Quotes about harmony
page 10

Joseph Priestley photo

“Most of the early Christian writers thought the text "I and my Father are one," was to be understood of an unity or harmony of disposition only.”

Part I : The History of Opinions Relating to Jesus Christ, § III : The Supremacy was always ascribed to the Father before the Council Of Nice
An History of the Corruptions of Christianity (1782)
Context: Most of the early Christian writers thought the text "I and my Father are one," was to be understood of an unity or harmony of disposition only. Thus Tertullian observes, that the expression is unum, one thing, not one person; and he explains it to mean unity, likeness, conjunction, and of the love that the Father bore to the Son. Origen says, "let him consider that text, 'all that believed were of one heart and of one soul,' and then he will understand this, 'I and my Father are one.'"

François de La Rochefoucauld photo

“Some have a species of instinct (the source of which they are ignorant of), and decide all questions that come before them by its aid, and always decide rightly. These follow their taste more than their intelligence, because they do not permit their temper and self-love to prevail over their natural discernment. All they do is in harmony, all is in the same spirit. This harmony makes them decide correctly on matters, and form a correct estimate of their value.”

François de La Rochefoucauld (1613–1680) French author of maxims and memoirs

Reflections on Various Subjects (1665–1678), III. On Taste
Context: Some have a species of instinct (the source of which they are ignorant of), and decide all questions that come before them by its aid, and always decide rightly. These follow their taste more than their intelligence, because they do not permit their temper and self-love to prevail over their natural discernment. All they do is in harmony, all is in the same spirit. This harmony makes them decide correctly on matters, and form a correct estimate of their value. But speaking generally there are few who have a taste fixed and independent of that of their friends, they follow example and fashion which generally form the standard of taste.

Dinah Craik photo

“Those who do the most, often talk — sometimes think — the least: yet thinkers, talkers, and doers, being in earnest, achieve their appointed end. The thinkers put wisdom into the mouth of the speakers, and both strive together to animate and counsel the doers. Thus all work harmoniously together”

Dinah Craik (1826–1887) English novelist and poet

Preface
A Woman's Thoughts About Women (1858)
Context: These "Thoughts," a portion of which originally appeared in "Chambers' Journal," are, I wish distinctly to state, only Thoughts. They do not pretend to solve any problems, to lay down any laws, to decide out of one life's experience and within the limits of one volume, any of those great questions which have puzzled generations, and will probably puzzle generations more. They lift the banner of no party; and assert the opinions of no clique. They do not even attempt an originality, which, in treating of a subject like the present, would be either dangerous or impossible.
In this book, therefore, many women will find simply the expression of what they have themselves, consciously or unconsciously, oftentimes thought; and the more deeply, perhaps, because it has never come to the surface in words or writing. Those who do the most, often talk — sometimes think — the least: yet thinkers, talkers, and doers, being in earnest, achieve their appointed end. The thinkers put wisdom into the mouth of the speakers, and both strive together to animate and counsel the doers. Thus all work harmoniously together; and verily

Ambrose Bierce photo

“Accord, n. Harmony.”

The Devil's Dictionary (1911)

Denise Levertov photo

“I long for poems of an inner harmony in utter contrast to the chaos in which they exist.”

Denise Levertov (1923–1997) Poet

Statement on poetics in The New American Poetry (1960) edited by Donald Allen
Context: I long for poems of an inner harmony in utter contrast to the chaos in which they exist. Insofar as poetry has a social function it is to awaken sleepers by other means than shock.

Theodor Mommsen photo

“The great problem of man, how to live in conscioues harmony with himself, with his neighbor, and with the whole to which he belongs, admits of as many solutions as there are provinces in our Father's kingdom; and it is in this, and not in the material sphere, that individuals and nations display their divergences of character.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 1, pt. 1, Chapter 2: "Into Italy" Translated by W.P.Dickson.
The History of Rome - Volume 1
Context: The great problem of man, how to live in conscioues harmony with himself, with his neighbor, and with the whole to which he belongs, admits of as many solutions as there are provinces in our Father's kingdom; and it is in this, and not in the material sphere, that individuals and nations display their divergences of character. The exciting causes which gave rise to this intrinsic contrast must have been in the Græco-Italian period as yet wanting; it was not until the Hellenes and Italians separated that deep-seated diversity of mental character became manifest, the effects of which contiue to the present day. The family and the state, religion and art, received in Italy and in Greece respectively a development so peculiar and so thoroughly national, that the common basis, on which in these respects also the two peoples rested, has been so overgrown as to be almost concealed from our view. That Hellenic character, which sacrificed the whole to its individual elements, the nation to the single state, and the single state to the citizen; whose ideal of life was the beautiful and the good; and, only too often, the pleasure of idleness; whose political development consisted in intensifying the original individualism of the several cantons, and subsequently led to the internal dissolution of the authority of the state; whose view of religion first invested its gods with human attributes, and then denied their existence; which gave full play to the limbs in the sports of the naked youth, and gave free scope to thought in all its grandeur and in all its awefulness;- and taht Roman character, which solemnly bound the son to reverence the father, the citizen to reverence the ruler, and all to reverence the gods; which required nothing; and honoured nothing, but the useful act, and compelled every citizen to fill up every moment of his brief life with unceasing work; which made it a duty even in the boy to modestly to cover the body; which deemed every one a bad citizen who wished to be different from his fellows; which viewed the states as all in all, and a desire for the state's extension as the only aspiration not liable to censure,- who can in thought trace back these sharply-marked contrasts to that original unity which embraced them both, prepared the way for their development, and at length produced them?

