-image or social role, or a body of knowledge which he/she uses. The existence and possession of these characteristics may or not be known to the person. In this sense, the characteristics may be unconscious aspects of the person. Because job competencies are underlying characteristics, they can be said to be generic. A generic characteristic may be apparent in many forms of behaviour, or a wide variety of different actions.”

Richard Boyatzis (1946) American business theorist

Source: Competent manager (1982), p. 21.

Motivation, Knowledge, Sense, Personality

“In images of horror, and in a certain terrible greatness, our author comes far behind Chaucer. Whether they were not suited to the genius or the temper of Lydgate, I do not determine; but it is certain that, though they naturally seemed to present themselves, he has almost generally chose to avoid them: yet is there frequently a stiller kind of majesty both in his thought and expression, which makes one of his principal beauties.”

John Lydgate (1370–1450) monk and poet

Thomas Gray "Some Remarks on the Poems of Lydgate", in The Works of Thomas Gray (1858) vol. 5, pp. 308-9.
Criticism

Beauty, Nature

“According to the traditional interpretation Plato’s attitude against rhetoric is a rejection of the doxa, or opinion, and of the impact of images, upon which the art of rhetoric relies; at the same time his attitude is considered as a defense of the theoretical, rational speech, that is, of episteme. The fundamental argument of Plato’s critique of rhetoric usually is exemplified by the thesis, maintained, among other things, in the Gorgias, that only he who "knows" [epistatai] can speak correctly; for what would be the use of the "beautiful," of the rhetorical speech, if it merely sprang from opinions [doxa], hence from not knowing? … Plato’s … rejection of rhetoric, when understood in this manner, assumes that Plato rejects every emotive element in the realm of knowledge. But in several of his dialogues Plato connects the philosophical process, for example, with eros, which would lead to the conclusion that he attributes a decisive role to the emotive, seen even in philosophy as the absolute science.”

Ernesto Grassi (1902–1991) Italian philosopher

Source: Rhetoric as Philosophy (1980), p. 28

Beauty, Art, Knowledge, Decision

“How deep, how merciless, the love represt,
That robs the silent midnight of its rest;
That sees in gather'd crowds but one alone;
That hears in mingled footsteps only one;
That turns the poet's page, to only find
Some mournful image for itself design'd;
That seeks in music, but the plaining tone
Which secret sorrow whispers is its own!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Neglected One
The Venetian Bracelet (1829)

Love, Secret, Music

“My brush-strokes start in nothing and they end in nothing, and in-between you find the image.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Quote from 'The eye of the beholder', Carlo McCormick
Karel Appel – the complete sculptures,' (1990) not-paged

“Trudeau valued performance above image. He Knew he could give me a shovel if there was a mess to clean up, and he kept moving me from one mess to another.”

Jean Chrétien (1934) 20th Prime Minister of Canada

Source: My Years As Prime Minister (2007), Chapter One, At Laurier's Desk, p. 16

“I have been haunted by that swim through the whale graveyard and haven’t been able to get the image of the bones out of my head. Man hunted whales almost to the point of extinction, not seeming to care that we would lose one of the wonders of the sea world forever. It is the coldness of the water in Antarctica that preserves the bones and makes it look like they were left there yesterday but I like to think they are there as a reminder of man’s potential for folly.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

p 315-6, describing his swim at Deception Island, Antarctica (2005)
Achieving The Impossible (2010)

World, Thinking, Water, Sea

“… because man has been created in God’s image, sin is not natural. Sin is the deformation of man, it is a cancer, it is a sickness unto death which has infected man.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Creationism and Psychology (n. d.)

