Quotes about illustration

A collection of quotes on the topic of illustration, use, time, timing.

Quotes about illustration

“It's dangerous & humiliating. The whalers killed whales while green peace watched. Now, you don't walk by a child that is being abused, you don't walk by a kitten that is being kicked to death and do nothing. So I find it abhorrent to sit there and watch a whale being slaughtered and do nothing but "bear witness" as they call it. I think it was best illustrated a few years ago, the contradictions that we have, when a ranger in Zimbabwe shot and killed a poacher that was about to kill a black rhinoceros and uh human rights groups around the world said "how dare you? Take a human life to protect an animal". I think the rangers' answer to that really illustrated a hypocrisy. He said "Ya know, if I lived in, If I was a police officer in Herrari and a man ran out of Bark Place Bank with a bag of money and I shot him in the head in front of everybody and killed him, you'd pin a medal on me and call me a national hero. Why is that bag of paper more valued than the future heritage of this nation?" This is our values. WE fight, WE kill, WE risk our lives for things we believe in… Imagine going into Mecca, walk up to the black stone and spit on it. See how far you get. You’re not going to get very far. You’re going to be torn to pieces. Walk into Jerusalem, walk up to that wailing wall with a pick axe, start whacking away. See how far you’re going to get, somebody is going to put a bullet in your back. And everybody will say you deserved it. Walk into the Vatican with a hammer, start smashing a few statues. See how far you’re going to get. Not very far. But each and every day, ya know, people go into the most beautiful, most profoundly sacred cathedrals of this planet, the rainforests of the Amazonia, the redwood forests of California, the rainforests of Indonesia, and totally desecrate & destroy these cathedrals with bulldozers, chainsaws and how do we respond to that? Oh, we write a few letters and protest; we dress up in animal costumes with picket signs and jump up and down; but if the rainforests of Amazonia and redwoods of California, were as, or had as much value to us as a chunk of old meteorite in Mecca, a decrepit old wall in Jerusalem or a piece of old marble in the Vatican, we would literally rip those pieces limb from limb for the act of blasphemy that we’re committing but we won’t do that because nature is an abstraction, wilderness is an abstraction. It has no value in our anthropocentric world where the only thing we value is that which is created by humans.”

Paul Watson (1950) Canadian environmental activist

Life, Death, Money, People

“One day I went alone to the river to enjoy myself as usual. When I was a short distance from the masonry, however, I was horrified to observe that the water had risen and was carrying me along swiftly.… The pressure against my chest was great and I was barely able to keep my head above the surface.… Slowly and gradually I became exhausted and unable to withstand the strain longer. Just as I was about to let go, to be dashed against the rocks below, I saw in a flash of light a familiar diagram illustrating the hydraulic principle that the pressure of a fluid in motion is proportionate to the area exposed and automatically I turned on my left side. As if by magic, the pressure was reduced.”

Nikola Tesla (1856–1943) Serbian American inventor

My Inventions (1919)

Light, Water

“I raised the mystics up to the ladder of knowledge, in order to illustrate that one cannot be a narcissist when you are being praised by others.”

Mwanandeke Kindembo (1996) Congolese author

Knowledge

“Illustration from the late-1900s up through the middle of the 20th century was absolutely amazing. In general, American culture was at its highest skill wise in every aspect of human life in the 1940s. It’s all been downhill since then. You just open an old magazine from the 1930s and ’40s and look at the illustrations in it. There’s nobody alive that could touch the way they could draw back then.”

John Kricfalusi (1955) Canadian animator

In Amid Amidi The John Kricfalusi Interview, Part 2 http://www.cartoonbrew.com/old-brew/the-john-kricfalusi-interview-part-2-434.html, Cartoon Brew, 31 August 2004.

Life, Way, Drawing

“I grew, a happy, healthy child in a bright world of illustrated books, clean sand, orange trees, friendly dogs, sea vistas and smiling faces.”

Vladimir Nabokov book Lolita

Source: Lolita

Books, World, Smile, Dogs

“This illustrates an important truth, namely, that the worse your logic, the more interesting the consequences to which it gives rise.”

Bertrand Russell (1872–1970) logician, one of the first analytic philosophers and political activist

Truth

“I respect personality; it is an abstract entitity. A certain number of lines and colors constituting a harmony, can be arranged infinite ways. The literary side in painting is a second element of personality; it may exist – it must exist – but only as a pretext; if it dominates, one fall into the realm of illustration. You see that I do not wish to legislate personality.”

Paul Sérusier (1864–1927) French painter

Source: from: 'A letter to Maurice Denis, p. 237

Color, Way, Painting, Personality

“You should keep in mind no names, nor numbers, nor isolated incidents, not even results, but only methods.. The method produces numerous results; a few of these will remain in our memory, and as long as they remain few, they are useful to illustrate and to keep alive the rules which order a thousand results.”

Emanuel Lasker (1868–1941) German World Chess Champion and grandmaster, contract bridge player, mathematician, and philosopher

Source: Lasker's Manual of Chess (1925), p. 338

Memory

“The famous dictum which states that all men are equal will find its illustration in the colonies only when the colonized subject states he is equal to the colonist.”

Frantz Fanon book The Wretched of the Earth

as translated by Richard Philcox (2004), p. 9
The Wretched of the Earth (1961)

Men

“Another illustration. When for the first time I met Mister Clay, the other day in the cars, in front of us sat an old gentleman with an enormous wen upon his neck. Everybody would say the wen was a great evil, and would cause the man's death after a while. But you couldn't cut it out, for he'd bleed to death in a minute. But would you engraft the seeds of that wen on the necks of sound and healthy men? He must endure and be patient, hoping for possible relief. The wen represents slavery on the neck of this country. This only applies to those who think slavery is wrong. Those who think it right would consider the snake a jewel, and the wen an ornament.”

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Speech at Hartford (1860)

Death, Men, Hope, Cars

“God’s heart has a special place for the poor, so much so that he himself “became poor” (2 Cor 8:9). The entire history of our redemption is marked by the presence of the poor. Salvation came to us from the “yes” uttered by a lowly maiden from a small town on the fringes of a great empire. The Saviour was born in a manger, in the midst of animals, like children of poor families; he was presented at the Temple along with two turtledoves, the offering made by those who could not afford a lamb (cf. Lk 2:24; Lev 5:7); he was raised in a home of ordinary workers and worked with his own hands to earn his bread. When he began to preach the Kingdom, crowds of the dispossessed followed him, illustrating his words: “The Spirit of the Lord is upon me, because he has anointed me to preach good news to the poor” (Lk 4:18). He assured those burdened by sorrow and crushed by poverty that God has a special place for them in his heart: “Blessed are you poor, yours is the kingdom of God” (Lk 6:20); he made himself one of them: “I was hungry and you gave me food to eat”, and he taught them that mercy towards all of these is the key to heaven”

Pope Francis (1936) 266th Pope of the Catholic Church

cf. Mt 25:5ff.
Section 197
2010s, 2013, Evangelii Gaudium · The Joy of the Gospel

God, Children, Family, Food

“This example illustrates the differences in the effects which may be produced by research in pure or applied science. A research on the lines of applied science would doubtless have led to improvement and development of the older methods—the research in pure science has given us an entirely new and much more powerful method. In fact, research in applied science leads to reforms, research in pure science leads to revolutions, and revolutions, whether political or industrial, are exceedingly profitable things if you are on the winning side.”

J. J. Thomson (1856–1940) British physicist

Cited from Lord Rayleigh, The Life of Sir J. J. Thomson (1943), p. 199.
Attributed

Science

“The modern artist is living in a mechanical age and we have a mechanical means of representing objects in nature such as the camera and photograph. The modern artist, it seems to me, is working and expressing an inner world – in other words – expressing the energy, the motion and the other inner forces.... the modern artist is working with space and time, and expressing his feelings rather than illustrating.”

