“This time the entire floor is covered with cut-up illustrated journals, a new tic and trick of mine (eight days now): I cut out photos from illustrated journals and dissolve them with a chemical solution and swipe and smear them. That is fabulous fun. I have always loved illustrated magazines, perhaps because of their documentary actuality. I have also already made a few attempts to paint something like that in a larger format. Curious to see how it will continue. I am pursuing something which in a certain way resembles the most recent movement: Pop art (from popular), probably came up in America and is now heating up the minds here.”

In Richter's letters from Düsseldorf, 10 March 1963 - to two artist friends, Helmut and Erika Heinze
1960's

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Gerhard Richter96

German visual artist, born 1932 1932

George Seldes (1890–1995) American journalist

Lords of the Press

“Primarily, they (ideas) come from daydreaming or every day occurrences. I try to get out and about, especially new places to let the environment inspire me. I start an illustration of a building I see and then the elements of different characters will populate in my mind like a set and actors on a stage. If nothing comes up I continue to draw until something unfolds.”

Lorin Morgan-Richards (1975) American poet, cartoonist, and children's writer

Regarding how he comes up with ideas for his comic strips The Goodbye Family and The Noodle Rut (1 June 2017). <br class="br">Source: Lorin Morgan-Richards Newsletter #2, Us6.campaign-archive2.com, 2017-06-26 http://us6.campaign-archive2.com/?u=51e751ef352e602deca0ecdc7&id=2e82f26313,

“Partly through choice, I was never willing to hire out more than three days a week [making illustrations for the magazines to support himself, c. 1912] I kept some time to do my own work. Illustrating was a depressing experience. And I didn't get very good prices because I didn't often do what they wanted.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Quote in: 'Edward Hopper: The Emptying Spaces', Suzanne Burrey; in 'Art Digest', April 1, 1955 pp. 8 - 10
1941 - 1967

“I decide who's right and who's wrong, and go from there. But I can't just comment on an issue. I've got to take an editorial position. Too many cartoonists simply illustrate the news. Well, the readers know the news, and a cartoon that illustrates doesn't tell them a thing they don't already know. So, I formulate an opinion and draw it.”

Paul Conrad (1924–2010) German theologian

Paul Conrad. (2010) [1992]. Contemporary Authors Online. Gale. As quoted in Lebo, Harlan H. (December 1977). Writer's Digest.

“I was always interested in architecture, but the editors [of the magazines who demanded these subjects for the illustrations of Hopper] wanted people waving with their arms.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

1911 - 1940
Source: 'Wake of the News, Washington Square North Boasts Strangers Worth Talking to', by Archer Winston, 'New York Post', November 26, 1935

“It is a curious fact that with Through the Looking-Glass the faculty of making book illustrations departed from me. … I have done nothing in that direction since.”

John Tenniel (1820–1914) British illustrator, graphic humourist and political cartoonist

Declining to illustrate a later book by Lewis Carroll, as quoted in The Life and Letters of Lewis Carroll (1898), p. 146

“I have to paint fast on television because of the limited time, but I don't want people to see what I'm showing them as work, something to worry and fret over. This is supposed to be fun.”

Bob Ross (1942–1995) American painter, art instructor, and television host

Judi Hunt (November 23, 1991) "Disciples of The Bob Ross Technique Find Joy in Learning They Can Paint", The Seattle Post-Intelligencer, p. C1.

“I am primarily painting from photographs these days (from illustrated magazines but also from family photos), in a sense this is a stylistic problem, the form is naturalistic, even though the photograph is not nature at all but a prefabricated product (the “second-hand world” in which we live), I do not have to intervene artistically with style, since the stylization (deformation in form and color) contributes only under very particular circumstances toward clarifying and intensifying an object or a subject (generally stylization becomes the central problem which obscures everything else (object, subject), it leads to an unmotivated artificiality, an untouchable formalist taboo.”

Gerhard Richter (1932) German visual artist, born 1932

In Richter's letters from Düsseldorf, 19 July 1963 - to two artist friends, Helmut and Erika Heinze
1960's

“I am not that person who walks in a room with my nose in the sky. I smile at people when I meet them, and I like photos of me when I'm smiling because they show my personality. I am always trying to have fun.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Interview by Kate Sullivan for Allure, April 2010

“I want to illustrate the concept of a solution in mixed strategies with a concrete example using real-world data, but I have not been able to find an appropriate one from Canadian politics.”

Thomas Flanagan (political scientist) (1944) author, academic, and political activist

Source: Game Theory and Canadian Politics (1998), Chapter 2, Game Theory, p. 30.

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