Death, God, Nature

“A sense of social hierarchy prevented Mrs Munde from actually telling the lousy bastard to get out, so instead she began to think evil thoughts. She had once read an article on mind control, explaining that the best way to bend someone to your will was to think of a gooey mudlike substance called Cliff Richard and direct it at the object of your intent. Such were the marshmellow-suffocating properties of this image that the victim fell instantly into an undignified froth. Putty in your hands in fact. It didn't seem to work. The stranger was insensitive as well as intrusive. Mrs Munde gave it one last go till the kitchen air was thick with Cliff Richard. The stranger suddenly made a little squeaking noise and fell sideways.
'Stop it, stop it!' he cried. 'You're pulping my brain.”

Jeanette Winterson (1959) English writer

'Well go away then,' sulked Mrs Munde, releasing her victim, not through generosity but because she found the image too nauseating to continue.
Page 28.
See Wikipedia on Cliff Richard.
Boating For Beginners (1985)

Way, Thinking, Sense, Evil

“But topographical details have a strange effect on me : instead of clarifying and sharpening images from past, they give me a harrowing sensation of emptiness and severed relationships.”

Patrick Modiano (1945) French writer

p 44
After the Circus (1992) English translation 2015

Past

“It's the technology. There is this thing between you and the viewer. The viewer is watching this magnifying glass, and technology exaggerates you. You are left with the sense of how small you are, not with the sense of how big you are—if you're smart. If you're dumb you begin to believe that you are the image—that you cannot be replaced. But you can be replaced in a minute. For every Madonna there's another. For every Dan Rather there's another.”

Richard Rodríguez (1944) American journalist and essayist

Violating the Boundaries: An Interview with Richard Rodriguez (1999)

Sense

“I do not know if you remember the tale of the girl who saves the ship under mutiny by sitting on the powder barrel with her lighted torch … and all the time knowing that it is empty? This has seemed to me a charming image of the women of my time. There they were, keeping the world in order … by sitting on the mystery of life, and knowing themselves that there was no mystery.”

Karen Blixen book Seven Gothic Tales

"The Old Chevalier"
Seven Gothic Tales (1934)

Life, Women, World, Girl

“You don't go into the National Gallery of any famous capital city and cry, sob, laugh, fall about on the floor, become very angry -- it's a completely different reaction. It's a reaction which is to do with a much more composed sense of regarding an image; it's a reaction with a thought process as opposed to an immediate emotional reaction.”

Peter Greenaway (1942) British film director

From an interview in Art and Design, no. 49
Interviews

Sense, Cry

“Great novelists are philosopher-novelists who write in images instead of arguments.”

Albert Camus (1913–1960) French author and journalist

This may have arisen as a paraphrase of statements found in The Myth of Sisyphus (1942), "An Absurd Reasoning", or one found in The Novelist as Philosopher: Studies in French Fiction 1935-1960 (1962) edited by John Cruikshank, p. 218
Disputed

“The relation between physical sanitary laws and the national welfare is now hardly disputed. At this moment the cholera is stealthily feeling its terrible way along the edges of Europe to this country, and there is not an intelligent man who does not know that it is a divine vengeance upon uncleanliness. Let it seize the unclean city of New York, and it will riot in horror and devastation. Panic will empty the palaces, trade will stop in the warehouses. Those who can will flee, while the poor and wretched, poisoned in tenement-houses, will be huddled in heaps of agony and death. Does any man say that cholera is God's remedy for overpopulation? On the contrary, it is only the ghastly proof that God's laws of human health are disregarded. It is not a proclamation that the world is over-peopled; it is merely a warning for the world to provide decently for its population. God does not create men in his image to rot in tenement-houses, and he will make squalor and filth and misery plague-spots threatening the fairest prosperity, until that prosperity acknowledges in vast sanitary reforms that cleanliness is next to godliness. And if the dread pestilence now approaching our shores would frighten us into universal purgation of our foul cities, it would be seen at this moment hovering in the wintry air, not an angry demon, but a stem angel with a sword of fire to open the path of knowledge and humanity and civilization.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Death, Men, God, People

“Because the book became a freak 'bestseller', because I found myself bracketed with the 'Angry Young Men' of the period, I found myself carried to 'fame' on a wave of publicity -- only to discover that this kind of fame is one of the subtlest forms of obscurity. Everybody knew who I was, and nobody knew what I stood for. The public image meant that nobody was interested in what I had to say, for everyone was convinced that they already knew. I could talk until I was blue in the face about my attempt to revise the pessimistic existentialism of Heidegger, Camus and Sartre; as far as most people were concerned, I was an autodidact who was angry about something or other.”

