Quotes about illustration
page 2

“The social dynamics of human history, even more than that of biological evolution, illustrate the fundamental principle of ecological evolution - that everything depends on everything else. The nine elements that we have described in societal evolution of the three families of phenotypes - the phyla of things, organizations and people, the genetic bases in knowledge operating through energy and materials to produce phenotypes, and the three bonding relations of threat, integration and exchange - all interact on each other.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1970s, Ecodynamics: A New Theory Of Societal Evolution, 1978, p. 224

People, Family, History, Knowledge

“Received your letter and, almost at the same time, the long text at which I was overjoyed. You no doubt know that you are the only person in the world to have put together the gestation of the glass [ The Large Glass, circa 1923] in all its detail, including even the numerous intentions which were never executed [by Duchamp]. Your patient work has enabled me to relive a period of long years during which the notes were written for the 'Green Box' [the second of the three Boxes Duchamp created and this one was full of written notes] at the same time as the Glass [= The Large Glass] was taking shape. And I confess to you that, not having read these notes for a very long time, I had completely lost all recollection of numerous points not illustrated on the glass and which are a delight to me now”

Marcel Duchamp (1887–1968) French painter and sculptor

c. 25 years later
Quote from Duchamp's letter to fr:Jean Suquet (art historian), New York 25 December 1949; as cited in The Duchamp Book, ed. Gavin Parkinson, Tate Publishing, London 2008 p. 163
1921 - 1950

World, Time, Reading, Personality

“The great importance of Wilbury House lies less in its appearance now than in its appearance as it was first built and illustrated in Vitruvius Britannicus. It was designed by and built for William Benson in 1710. He is notorious for having been made Wren’s successor in 1718, when George I dismissed Wren as a Tory and an old man, and for having failed so completely that he himself was replaced only one year later. But he is memorable as the designer of the first, not Neo-Palladian, but neo-Inigo-Jones house in England. For this is what Wilbury was, as Sir John Summerson was the first to point out. The house then had a four-column Corinthian portico of tall columns set well away from the wall.”

Nikolaus Pevsner (1902–1983) German-born British scholar

The Buildings of England

Appearance, Housing

“To enlarge or illustrate this power and effect of love is to set a candle in the sun.”

Robert Burton book The Anatomy of Melancholy

Section 2, member 1, subsection 2.
The Anatomy of Melancholy (1621), Part III

Love, Sun

“The history of arithmetic and algebra illustrates one of the striking and curious features of the history of mathematics. Ideas that seem remarkably simple once explained were thousands of years in the making.”

Morris Kline (1908–1992) American mathematician

Morris Kline, p.22.
Mathematics for the Nonmathematician (1967)

History, Mathematics, Idea

“First and foremost, yoga made its contribution to my quest to understand consciously the mechanics of violin playing, a quest which by 1951 had long been one of the themes of my life. All influences pointed to less tension, more effective application of energy, the breaking down of resistance in every joint, the coordination of all motions into one motion; and illustrated the profound truth that strength comes not from strength but from the subtle comprehension of process, proportion and balance.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: The Dawn of Indian Music in the West http://books.google.co.in/books?id=OSZKCXtx-wEC&pg=PA46, A&C Black, 24 April 2006, p. 46

Life, Truth, Understanding

“I did not come to know part II of 'Faust' until long after I made my illustrations, and even then only very superficially. It struck me as an ill-digested work, of little interest from the literary standpoint, but among those most calculated to inspire a painter owing to the mixture of characters and styles it contains... You asked what gave me the first idea of the Faust lithographs. I remember that about 1821 I saw the designs made by Retch [ Retzsch] and found them rather striking; but it was above all the performance of a dramatic opera on Faust that I saw in London in 1825 which stirred me to do something on the subject. The actor.... was a perfect Mephistopheles; he was fat, but that in no way diminished his nimbleness and his Satanic character.”

Eugène Delacroix (1798–1863) French painter

Quote in Delacroix' letter to Philippe Burty, 1 March 1862; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 76
Delacroix describes the source of his series Faust lithographs
1831 - 1863

Way, Idea, Parting, Perfection

“The Arab's tent… actually consists of two separate tents. The outer tent is white and acts as a heat-reflective layer. The lower-inner tent additionally protects… by providing a blanket of moving air between the two tent layers. …this tent system also illustrates the two, most basic principles of summer cooling: reflective insulation and ventilation. …One system must supplement and reinforce the other.”

Ken Kern American writer

The Owner Built Home: A How-to-do-it Book (1972)

Summer

“Finally, the role of sound in these films is very important, and directors give it a lot of attention. We work hard, we try, it is not just enough to illustrate. We must build a character in its own music.”

François-Eudes Chanfrault (1974–2016) Composer and musician

CinemaFantastique.net interview (October 2, 2008)

Music

“What was crucial to the partnership, it should be noted, is that Flavor Flav was a clown — in the tradition of the best black comics — yet he was a clown with consciousness, empowered with knowledge of self, an entirely different persona from the "Stepin Fetchit" and "Sambo" stereotypes of subservient and uncouth black Americans. Flavor Flav was and is a fool, but a fool on a mission. On the cover of Nation of Millions, he wears a gigantic clock as a medallion — a preposterous getup — yet it is designed to illustrate, through a comic medium, that time is indeed running out.”

Flavor Flav (1959) American rapper

Rickey Vincent, Funk: The Music, the People, and the Rhythm of the One (1996), p. 309.
About

Fools, Knowledge, Time, Partnership

“If you cannot be great, be willing to serve God in that which is small. If you cannot do great things for Him, cheerfully do little ones. If you cannot be an Aaron to serve at the altar, or a Moses to guide the tribes, consent to be "a little maid" to Naaman the Syrian, for the honor of God's prophets, or a little child, for Christ's sake, to be set by Him in the midst of the people, as an illustration of the sweetness of humility.”

Samuel Francis Smith (1808–1895) Protestant Christian Minister Patriotic hymn writer

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 123.

God, People, Christ

“If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader really isn't sure, either. They just want to know when they're supposed to pretend that they're amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the “form of funny,” which is more easily understood (and more easily constructed) than authentic funniness.”

Chuck Klosterman Eating the Dinosaur

Eating the Dinosaur (2009)

Age, Failure, Laughter, Chance

“In the field of non-Euclidean geometry, Riemann… began by calling attention to a distinction that seems obvious once it is pointed out: the distinction between an unbounded straight line and an infinite line. The distinction between unboundedness and infiniteness is readily illustrated. A circle is an unbounded figure in that it never comes to an end, and yet it is of finite length. On the other hand, the usual Euclidean concept of a straight line is also unbounded in that it never reaches an end but is of infinite length.
…he proposed to replace the infiniteness of the Euclidean straight line by the condition that it is merely unbounded. He also proposed to adopt a new parallel axiom… In brief, there are no parallel lines. This … had been tried… in conjunction with the infiniteness of the straight line and had led to contradictions. However… Riemann found that he could construct another consistent non-Euclidean geometry.”

Morris Kline (1908–1992) American mathematician

Source: Mathematical Thought from Ancient to Modern Times (1972), p. 454

“What Zionism remained unashamed about throughout its history, however, was its commitment to building a demographically exclusive Jewish state modeled after Christian Europe – a notion pervaded, as the following will illustrate, by a religio-racial epistemology of supremacy over the Palestinian Arabs, not unlike that used by European colonialism with its ideology of white supremacy over the natives.”

