Quotes about hole
page 4

Peter Weiss photo
William H. P. Blandy photo

“We cannot walk befor we toddle,
Though we may toddle far too long,
If we embrace a lovely Model
That is consistent, clear, and wrong.
- Experts from "Notes from Wooods Hole", unpublished, 1976.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1980s, Illustrating Economics: Beasts, Ballads and Aphorisms, 1980, p. 148

Devendra Banhart photo

“Each strand of her hair
Is really insect eyes
And each hole in her tongue
Is always occupied
By the milk of the sun”

Devendra Banhart (1981) American folk singer

-Insect Eyes
From Rejoicing in the Hands

“The organizer who creates roles, who creates the holes that will force the pegs to their shape, is a prime creator of personality itself. When we ask of a man, "What is he?" the answer is usually given in terms of his major role, job, or position in society; he is the place that he fills, a painter, a priest, a politician, a criminal.”

Kenneth E. Boulding (1910–1993) British-American economist

Source: 1950s, The Organizational Revolution: A study in the ethics of economic organization, 1953, p. 80, quoted in: Paul S. Adler eds. (2009) The Oxford Handbook of Sociology and Organization Studies: Classical Foundations. p. 552

Ted Hughes photo
Miguel de Unamuno photo
Ursula K. Le Guin photo

“There is not much good spending twelve hours a day in a black hole in the ground all your life long if there’s nothing there, no secret, no treasure, nothing hidden.”

Ursula K. Le Guin (1929–2018) American writer

“The Stars Below” p. 212 (originally published in Orbit 14, edited by Damon Knight)
Short fiction, The Wind’s Twelve Quarters (1975)

João Magueijo photo
Derek Walcott photo
Stanisław Lem photo
François Englert photo
Garth Nix photo
Camille Paglia photo
Andrea Dworkin photo
John Moffat photo
Alfred Horsley Hinton photo
Theo de Raadt photo

“You are absolutely deluded, if not stupid, if you think that a worldwide collection of software engineers who can't write operating systems or applications without security holes, can then turn around and suddenly write virtualization layers without security holes.”

Theo de Raadt (1968) systems software engineer

on the statement "Virtualization seems to have a lot of security benefits"
[Re: About Xen: maybe a reiterative question but .., MARC, openbsd-misc (Mailing list), https://marc.info/?l=openbsd-misc&m=119318909016582, 2007-10-23, 2017-10-31]

Frances Bean Cobain photo
Brian Clevinger photo
Willem de Kooning photo
Doug Stanhope photo

“Now I know why women have a hole between their legs. That's where they hide all their problems.”

Jim Goad (1961) Author, publisher

Shit Magnet: One Man's Miraculous Ability to Absorb the World's Guilt (Feral House, 2002)

Joan Maragall photo
Daniel Handler photo
Hugh Latimer photo

“The drop of rain maketh a hole in the stone, not by violence, but by oft falling.”

Hugh Latimer (1485–1555) British bishop

Seventh Sermon before Edward VI (1549)

Neal Stephenson photo
John Rabe photo
Geoffrey Chaucer photo

“I hold a mouses wit not worth a leke,
That hath but on hole for to sterten to.”

The Wife of Bath's Tale, l. 6154
The Canterbury Tales

Steve Sailer photo
Neal Stephenson photo
Philip Pullman photo
Hans Reichenbach photo
A.A. Milne photo

“I found a little beetle, so that beetle was his name,
And I called him Alexander and he answered just the same.
I put him in a matchbox, and I kept him all the day…And Nanny let my beetle out
Yes, Nanny let my beetle out
She went and let my beetle out-
And beetle ran away.She said she didn't mean it, and I never said she did,
She said she wanted matches, and she just took off the lid
She said that she was sorry, but it's difficult to catch
An excited sort of beetle you've mistaken for a match.She said that she was sorry, and I really mustn't mind
As there's lots and lots of beetles which she's certain we could find
If we looked about the garden for the holes where beetles hid-
And we'd get another matchbox, and write BEETLE on the lid.We went to all the places which a beetle might be near,
And we made the sort of noises which a beetle likes to hear,
And I saw a kind of something, and I gave a sort of shout:
"A beetle-house and Alexander Beetle coming out!"It was Alexander Beetle I'm as certain as can be
And he had a sort of look as if he thought it might be ME,
And he had a kind of look as if he thought he ought to say:
"I'm very, very sorry that I tried to run away."And Nanny's very sorry too, for you know what she did,
And she's writing ALEXANDER very blackly on the lid,
So Nan and me are friends, because it's difficult to catch
An excited Alexander you've mistaken for a match.”

Forgiven (affectionately also known as Alexander Beetle).
Now We Are Six (1927)

James Burke (science historian) photo
Mary Wollstonecraft photo
Kim Stanley Robinson photo
Guillermo del Toro photo

“What interests me about fascism is that it is a black hole of free will. It is a system which isn’t necessarily unique, but it absolves brutality, it absolves the lack of morals and it absolves people of their own decisions. When they tell you ‘you can kill these people because they are Jews, reds or homosexuals, or whatever!’ In this world you can permit a brutal action on the base of collective advice; that is what scares me.”