Colin Wilson (1931–2013) author

Source: The Bicameral Critic (1985), p. 188, George Bernard Shaw: A personal view (1979)

Men, People, Books

“…evidence-based approach, the U. S. negotiators argued, is interference with free markets, because corporations must have the right to deceive. […] The claim itself is kind of amusing, I mean, even if you believe the free market rhetoric for a moment. The main purpose of advertising is to undermine markets. If you go to graduate school and you take a course in economics, you learn that markets are systems in which informed consumers make rational choices. That's what's so wonderful about it. But that's the last thing that the state corporate system wants. It is spending huge sums to prevent that, which brings us back to the viability of American democracy. For many years, elections here, election campaigns, have been run by the public relations industry and each time it's with increasing sophistication. And quite naturally, the industry uses the same technique to sell candidates that it uses to sell toothpaste or lifestyle drugs. The point is to undermine markets by projecting imagery to delude and suppressing information, and similarly, to undermine democracy by the same method, projecting imagery to delude and suppressing information. The candidates are trained, carefully trained, to project a certain image. Intellectuals like to make fun of George Bush's use of phrases like “misunderestimate,” and so on, but my strong suspicion is that he's trained to do that. He's carefully trained to efface the fact that he's a spoiled frat boy from Yale, and to look like a Texas roughneck kind of ordinary guy just like you, just waiting to get back to the ranch that they created for him…”

Noam Chomsky (1928) american linguist, philosopher and activist

25th anniversary of the International Relations Center in Santa Fe, New Mexico, January 26, 2005
Quotes 2000s, 2005

School, Guy, Democracy, Boy

“Totalitarian art must be a form of classicism: the state which is founded on order and subordination demands an art with a similar basis. Romantic painting, however popular, expresses the revolt of the individual. The State also requires an art of reason by which appropriate works may be produced as required. Inspiration is outside state control. The classic attitude toward subject matter — that it should be clear and unequivocal — supports the attitude of unquestioning belief. Add the fact that totalitarian art must be real enough to please the ignorant, ideal enough to commemorate a national hero, and well enough designed to present a memorable image, and one sees how perfectly The Death of Marat fills the bill. That it happens also to be a great work of art makes it dangerously misleading.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 1: David

Death, Art, Support, Painting

“A profile is never motionless before our eyes, but it constantly appears and disappears. On account of the persistency of an image upon the retina, moving objects constantly multiply themselves; their form changes like rapid vibrations... To paint a human figure you must not paint it; you must render the whole of its surrounding atmosphere.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

As quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 172.
1910, Manifesto of Futurist Painters,' April 1910

Appearance, Change, Painting

“Islam is a religion of peace and Hamas is ruining that image and causing chaos for all of Palestine and helping Israel to win.”

Salam Fayyad (1952) Palestinian politician

New Leader of the PNA: The life of Salam Fayyad by Bobby Hughes

Peace, Religion, Help

“The rise and fall of images of the future precedes or accompanies the rise and fall of cultures. As long as a society's image is positive and flourishing, the flower of culture is in full bloom. Once the image begins to decay and lose its vitality, however, the culture does not long survive.”

Fred Polak (1907–1985) Dutch futurologist

Source: The Image of the Future, 1973, p. 19

Flowers, Future

“Things that appear as images or pictures, but that somehow impose on me a sense of their actual weight, density and volume, of their physical being in the world. This sensation is then even further enhanced when a picture starts to move; when it comes to life.”