Joseph Massad (1963) Associate Professor of Arab Studies

Ibid.
"The Ends of Zionism: Racism and the Palestinian Struggle"

History

“GENTLEMEN OF THE HOUSE OF REPRESENTATIVES: I may be allowed this occasion to say that, in undertaking to discharge the duties of the Chair, I relied for success rather upon your forbearance and kindly aid than upon any poor abilities of my own. That reliance, I am happy to say, has not failed me. On the contrary, the untiring efforts I feel I have made to perform the task in a becoming manner, have been met and sustained with a degree of liberality seldom equaled in any deliberative body. A striking illustration of this is seen in the fact, that notwithstanding the multiplied questions of parliamentary law and usage which have arisen, and in despite of errors into which I may have fallen, each and all the decisions of the Chair, with a single exception, (and that upon a question of minor importance,) have been generously sustained by this body. And as a further mark of respect and kindness, you have been pleased to adopt a resolution approving of my general conduct as the Presiding Officer of this body. In all this, I feel that I have been peculiarly fortunate; and for it all I beg you will accept my most sincere thanks.Allow me to congratulate you, gentlemen, upon the harmony and personal kindness which have so generally prevailed throughout this Hall. It must remain a source of unmixed pleasure to us all, that our conflicts of opinion here, however fierce they may occasionally have been, were not allowed materially to disturb our social relations; and that now, having finished our work, we part in peace. This House stands adjourned sine die.”

Linn Boyd (1800–1859) American politician

Journal Of the House of Representatives the United States: Second Session of the Thirty-Second Congress (1853-03-03)

Pleasure, Peace, Law, Error

“It is one thing to use text to illustrate a point one is making, but quite another to quote merely to demonstrate the excellence of one's memory.”

Gore Vidal (1925–2012) American writer

Source: 1960s, Julian (1964), Chapter 5

Quotes, Memory

“Brexit was a chilling example of how truly intolerant and despicable the left in this country are. I know people whose own parents almost disowned them because they voted leave. I have probably received in the region of 300 death threats – mainly from Muslims who want to prove Islam is a “religion of peace” by killing me, as well as Black Lives Matter supporters. I now really enjoy the death threats because I post them all on social media and they allow me to illustrate how we are stupidly shaping society to cater for the most aggressive, hateful, bigots imaginable. The left denounces people like me as bigots for standing up for true liberal principles which made Western civilisation great in the first place.”

Paul Joseph Watson (1982) English YouTuber, radio host, writer, editor, and conspiracy theorist

"An interview with Paul Joseph Watson", The Tab (7 November 2016)

Death, Hate, People, Peace

“There's the Mike Wallace approach, or you can call it the Michael Moore approach, which is the adversarial approach. In the end, that is not in the service of finding out anything. It's in service of dramatizing a received view: Namely, "This guy is an asshole, and now I will illustrate how this guy is an asshole by showing his inability to answer the questions I put to him." It's not what I'm about. It's not that one approach is good and the other is bad. They just have different valences. I like confrontation as much as the next guy. I'll give you the best example I can think of for why I like my method. [During] my interview with Emily Miller, one of the wacko eyewitnesses in The Thin Blue Line, she volunteered that she had failed to pick out Randall Adams in a police lineup. It wasn't me saying to her, "Emily Miller, how come you failed to pick out Randall Adams in a police lineup?" Why? Because I didn't know she failed to do it, because part of the trial record said she had successfully picked him out. When I heard this, not in response to some adversarial question, just her telling me her story, I asked her, "How did you know you failed to pick out Randall Adams?"”

Errol Morris (1948) American filmmaker and writer

She said, "I know because the policeman sitting next to me told me I had picked out the wrong person and pointed out the right person so I wouldn't make that mistake again." Source: Pitch Weekly http://www.tipjar.com/dan/errolmorris.html

Guy, Question, Thinking, Parting

“A mollusk is a cheap edition [of man] with a suppression of the costlier illustrations, designed for dingy circulation, for shelving in an oyster-bank or among the seaweed.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Power and Laws of Thought (c. 1870)

“A priest visiting my parish preached a sermon wherein he referred to homosexuality as a “lifestyle.” By which he meant a choice. So, too, my beloved Father O’Neill (to whom I confessed as a child) said to my sister, a few months before he died, that he disapproved of “Richard’s lifestyle.” Homosexuality requires cubism to illustrate itself, perhaps. But homosexuality is not a lifestyle. Homosexuality is an emotion—a physiological departure from homeostasis.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Departure, Sister

“The news leak is a pseudo‑event par excellence. In its origin and growth, the leak illustrates another axiom of the world of pseudo‑events: pseudo‑events produce more pseudo‑events.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 31.

World

“Is it not plain that the law of good will has a universal application? There is no event, no act, no word, no supreme crisis of life in which man may let the good will go, and turn on the forces of ill will, egotism, and selfishness. Letting the good will go out of him, he lapses straightway into the child or the savage. Keeping the flow of the serene good will in his soul, he walks the earth, fearless, erect, with God’s sunshine on his face. To live thus is the essence of civilization; the individual and the social welfare are thus secured and harmonized. To live thus is practical religion; the more thoroughly we try, test, and experience it, the more completely it will be found to grow out of, and to illustrate, a Theology, that is, a divine plan of the universe. This Theology matches the needs of civilized men in a civilized world.”

Charles Fletcher Dole (1845–1927) Unitarian minister, speaker, and writer

The Theology of Civilization (May 1899)

Life, Men, God, World

“Organization begins when people, even if they be only two or more, combine their efforts for a given purpose. We have shown this by the simple illustration of two people uniting their efforts to lift and move some weighty object. This combination, however, is not the first principle of organization. It is only an illustration of organization itself. To find the first principle, let us carry the illustration a step further. The efforts of these two lifters must be coordinated, which means that they must act together. If first one lifted, and then the other, there would be no unity of action, and hence no true organization of effort. Here then we find the first principles of organization.
The next thing to do in order to explain is what we mean when we call coordination the first principle. We mean that this term expresses the principles of organization in toto; nothing less. This does not mean that there are no subordinated principles; it simply means that all the others are contained in this one of co-ordination. The others are simply the principles through which co-ordination operates, and thus becomes effective.”

James D. Mooney (1884–1957) American businessman

Source: Onward Industry!, 1931, p. 19

People, Effort

“People Who Get Higher Pay Require Less Security. ITEM. It's 2004. I am presenting Why Men Earn More to the sales and marketing teams of my publisher (AMACOM). To illustrate financial risk as one of the ways to higher pay, I ask everyone in the room who is paid by commission to stand up. Eight men stand; no women. I then ask those paid by salary to stand: About equal numbers of men and women stand.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Why Men Earn More (2005), p. 107.

Women, Men, People, Way

“The surfaces of three-dimensional space are distinguished from each other not only by their curvature but also by certain more general properties. A spherical surface, for instance, differs from a plane not only by its roundness but also by its finiteness. Finiteness is a holistic property. The sphere as a whole has a character different from that of a plane. A spherical surface made from rubber, such as a balloon, can be twisted so that its geometry changes…. but it cannot be distorted in such a way as that it will cover a plane. All surfaces obtained by distortion of the rubber sphere possess the same holistic properties; they are closed and finite. The plane as a whole has the property of being open; its straight lines are not closed. This feature is mathematically expressed as follows. Every surface can be mapped upon another one by the coordination of each point of one surface to a point of the other surface, as illustrated by the projection of a shadow picture by light rays. For surfaces with the same holistic properties it is possible to carry through this transformation uniquely and continuously in all points. Uniquely means: one and only one point of one surface corresponds to a given point of the other surface, and vice versa. Continuously means: neighborhood relations in infinitesimal domains are preserved; no tearing of the surface or shifting of relative positions of points occur at any place. For surfaces with different holistic properties, such a transformation can be carried through locally, but there is no single transformation for the whole surface.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

Way, Mathematics, Tear, Light

“In illustration of his entire preoccupation with his studies, we are told that he would forget all about his food and such necessities of life, and would be drawing geometrical figures in the ashes of the fire, or, when anointing himself, in the oil on his body.”