Jackson Pollock (1912–1956) American artist

Source: 1950's, Interview by William Wright, Summer 1950, pp. 139-140

Age, World, Feeling, Nature

“I hate looking at photography books or illustrated magazines. This is not because of contempt. I’d rather look at contact sheets: that is where you can sense the individual.”

Henri Cartier-Bresson (1908–2004) French photographer

Source: Henri Cartier-Bresson: Interviews and Conversations, 1951-1998, Only Geometricians May Enter: Interview with Yves Bourde (1974), p. 62

Hate, Books, Sense

“It is false to speak of realization. What is there to realize? The real is as it is always. We are not creating anything new or achieving something which we did not have before. The illustration given in books is this. We dig a well and create a huge pit. The space in the pit or well has not been created by us. We have just removed the earth which was filling the space there. The space was there then and is also there now. Similarly we have simply to throw out all the age-long sanskaras which are inside us. When all of them have been given up, the Self will shine alone.”

Ramana Maharshi (1879–1950) Indian religious leader

Abide as the Self

Books, Age, Falseness

“The ways in which these economic processes, largely originating in the US, have, in short order, flowed around the world is breathtaking and, unfortunately, well illustrates this book's major themes.”

George Ritzer (1940) American sociologist

Preface, p. xiii
Globalization - A Basic Text (2010)

Books, World, Way

“The experimental researches of Faraday are so voluminous, their descriptions are so detailed, and their wealth of illustration is so great, as to render it a heavy labour to master them.”

John Tyndall (1820–1893) British scientist

Preface to the Second Edition (December 1869).
Faraday as a Discoverer (1868)
Context: The experimental researches of Faraday are so voluminous, their descriptions are so detailed, and their wealth of illustration is so great, as to render it a heavy labour to master them. The multiplication of proofs, necessary and interesting when the new truths had to be established, are however less needful now when these truths have become household words in science.

Wealth

“Learning … should be a joy and full of excitement. It is life's greatest adventure; it is an illustrated excursion into the minds of noble and learned men, not a conducted tour through a jail.”

Taylor Caldwell (1900–1985) Novelist

The Sound of Thunder (1957) Pt. I, Ch. 9
1950s
Context: Learning … should be a joy and full of excitement. It is life's greatest adventure; it is an illustrated excursion into the minds of noble and learned men, not a conducted tour through a jail. So its surroundings should be as gracious as possible, to complement it.

Life, Men, Learning, Joy

Abraham Lincoln (1809–1865) 16th President of the United States

1860s, Speech at Hartford (1860)

Country, Thinking, Death, Men

“We never see the true state of our condition till it is illustrated to us by its contraries, nor know how to value what we enjoy, but by the want of it.”

Daniel Defoe La vie et les aventures de Robinson Crusoe

Source: Robinson Crusoe (1719), Ch. 10, Tames Goats.

“There are only three forms of high art: the symphony, the illustrated children's book and the board game.”

Brian K. Vaughan (1976) American screenwriter, comic book creator

Source: Saga, Vol. 3

Children, Books, Art, Game

“I may do some good before I am dead--be a sort of success as a frightful example of what not to do; and so illustrate a moral story.”

Thomas Hardy book Jude the Obscure

Source: Jude the Obscure

Success, Dead

“Quantum theory provides us with a striking illustration of the fact that we can fully understand a connection though we can only speak of it in images and parables.”

Werner Heisenberg book The Part and The Whole

Die Quantentheorie ist so ein wunderbares Beispiel dafür, daß man einen Sachverhalt in völliger Klarheit verstanden haben kann und gleichzeitig doch weiß, daß man nur in Bildern und Gleichnissen von ihm reden kann. Der Teil und das Ganze. Gespräche im Umkreis der Atomphysik (1969); also in "Kein Chaos, aus dem nicht wieder Ordnung würde", Die Zeit No. 34 (22 August 1969) http://www.zeit.de/1969/34/kein-chaos-aus-dem-nicht-wieder-ordnung-wuerde/komplettansicht; as translated in Physics and Beyond : Encounters and Conversation (1971)

Understanding

“Let every book-worm, when in any fragrant, scarce old tome, he discovers a sentence, a story, an illustration, that does his heart good, hasten to give it the widest circulation that newspapers and magazines, penny and halfpenny, can afford.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Books, Heart

“Men think that self-sacrifice is the most charming of all the cardinal virtues for women, and in order to keep it in healthy working order, they make opportunities for its illustration as often as possible. I would fain teach women that self-development is a higher duty than self-sacrifice.”

Elizabeth Cady Stanton book The Woman's Bible

The Woman's Bible (1898)
Source: The Woman's Bible: A Classic Feminist Perspective

Women, Men, Thinking

“The ancients who wished to illustrate illustrious virtue throughout the Kingdom, first ordered well their own states. Wishing to order well their states, they first regulated their families. Wishing to regulate their families, they first cultivated their persons. Wishing to cultivate their persons, they first rectified their hearts. Wishing to rectify their hearts, they first sought to be sincere in their thoughts. Wishing to be sincere in their thoughts, they first extended to the utmost their knowledge. Such extension of knowledge lay in the investigation of things.”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

The Analects, The Great Learning
Context: The ancients who wished to illustrate illustrious virtue throughout the Kingdom, first ordered well their own states. Wishing to order well their states, they first regulated their families. Wishing to regulate their families, they first cultivated their persons. Wishing to cultivate their persons, they first rectified their hearts. Wishing to rectify their hearts, they first sought to be sincere in their thoughts. Wishing to be sincere in their thoughts, they first extended to the utmost their knowledge. Such extension of knowledge lay in the investigation of things.
Things being investigated, knowledge became complete. Their knowledge being complete, their thoughts were sincere. Their thoughts being sincere, their hearts were then rectified. Their hearts being rectified, their persons were cultivated. Their persons being cultivated, their families were regulated. Their families being regulated, their states were rightly governed. Their states being rightly governed, the whole kingdom was made tranquil and happy.
From the Son of Heaven down to the mass of the people, all must consider the cultivation of the person the root of everything besides.

Family, Knowledge, Heart, Personality

“Dreams are illustrations… from the book your soul is writing about you.”

Marsha Norman (1947) American playwright, screenwriter and novelist

Source: The Fortune Teller

Books, Dreams, Soul

“My life will be the best illustration of all my work.”

Hans Christian Andersen (1805–1875) Danish author, fairy tale writer, and poet

Source: The Fairy Tale of My Life: An Autobiography

Life

“The act of quiet nighttime talking, illustrates for me more than anything else the curious alchemy of companionship.”

Elizabeth Gilbert book Committed: A Skeptic Makes Peace with Marriage

Source: Committed: A Skeptic Makes Peace with Marriage

“Value differences in painting always cut in; color differences always go side by side. Laterally. Color differences can illustrate three dimensional form, but using color in terms of hue belongs more properly to painting than modelling with dark and light [as in sculpting] does.”

Kenneth Noland (1924–2010) American artist

Kenneth Noland, p. 22
Conversation with Karen Wilkin' (1986-1988)

Color, Light, Painting

“The investigation of the form and brightness of the rings or rays surrounding the image of a star as seen in a good telescope, when a diaphragm bounded by a rectilinear contour is placed upon the object-glass, though sometimes tedious is never difficult. The expressions which it is necessary to integrate are always sines and cosines of multiples of the independent variable, and the only trouble consists in taking properly the limits of integration. Several cases of this problem have been completely worked out, and the result, in every instance, has been entirely in accordance with observation. These experiments… have seldom been made except by those whose immediate object was to illustrate the undulatory theory of light. There is however a case of a somewhat different kind; which in practice recurs perpetually, and which in theory requires for its complete investigation the value of a more difficult integral; I mean the usual case of an object-glass with a circular aperture. The desire of submitting to mathematical investigation every optical phænomenon of frequent occurrence has induced me to procure the computation of the numerical values of the integral that presents itself in this inquiry: and I now beg leave to lay before the Society the calculated table, with a few remarks upon its application.”