Mark Leckey (1964) British artist

"Cinema-in-the-Round" (2007)

Life, World, Sense, Appearance

“Today the percentage of female judges, college professors and detectives seen on television is a pretty good reflection of the actual world. (In the case of judges, I wouldn't be shocked to find out the number on television exceeds the number in real life — what is it about those black robes that makes us think ovaries?)
But merely thrusting more women into more prestigious on-screen jobs doesn't necessarily make the working world a better place for women. If you were to show people images of two real-life professionals, one a man, one a woman, and ask them to rate their competence knowing nothing but job and gender — I bet people still give the guys the edge.
It's not television's fault, exactly. But television can help fix the problem. Not by writing women into better professions, but by more accurately showing them as complex people contending with the sort of snide, generous, ambitious, incompetent, sad and hilarious co-workers who populate real workplaces.”

Jane Espenson (1964) American television writer and producer

How to Succeed at Vampire Slaying and Keep Your Soul (2005)

Life, Women, People, World

“Yet those who govern us as if were infants expect us to be grateful that at least we live in 'a family'; a family, moreover, patterned on the ideal by the example of the Windsors. A beaming gran, a dutiful mum, a stern and disciplined father, and children who are … well, all analogies based upon family break down somewhere. The analogy between family and society, as it happens, breaks down as soon as it is applied. The 'United Kingdom' is not a family and never was one. (Not even Orwell, with his image of poor relations, rich relations and 'the wrong members in control', could make it stick.) It is is a painfully evolved society, at once highly stratified and uniform and very fluid and diverse, which is the site of a multitude of competing interests.”

Christopher Hitchens (1949–2011) British American author and journalist

1990s, The Monarchy: A Critique of Britain's Favourite Fetish

Children, Family

“Now the Lord is that Spirit: and where the Spirit of the Lord is, there is liberty. But we all, with open face beholding as in a glass the glory of the Lord, are changed into the same image from glory to glory, even as by the Spirit of the Lord.”

Paul of Tarsus book Second Epistle to the Corinthians

2 Corinthians 3: 17-18
Variant translations:
Jehovah is the Spirit, and where the spirit of Jehovah is, there is freedom.
2 Corinthians 3: 17 NWT
Second Epistle to the Corinthians

Change

“Intelligent Design opens the whole possibility of us being created in the image of a benevolent God.”

William A. Dembski (1960) American intelligent design advocate

"Defeating Darwinism in Our Culture" panel discussion, National Religious Broadcasters meeting, Anaheim, 2000-02-06, as quoted in [2006, Why Darwin matters: the case against intelligent design, Michael, Shermer, New York, Times Books, 978-0-8050-8306-4, [QH366.2.S494, 2006], 2006041243]
2000s

God, Intelligence

“Now your head, excuse me, is empty.
I have the ticket for that.
Come here, sweetie, out of the closet.
Well, what do you think of that?
Naked as paper to start

But in twenty-five years she'll be silver,
In fifty, gold.
A living doll, everywhere you look.
It can sew, it can cook,
It can talk, talk, talk.

It works, there is nothing wrong with it.
You have a hole, it's a poultice.
You have an eye, it's an image.
My boy, it's your last resort.
Will you marry it, marry it, marry it.”

Sylvia Plath Ariel

"The Applicant" http://www.angelfire.com/tn/plath/applicant.html Ariel (1965)

Boy, Thinking, Cooking

“… it may suggest whether a negative made by camera and lens is always an essential, or indeed if a negative at all is needed so long as we can produce a light-painted image at our will.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Part II : Practical Pictorial Photography, Fidelity to nature and justifiable untruth, p. 24

Light, Painting

“It is not the literal past that rules us, save, possibly, in a biological sense. It is images of the past. These are often as highly structured and selective as myths. Images and symbolic constructs of the past are imprinted, almost in the manner of genetic information, on our sensibility. Each new historical era mirrors itself in the picture and active mythology of its past.”