Thomas Little Heath (1861–1940) British civil servant and academic

p, 125
Achimedes (1920)

Life, Food, Study, Drawing

“To be sure, these witnesses provide an excellent illustration of textual dynamics, and they deepen our knowledge of the development of the Bible text in the technical sense.”

Moshe Goshen-Gottstein (1925–1991) Israeli linguist

Of his analysis of mediaeval Biblical manuscripts.
"Hebrew Biblical Manuscripts" (Biblica, 48 (1967), pp.243-290)

Knowledge, Sense

“I decide who's right and who's wrong, and go from there. But I can't just comment on an issue. I've got to take an editorial position. Too many cartoonists simply illustrate the news. Well, the readers know the news, and a cartoon that illustrates doesn't tell them a thing they don't already know. So, I formulate an opinion and draw it.”

Paul Conrad (1924–2010) German theologian

Paul Conrad. (2010) [1992]. Contemporary Authors Online. Gale. As quoted in Lebo, Harlan H. (December 1977). Writer's Digest.

Drawing

“It is a notorious fact that many prominent Hindus who had offended the religious susceptibilities of the Muslims either by their writings or by their part in the Shudhi movement have been murdered by some fanatic Musalmans…. This is, of course, a very short list and could be easily expanded. But whether the number of prominent Hindus killed by fanatic Muslims is large or small matters little. What matters is the attitude of those who count towards these murderers. The murderers paid the penalty of law where law is enforced. The leading Moslems, however, never condemned theses criminals. On the contrary, they were hailed as religious martyrs and agitation was carried on for clemency being shown to them. As an illustration of this attitude, one may refer to Mr. Barkat Ali, a Barrister of Lahore, who argued the appeal of Abdul Qayum. He went to the length of saying that Qayum was not guilty of murder of Nathuramal because his act was justifiable by the law of the Koran. This attitude of the Moslems is quite understandable. What is not understandable is the attitude of Mr. Gandhi.”

Bhimrao Ramji Ambedkar (1891–1956) Father of republic India, champion of human rights, father of India's Constitution, polymath, revolutionary…

Source: Pakistan or The Partition of India (1946), p. 157

Law, Penalty, Understanding, Parting

“There is another form of selection best illustrated by the automatic telephone exchange. You dial a number and the machine selects and connects just one of a million possible stations. It does not run over them all. It pays attention only to a class given by a first digit, and so on; and thus proceeds rapidly and almost unerringly to the selected station.”

Vannevar Bush book As We May Think

As We May Think (1945)

“Opponents of Fracastoro met his arguments by feigning imaginary causes, which differed from each other rather in name than in substance. Andrea Mattioli, for instance, an eminent botanist, the illustrator of Dioscorides, embraced the notion of Agricola, a German miner, that a certain 'materia pinguis' or 'fatty matter,' set into fermentation by heat, gave birth to fossil organic shapes. Yet Mattioli had come to the conclusion, from his own observations, that porous bodies, such as bones and shells, might be converted into stone, as being permeable to what he termed the 'lapidifying juice.”

Charles Lyell book Principles of Geology

Chpt.3, p. 29
Principles of Geology (1832), Vol. 1

Birth

“Machinery of a very beautiful kind has been contrived for copying accurately, on a reduced or an enlarged scale, both medals and statues. The Venus de Medici itself could not be justly excluded from a purely industrial exhibition, if, placed in the centre of a series diminishing on the one side to a statuette of a foot high, and increasing on the other to a figure double her own height. Such a series, though fairly introduced as an illustration of industrial art, would, indeed, itself be highly interesting to the fine arts, as exhibiting the effect of change of magnitude, when the proportions remain identical.”

Charles Babbage (1791–1871) mathematician, philosopher, inventor and mechanical engineer who originated the concept of a programmable c…

Source: The Exposition of 1851: Views Of The Industry, The Science, and the Government Of England, 1851, p. 52-53

Beauty, Art, Change

“The communications challenge faced by reform movements the world over and illustrated by this incident is this: in the modern communications business, particularly in the case of television, negative is more newsworthy than positive; short term is more newsworthy than long term; disagreement is more newsworthy than agreement; emotion-laden critiques are more newsworthy than well reasoned proposals for constructive change; discord, threats to order, and bad government are much more newsworthy than peace, order, and good government.”

Preston Manning book The New Canada

Source: The New Canada (1992), Chapter Seven, The Vancouver Assembly, p. 137

World, Peace, Communication, Business

“I shall draw… a figure (which all these matters are made clear as far as possible on a surface, but the full demonstration would require a body like the eye… The eye of a cow, pig, and other animals can be used for illustration, if anyone wishes to experiment.”

Roger Bacon book Opus Majus

v. i. iii. 3, ed. Bridges as quoted in A.C. Crombie, Robert Grossetest and the Origins of Experimental Science 1100-1700 (1953)
Opus Majus, c. 1267

Animals, Drawing

“The theory of waves has been much simplified, and somewhat extended, and their motions have been illustrated by experiments… A similar method of reasoning has been applied to the circulation of the blood, to the propagation of sound, either in fluids or in solids, and to the vibrations of musical chords; the general principle of a velocity, corresponding to half the height of a certain modulus, being shown to be applicable to all these cases: and a connexion has been established between the sound to be obtained from a given solid, and its strength in resisting a flexure of any kind; or, in the case of ice and water, between the sound in a solid and the compressibility in a fluid state. The doctrine of sound and of sounding bodies in general has also received some new illustrations, and the theory of music and of musical intervals has been particularly discussed.”

Thomas Young (scientist) (1773–1829) English polymath

Preface
A Course of Lectures on Natural Philosophy and the Mechanical Arts (1807)

Music, Water

“I strive to make my art bear the same relation to painting that polyphony bears to music. Illustrative music is a thing of the past: it has become abstract and purely aesthetic, dependent for its effect upon rhythm and form.”

Stanton Macdonald-Wright (1890–1973) American artist

Quoted in Bryant American Pictures And Their Painters (1917), p. 302

Art, Music, Past, Painting

“The question of relative atrocities may be illustrated by this fact: a close examination by the author of newspaper files for 1966 alone disclosed somewhere between 600 and 1,000 reported South Vietnamese civilian deaths attributed to “errors” in the use of “allied” firepower. During the same year the number of NLF killings, including paramilitary personnel, according to official Saigon estimates, was 1,000. That is, our acknowledged accidental civilian killings were of the same order of magnitude as official claims of NLF killings. It should be obvious that U. S. bombings and killings in “unfriendly” villages were many times greater than killings by mistake.”

Edward S. Herman (1925–2017) American journalist

Source: Atrocities in Vietnam: Myths and Realities, 1970, p. 58.

Death, Error, Question, Time

“I like the Bible folded between lids of cloth, or calfskin, or morocco, but I like it better when, in the shape of a man, it goes out into the world—a Bible illustrated.”

Thomas De Witt Talmage (1832–1902) American Presbyterian preacher, clergyman and reformer during the mid-to late 19th century.

Thomas De Witt Talmage (1832-1902), The Pathway of Life, New York: The Christian Herald, 1894 p 278.
The Pathway of Life, New York: The Christian Herald, 1894

World, Clothes

“Instead of copying Nature, we [ Cubists ] create a 'milieu', of our own, wherein our sentiment can work itself out through a juxtaposition of colors. It is hard to explain it, but it may perhaps be illustrated by analogy of literature and music. Your [ Gelett Burgess is American] Edgar Poe did not attempt to reproduce Nature realistically. Some phase of life suggested an emotion, as that of horror in 'The Fall of the House of Ushur.”