George Biddell Airy (1801–1892) English mathematician and astronomer

Star, Mathematics, Problem, Light

“The term organization, and the principles that govern it, are inherent in every form of concerted human effort, even where there are no more than two people involved. For example take two men who combine their efforts to lift and move a stone that is too heavy to be moved by one. In the fact of this combination of effort we have the reality of human organization for a given purpose. Likewise in the procedure necessary to this end we find the fundamental principles of organization. To begin with, the two lifters must lift in unison. Without this combination of effort the result would be futile. Here we have co-ordination, the first principle of organization. Likewise one of these two must give the signal "heave ho!" or its equivalent, to the other, thus illustrating the principle of leadership or command. Again the other may have a suggestion to make to the leader in the matter of procedure, which involves the vital staff principle of advice or counsel. And so on. Thus in every form of concerted effort principles of organization are as essential and inevitable as organization itself.”

James D. Mooney (1884–1957) American businessman

Source: "The principles of organization", 1937, p. 90

Men, People, Reality, Effort

“Franklin is a good type of our American manhood. Although not the wealthiest or the most powerful, he is undoubtedly, in the versatility of his genius and achievements, the greatest of our self-made men. The simple yet graphic story in the Autobiography of his steady rise from humble boyhood in a tallow-chandler shop, by industry, economy, and perseverance in self-improvement, to eminence, is the most remarkable of all the remarkable histories of our self-made men. It is in itself a wonderful illustration of the results possible to be attained in a land of unequaled opportunity by following Franklin's maxims.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …

Written by Frank Woodworth Pine in his introduction to the 1916 publication of The Autobiography of Benjamin Franklin https://www.gutenberg.org/files/20203/20203-h/20203-h.htm. Pine, F.W. (editor). Henry Holt and Company via Gutenberg Press. (1916). Introduction. The Autobiography (1818), The Autobiography (1916)

Men, History, Perseverance

“The experience was an exciting one for me. It illustrated that writing was about risk—about risking everything. And that the value of the writing is not in what you publish but in its consequences. If you set out to describe reality, then the influence of the writing is upon reality.”

Ryszard Kapuściński (1932–2007) Polish historian

A 1989 interview with Granta magazine founder Bill Buford. Reprinted in Adbusters Magazine #71.

Reality

“Pictures are the idea in visual or pictorial form; and the idea has to be legible, both in the individual picture and in the collective context – which presupposes, of course, that words are used to convey information about the idea and the context. However, none of this means that pictures function as illustrations of an idea: ultimately, they are the idea. Nor is the verbal formulation of the idea a translation of the visual: it simply bears a certain resemblance to the meaning of the idea. It is an interpretation, literally a reflection.”

Gerhard Richter (1932) German visual artist, born 1932

Quote from Richter's letter to Jean-Christophe Ammann, February 1973; as cited on collected quotes on the website of Gerhard Richter: 'on Other subjects' https://www.gerhard-richter.com/en/quotes/other-aspects-6 1970's

Idea

“I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the “second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 19 July 1963 - to two artist friends, Helmut and Erika Heinze
1960's

World, Family, Color, Photo

“With this new tendency [of Orphism] the Cubists dubbed Impressionism of forms according to Appolinaire, is entering a final and glorious phase:.. Orphism, pure painting, simultaneity. And there you have it, as many obvious plagiarisms of what has formed, from its earliest appearances, the essence of Futurist painting and sculpture…. But we insist on sorting things out. Orphism [initiated by former Cubist artist Robert Delaunay as an colorful alternative for strict Cubism ], let us say it right away, is just an elegant masquerade of the basic principles of Futurist painting. This new trend simply illustrates the profit that our French colleagues managed to driver from our first Futurist exhibition in Paris.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Boccioni's critical art quote to Orphism and simultaneity pictures Orphism, as alternative concept for Cubism as a soft version of Futurist painting; in 'Les futurists plagues en France', Boccioni, in 'Lacerba', Florence 1, no. 7, 1 April 1913
1913

Color, Appearance, Painting

“Matisse's art speaks for itself through its "mechanics", it's "form" and through the feeling which that "form" makes manifest. It's not by far the first to do so and to transcend the illustrated subject by doing so. (All good painting and sculpture does that to some extent). But just as Matisse rejected verbal rhetoric so he kept every last trace of illustrational rhetoric out of his art. He may have been the first painter in our tradition to do that in a really radical way. This doesn't make his art better than a Giotto's or Caravaggio's or Goya's or David's, not necessarily. But it does make it a salutary example for all those people who find it hard, in any medium, to mean what they say.”

Clement Greenberg (1909–1994) American writer and artist

On Matisse http://www.sharecom.ca/greenberg/matisse.html at sharecom.ca, 1973: On Henri Matisse 1970s

People, Art, Way, Feeling

“I have often observed, to my regret, that a widespread prejudice exists with regard to the educability of intelligence. The familiar proverb, "When one is stupid, it is for a long time," seems to be accepted indiscriminately by teachers with a stunted critical judgement. These teacher lose interest in students with low intelligence. Their lack of sympathy and respect is illustrated by their unrestrained comments in the presence of the children: "This child will never achieve anything… He is poorly endowed… He is not intelligent at all." I have heard such rash statements too often. They are repeated daily in primary schools, nor are secondary schools exempt from the charge.”

Alfred Binet (1857–1911) French psychologist and inventor of the first usable intelligence test

Alfred Binet (1909/1975, 105), as cited in: B.R. Hergenhahn. An Introduction to the History of Psychology 2009. p. 312-3
Modern ideas about children, 1909/1975

Children, Stupidity, Education, School

“My thinking at that time was determined by a kind of wilfully repressed pleasure[Freude] in Freud, and I wanted to be as artistically direct as plumber illustrating the history of art with a spanner.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 12 (Introductory text to the portfolio Transfusion,1990.)

Pleasure, Art, History, Thinking

“.. by going on drawing those types of working people, etc., I hope to arrive at the point of being able to do illustration work for papers and books.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to brother Theo, from Brussels, Belgium (January 1881, letter 140); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 19 being art student in Brussels 1880s, 1881

People, Books, Hope, Drawing

“… Nothing is so simple as the subject matter of his works. The two greatest of his creations, the character of Satan and the character of Eve, are two of the simplest—the latter probably the very simplest—in the whole field of literature. On this side, Milton's art is classical. On the other hand, in no writer is the imagery more profuse, the illustrations more various, the dress altogether more splendid; and in this respect the style of his art seems romantic and modern. In real truth, however, it is only ancient art in a modern disguise: the dress is a mere dress, and can be stripped off when we will.—we all of us do perhaps in memory strip it off for ourselves.”

Walter Bagehot (1826–1877) British journalist, businessman, and essayist

[ART. VII—John Milton, National Review, July 1859, 9, 150–186, https://babel.hathitrust.org/cgi/pt?id=mdp.39015027193559;view=1up;seq=184] (quote from p. 174)
John Milton (1859)

Truth, Art, Literature, Memory

“A word says more than a thousand images. Exercises for the visually inclined: illustrate "appreciation", "humor", "software", "education", "inalienable rights", "elegance", "fact."”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Emacs inferior to XEmacs? http://groups.google.com/group/comp.unix.programmer/msg/716a6bf5d03226a1 (Usenet article). Usenet articles, Miscellaneous

Education, Exercises

“There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'… I could never see these qualities in paint – I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.”