George Steiner (1929–2020) American writer

"The Great Ennui".
In Bluebeard's Castle (1971)

Sense, Past

“Ere Babylon was dust,
The Magus Zoroaster, my dead child,
Met his own image walking in the garden.
That apparition, sole of men, he saw.”

Percy Bysshe Shelley Prometheus Unbound

Earth, Act I, l. 191
Prometheus Unbound (1818–1819; publ. 1820)

Men, Dead

“The world as a sense, independent of the image, of the idea - this is the essence of the content of art. [My] square is not an image, just as a switch or socket are not the current.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Malevich
Quote of Malevich, in his letter to Konstantin Rozhdestvenskii, 21 April, 1927, private archive, Moscow (transl. Todd Bludeau); as quoted by Vasilii Rakitin, in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 27
1921 - 1930

World, Art, Idea, Sense

“The image of God always abides in the soul, whether this image be obsolete and clouded over as to amount to almost nothing; or whether it be obscured or disfigured, as is the case with sinners; or whether it be clear and beautiful as is the case with the just.”

Thomas Aquinas book Summa Theologica

I, q. 93, art. 8, ad 3
Summa Theologica (1265–1274)

God, Beauty, Soul

“In the last few days I have been thinking very intensively about my art and I believe that things are progressing for me. I even think that I'm beginning to have a liaison with the sun. Not with the sun that divides everything up and puts shadows in everywhere and plucks the image into a thousand pieces, but with the sun that broods and makes things gray and heavy and combines them all in this gray heaviness so that they become one. I'm thinking about all of that very much and it lives within me besides my great love. A time has come when I think that I shall again be able to say something [in her painting] one day; I am again devout and full of expectation..”

Paula Modersohn-Becker (1876–1907) German artist

In a letter to her friend, the sculptress Clara Rilke-Westhoff, from Worpswede, 13 May 1901; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 201
1900 - 1905

Love, Art, Thinking, Time

“Shamsuddin Iltutmish who succeeded Aibak at Delhi invaded Malwa in 1234 AD. He destroyed an ancient temple at Vidisha. Badauni reports: “Having destroyed the idol temple of Ujjain which had been built six hundred years previously, and was called Mahakal, he levelled it to its foundations, and threw down the image of Rai Vikramajit from whom the Hindus reckon their era, and brought certain images of cast molten brass and placed them on the ground in front of the doors of mosques of old Delhi, and ordered the people of trample them under foot.””

Iltutmish (1210–1236) Sultan of Mamluk Sultanate

Goel, Sita Ram (2001). The story of Islamic imperialism in India. ISBN 9788185990231

People

“I’m intensely private, and I’ve openly shown annoyance at the paparazzi. That’s served in the past to create an image of me where I’m always frowning or looking angry.”

Demi Moore (1962) American actress

Interview, Glamour Magazine, Aug 2011 http://www.glamour.com/health-fitness/2011/09/glamour-interview-jennifer-aniston-demi-moore-and-alicia-keys-talk?currentPage=4