Jean Metzinger (1883–1956) French painter

That subjective idea he translated into art. He made a composition of it. Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 413

Life, Art, Music, Color

“He’s vain. His vanity’s hurt by the world’s refusal to accept his remedies and become immediately Enlightened. And what does a vain man do when insulted, Sir?”…“He lashes out, Sir,” says I. “He seeks to portion blame. He fumes, Sir. He attacks. In the case before us, such is his despotic power, he kills. He kills, Sir. He wars on other nations. Mary’s blood, Sir, but this poor sphere of ours suffers more from the single, frustrated egoist than from any natural—or supernatural—misery. Your own Church’s history, Sir, illustrates my point well enough, eh? We are too frequently in the power of mad children, who rage and stamp and break Kingdoms as they break toys. They order thousands of deaths a day as if they were spoiled brats kicking at their dolls!”

Michael Moorcock (1939) English writer, editor, critic

Source: The von Bek family, The City in the Autumn Stars (1986), Chapter 2 (pp. 197-198; ellipsis represents a minor elision of description)

Death, War, Children, World

“Perhaps the Russians have done the right thing, after all, in abolishing copyright. It is well known that conscious and unconscious appropriation, borrowing, adapting, plagiarizing, and plain stealing are variously, and always have been, part and parcel of the process of artistic creation. The attempt to make sense out of copyright reaches its limit in folk song. For here is the illustration par excellence of the law of Plagiarism. The folk song is, by definition and, as far as we can tell, by reality, entirely a product of plagiarism.”

Charles Seeger (1886–1979) American musicologist

Unsourced

Law, Reality, Sense, Parting

“The tenement – the name derives from a fifteenth-century legal term for a multiple dwelling – always seemed to me a “ship afloat in concrete.” After all didn’t the building carry passengers on a voyage through life? No. 55 sat at the corner of Dropsie avenue near the elevated train, or the elevated as we called it in those days. It was a treasure house of stories that illustrated tenement life as I remembered it, stories that needed to be told before they faded from memory. Within its “railroad flats,” with rooms strung together train-like lived low-paid city employees or laborers and their turbulent families. Most were recent immigrants, intent n their own survival. They kept busy raising children and dreaming of the better lie they knew existed “uptown.” Hallways were filled with a rich stew of cooking aromas, sounds of arguments and the tinny wail from Victrolas. What community spirit there was stemmed from the common hostility of tenants to the landlord or his surrogate superintendent. Typically, the buildings tenants came and went with regularity, depending on the vagaries of their fortunes But many remained for a lifetime, imprisoned by poverty or old age. There was no real privacy or anonymity. Everybody knew about everybody. Human dramas, both good and bad, instantly gathered witness like ants swarming around a piece of dropped food. From window to window or on the stoop below, the tenants analyzed, evaluated and critiqued each happening, following an obligatory admission that it was really none of their business.”

Will Eisner (1917–2005) American cartoonist

XV-XVI, December 2004
A Contract With God (2004)

Life, Hostility, Children, Lie

“In practically every film you experience, you can see the director following the text. Illustrating the words first, making the pictures after, and, alas, so often not making pictures at all, but holding up the camera to do its mimetic worst.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

“Scotland and Ireland were virtually disfranchised; Edinburgh and Glasgow, the two largest cities of Scotland, had each a constituency of only thirty-three members. A majority of the members of the House of Commons were elected by six thousand voters. This state of affairs afforded ready opportunities for the moneyed aristocracy to buy seats in Parliament, by the purchase of a few voters in rotten boroughs; and also enabled the ministry to secure a servile majority in the Commons. The corruption resulting from these conditions, as exhibited in the latter half of the eighteenth century, can hardly be realized by the present generation. They afford, however, an illustration of the universal truth, that a government which does not draw its inspiration of liberty, justice, and morality from the people will soon become both tyrannical and corrupt.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Oration at Ravenna, Ohio (1865)

Money, People, Truth, Justice

“Human labor, through all its forms, from the sharpening of a stake to the construction of a city or an epic, is one immense illustration of the perfect compensation of the universe. The absolute balance of Give and Take, the doctrine that every thing has its price, — and if that price is not paid, not that thing but something else is obtained, and that it is impossible to get any thing without its price, — is not less sublime in the columns of a leger than in the budgets of states, in the laws of light and darkness, in all the action and reaction of nature. I cannot doubt that the high laws which each man sees implicated in those processes with which he is conversant, the stern ethics which sparkle on his chisel-edge, which are measured out by his plumb and foot-rule, which stand as manifest in the footing of the shop-bill as in the history of a state, — do recommend to him his trade, and though seldom named, exalt his business to his imagination.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), Compensation

Law, Imagination, History, Business

“Without some knowledge of Constitutional History it is absolutely impossible to do justice to the characters and positions of the actors in the great drama; absolutely impossible to understand the origin of parties, the development of principles, the growth of nations in spite of parties and in defiance of principles. It alone can teach why it is that in politics good men do not always think alike, that the worst cause has often been illustrated with the most heroic virtue, and that the world owes some of its greatest debts to men from whose very memory it recoils.”

William Stubbs (1825–1901) English historian and clergyman

The Constitutional History of England (1873-8; Oxford: Clarendon Press, 1903) vol. 1, pp. iii-iv.

Men, World, Justice, History

“His formidable originality within the picture-book convention may not have been altogether apparent to Keeping himself, which is both a strength and a weakness: the strength that he could communicate with unrivalled emotional intensity — but possibly only with one child in twenty; the concomitant weakness is that there was not a lot he could do to broaden this minority appeal and ensure that his books remained in print over longer periods. ~ Douglas Martin in Charles Keeping: an illustrator's life (1993) he is a good auther”

Charles Keeping (1924–1988) British illustrator and children's writer

Life, Books, Communication

“My intention is to make in Drenthe so much progress in painting that when I come back I may be qualified for the 'Society of Draughtsmen' [a group of London illustrators]. This stands again in connection with the second plan of going to England”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

to become an illustrator Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 319) p. 21 1880s, 1883

Painting

“Well, you know, a lot of work nowadays [c. 1991] tends to be illustrative of theory already written, and some of it tends to be quite consciously didactic, as if the determination is to teach somebody something. And letting that go for the moment, as far as its value is concerned, it's exactly the opposite of what I seem to find most useful, and that is to leave things open and not determine anything except the very clear form. The form is always very simple and clear. What is experienced is uncertain and unforeseeable, which is why I do it, and its point is never clear to me, even after I've done it. So that's a very, very different way of looking at the nature of our responsibility in the world.”

Allan Kaprow (1927–2006) American artist

In an interview with Robert C. Morgan, 1991; in the 'Journal of Contemporary Art, 4', no. 2, p. 56-69

World, Way, Nature

“The zealous care with which J. M. W. Turner endeavoured to do his duty, is proved by a large existing series of drawings, exquisitely tinted, and often completely coloured, all by his own hand, of the most difficult perspective subjects—illustrating not only directions of line, but effects of light - with a care and completion which would put the work of any ordinary teacher to utter shame. In teaching generally — he would neither waste time nor spare it - he would look over a student's drawing at the Academy, point to a defective part, make a scratch on the paper at the side, say nothing. If the student saw what was wanted, and did it, Turner was delighted; but if the student could not follow. Turner left him.”

John Ruskin (1819–1900) English writer and art critic

Quote, c. 1850's; describing Turner's perspective lectures; as quoted in The life of J.M.W. Turner, Volume II, George Walter Thornbury; Hurst and Blackett Publishers, London, 1862, p. 108

Light, Teachers, Time, Parting

“Art is the beautiful illustration of Truth from the creative imagination. The truth is in our life and unless it comes from the formlessness to the form we do not realize it.”