Robert Rauschenberg (1925–2008) American artist

Source: 21st Century, Robert Rauschenberg, Works, Writings and Interviews, 2006, p. 37

Life, Pain, Art, Painting

“In the thousands of articles that made up the technical literature of chaos, few were cited more often than "Deterministic Nonperiodic Flow." For years, no single object would inspire more illustrations, even motion pictures, than the mysterious curve depicted at the end, the double spiral that became known as the Lorenz attractor.”

James Gleick book Chaos: Making a New Science

Source: Chaos: Making a New Science, 1987, p. 52; as cited in: Joshua Keating, in " Can Chaos theory teach us anything about Foreign Policy http://ideas.foreignpolicy.com/posts/2013/05/23/can_chaos_theory_teach_us_anything_about_international_relations", at ideas.foreignpolicy.com, May 23rd 2013.

Literature

“Primarily, they (ideas) come from daydreaming or every day occurrences. I try to get out and about, especially new places to let the environment inspire me. I start an illustration of a building I see and then the elements of different characters will populate in my mind like a set and actors on a stage. If nothing comes up I continue to draw until something unfolds.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Regarding how he comes up with ideas for his comic strips The Goodbye Family and The Noodle Rut (1 June 2017). Source: Lorin Morgan-Richards Newsletter #2, Us6.campaign-archive2.com, 2017-06-26 http://us6.campaign-archive2.com/?u=51e751ef352e602deca0ecdc7&id=2e82f26313,

Idea, Drawing

“The institution of caste illustrates the spirit of comprehensive synthesis characteristic of the Hindu mind with its faith in the collaboration of races and the co-operation of cultures. Paradoxical as it may seem, the system of caste is the outcome of tolerance and trust.”

Sarvepalli Radhakrishnan (1888–1975) Indian philosopher and statesman who was the first Vice President and the second President of India

Internet Encyclopedia of Philosophy

Faith

“The artificial intelligence approach may not be altogether the right one to make to the problem of designing automatic assembly devices. Animals and machines are constructed from entirely different materials and on quite different principles. When engineers have tried to draw inspiration from a study of the way animals work they have usually been misled; the history of early attempts to construct flying machines with flapping wings illustrates this very clearly.”

Maurice Wilkes (1913–2010) British computer scientist

Sect. 4: Design and Assembly
"Computers Then and Now" (1968)

Way, History, Intelligence, Problem

“In conceptual art the idea or the concept is the most important aspect of the work. When an artist uses a conceptual form of art, it means that all of the planning and decisions are made beforehand and the execution is a perfunctory affair. The idea becomes a machine that makes the art. This kind of art is not theoretical or illustrative of theories; it is intuitive; it is involved with all types of mental processes and it is purposeless. It is usually free from the dependence on the skill of the artist as a craftsman.”

Sol LeWitt (1928–2007) American artist

Source: Quotes of Sol Lewitt, "Paragraphs on Conceptual Art," 1967, p. 80. Cited in: Diane Waldman. Carl Andre https://archive.org/stream/carlandre00wald#page/7/mode/1up. Published 1970 by Solomon R. Guggenheim Museum in New York. p. 7

Art, Idea, Decision, Dependency

“Diophantus shows great Adroitness in selecting the unkown, especially with a view to avoiding an adfected quadratic…. The most common and characteristic of Diophantus' methods is his use of tentative assumptions which is applied in nearly every problem of the later books. It consists in assigning to the unknown a preliminary value which satisfies one or two only of the necessary conditions, in order that, from its failure to satisfy the remaining conditions, the operator may perceive what exactly is required for that purpose…. a third characteristic of Diophantus [is]… the use of the symbol for the unknown in different senses…. The use of tentative assumptions leads again to another device which may be called… the method of limits. This may best be illustrated by a particular example. If Diophantus wishes to find a square lying between 10 and 11, he multiplies these numbers by successive squares till a square lies between the products. Thus between 40 and 44, 90 and 99 no square lies, but between 160 and 176 there lies the square 169. Hence x^2 = \tfrac{169}{16} will lie between the proposed limits.”

James Gow (scholar) (1854–1923) scholar

p, 125
A Short History of Greek Mathematics (1884)

Lie, Books, Lying, Failure

“And now, at the end of the twentieth century, with the pressure of modern information and the advances of data processing, graphics is passing through a new and fundamental stage. The great difference between the graphic representation of yesterday, which was poorly dissociated from the figurative image, and the graphics of tomorrow, is the disappearance of the congential fixity of the image.
When one can superimpose, juxtapose, transpose, and permute graphic images in ways that lead to groupings and classings, the graphic image passes from the dead image, the 'illustration,' to the living image, the widely accessible research instrument it is now becoming. The graphic is no longer only the 'representation' of a final simplification, it is a point of departure for the discovery of these simplifications and the means for their justification. The graphic has become, by its manageability, an instrument for information processing.”

Jacques Bertin (1918–2010) French geographer and cartographer

Source: Semiology of graphics (1967/83), p. 4

Way, Departure, Dead

“After all, in both languages we were dealing in large measure not with English and French, but with Scots and Irish, Bretons and Normans…. There could be no more eloquent illustration of the colonial mind-set than a bunch of Celts and Vikings in a distant northern territory insulting each other as les anglais and the French as if they were the descendants of the people who had subjected and ruined them.”

John Ralston Saul (1947) Canadian author and essayist

Reflections of a Siamese Twin (1997)

People, Distant

“In the evening I study a fair.... if you could see the pomp and luxury of the merry-go-round and the stands and booths. Everything is decorated in Baroque-style, all gold and silver; there are mirrors, fabrics, and electric lightning. By night the whole thing is fantastic and rowdy. First of all I shall make a small picture and some drawings for illustrations.”

Giacomo Balla (1871–1958) Italian artist

quote c. 1900, in: Giacomo Balla (1871 – 1951), ed. Fagiolo dell'Arco, exh. catalogue, Galleria Nationale d'Arte Moderna, Rome, 1971 Balla studied a fair for his later painting ' Luna park in Paris https://www.wikiart.org/en/giacomo-balla/luna-park-par-s-1900,' he painted in 1900

Study, Drawing, Night

“I had a growing feeling in the later years of my work at the subject that a good mathematical theorem dealing with economic hypothesis was very well unlikely to be good economics: and I went more and more on the rules - (1) Use mathematics as shorthand language, rather than as an engine of inquiry. (2) Keep to them till you have done. (3) Translate into English. (4) Then illustrate by examples that are important in real life (5) Burn the mathematics. (6) If you can’t succeed in 4, burn 3. This last I do often.”

Alfred Marshall (1842–1924) British economist

Letter to A.L. Bowley, 27 February 1906, cited in: David L. Sills, Robert King Merton, Social Science Quotations: Who Said What, When, and Where http://books.google.com/books?id=WIKQbew5YKcC&pg=PA151 Transaction Publishers, 2000. p. 151.

Life, Feeling, Mathematics

“Without doubt the most dangerous devices for active defense among the Dinosauria emerged in Triceratops. The scene has been portrayed in paintings, drawings, and illustrations hundreds of times, but it remains thrilling. Tyrannosaurus, the greatest dinosaur toreador, confronts Triceratops, the greatest set of dinosaur horns. No matchup between predator and prey has ever been more dramatic. It's somehow fitting that those two massive antagonists lived out their co-evolutionary belligerence through the very last days of the very last epoch in the Age of Dinosaurs. Tyrannosaurus stood over twenty feet tall when fully erect, and a large adult was as heavy as a small elephant - five tons. No predatory dinosaur, no predatory land animal of any sort, had more powerful jaws. Withstanding a Tyrannosauruss attack required either tanklike armor – the approach taken by Ankylosaurus”

Robert T. Bakker book The Dinosaur Heresies

or most powerful defensive weapons - the approach taken by Triceratops.
The Dinosaur Heresies: A Revolutionary View of Dinosaurs (1986), Longman Scientific & Technical, p. 240-241
The Dinosaur Heresies (1986)

Age, Time, Animals, Drawing

“The illustrations were woodcuts, executed with that crude haste to see the finished product that marks the amateur. True pornography is given us by vastly patient professionals.”