Past

“The man, whose head and heart had in a desperate emergency and amidst a despairing people paved the way for their deliverance, was no more, when it became possible to carry out his design. Whether his successor Hasdrubal forbore to make the attack because the proper moment seemed to him to have not yet come, or whether, more a statesman than a general, he believed himself unequal to the conduct of the enterprise, we are unable to determine. When, at the beginning of [221 B. C], he fell by the hand of an assassin, the Carthaginian officers of the Spanish army summoned to fill his place Hannibal, the eldest son of Hamilcar. He was still a young man--born in [247 B. C], and now, therefore, in his twenty-ninth year [221 B. C]; but his had already been a life of manifold experience. His first recollections pictured to him his father fighting in a distant land and conquering on Ercte; he had keenly shared that unconquered father's feelings on the Peace of Catulus (also see Treaty of Lutatius), on the bitter return home, and throughout the horrors of the Libyan war. While yet a boy, he had followed his father to the camp; and he soon distinguished himself. His light and firmly-knit frame made him an excellent runner and fencer, and a fearless rider at full speed; the privation of sleep did not affect him, and he knew like a soldier how to enjoy or to dispense with food. Although his youth had been spent in the camp, he possessed such culture as belonged to the Phoenicians of rank in his day; in Greek, apparently after he had become a general, he made such progress under the guidance of his confidant Sosilus of Sparta as to be able to compose state papers in that language. As he grew up, he entered the army of his father, to perform his first feats of arms under the paternal eye and to see him fall in battle by his side. Thereafter he had commanded the cavalry under his sister's husband, Hasdrubal, and distinguished himself by brilliant personal bravery as well as by his talents as a leader. The voice of his comrades now summoned him--the tried, although youthful general--to the chief command, and he could now execute the designs for which his father and his brother-in-law had lived and died. He took up the inheritance, and he was worthy of it. His contemporaries tried to cast stains of various sorts on his character; the Romans charged him with cruelty, the Carthaginians with covetousness; and it is true that he hated as only Oriental natures know how to hate, and that a general who never fell short of money and stores can hardly have been other than covetous. But though anger and envy and meanness have written his history, they have not been able to mar the pure and noble image which it presents. Laying aside wretched inventions which furnish their own refutation, and some things which his lieutenants, particularly Hannibal Monomachus and Mago the Sammite, were guilty of doing in his name, nothing occurs in the accounts regarding him which may not be justified under the circumstances, and according to the international law, of the times; and all agree in this, that he combined in rare perfection discretion and enthusiasm, caution and energy. He was peculiarly marked by that inventive craftiness, which forms one of the leading traits of the Phoenician character; he was fond of taking singular and unexpected routes; ambushes and stratagems of all sorts were familiar to him; and he studied the character of his antagonists with unprecedented care. By an unrivaled system of espionage--he had regular spies even in Rome--he kept himself informed of the projects of the enemy; he himself was frequently seen wearing disguises and false hair, in order to procure information on some point or other. Every page of the history of this period attests his genius in strategy; and his gifts as a statesman were, after the peace with Rome, no less conspicuously displayed in his reform of the Carthaginian constitution, and in the unparalleled influence which as a foreign exile he exercised in the cabinets of the eastern powers. The power which he wielded over men is shown by his incomparable control over an army of various nations and many tongues--an army which never in the worst times mutinied against him. He was a great man; wherever he went, he riveted the eyes of all.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

The History of Rome, Volume 2 Translated by W.P. Dickson
On Hannibal the man and soldier
The History of Rome - Volume 2

Life, Men, Money, Hate

“I'm not a brave man. My self-image is of a very small and weak person. In point of fact, I'm almost six feet, and solidly built. But I was a late bloomer. I spent those formative early high-school years as a pudgy little science whimp. I'm still scared of big men with deep voices.”

Rudy Rucker (1946) American mathematician, computer scientist, science fiction author and philosopher

Source: The Sex Sphere (1983), p. 13

Men, School, Science, Personality

“At present and especially in academia, there is widespread doubt and agnosticism with respect to the very existence of God. But if we don't know that there is such a person as God, we don't know the first thing (the most important thing) about ourselves, each other and our world. This is because (from the point of view of the model) the most important truths about us and them, is that we have been created by the Lord, and utterly depend upon him for our continued existence. We don't know what our happiness consists in, and we don't know how to achieve it. We don't know that we have been created in the image of God, and we don't grasp the significance of such characteristically human phenomena as love, humor, adventure, science, art, music, philosophy, history, and so on.”