Guillermo del Toro (1964) Mexican film director

Lo que me interesa del fascismo es justamente que es un hoyo negro de la voluntad. Es un sistema que no necesariamente es único, pero absuelve la brutalidad, absuelve la falta de moral y absuelve la decisión propia. Cuando te dicen “Tú puedes matar a esta gente porque que son judíos, rojos o homosexuales, ¡lo que sea!”
En ese mundo puedes permitir una acción brutal en base a un consejo colectivo, eso es lo que me asusta.
Interview with Guillermo del Toro on 10/23/2006. http://www.fantasymundo.com/articulo.php?articulo=467

Woody Allen photo
Chris Cornell photo
Robert Hooke photo
Georgia O'Keeffe photo
Jonathan Swift photo

“Not die here in a rage, like a poisoned rat in a hole.”

Jonathan Swift (1667–1745) Anglo-Irish satirist, essayist, and poet

Letter to Bolingbroke (March 21, 1729); reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Stephen King photo
Alfred Horsley Hinton photo

“The chief characteristic of the pin-hole photograph is that we get a general suppression of focus in all parts the picture is nowhere quite sharp.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60

Samuel Beckett photo
William Shatner photo
Alfred Horsley Hinton photo

“But the quality of the result obtained by using a pin-hole to which its advocates attach most importance is the suppression of sharp focus over the whole image, no one plane being more sharply focused than another.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 61

Henry Moore photo
Phil Brown (footballer) photo

“It's my job not always to put square pegs in square holes but sometimes to put the odd square peg in a round hole.”

Phil Brown (footballer) (1959) English association football player and manager

7-Jan-2006, DCFC website
You're just going to have to work that one out for yourself.

George Eliot photo
Dashiell Hammett photo

“Spade pulled his hand out of hers. He no longer either smiled or grimaced. His wet yellow face was set hard and deeply lined. His eyes burned madly. He said: "Listen. This isn't a damned bit of good. You'll never understand me, but I'll try once more and then we'll give it up. Listen. When a man's partner is killed he's supposed to do something about it. It doesn't make any difference what you thought of him. He was your partner and you're supposed to do something about it. Then it happens we were in the detective business. Well, when one of your organization gets killed it's bad business to let the killer get away with it. It's bad all around – bad for that one organization, bad for every detective everywhere. Third, I'm a detective and expecting me to run criminals down and then let them go free is like asking a dog to catch a rabbit and let it go. It can be done, all right, and sometimes it is done, but it's not the natural thing. The only way I could have let you go was by letting Gutman and Cairo and the kid go. … Fourth, no matter what I wanted to do now it would be absolutely impossible for me to let you go without having myself dragged to the gallows with the others. Next, I've no reason in God's world to think I can trust you and if I did this and got away with it you'd have something on me that you could use whenever you happened to want to. That's five of them. The sixth would be that, since I've got something on you, I couldn't be sure you wouldn't decide to shoot a hole in *me* some day. Seventh, I don't even like the idea of thinking that there might be one chance in a hundred that you'd played me for a sucker. And eighth – but that's enough. All those on one side. Maybe some of them are unimportant. I won't argue about that. But look at the number of them. Now on the other side we've got what? All we've got is the fact that maybe you love me and maybe I love you." … "But suppose I do? What of it? Maybe next month I won't. I've been through it before – when it lasted that long. Then what? Then I'll think I played the sap. And if I did it and got sent over then I'd be sure I was the sap. Well, if I send you over I'll be sorry as hell – I'll have some rotten nights – but that'll pass. Listen." He took her by the shoulders and bent her back, leaning over her. "If that doesn't mean anything to you forget it and we'll make it this: I won't because all of me wants to – wants to say to hell with the consequences and do it -- and because – God damn you – you've counted on that with me the same as you counted on that with the others. … Don't be too sure I'm as crooked as I'm supposed to be. That kind of reputation might be good business – bringing in high-priced jobs and making it easier to deal with the enemy. … Well, a lot of money would have been at least one more item on the other side of the scales."”