Laxmi Prasad Devkota (1909–1959) Nepali poet

कला र जीवन (Art and Life)
Art and Life

Life, Truth, Beauty, Art

“.. and to think now that great mathematicians find my work interesting because I am able to illustrate their theories. They can not imagine that I was such a bad pupil in mathematics. I don't understand it myself neither. I never could understand why it was necessary to prove something that everyone already sees. I saw it, I knew it, so it is how it is… But yes, you had to prove it. I did overcome it when I realized I can make something else - I thought I was a good-for-nothing. In my family there were no other artists to find... I was just a weird duck, right?”

M. C. Escher (1898–1972) Dutch graphic artist

version in original Dutch (origineel citaat van M.C. Escher, in het Nederlands): En als je nu bedenkt dat grote wiskundigen mijn werk interessant vinden, omdat ik in staat ben hun theorieën te illustreren. Ze kunnen zich helemaal niet voorstellen dat ik zo slecht was in wiskunde. Ik snap er zelf ook niets van. Ik begreep niet dat je iets moest bewijzen wat iedereen ziet. Ik zag het, ik wist, het is toch zo.. .Maar jawel hoor, je moest het bewijzen. Ik ben er bovenuit gekomen toen ik me realiseerde, dat ik wat anders kon. Ik dacht, dat ik een nietsnut was. Ik kom uit een milieu waar geen artiesten in waren.. ..Ik was een rare eend in de bijt, he?
1960's, M.C. Escher, interviewed by Bibeb', 1968

Family, Imagination, Mathematics, Understanding

“The coordination of information technology management presents a challenge to firms with dispersed IT practices. Decentralization may bring flexibility and fast response to changing business needs, as well as other benefits, but decentralization also makes systems integration difficult, presents a barrier to standardization, and acts as a disincentive toward achieving economies of scale. As a result, there is a need to balance the decentralization of IT management to business units with some centralized planning for technology, data, and human resources.
Here we explore three major mechanisms for facilitating inter-unit coordination of IT management: structural design approaches, functional coordination modes, and computer-based communication systems. We define these various mechanisms and their interrelationships, and we discuss the relative costs and benefits associated with alternative coordination approaches.
To illustrate the cost-benefit tradeoffs of coordination approaches, we present a case study in which computer-based communication systems were used to support team-based coordination of IT management across dispersed business units. Our analysis reveals possibilities for future approaches to IT coordination in large, dispersed organizations.”

Gerardine DeSanctis (1954–2005) American organizational theorist

Gerardine DeSanctis and Brad M. Jackson (1994) "Coordination of information technology management: Team-based structures and computer-based communication systems." Journal of Management Information Systems Vol 10 (4). p. 85-110. Abstract

Communication, Business, Support, Study

“Let him fall if he cannot stand alone! If the Negro cannot live by the line of eternal justice, so beautifully pictured to you in the illustration used by Mr. Phillips, the fault will not be yours, it will be his who made the Negro, and established that line for his government. Let him live or die by that. If you will only untie his hands, and give him a chance, I think he will live. He will work as readily for himself as the white man. A great many delusions have been swept away by this war. One was, that the Negro would not work; he has proved his ability to work. Another was, that the Negro would not fight; that he possessed only the most sheepish attributes of humanity; was a perfect lamb, or an “Uncle Tom;” disposed to take off his coat whenever required, fold his hands, and be whipped by anybody who wanted to whip him. But the war has proved that there is a great deal of human nature in the Negro.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, What the Black Man Wants (1865)

War, Justice, Nature, Thinking

“In all God's providences, it is good to compare His word and His works together; for we shall find a beautiful harmony between them, and that they mutually illustrate each other.”

Matthew Henry (1662–1714) Theologician from Wales

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 281.

God, Beauty

“The reason why so few persons are agreeable in conversation is that each thinks more of what he desires to say, than of what the others say, and that we make bad listeners when we want to speak. Yet it is necessary to listen to those who talk, we should give them the time they want, and let them say even senseless things; never contradict or interrupt them; on the contrary, we should enter into their mind and taste, illustrate their meaning, praise anything they say that deserves praise, and let them see we praise more from our choice than from agreement with them. To please others we should talk on subjects they like and that interest them, avoid disputes upon indifferent matters, seldom ask questions, and never let them see that we pretend to be better informed than they are.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), V. On Conversation

Question, Thinking, Time, Personality

“Listen what happened to me when I was in the fifth form (ca. 1904), in the drawing lesson. An old-timer in the front row, the one who pinched me the most often, suddenly showed me a sketch on tissue paper, copied from the magazine "Niva": The Smoker. In this pandemonium! Leave me alone. I don't remember very well but this drawing, done not by me but by that fathead, immediately threw me into a rage. It roused a hyena in me. I ran to the library, grabbed that big volume of "Niva" and began to copy the portrait of the composer Rubinstein, fascinated by his crow's-feet and his wrinkles, or by a Greek woman and other illustrations; maybe I improvised some too, I hung them all up in my bedroom..”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 24-25
1920's, My life (1922)

Rage, Drawing

“[I]f texts are unified by a central logic of argument, then their pictorial illustrations are integral to the ensemble, not pretty little trifles included only for aesthetic or commercial value. Primates are visual animals, and (particularly in science) illustration has a language and set of conventions all its own.”

Stephen Jay Gould book Time's Arrow, Time's Cycle

Source: Time's Arrow, Time's Cycle (1987), p. 18

Science, Animals

“The whole system has been long since swept away, and its records merely remain as illustrations of perverted ingenuity.”

Richard Anthony Proctor (1837–1888) English astronomer

Of the Ptolemaic system
Source: Saturn and its System (2nd ed 1882), Chapter 2, p. 32

“What I set myself to do was this, to write a sort of grammar of thirteenth-century architecture, and to illustrate it with carefully measured details. I moreover resolved, when I did measure details or buildings, to do the part I wanted, and not to waste time by trying to make a finished drawing by means of the surroundings. The plan of the book fell through, for I had scarcely been at work two months before the advertisement of M. Viollet-le-Duc's Dictionary appeared, and I then continued tho drawings for my own instruction and without any intention of publication.”

William Burges (1827–1881) English architect

William Burges, Architectural Drawings, London, 1870. p. 1; As cited in American Architect and Building News. 1881. Vol. 9. p. 236

Books, Appearance, Time, Parting

“I am most comfortable with writing and pen and ink illustrations. My filter tends to be cut ups of what is around me blurred into my own feelings and interests of the Victorian era. I don't try to categorize myself but I do recognize my influences are a bit more macabre than usual.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Regarding his influences and style; as quoted in "Americymru" http://americymru.blogspot.com/2010/08/interview-with-lorin-morgan-richards.html "An Interview With Lorin Morgan-Richards” (25 August 2010).

Feeling

“I think of Abstract Art in the same way I think of all Art, Past and Present. I see it as divided into two Major categories, Objective and Subjective. Objective Art is Absolute Art. Subjective Art is Illustration, or communication by Symbols, Replicas, and Oblique Emotional Passes. They are both Art, but their Content has no Identity. Their difference cannot be defined as a difference of Idiom, because all Paintings have the Laws of Design as a common denominator. Design exists as an Idiom of Color-Space Logic, and it also exists in an Idiom of Representational Likenesses. Objective Art and Subjective Art exist in both Idioms. Their difference can only be defined in terms of what the Artist thinks his Purpose means-its Content as a Design Image.”

Stuart Davis (1892–1964) American painter

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

Law, Art, Color, Way

“I am merely trying to illustrate one of the fundamental facts about American journalism today, the fact that the servants of the press lords are slaves very much as they have always been, and that any attempt at revolt is immediately punished with the economic weapon.”