Alvin Plantinga book Warranted Christian Belief

[2000, Warranted Christian Belief, 9780195131925, 217, http://www.ccel.org/ccel/plantinga/warrant3.vi.ii.iv.ii.html]

Love, God, Truth, World

“We know only what we do, what we make, what we construct; and all that we make, all that we construct, are realities. I call them images, not in Plato's sense (namely that they are only reflections of reality), but I hold that these images are the reality itself and that there is no reality beyond this reality except when in our creative process we change the images: then we have created new realities.”

Naum Gabo (1890–1977) Russian sculptor

Quote of Naum Gabo, 1950; as cited in: Eidos: a journal of painting, sculpture and design. Nr.1, p. 31
1936 - 1977

Reality, Sense, Change

“Reservation's mandatory for them to keep out vultures. Portrayed images, makes it hard to get to know us. That's one reason why other cultures don't approve of us, in an ancient world made of star crossed love.”

Marcus Orelias (1993) American actor, rapper, songwriter, author and entrepreneur

Atrium
20s A Difficult Age (2017)

Love, World, Star

“He that thinks with more extent than another will want words of larger meaning; he that thinks with more subtilty will seek for terms of more nice discrimination; and where is the wonder, since words are but the images of things, that he who never knew the original should not know the copies?
Yet vanity inclines us to find faults any where rather than in ourselves. He that reads and grows no wiser, seldom suspects his own deficiency; but complains of hard words and obscure sentences, and asks why books are written which cannot be understood?”

Samuel Johnson The Idler

No. 70 (August 18, 1759)
The Idler (1758–1760)

Books, Thinking, Reading

“The world cannot bury Christ. The earth is not deep enough for His tomb, the clouds are not wide enough for His winding-sheet; He ascends into the heavens, but the heavens cannot contain Him. He still lives — in the church which burns unconsumed with His love; in the truth that reflects His image; in the hearts which burn as He talks with them by the way.”

Edward Thomson (1810–1870) American bishop

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 75.

Love, Truth, World, Way

“This it is that gives a majesty so pure and touching to the historic figure of Christ; self-abandonment to God, uttermost surrender, without reserve or stipulation, to the guidance of the Holy Spirit from the Soul of souls; pause in no darkness, hesitation in no perplexity, recoil in no extremity of anguish; but a gentle unfaltering hold of the invisible Hand, of the Only Holy and All Good; — these are the features that have made Jesus of Nazareth the dearest and most sacred image to the heart of so many ages.”

James Martineau (1805–1900) English religious philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 61.

God, Age, Soul, Heart

“I am here led to relate that at the city of Banaras a temple had been erected by Rajah Maun Singh, which cost him the sum of nearly thirty-six laks of five methkally ashrefies. The principle idol in this temple had on its head a tiara or cap, enriched with jewels to the amount of three laks ashrefies. He had placed in this temple moreover, as the associates and ministering servants of the principal idol, four other images of solid gold, each crowned with a tiara, in the like manner enriched with precious stones. It was the belief of these Jehennemites that a dead Hindu, provided when alive he had been a worshipper, when laid before this idol would be restored to life. As I could not possibly give credit to such a pretence, I employed a confidential person to ascertain the truth; and, as I justly supposed, the whole was detected to be an impudent imposture. Of this discovery I availed myself, and I made it my plea for throwing down the temple which was the scene of this imposture and on the spot, with the very same materials, I erected the great mosque, because the very name of Islam was proscribed at Banaras, and with God's blessing it is my design, if I live, to fill it full with true believers.”

Jahangir (1569–1627) 4th Mughal Emperor

Varanasi (Uttar Pradesh) , Tuzuk-i-Jahangiri, translated into English by Major David Price, Calcutta, 1906. pp. 24-25. http://persian.packhum.org/persian/pf?file=11001040&ct=7, "Decisions Involving Urban Planning and Religious Institutions" Different translation: I made it my plea for throwing down the temple which was the scene of this imposture; and on the spot, with the very same materials, I erected the great mosque, because the very name of Islam was proscribed at Banaras, and with God’s blessing it is my design, if I live, to fill it full with true believers.