… Spade set the edges of his teeth together and said through them: "I won't play the sap for you."
Chap. 20, "If They Hang You"
spoken by the character "Sam Spade" to "Brigid O'Shaughnessy."
The Maltese Falcon (1930)

Mickey Spillane photo
George William Curtis photo
Neil deGrasse Tyson photo
Paul R. Ehrlich photo
Amit Chaudhuri photo
Clinton Edgar Woods photo
Henry Moore photo
Robert T. Bakker photo
Derren Brown photo
Basil Rathbone photo

“I don’t know the why of anything, even when I pretend most diligently I do. The truth is the last time I had any idea why or what I was supposed to do I was lying in a shell hole, looking up at the sky. My mind was filled with a Bach keyboard sonata, which was one of the last I’d learned, I forget which one now. I absolutely knew I was about to die and I was completely happy and at peace, in a way I never was before or since, not even with you, in our best moments. It was so easy, you see, a kind of absolute joy and peace, because I knew it was all done and I was all square with life. Nothing left to do but let things take their course. And when I didn’t die, I didn’t know what to do. So I thought, I’ll take my revolver, go out and blow a hole through my head. Only I knew it wouldn’t work. I knew, I just knew you couldn’t do it that way. You couldn’t make it happen, not if you wanted to find peace. So, I thought, then, a sniper can do it for me. But no matter how I tried to let them no sniper ever found me. And all the other times I went out and lay in shell holes in No Man’s Land it wasn’t the same, and I knew I wouldn’t die this time, and of course I never did. I had this mad feeling I’d become some sort of Wandering Jew. And everything for so long afterwards was about dragging this living corpse of myself around, giving it things to do, because here it was, alive. And nothing made any sense and I didn’t even hope it would. I followed paths that were there to be followed, I did what others said to do.”

Basil Rathbone (1892–1967) British actor

Letter https://thegreatbaz.wordpress.com/2013/03/18/fuller-text-of-letter-quoted-in-a-life-divided/

Colin Wilson photo
Michelle Obama photo

“And that brings me to the other big lesson that I want to share with you today. It’s a lesson about how to get through those struggles, and that is, instead of letting your hardships and failures discourage or exhaust you, let them inspire you. Let them make you even hungrier to succeed. Now, I know that many of you have already dealt with some serious losses in your lives. Maybe someone in your family lost a job or struggled with drugs or alcohol or an illness. Maybe you’ve lost someone you love […]. […] So, yes, maybe you’ve been tested a lot more and a lot earlier in life than many other young people. Maybe you have more scars than they do. Maybe you have days when you feel more tired than someone your age should ever really feel. But, graduates, tonight, I want you to understand that every scar that you have is a reminder not just that you got hurt, but that you survived. And as painful as they are, those holes we all have in our hearts are what truly connect us to each other. They are the spaces we can make for other people’s sorrow and pain, as well as their joy and their love so that eventually, instead of feeling empty, our hearts feel even bigger and fuller. So it’s okay to feel the sadness and the grief that comes with those losses. But instead of letting those feelings defeat you, let them motivate you. Let them serve as fuel for your journey.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2010s, Commencement speech for Martin Luther King Jr. College Prep graduates (2015)

Dylan Thomas photo
Adrienne Rich photo
Dr. Seuss photo
Algis Budrys photo
Charles Stross photo
Chinmayananda Saraswati photo
Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Elfriede Jelinek photo
Charles Darwin photo

“Every morning during certain seasons of the year, the thrushes and blackbirds on all the lawns throughout the country draw out of their holes an astonishing number of worms; and this they could not do, unless they lay close to the surface.”

Source: The Formation of Vegetable Mould through the Action of Worms (1881), Chapter 1: Habits of Worms, p. 16. http://darwin-online.org.uk/content/frameset?pageseq=31&itemID=F1357&viewtype=image

Vitruvius photo
Jacob Bekenstein photo
Roberto Clemente photo
Juliana Hatfield photo

“Hole in the sky
I'm coming I’m coming with you.”

Juliana Hatfield (1967) American guitarist/singer-songwriter and author

"Hole in the Sky"
Made in China (2005)

Jimmy Carr photo

“But what's true about comedians is that we've all got a huge hole in our personality. In a room of 3,000 people, we're the one person facing in the opposite direction - yet we have this overwhelming desire to be liked.”

Jimmy Carr (1972) British comedian and humourist

Stephen Armstrong (December 3, 2006) "He who laughs last... - Comedy", The Sunday Times, p. Culture 10.

Susie Bright photo
J.M. Coetzee photo
Herbert Hoover photo
Attila the Stockbroker photo

“I don't want a fortnight on the Costa del Sol
Don't wanna go to Bognor — it's a plague-ridden hole
and it don't fit in with my ideology…
Down the Adriatic to the Vlora bay
Twenty pints of Fosters and I'm away
'Cos now I know just where I wanna be:
Albania — that's the place for me!”

Attila the Stockbroker (1957) punk poet, folk punk musician and songwriter

"Holiday in Albania", from Cautionary Tales for Dead Commuters (1985)
Based on the Sex Pistols song, "Holiday in the Sun".

Henry Moore photo
Robert Southey photo

“At this good news, so great
The Devil's pleasure grew,
That, with a joyful swish, he rent
The hole where his tail came through.”

Robert Southey (1774–1843) British poet

St. 31.
The Devil's Walk http://www.rc.umd.edu/editions/shelley/devil/devil.rs1860.html (1799)

Marie-Louise von Franz photo