Thomas Pynchon book The Crying of Lot 49

The Crying of Lot 49 (1966)

“For an elementary illustration of tactics, take parts of your face as the point of reference; your eyes, your ears, and your nose. First the eyes; if you have organized a vast, mass-based people’s organization, you can parade it visibly before the enemy and openly show your power. Second the ears; if your organization is small in numbers, then do what Gideon did: conceal the members in the dark but raise a din and clamor that will make the listener believe that your organization numbers many more than it does. Third, the nose; if your organization is too tiny even for noise, stink up the place.”

Saul D. Alinsky (1909–1972) American community organizer and writer

Source: Rules for Radicals: A Practical Primer for Realistic Radicals (1971), p. 126

People, Parting

“Each line is now the actual experience with its own innate history. It does not illustrate — it is the sensation of its own realization. [a written art note by Twombly on a painting he created in 1957].”

Cy Twombly (1928–2011) American painter

Quote of Twombly in 'Writings', Flash Art International, Laura Cherubini, October 2008 (translation from Italian: Beatrice Barbareschi)
1950 - 1960

Art, History, Painting

“Illustrating Tolkien means treading warily, dipping one's brush in shadow and rinsing them in light. Battle and balance, down the impossible path between the clear and the obscure.”

John Howe (illustrator) (1957) Canadian illustrator

As quoted in Tolkien's World: Paintings of Middle-Earth (1992) published by MJF Books

Light

“As a child, I wanted to become a scientist, a magician, a poet, an architect, an illustrator, a sculptor, an actor, a philosopher, a photographer, a playwright and an animator. So by the time I was 13 or 14, I was convinced that it would be possible to a be of all of these if I made films.”

Anand Gandhi (1980) Indian film director

"One-on-one with Ship of Theseus’ Anand Gandhi" at film army (3 September 2012) http://www.blog.filmarmy.ca/2012/09/11076/

Time, Animals

“How would you explain Manet’s '. But, even Magritte’s warning is not that clear! What is not a pipe, that illustration of a pipe? If so, then that is obvious, and what is the point of stating the obvious? Perhaps Magritte like Ferdinand de Saussure wants to say there is a difference between the pipe as a ‘signifier’ and the pipe as a ‘signified’. As I stated the grammar of painting is different from the grammar of language.”

Guity Novin (1944) artist

Section 3. A Discussion on Westernization and Modernity: Baudelaire and Habermas http://andishar.blogspot.ca/2014/01/blog-post_28.html
Dialogues on enlightenment and reason (2013)

Painting

“The French botanist and chemist Henri-Louis Duhamel de Monceau (1700–1782) identified a fungal disease on the bulbs of saffron crocus (now named Helicobasidium purpureum) and illustrated its sclerotia on the bulbs. His report was read to the Academie royale des Sciences in April 1728; it was “wellconceived, thorough, and conclusive, and led to his election as adjoint chimiste in the same year” (Eklund 1971:223). Duhamel discovered that this fungus spreads underground from one bulb to another. In his Éléments d’agriculture (two volumes, 1762; English edition, 1764), he also accepted insects as a cause of some plant diseases.”

Henri-Louis Duhamel du Monceau (1700–1782) French naval engineer, botanist and agronomist

Joseph Pitton de Tournefort, " A History of the Ecological Sciences, Part 29: Plant Disease Studies During the 1700s http://esapubs.org/bulletin/current/history_list/history29.pdf." in: Bulletin of the Ecological Society of America, July 2008, p. 231-242.

Disease, Science, Reading

“The man who acquires an encyclopedia does not thereby acquire every line, every paragraph, every page, and every illustration; he acquires the possibility of becoming familiar with one and another of those things.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Shakespeare's Memory, (1983); as translated by Andrew Hurley in Collected Fictions (1998)

“I must have told my story ill if to every physician who hears me its illustrations have not the invigorating force of moral tonics.”

Silas Weir Mitchell (1829–1914) American physician

Transaction of the College of Physicians of Philadelphia, 1887, 9: 337, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“Even during the fifteen years of Alptigin’s reign Subuktigin is represented by Firishta in an untranslated passage to have made frequent attacks upon India, and even to have penetrated as far as Sodra on the Chinab, where he demolished idols in celebration of Mahmud’s birth, which, as it occurred on the date of the prophet’s birth, Subuktigin was anxious that it should be illustrated by an event similar to the destruction of idols in the palace of the Persian king by an earthquake, on the day of the prophet’s birth.”

Firishta (1560–1620) Indian historian

About Amîr Subuktigîn of Ghazni (AD 977-997) NWFP and Punjab
Tãrîkh-i-Firishta

Birth

“The classics of the ancient world are everywhere in the literature of the Revolution, but thet are everywhere illustrative, not determinative, of thought”

Bernard Bailyn book The Ideological Origins of the American Revolution

Source: The Ideological Origins of the American Revolution (1967), Chapter II, SOURCES AND TRADITIONS, p. 26.

World, Literature

“Darwinian evolution may be the most truthful and powerful idea ever generated by Western Science, but if we continue to illustrate our conviction with an indefensible, unsupported, entirely speculative, and basically rather silly story, then we are clothing a thing of beauty in rags - and we should be ashamed, "for the apparel oft proclaims the man."”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 318
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Truth, Beauty, Idea, Science

“Now, it is unquestionable that language, and consequently the system of concepts which it translates, is the product of a collective elaboration. What it expresses is the manner in which society as a whole represents the facts of experience. The ideas which correspond to the diverse elements of language are thus collective representations. Even their contents bear witness to the same fact. In fact, there are scarcely any words among those which we usually employ whose meaning does not pass, to a greater or less extent, the limits of our personal experience. Very frequently a term expresses things which we have never perceived or experiences which we have never had or of which we have never been the witness. Even when we know some of the objects which it concerns, it is only as particular examples that serve to illustrate the idea which they would never have been able to form by themselves. Thus there is a great deal of knowledge condensed in the word which I never collected, and which is not individual; it even surpasses me to such an extent that I cannot even completely appropriate all its results. Which of us knows all the words of the language he speaks and the entire signification of each?”

Émile Durkheim book The Elementary Forms of the Religious Life

Source: The Elementary Forms of the Religious Life, 1912, p. 434

Idea, Knowledge, Personality

“That is a complete waste of your time and the government's money. You are a native speaker of English; in ten minutes you can produce more illustrations of any point in English grammar than you will find in many millions of words of random text.”

Robert Lees (linguist)

Lees's response when informed that Nelson Francis had received a grant to produce the Brown Corpus.
Biber, D., and E. Finegan. 1991. "On the exploitation of computerized corpora in variation studies." In K. Aijmer and B. Altenberg (eds.), English corpus linguistics: Studies in honour of Jan Svartvik, 204-220. London: Longman.

Money, Time

“The chief object of the present work is, as its title indicates, to furnish to the student examples by which to illustrate the processes of the Differential and Integral Calculus. In this respect it will be seen to agree with Professor Peacock's Collection of Examples; and indeed if a second edition of that excellent work had been published I should not have undertaken the task of making this compilation. But as Professor Peacock informed me that he had not leisure to superintend the publication of a second edition of his "Examples" which had been long out of print, I thought that I should do a service to students by preparing a work on a similar plan, but with such modifications as seemed called for by the increased cultivation of Analysis in this University.”