George Seldes (1890–1995) American journalist

Lords of the Press

“We distinguish diagrammatic from sentential paper-and-pencil representations of information by developing alternative models of information-processing systems that are informationally equivalent and that can be characterized as sentential or diagrammatic. Sentential representations are sequential, like the propositions in a text. Diagrammatic representations are indexed by location in a plane. Diagrammatic representations also typically display information that is only implicit in sentential representations and that therefore has to be computed, sometimes at great cost, to make it explicit for use. We then contrast the computational efficiency of these representations for solving several. illustrative problems in mathematics and physics.”

Herbert A. Simon (1916–2001) American political scientist, economist, sociologist, and psychologist

Source: 1980s and later, "Why a diagram is (sometimes) worth ten thousand words," (1987), p. 65

Mathematics, Problem

“My aim is… to place before a young student a nucleus of well-ordered knowledge, to which he is to add intelligent notes and illustrations from his daily reading.”

James Gow (scholar) (1854–1923) scholar

Preface
A Companion to School Classics (1888)

Intelligence, Knowledge, Reading

“What delighted me was that it's 30 years from now — not next week or next year. … That would be totally hopeless; that would be terrifying, in fact. Time is on our side in this one — that's why it's such a wonderful illustration of the process… I say 30 years is a good long time to do something about it if it is a problem … We should be thankful we have this kind of notice.”

Brian G. Marsden (1937–2010) British astronomer

On initial reports that Asteroid 1997 XF11 could be on a trajectory to hit the Earth in 2028; as quoted in "Man in the News; A Cheery Herald of Fear: Brian Geoffrey Marsden" in The New York Times (13 March 1998) http://query.nytimes.com/gst/fullpage.html?res=9401E2D91F30F930A25750C0A96E958260&sec=&spon=&pagewanted=all.

Problem, Time

“Can't take sides? — — —! These were American journalists, and they can't take sides? That attitude illustrates the haughty arrogance of people in the news business.”

Rush Limbaugh (1951) U.S. radio talk show host, Commentator, author, and television personality

People, Business

“The evidence introduced for political pessimism; the criminal, the lunatic, and the asocial individual, in a word, the second-rate citizen —these are not by nature as one finds them now but have been made so by society. It is said that they have never had a chance to be as they would be according to their nature, but were forced into the situation in which they find themselves through poverty, coercion, and ignorance. They are victims of society.
This defense against political pessimism regarding human nature is at first convincing. It possesses the superiority of dialectical thinking over positivistic thinking. It transforms moral states and qualities into processes. Brutal people do not “exist,” only their brutalization; criminality does not “exist,” only criminalization; stupidity does not “exist,” only stupefaction; self-seeking does not “exist,” only training in egoism; there are no second-rate citizens, only victims of patronization. What political positivism takes to be nature is in reality falsified nature: the suppression of opportunity for human beings. Rousseau knew of two aids who could illustrate his point of view, two classes of human beings who lived before civilization and, consequently, before perversion: the noble savage and the child. Enlightenment literature develops two of its most intimate passions around these two figures: ethnology and pedagogy.”

Peter Sloterdijk (1947) German philosopher

(describing Rousseau’s philosophy) p. 55
Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983)

People, Stupidity, Literature, Nature

“You are of all my friends the one who illustrates pragmatism in its most needful forms. You are a jewel of pragmatism.”

Charles Sanders Peirce (1839–1914) American philosopher, logician, mathematician, and scientist

Letter to William James (16 March 1903), published in The thought and character of William James, as revealed in unpublished correspondence and notes (1935) by Ralph Barton Perry, Vol. 2, p. 427

“In addition, 'Elementarism' is real instead of abstract. The use of the term 'abstract' also caused much misunderstanding. This is easily explained... As used in connection with visual methods of expression, the term 'abstract' is extremely relative. 'To abstract' something implies one of those mental activities (in contrast to emotional spontaneity) through which certain [aesthetic] values are isolated from the world of reality. However, when such values were realized visually and applied as purely constructive means, they became real. Thus the abstract was transformed into the real, thereby illustrating the relativity of the former term. Hence, the term ‘abstract-real’ [proposed by his former artist-fellow Piet Mondrian, ] was a fortunate invention, although in reference to a new orientation [van Doesburg's new art orientation 'Elementarism'] the term 'real' is sufficient. The period of abstraction is at an end. Is not an elementary painting, which is to say a certain composition of plane-linear colours, organic in itself, more concrete…”

Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer

Quote from Van Doesburg's article 'Elementarism as real art', in: 'Painting and plastic art' - Rome, July 1926, in De Stijl', series XIII, 1 75-6, 1926, pp. 35–43
1926 – 1931

World, Art, Reality, Painting

“I remember that on one occasion Mossadegh swooned in the midst of a speech to our Parliament. When a hastily summoned doctor started to loosen his clothes, Mossadegh instantly revived enough to clap his hand over his wallet. The old hypocrite had not been unconscious at all; he was merely pretending in the hope of impressing his audience. I think this incident, observed by many, illustrates one of Mossadegh's cardinal characteristics- namely, his insincerity.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Page 109
Publications, Mission for my Country (1961)

Hope, Thinking, Clothes

“While doing illustrative work for Roderick Peattie, from him I learned the value of the unorthodox.”

Arthur H. Robinson (1915–2004) American geographer

Source: The Look of Maps (1952), p. vii

Learning

“Graves: Quite a lot of attention has been given to this “Protocol” matter in England! An English edition of it, “The Jewish Peril,” appeared last January…and the “Illustrated Sunday Herald” carried a big article on it February 8, 1920”

Will Eisner (1917–2005) American cartoonist

The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Appearance

“If there is no choice, we will declare war on the millionaires in Israel. The ground is burning to such an extent, that the rich people of the land should not be surprised if certain groups would arrive and just climb on their houses and expel them from their homes, or if their daughters could no longer walk outside. Each one would have to establish a private police force. When the struggles begin, illustrating the fact that we cannot continue in this condition where there are groups that accumulate wealth and get rich in a legendary fashion, while others are left so far behind, no one should fool himself into thinking that his house and yard are out of the game.”

Amir Peretz (1952) Israeli politician

Source: Interview by Orna Kadosh in Maariv, May 12, 2000 http://www.nrg.co.il/online/archive/ART47/692.html http://www.nrg.co.il/online/archive/ART48/171.html

War, People, Fools, Home

“Human history, like all great movements, was cyclical, and returned to the point of beginning. the idea of indefinite progress in a right line was a chimera of the imagination, with no analogue in nature. The parabola of a comet was perhaps a better illustration of the career of humanity. Tending upward and sunward from the aphelion of barbarism, the race attained the perihelion of civilization only to plunge downward once more to its nether goal in the regions of chaos.”

Edward Bellamy (1850–1898) American author and socialist

Source: Looking Backward, 2000-1887 http://www.gutenberg.org/dirs/etext96/lkbak10.txt (1888), Ch. 1.

Imagination, History, Idea, Nature

“The age-long history of thinking on gravitation, too, was erased from the collective consciousness, and that force somehow became the serendipitous child of Newton's genius. The new attitude is well illustrated by the anecdote of the apple, a legend spread by Voltaire, one of the most active and vehement erasers of the past. … The need to build the myth of an ex nihilo creation of modern science gave rise to much impassioned rhetoric.”

Lucio Russo (1944) Italian historian and scientist

11.10, "The Erasure of Ancient Science", pp. 390–391
The Forgotten Revolution: How Science Was Born in 300 BC and Why It Had to Be Reborn (2004)

Age, History, Thinking, Science

“Well, I'd say, and this is probably a change from what I would have said when I was younger: Have a very healthy respect for the study of economic history, because that's the raw material out of which any of your conjectures or testings will come. And I think the recent period has illustrated that. The governor of the Bank of England seems to have forgotten or not known that there was no bank insurance in England, so when Northern Rock got a run, he was surprised. Well, he shouldn't have been.
But history doesn't tell its own story. You've got to bring to it all the statistical testings that are possible. And we have a lot more information now than we used to.”