Personality, God, Truth, Dead

“One can read too much into one’s own circumstances. I am reminded of one race who set themselves against us—oh, long ago now, before I was even thought of. Their conceit was that the galaxy belonged to them, and they justified this heresy by a blasphemous belief concerning design. They were aquatic, their brain and major organs housed in a large central pod from which several large arms or tentacles protruded. These tentacles were thick at the body, thin at the tips and lined with suckers. Their water god was supposed to have made the galaxy in their image.
“You see? They thought that because they bore a rough physical resemblance to the great lens that is the home of all of us—even taking the analogy as far as comparing their tentacle suckers to globular clusters—it therefore belonged to them. For all the idiocy of this heathen belief, they had prospered and were powerful: quite respectable adversaries, in fact.”
“Hmm,” Aviger said. Without looking up, he asked, “What were they called?”
“Hmm,” Xoxarle rumbled. “Their name…” The Idiran pondered. “…I believe they were called the…the Fanch.”

Iain Banks Culture series

“Never heard of them,” Aviger said.
“No, you wouldn’t have,” Xoxarle purred. “We annihilated them.”
Source: Culture series, Consider Phlebas (1987), Chapter 13 “The Command System: Terminus” (pp. 445-446).

God, Home, Water, Reading

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Don DeLillo book White Noise

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

People, Books, Cars, Color

“It is a kind of vehicle, you know. It's a kind of making, spreading out ideas, that is what I think. It spreads out the idea. You must care for information and I personally try to make information available not only in a written way... I try also to work with images, with fantasy, with jokes, with humor. It accelerates the discussion of the problem of a new society.... so I work coming from the idea of art as the most important means to transform the society.”

Joseph Beuys (1921–1986) German visual artist

Quote from 'I put me on this train', interview with Art Papier, 1979; as cited in: Joseph Beuys in America: Energy Plan for the Western Man, Carin Kuoni; New York, 1993, p. 44
1970's

Art, Way, Idea, Problem

“Man found that he was faced with the acceptance of "spiritual" forces, that is to say such forces as cannot be comprehended by the senses, particularly not by sight, and yet having undoubted, even extremely strong, effects. If we may trust to language, it was the movement of the air that provided the image of spirituality, since the spirit borrows its name from the breath of wind (animus, spiritus, Hebrew: ruach = smoke). The idea of the soul was thus born as the spiritual principle in the individual. Observation found the breath of air again in the human breath, which ceases with death; even today we talk of a dying man breathing his last. Now the realm of spirits had opened for man, and he was ready to endow everything in nature with the soul he had discovered in himself.”

Sigmund Freud book Moses and Monotheism

Moses and Monotheism (1938)
1930s

Death, Soul, Idea, Nature

“From the very beginning of the Constructivist Movement it was clear to me that a constructed sculpture, by its very method and technique brings sculpture very near to architecture... My works of this time up to 1924.... are all in the search for an image which would fuse the sculptural element with the architectural element in one unit. I consider this Column the culmination of that search.”

Naum Gabo (1890–1977) Russian sculptor

Quote of Gabo, as cited in: Simon Wilson (1991), Tate Gallery: An Illustrated Companion, Tate Gallery, London, revised edition. p. 146
undated

Search, Time

“I began in 1976, with small abstract paintings that allowed me to do what I had never let myself do: put something down at random. And then, of course, I realized that it never can be random. It was all a way of opening a door for me. If I don't know what's coming – that is, if I have no hard-and-fast image, as I have with a photographic original – then arbitrary choice and chance play an important part.”

Gerhard Richter (1932) German visual artist, born 1932

Quote from an interview with Sabine Schütz, 1990; as cited on collected quotes on the website of Gerhard Richter: on 'Abstract paintings' https://www.gerhard-richter.com/en/quotes/subjects-2/abstract-paintings-7 1990's

Way, Chance, Parting, Painting