Duncan Gregory (1813–1844) British mathematician

p. iii http://books.google.com/books?id=h7JT-QDuAHoC&pg=PR3; Lead paragraph of the Preface; Highlighted section cited in: Patricia R. Allaire and Robert E. Bradley. " Symbolical algebra as a foundation for calculus: DF Gregory's contribution http://poncelet.math.nthu.edu.tw/disk5/js/history/gregory.pdf." Historia Mathematica 29.4 (2002): p. 408 Examples of the processes of the differential and integral calculus, (1841)

Universe

“I could list some Japanese films illustrating this, but the last thing the audience for Memoirs of a Geisha wants to see is a more truthful film with less gorgeous women and shabbier production values.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/memoirs-of-a-geisha-2005 of Memoirs of a Geisha (9 December 2005) Reviews, Two-and-a-half star reviews

Women, Truth

“I mean it; the Bible-god of western monotheism is just like that horrible kid. Who would want to be trapped in a house with an indomitable telepathic despot and have to guard your thoughts –or be voluntarily mindless- and endure that existence forever and ever? Religion doesn’t want to talk about life either. They hate practically everything that goes on in life. They want to talk about death and pretend that THAT is life. And those of us who know life, live life, and love life, they accuse of being dead already. Every aspect of their world-view is upside-down or backwards -as DogmaDebate brilliantly illustrated. What these religionists preach actually diminishes the very meaning of life. Humans tend to value most that which is rare and fleeting. Such is life. The more you have of anything, the less valuable it is. They’re claiming immortality for eternity, rendering the value of life infinitely worthless. They sell their imaginary after-life as if it is sooo much better than this period of discomfort we have to endure before we achieve paradise. Having to toil in this fallen, sin-corrupted, dead-and-damned world. They hate existence itself so much that they actually long for the end-of-days, and only seem to get happy when they think Armageddon is upon us.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Fukkenuckabee http://www.patheos.com/blogs/reasonadvocates/2012/12/21/fukkenuckabee/ (December 21, 2012)

Love, Life, Death, God

“Babbitt looked up irritably from the comic strips in the Evening Advocate. They composed his favorite literature and art, these illustrated chronicles in which Mr. Mutt hit Mr. Jeff with a rotten egg, and Mother corrected Father's vulgarisms by means of a rolling-pin. With the solemn face of a devotee, breathing heavily through his open mouth, he plodded nightly through every picture, and during the rite he detested interruptions. Furthermore, he felt that on the subject of Shakespeare he wasn't really an authority. Neither the Advocate-Times, the Evening Advocate, nor the Bulletin of the Zenith Chamber of Commerce had ever had an editorial on the matter, and until one of them had spoken he found it hard to form an original opinion.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 6

Art, Literature, Time

“Mugabe has destroyed that country while South Africa has stood by and done nothing. The way Mugabe was feted at the inauguration last month was an embarrassing disgrace. But it served well to illustrate very clearly Mbeki's point of view.”

Helen Suzman (1917–2009) South African politician

As quoted in "Democracy? It was better under apartheid, says Helen Suzman" https://web.archive.org/web/20120901223952/https://www.telegraph.co.uk/news/uknews/1462042/Democracy-It-was-better-under-apartheid-says-Helen-Suzman.html (15 May 2004), by Jane Flanagan, The Telegraph 2000s

Way, Country

“This one is too elegant, too shiny, like jewelry. It seeks applause. This is clear to me, but difficult to explain, which is what makes abstraction so fascinating. In one sense, abstract art is absolutely nothing, stupid. In 100 years, maybe people will just think it's garbage. But somehow we see something in it; we have a sense of quality. [searching for an illustration of his point, Richter leafs through a catalog to find some of his 'gray monochromes']. I was doing these [monochromes] when I was getting divorced. When you feel totally empty, you do this - but then I saw that one picture was actually better than another. Both were miserable, but the difference was interesting. I loved this: that there must be something, some higher faculty, some progressive sensibility that we find in abstraction. But it is impossible to describe.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

Love, People, Stupidity, Art

“Let us begin with the simplest illustration possible: let us, emulating Bastiat, choose a broken pane of glass.A young hoodlum, say, heaves a brick through the window of a baker’s shop. The shopkeeper runs out furious, but the boy is gone. A crowd gathers, and begins to stare with quiet satisfaction at the gaping hole in the window and the shattered glass over the bread and pies. After a while the crowd feels the need for philosophic reflection. And several of its members are almost certain to remind each other or the baker that, after all, the misfortune has its bright side. It will make business for some glazier. As they begin to think of this they elaborate upon it. How much does a new plate glass window cost? Fifty dollars? That will be quite a sum. After all, if windows were never broken, what would happen to the glass business? Then, of course, the thing is endless. The glazier will have $50 more to spend with other merchants, and these in turn will have $50 more to spend with still other merchants, and so ad infinitum. The smashed window will go on providing money and employment in ever-widening circles. The logical conclusion from all this would be, if the crowd drew it, that the little hoodlum who threw the brick, far from being a public menace, was a public benefactor.Now let us take another look. The crowd is at least right in its first conclusion. This little act of vandalism will in the first instance mean more business for some glazier. The glazier will be no more unhappy to learn of the incident than an undertaker to learn of a death. But the shopkeeper will be out $50 that he was planning to spend for a new suit. Because he has had to replace a window, he will have to go without the suit (or some equivalent need or luxury). Instead of having a window and $50 he now has merely a window. Or, as he was planning to buy the suit that very afternoon, instead of having both a window and a suit he must be content with the window and no suit. If we think of him as a part of the community, the community has lost a new suit that might otherwise have come into being, and is just that much poorer.The glazier’s gain of business, in short, is merely the tailor’s loss of business. No new “employment” has been added. The people in the crowd were thinking only of two parties to the transaction, the baker and the glazier. They had forgotten the potential third party involved, the tailor. They forgot him precisely because he will not now enter the scene. They will see the new window in the next day or two. They will never see the extra suit, precisely because it will never be made. They see only what is immediately visible to the eye.”

Henry Hazlitt book Economics in One Lesson

Economics in One Lesson (1946), The Broken Window (ch. 2)

Death, Money, People, Feeling

“When I used [in his speech] the word silent myths it was for a personal reason. I mean that the relations of pictorial art to the formation of myths has to be silent, consequently not illustrative. In this part of Jutland where the life of the myth has grown strongest and is kept deepest for millenniums, here where I come from and where I have known the richness of the narrative imagination of the people, here I wanted to place a monument to the anonymous strength of the word, not to a single myth, nor to a single cycle of myths, because the myths of the Edda, of the heroic poetry, yes perhaps particularly the myths of the Kalevala, have inspired me like the myth which is to be created today in the people who are glad to tell, racy and fertile.”

Asger Jorn (1914–1973) Danish artist

Quote from Jorn's speech at the library of Silkeborg, September l0th 1953 (translated from an unpublished Danish manuscript by Guy Atkins) ; as quoted on the website of the Jorn Museum Articles by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255 1949 - 1958, Various sources

Life, People, Art, Imagination

“When I have contemplated these adjustments of business and editorial policy, it has always seemed to me that American newspapers are peculiarly representative of the practical idealism of our country. Quite recently the construction of a revenue statute resulted in giving publicity to some highly interesting facts about incomes. It must have been observed that nearly all the newspapers published these interesting facts in their news columns, while very many of them protested in their editorial columns that such publicity was a bad policy. Yet this was not inconsistent. I am referring to the incident by way of illustrating what I just said about the newspapers representing the practical idealism of America. As practical newsmen they printed the facts. As editorial idealists they protested that there ought to be no such facts available.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Press Under a Free Government (1925)

Way, Business, Country

“I am not interested in illustrating my time. A man’s 'time' limits him; it does not truly liberate him. Our age – it is of science – of mechanism – of power and death. I see no point in adding to its mammoth arrogance the compliment of graphic homage.”