Paul A. Samuelson (1915–2009) American economist

Conor Clarke, An Interview With Paul Samuelson http://www.theatlantic.com/politics/archive/2009/06/an-interview-with-paul-samuelson-part-two/19627/, Part Two (2009) New millennium

History, Thinking, Study, Change

“The fact that this enterprise is being begun in one of our new states not yet great in population, not largely developed in its resources, discloses that the old American spirit still goes where our people go, still dominates their lives, still inspires them to deeds of devotion and sacrifice. It is but another illustration of the determination of our people to use their material resources to minister to their spiritual life. This memorial will be another national shrine to which future generations will repair to declare their continuing allegiance to independence, to self-government, to freedom and to economic justice. It is an inspiring phase of American life that men are willing to devote their energies to the erection of a memorial of this nature. Money spent for such a purpose is certain of adequate returns in the nature of increased public welfare.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Address at the Black Hills (1927)

Life, Men, Money, People

““.. I felt angry when I learnt that a great artist like Mani Madhava Chakyar was awarded a mere Padma Shri. A man of his artistic genius and erudition deserved to be decorated with the highest state honour (Bharat Ratna)”
- RKG (Editor, The Illustrated Weekly, Columnist for Times of India), 2000”

Mani Madhava Chakyar (1899–1990) Indian actor

Awards Source: RKG, India : A Nation in Turmoil, Vedam Books, New Delhi (2000), ISBN 81-7476-268-X, p. 256 http://books.google.com/books?id=pKkBbf7doAUC&pg=RA1-PA256&ots=46YGGQqKUK&dq=Mani+Madhava+Chakyar&sig=BtI2LnPjtmf8b9sIMMlC4ihk40Y#PRA1-PA256,M1

Time

“I have studied the Bible for about 50 years, or sometime more than that, but, of course, I have studied it more as I have become older than when I was but a boy. … I believe everything in the Bible should be accepted as it is given there: some of the Bible is given illustratively. For instance: "Ye are the salt of the earth." I would not insist that man was actually salt, or that he had flesh of salt, but it is used in the sense of salt as saving God's people.”

William Jennings Bryan (1860–1925) United States Secretary of State

Scopes Trial (1925), Day 7

God, People, Boy, Sense

“These are all concepts. I make a lot of ideas and inserts. And this is what I just created. I don't write the map by hand anymore; I use illustrator instead to do the map. It has about five layers.”

Hirokazu Yasuhara (1965) Japanese video game designer

Gamasutra interview (2008)

Idea

“From New Orleans and the back roads of the Mississippi Delta to Harlem and Chicago, black musicians set enduring and distinctive standards for American creativity. The blues of Ma Rainey and Bessie Smith, the gospel of Mahalia Jackson, the jazz of Duke Ellington, and the soul of Marvin Gaye claim fans of all ages from around the world. The trumpeting genius of Louis Armstrong and Dizzy Gillespie illustrate the exceptional musicianship so prominent in various genres of African-American music.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

Age, World, Music, Soul

“The grand old Book of God still stands; and this old earth, the more its leaves are turned over and pondered, the more it will sustain and illustrate the Sacred word.”

James Dwight Dana (1813–1895) American mineralogist

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 35.

God, Books

“The first and foremost critic of a work of art is the artist who created it. Give him every means to illustrate it and make it known. If an artist awaits celebrity or gratefulness for his work through other people, he will have the time to die a thousand times for sheer hunger.”

Fortunato Depero (1892–1960) Italian painter, writer, sculptor and graphic designer

p 97.
So I think, so I paint (1947)

Hunger, People, Art, Time

“How could one argue with a man who was always drawing lines and circles to explain the position; who, one day, drew a diagram [here Michael illustrated with pen and paper] saying 'take a point A, draw a straight line to point B, now three-fourths of the way up the line take a point C. The straight line AB is the road to the Republic; C is where we have got to along the road, we canot move any further along the straight road to our goal B; take a point out there, D [off the line AB]. Now if we bend the line a bit from C to D then we can bend it a little further, to another point E and if we can bend it to CE that will get us around Cathal Brugha which is what we want!”

Michael Collins (Irish leader) (1890–1922) Irish revolutionary leader

How could you talk to a man like that?
Referring to Eamon de Valera in conversation with Michael Hayes, at the debates over the Anglo-Irish Treaty in 1921
Michael Hayes Papers, P53/299, UCDA
Quoted in Doherty, Gabriel and Keogh, Dermot (2006). Michael Collins and the Making of the Irish State. Mercier Press, p. 153.

Way, Drawing

“The superiority of the woman was not a fancy but a fact. Man's business was to fight, or hunt, or feast or make love. The man was also the travelling partner in commerce, commonly absent from home for months together, while the woman carried on the business. The woman ruled the household and the workshop; cared for the economy; supplied the intelligence and dictated the taste. Her ascendancy was secured by her alliance with the Church, into which she sent her most intelligent children; and a priest or clerk, for the most part, counted socially as a woman. Both physically and mentally the woman was robust, as the men often complained, and she did not greatly resent being treated as a man. Sometimes the husband beat her, dragged her about by the hair, locked her up in the house; but he was quite conscious that she always got even with him in the end. As a matter of fact, probably she got more than even. On this point, history, legend, poetry, romance, and especially the popular Fabliaux,— invented to amuse the gross tastes of the coarser class,— are all agreed, and one could give scores of volumes illustrating it.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love, Men, Children, Making love

“The fundamental objective of the science of administration is the accomplishment of the work in hand with the least expenditure of man-power and materials. Efficiency is thus axiom number one in the value scale of administration. This brings administration into apparent conflict with certain elements of the value scale of politics, whether we use that term in its scientific or in its popular sense. But both public administration and politics are branches of political science, so that we are in the end compelled to mitigate the pure concept of efficiency in the light of the value scale of politics and the social order. There are, for example, highly inefficient arrangements like citizen boards and small local governments which may be necessary in a democracy as educational devices. It has been argued also that the spoils system, which destroys efficiency in administration, is needed to maintain the political party, that the political party is needed to maintain the structure of government, and that without the structure of government, administration itself will disappear. While this chain of causation has been disproved under certain conditions, it none the less illustrates the point that the principles of politics may seriously affect efficiency. Similarly in private business it is often true that the necessity for immediate profits growing from the system of private ownership may seriously interfere with the achievement of efficiency in practice.”

Luther H. Gulick (1892–1993) American academic

Source: "Science, values and public administration," 1937, p. 192-193

Education, Democracy, Business, Sense

“I repose in this quiet and secluded spot not from any natural preference for solitude, but finding other cemeteries limited as to race by charter rules, I have chosen this that I might illustrate in my death the principles which I advocated through a long life: EQUALITY OF MAN BEFORE HIS CREATOR.”

Thaddeus Stevens (1792–1868) American politician

Epitaph on his grave in Lancaster, Pensylvania
1860s

Life, Death, Nature, Solitude

“The aim of art is to create space - space that is not compromised by decoration or illustration, space within which the subjects of painting can live.”

Frank Stella (1936) American artist

Quoted in: Alan D. Bryce (2007) Art Smart: Art Smart: The Intelligent Guide to Investing in the Canadian Art Market. p. 55
Quotes, 1971 - 2000

Art, Painting

“The establishment of "The Times" newspaper is an example, on a large scale, of a manufactory in which the division of labour, both mental and bodily, is admirably illustrated, and in which also the effect of domestic economy is well exemplified. It is scarcely imagined, by the thousands who read that paper in various quarters of the globe, what a scene of organized activity the factory presents during the whole night, or what a quantity of talent and mechanical skill is put in action for their amusement and information.”