Clyfford Still (1904–1980) American artist

Clyfford Still in an interview with Ti Grace Sharpless, 1963; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 201
1960s

Death, Age, Science, Time

“The world of the Greeks illustrates why visual appearances cannot interest people before the interiorization of alphabetic technology.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 61

People, World, Appearance

“The dinosaur world I grew up in was classical. They were universally seen as scaley herps that inhabited the immobile continents. There was no hint that birds were their direct descendents. Being reptiles, dinosaurs were cold-blooded and rather sluggish except perhaps for the smaller more bird-like examples. They all dragged their tails. Forelimbs were often sprawling. Leg muscles were slender in the reptilian manner. Intellectual capacity was minimal, as were social activity and parenting; the Knight painting of a Triceratops pair watching over a baby threatened by the Tyrant King was a notable exception. Hadrosaurs and especially sauropods were dinosaurian hippos, the latter perhaps too titanic to even emerge on land, and if they did so were limited by their bulk to lifting one foot of the ground at a time. Suitable only for the lush, warm and sunny tropical climate that enveloped the world from pole to pole before the Cenozoic, a cooling climate and new mountain chains did the obsolete archosaurs in, leaving only the crocodilians. Dinosaurs and the bat-winged pterosaurs were merely an evolutionary interlude, a period of geo-biological stasis before things got really interesting with the rise of the energetic and quick witted birds and especially mammals, leading with inexorable progress to the apex of natural selection: Man. It was pretty much all wrong. Deep down I sensed something was not quite right. Illustrating dinosaurs I found them to be much more reminiscent of birds and mammals than of the reptiles they were supposed to be. I was primed for a new view.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Autobiography, part I http://gspauldino.com/part1.html, gspauldino.com

World, Mountain, Nature, Bird

“The more our commercial system gains in complication, the more does the common prosperity of us all come to depend upon the due performance of all contracts. Commercial development is broadly illustrating one profound truth: that the real basis of social morality is self-interest. If the subject of rivalry between nations is business, the code which has come to dominate business must necessarily come to dominate the conduct of governments.”

Norman Angell book The Great Illusion

The Great Illusion (1910)

Truth, Business, Dependency

“I find it very significant that no religious traditions, Islam included, is ever in a position, I think almost by definition, to put cruelty first in the order of its priorities of the terrible things that human beings can do. That is perfectly illustrated in the story of Abraham's sacrifice with his son. Because, of course, what the story's all about is faith, the importance, and the primacy of faith. … What is the essence of faith in the story is Abraham's willingness (a) not to question God about his command to sacrifice his son, and (b) to proceed slowly, deliberately, over a period of time -- three days, I think it was -- [and] march up the mountain, prepare the sacrifice, unquestioning, resolute. [It was] the perfect, as Kierkegaard put it, "night of faith" model, exemplar of faith. And [Abraham] is, in the Muslim tradition exactly that -- an exemplar of faith. That is the importance of Abraham to Muslims. … Had he faltered, his faith would have been less, a degree or so less. He didn't falter. God immediately stops it at the absolute last moment and, of course, the act is ended. But what the story is all about is how faith in God comes first, before anything else, and then follow various virtues, of which harm to other human beings surely has to be below faith. It seemed to me that that is something that the hijackers certainly took to heart.”

Kanan Makiya (1949) American orientalist

"Faith and Doubt at Ground Zero" http://www.pbs.org/wgbh/pages/frontline/shows/faith/interviews/makiya.html, PBS Frontline (2002)

God, Faith, Mountain, Question

“A criticism with which we have become familiar in this country is that an alarmingly large number of students receiving university education, and the universities are responsible for wastage and unnecessary duplication of teaching arrangements…

… Take the whole of British India with a population of two hundred and sixty-three million. India has only sixteen universities and the number of their students will be about one lac and twenty thousand. The total expenditure on higher education in India is less than four crores rupees.

Let me now turn to other countries. The British Isles afford a good illustration for comparison from the point of view of population which is about is about forty five million; but the number of universities is as many as sixteen – what we have for the whole of India – and fifty-five thousand students receive instructions under their jurisdiction. About six crores and forty lacs of rupees are spent on higher education only in England and Wales. To universities alone within this area the state annually contributes two crores and twenty-seven lacs of rupees.”

Syama Prasad Mookerjee (1901–1953) Indian politician

Speech delivered at Calcutta University Convocation on 22nd February 1936.
Source: one crore is equal to ten million
Source: ten lacs is equal to one million

Education, Universe, Country

“I have now reached a stage in the argument where I have to choose between being too definite or being too vague. If I set forth a concrete proposal in all its particulars, I expose myself to a hundred criticisms on points not essential to the principle of the plan. If I go further in the use of figures for illustration, I am involved more and more in guess-work; and I run the risk of getting the reader bogged in details which may be inaccurate and could certainly be amended without injury to the main fabric. Yet if I restrict myself to generalities, I do not give the reader enough to bite on; and am in fact shirking the issue, since the size, the order of magnitude, of the factors involved is not an irrelevant detail.”

John Maynard Keynes (1883–1946) British economist

Source: How to Pay for the War (1940), Ch. 5 : A Plan for Deferred Pay, Family, Allowances and a Cheap Ration

“The determination of strategy also requires consideration of what alternative is preferred by the chief executive and perhaps by his immediate associates as well, quite apart from economic considerations. Personal values, aspirations, and ideals do, and in our judgment quite properly should, influence the final choice of purposes. Thus, what the executives of a company want to do must be brought into the strategic decision.
Finally, strategic choice has an ethical aspect—a fact much more dramatically illustrated in some industries than in others. Just as alternatives may be ordered in terms of the degree of risk that they entail, so may they be examined against the standards of responsibility that the strategist elects. Some alternatives may seem to the executive considering them more attractive than others when the public good or service to society is considered. What a company should do thus appears as a fourth element of the fateful decision we have called strategic”

Kenneth R. Andrews (1916–2005) Business scholar

Source: Quote, The Concept of Strategy, 1971, p. 38, cited in: Gastón de los Reyes, Jr. "Introduction (as presented) to The Concept of Strategy 40 Years Later." August 15, 2011, at lgst.wharton.upenn.edu.

Fate, Decision, Appearance, Personality

“Under its first two Indian editors [The Illustrated Weekly] became a vehicle of Indian culture devoting most of its pages to art, sculpture, classical dance and pretty pictures of flowers, birds, and dencing belles. It did not touch controversial subjects, was strictly apolitical and asexual (save occasional blurred reproductions of Khajuraho or Konarak). It earned a well-deserved reputation for dull respectability. I changed all that. What was a four-wheeled victoria taking well-draped ladies out to eat the Indian air I made a noisy rumbustious, jet-propelled vehicle of information, controversy and amusement. I tore up the unwritten norms of gentility, both visual and linguistic…. And slowly the circulation built up, till the Illustrated did become a weekly habit of the English-reading pseudo-elite of the country. It became the most widely read journal in Asia (barring Japan) because it reflected all the contending points of view on every conceivable subject: politics, economics, religion, and the arts.”

Khushwant Singh (1915–2014) Indian novelist and journalist

In Khushwant Singh's editor's page http://books.google.co.in/books?id=sNBOAAAAMAAJ, IBH Pub. Co., 1981, p. 4

Religion, Art, Flowers, Bird

“The fact that, from 1938 onwards, I concentrated more on the interpretation of personal ideas was primarily the result of my departure from Italy. In Switzerland, Belgium, and Holland where I successively established myself, I found the outward appearance of landscapes and architecture to be less striking than those which are particularly to be seen in the southern part of Italy. Thus I felt compelled to withdraw from the more or less direct and true-to-life illustrating of my surroundings.”

M. C. Escher (1898–1972) Dutch graphic artist

Escher's note in a 1960 book introduction; as cited in 'Metamorphosis', in Biography of M.C. Escher http://im-possible.info/english/articles/escher/escher.html 1950's

Life, Idea, Departure, Appearance

“Conceit, arrogance and egotism are the essentials of patriotism. Let me illustrate. Patriotism assumes that our globe is divided into little spots, each one surrounded by an iron gate. Those who have had the fortune of being born on some particular spot consider themselves nobler, better, grander, more intelligent than those living beings inhabiting any other spot. It is, therefore, the duty of everyone living on that chosen spot to fight, kill and die in the attempt to impose his superiority upon all the others.
The inhabitants of the other spots reason in like manner, of course, with the result that from early infancy the mind of the child is provided with blood-curdling stories about the Germans, the French, the Italians, Russians, etc. When the child has reached manhood he is thoroughly saturated with the belief that he is chosen by the Lord himself to defend his country against the attack or invasion of any foreigner. It is for that purpose that we are clamoring for a greater army and navy, more battleships and ammunition.
An army and navy represent the people's toys.”

Emma Goldman (1868–1940) anarchist known for her political activism, writing, and speeches

What is Patriotism? (1908)

People, Intelligence, Fight, Country

“This time the entire floor is covered with cut-up illustrated journals, a new tic and trick of mine (eight days now): I cut out photos from illustrated journals and dissolve them with a chemical solution and swipe and smear them. That is fabulous fun. I have always loved illustrated magazines, perhaps because of their documentary actuality. I have also already made a few attempts to paint something like that in a larger format. Curious to see how it will continue. I am pursuing something which in a certain way resembles the most recent movement: Pop art (from popular), probably came up in America and is now heating up the minds here.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 10 March 1963 - to two artist friends, Helmut and Erika Heinze
1960's

Love, Art, Way, Photo

“When scientists need to explain difficult points of theory, illustration by hypothetical example - rather than by total abstraction - works well (perhaps indispensably) as a rhetorical device. Such cases do not function as speculations in the pejorative sense - as silly stories that provide insight into complex mechanisms - but rather as idealized illustrations to exemplify a difficult point of theory. (Other fields, like philosophy and the law, use such conjectural cases as a standard device.)”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 310
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Law, Sense

“Being pre-eminently a moralist, he needed a medium that enabled him to illustrate a moral insight as briefly and vividly as possible. Being an artist and sensualist, he needed a medium that was epigrammatic or aphoristic, but allowed him scope for fantasy and for that element of suggestiveness which he considered essential to beauty.”

Michael Hamburger (1924–2007) British translator, poet, critic, memoirist and academic

Introduction to his translation, Twenty Prose Poems by Charles Baudelaire

Beauty

“And what this could mean, as illustrated by what happened in 1854, the first real test of the Fugitive Slave Act? There was a slave named Anthony Burns in Virginia who stowed away on board a coastal vessel that then sailed to Boston. And Anthony Burns, who was apparently quite literate but not very smart, wrote a letter to his brother back in Virginia telling him where he was. Well, before Anthony Burns was returned to the State of Virginia, the President, Franklin Pierce, had sent an artillery regiment of marines to Boston. He had federalized the National Guard of Boston. He had 3,000 soldiers surrounding them, making sure that nobody could break the jail and let Anthony Burns out. This was an example of the way in which the federal police power would be used to make sure that slaves were returned to their masters or that slaves couldn’t escape from their masters. So this is the real issue.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, The Real Abraham Lincoln: A Debate (2002), The Right of Secession Is Not the Right of Revolution

Way

“Better off? The point is illustrated by the great African American boxer Muhammad Ali. In the early 1970s Muhammad Ali fought for the heavyweight title against George Foreman. The fight was held in the African nation of Zaire; it was insensitively called the "rumble in the jungle." Ali won the fight, and upon returning to the United States, he was asked by a reporter, "Champ, what did you think of Africa?" Ali replied, "Thank God my granddaddy got on that boat!" There is a characteristic mischievous pungency to Ali's remark, yet it also expresses a widely held sentiment. Ali recognizes that for all the horror of slavery, it was the transmission belt that brought Africans into the orbit of Western freedom. The slaves were not better off—the boat Ali refers to brought the slaves through a horrific Middle Passage to a life of painful servitude—yet their descendants today, even if they won't admit it, are better off. Ali was honest enough to admit it.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Source: Books, America: Imagine a World without Her (2014), Ch. 8. Most likely a misattribution. A Newsweek article at the time of the match attributed the quote "Thank God our grandpappies caught that boat!" to George Foreman's manager Dick Sadler. "It Takes a Heap of Salongo", Newsweek (September 23, 1974), p. 72.

Life, God, Pain, Thinking

“It is a curious fact that with Through the Looking-Glass the faculty of making book illustrations departed from me. … I have done nothing in that direction since.”

John Tenniel (1820–1914) British illustrator, graphic humourist and political cartoonist

Declining to illustrate a later book by Lewis Carroll, as quoted in The Life and Letters of Lewis Carroll (1898), p. 146

Books

“A perfectly flat roof permits up to 50 percent more heat gain that a pitched roof… This illustrates the failure of the flat-roof construction to get natural, hot air flow out from under the eaves.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Failure, Nature

“Album covers are like any other vehicle, they are a means of illustrating a story.”

Peter Blake (1932) British artist

Ian Herbert North, "We hope you will enjoy the show", http://www.findarticles.com/p/articles/mi_qn4158/is_20050211/ai_n9504263 The Independent, 2005-02-11 Sgt. Pepper's cover

“To illustrate the point of legitimacy-beyond-legality, consider the American Nazi party, the Flat Earth Society, and Hustler magazine. All three are quite legal, but they lack legitimacy. We acquiesce in their presence as the price we pay for living in a free society; but we refuse to take them seriously as "legitimate" expressions of political action, scientific inquiry or literary endeavor.”

John Rohr (1934–2011) American political scientist

Source: To run a constitution, 1986, p. x

“In a 1988 Sports Illustrated interview: "Real freedom is having nothing. I was freer when I didn't have a cent. Do you know what I do sometimes? Put on a ski mask and dress in old clothes, go out on the streets and beg for quarters."”

Mike Tyson (1966) American boxer

http://www.boxing-monthly.co.uk/content/0008/three.htm
On himself

Sport, Freedom, Clothes

“In Darwin's time no serious attempt had been made to examine the manifestations of variability. A vast assemblage of miscellaneous facts could formerly be adduced as seemingly comparable illustrations of the phenomenon "Variation." Time has shown this mass of evidence to be capable of analysis. When first promulgated it produced the impression that variability was a phenomenon generally distributed amongst living things in such a way that the specific divisions must be arbitrary. When this variability is sorted out, and is seen to be in part a result of hybridisation, in part a consequence of the persistence of hybrids by parthenogenetic reproduction, a polymorphism due to the continued presence of individuals representing various combinations of Mendelian allelomorphs, partly also the transient effect of alteration in external circumstances, we see how cautious we must be in drawing inferences as to the indefiniteness of specific limits from a bare knowledge that intermediates exist.”

William Bateson (1861–1926) British geneticist and biologist

Source: Problems In Genetics (1913), p. 15

Way, Knowledge, Time, Parting