Charles Babbage On the Economy of Machinery and Manufactures

Source: On the Economy of Machinery and Manufactures, 1832/1841, p. 270; Ch. 28 "Proper circumstances for the application of machinery."

Imagination, Time, Reading, Night

“I am gratified by her having pleasure in what I write, but I wish the knowledge of my being exposed to her discerning criticism may not hurt my style, by inducing too great a solicitude. I begin already to weigh my words and sentences more than I did, and am looking about for a sentiment, an illustration, or a metaphor in every corner of the room. Could my ideas flow as fast as the rain in the store-closet it would be charming.”

Jane Austen (1775–1817) English novelist

Letter (1809-01-24) [Letters of Jane Austen -- Brabourne Edition]
Letters

Pleasure, Idea, Knowledge, Hurt

“It has often been asserted that the polytheistic Hindu failed to establish a spiritual kinship with the monotheistic Muslim who held much that is Indian in scorn and still seeks his spiritual inspiration abroad. How can we say that India ignored the teachings of Islam when we find saints like Nanak and Chaitanya, Namdev and Tukaram, preaching the brotherhood of man and the futility of caste in matters spiritual? Although attempts on Hindu culture and institutions fill the pages of Indian history, how can we assert that Muslims ignored the appeal of Hindu culture when we find Muhammad Jayasi weaving a beautiful romance to illustrate the teachings of Hindu philosophy, when we read the simple devotional hymns of Kabir and Sheikh Farid, who refused to recognise the barriers of caste and creed on the high road to God’s kingdom? “Utter not one disagreeable word,” said Farid, “since the true lord is in all men. Distress no one’s heart for every heart is a precious jewel.” In the same strain did Kabir proclaim, “There is the same God for the Hindu as for the Muslim.””

Syama Prasad Mookerjee (1901–1953) Indian politician

A rejuvenated India found an Akbar to put an end to political chaos and social disharmony and a Shah Jahan to dream a dream in marble the like of which is not to be met in the world.
Speech delivered at Patna University Convocation on 27th November 1937.

Men, God, World, Beauty

“To me, Pollock is the height of American painting. It's very lyrical. Gorky, who is very passionate, can copy a drawing or take a drawing and copy it exactly as a painting, and Miro can too, it's amazing. Miro can do a drawing to paint and that's another training in a sense. So there's a certain mannerism that comes in both of them [three], and probably everything becomes obvious in time. But I don't have that. The line is illustrated or the colour. I'm sure it has great feeling when they're doing it, but it's more towards defining something. It has a certain clarity because it's a complex thing. I'm a painter and my whole balance is not having to think about things. So all I think about is painting. It's the instinct for the placement where all that happens. I don't have to think about it. So I don't think of composition; I don’t think of colour here and there. Sometimes I alter something after. So all I could think is the rush... I cannot make a picture unless everything is working. It's like a state.”

Cy Twombly (1928–2011) American painter

Source: 2000 - 2011, Cy Twombly, 2000', by David Sylvester (June 2000), p. 179

Feeling, Thinking, Sense, Passion

“The conception of life as constructive rather than antagonistic effort finds beautiful illustration in every approach that we make toward true civilization. You measure the quality and the value of the civilization of individuals or peoples, not by the houses which they live in or the clothes which they wear, but by the width and power of their sympathy.”

Charles Fletcher Dole (1845–1927) Unitarian minister, speaker, and writer

The Theology of Civilization (May 1899)

Life, People, Beauty, Effort

““(I got introduced to) the late and great Mani Madhava Cakyar’s King Udayana in Svapnavasavadatta. In what may have been among his last performances on the public stage I was fortunate to see Sri Cakyar, who at an advanced age, literally threw away his walking stick as he entered the stage to become a sprightly royal lover pining away for his beloved Vasavadatta. At his home in Likkadi he demonstrated the nava rasas… Sri Cakyar vividly illustrated to me that kutiyattam acting has the power to transform even the oldest person into the character he portrays”
- Prof. Farley P. Richmond (Expert on Indian theatre), Department of Theatre and Film Studies, University of Georgia.”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya
Source: www.uga.edu/farleyrichmond/projects/trivandrum%20speech.pdf

Age, Home, Lovers, Study

“We are now committed to an unqualified art, not illustrating outworn myths or contemporary alibis. One must accept total responsibility for what he executes. And the measure of his greatness will be in the depth of his insight and his courage in realizing his own vision.”

Clyfford Still (1904–1980) American artist

Letter to Dorothy Miller February 5, 1952; as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p. 193
1950s

Art, Courage

“Judaism was a divinely appointed type of the Millennial Kingdom of Christ which will control and regulate all matters; hence Judaism was properly a union of church and state - of religious and civil government. But, as we have already shown, the Gospel Church was in no sense to be associated in, or to have anything to do with, the government of the world, until her Lord, the King of Kings, comes, assumes control, and exalts her as his bride to share in that reign of righteousness. Neglecting the Lord's words, and following human wisdom, theories and plans, the great system called Christendom, embracing all governments and creeds professing to be Christ's (but a miserable counterfeit of the true Kingdom of Christ), was organized before the time, without the Lord, and of wholly unfit elements. The fall of Babylon as an unfit church-state system, and the gathering out of the worthy wheat, therefore, can be and is well illustrated by the fall of Judaism.”

Charles Taze Russell (1852–1916) Founder of the Bible Student Movement

Source: Milennial Dawn, Vol. III: Thy Kingdom Come (1891), p. 153.

Wisdom, World, Sense, Time

“One thing leads to another, and soon you are searching for answers to basic questions.Another time during lectures on Classical Logic, we were introduced to an “experimentum crucis”. It was illustrated by the deciding experiment of Fizeau on the speed of light in water as compared to its speed in air. Since wave theory predicts that speed in water is less, and corpuscular theory (with point particles) predicts it would be faster, this is supposed to have selected the wave theory is correct. But then how would one accommodate the photoelectric effect? Then it turns out that if the “corpuscle” of light had a finite size, corpuscular theory also predicts lower speed of light in water. But then one can ask how come photoelectric emission being prompt even in feeble light, how could the energy of a photon spread over π(λ/2)2 act as a whole and liberate a single photoelectron! This leads us to question the square of the amplitude being interpreted as the probability of the particle being formed in the immediate vicinity. How do probabilities enter quantum mechanics? Thus the questions (and the quest) go on.”

E. C. George Sudarshan (1931–2018) Indian physicist

in A Glance Back at Five Decades of Scientific Research, published in Particles and Fields: Classical and Quantum, Journal of Physics: Conference Series 87 (2007), IOP Publishing, p. 1-2.

Search, Question, Light, Water

“If we choose a weak and foolish speculation as a primary textbook illustration (falsely assuming that the tale possesses a weight of history and a sanction of evidence), then we are in for trouble - as critics properly nail the particular weakness, and then assume that the whole theory must be in danger if supporters choose such a fatuous case as a primary illustration.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"The Tallest Tale", p. 314
Leonardo's Mountain of Clams and the Diet of Worms (1998)

History, Support, Falseness

“Christ illustrates the purport of life as He descends from His transfiguration to toil, and goes forward to exchange that robe of heavenly brightness for the crown of thorns.”

Edwin Hubbell Chapin (1814–1880) American priest

Source: Dictionary of Burning Words of Brilliant Writers, P. 66.

Life, Christ

Quotes about illustration page 2

Quotes about illustration
page 2