George Bancroft photo

“Harmony is the characteristic of the intellectual system of the universe; and immutable laws of moral existence must pervade all time and all space, all ages and all worlds.”

George Bancroft (1800–1891) American historian and statesman

Literary and Historical Miscellanies (1855), The Necessity, the Reality, and the Promise of the Progress of the Human Race (1854)
Context: The unchanging character of law is the only basis on which continuous action can rest. Without it man would be but as the traveller over endless morasses; the builder on quicksands; the mariner without compass or rudder, driven successively whithersoever changing winds may blow. The universe is the reflex and image of its Creator. "The true work of art," says Michael Angelo, "is but a shadow of the Divine perfections." We may say in a more general manner, that Beauty Itself Is But The Sensible Image Of The Infinite; that all creation is a manifestation of the Almighty; not the result of caprice, but the glorious display of his perfection; and as the universe thus produced, is always in the course of change, so its regulating mind is a living Providence, perpetually exerting itself anew. If his designs could be thwarted, we should lose the great evidence of his unity, as well as the anchor of our own hope.
Harmony is the characteristic of the intellectual system of the universe; and immutable laws of moral existence must pervade all time and all space, all ages and all worlds.

Sri Sri Ravi Shankar photo

“All that is needed to make life harmonious, palatable, blissful – is called the Art of Living.”

Sri Sri Ravi Shankar (1956) spiritual leader

Public Talk, Budapest, Hungary (June 2009)
Context: All that is needed to make life harmonious, palatable, blissful – is called the Art of Living. In a guitar, all the six strings have to be tuned; a drum needs to be tuned. Similarly, the various aspects of life have to be tuned. Our relationship with our Self, the people in our family, in the work-place, in society – all these need to be tuned.
The nurturing of the physical, social and spiritual aspects is called the Art of Living.

Aristotle photo
Happy Rhodes photo

“I am in peace, in love, in harmony
when the rain comes
down When the rain came down — melded with my tears
When the rain came down — flow away the fears
When the rain came down — bigger than the sea
When the rain came down — then came me.”

Happy Rhodes (1965) American singer-songwriter

"When The Rain Came Down" <!-- at some points this sounds more like "I am standing in green" -->
Ecto (1987)
Context: When the rain came down, I was standing in the green
My soul was touched by every tree that my eyes could see
I am in peace, in love, in harmony
when the rain comes
down When the rain came down — melded with my tears
When the rain came down — flow away the fears
When the rain came down — bigger than the sea
When the rain came down — then came me.

Philolaus photo

“The world's nature is a harmonious compound of infinite and finite elements”

Philolaus (-470–-390 BC) ancient greek philosopher

The Life of Pythagoras (1919)
Context: Fragment 1. (Stob.21.7; Diog.#.8.85) The world's nature is a harmonious compound of infinite and finite elements; similar is the totality of the world in itself, and of all it contains.
b. All beings are necessarily finite or infinite, or simultaneously finite and infinite; but they could not all be infinite only.

Carl Sagan photo

“Yet from his work, we have found that scientific laws pervade all of nature, that the same rules apply on Earth as in the skies, that we can find a resonance, a harmony, between the way we think and the way the world works.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

55 min 0 sec
Cosmos: A Personal Voyage (1990 Update), The Harmony of the Worlds [Episode 3]
Context: As a boy Kepler had been captured by a vision of cosmic splendour, a harmony of the worlds which he sought so tirelessly all his life. Harmony in this world eluded him. His three laws of planetary motion represent, we now know, a real harmony of the worlds, but to Kepler they were only incidental to his quest for a cosmic system based on the Perfect Solids, a system which, it turns out, existed only in his mind. Yet from his work, we have found that scientific laws pervade all of nature, that the same rules apply on Earth as in the skies, that we can find a resonance, a harmony, between the way we think and the way the world works.
When he found that his long cherished beliefs did not agree with the most precise observations, he accepted the uncomfortable facts, he preferred the hard truth to his dearest illusions. That is the heart of science.

“The lesson I have to teach is this: Leave all creative energies uninhibited. Merely organize society to act in harmony with this lesson.”

Leonard E. Read (1898–1983) American academic

I, Pencil (1958), I, Pencil: My Family Tree as told to Leonard E. Read http://www.econlib.org/library/Essays/rdPncl1.html
Context: The lesson I have to teach is this: Leave all creative energies uninhibited. Merely organize society to act in harmony with this lesson. Let society's legal apparatus remove all obstacles the best it can. Permit these creative know-hows freely to flow. Have faith that free men and women will respond to the Invisible Hand. This faith will be confirmed.

“Guan Yin Citta Dharma Door wants all of us to enjoy family harmony and a happy life.”

Jun Hong Lu (1959) Australian Buddhist leader

HongKong, (2013)
Guan Yin Citta Dharma Door
Context: Guan Yin Citta Dharma Door wants all of us to enjoy family harmony and a happy life. We have the interests of all sentient beings at heart, we work for social peace and stability, we want the country to be strong and prosperous and the people to be healthy. Whatever humans do, the Heaven is watching. Though the heart cannot be seen, it can be kind, pure, compassionate and loving. The beauty and health of our heart can be a guide in our everyday lives, work and learning, allowing us to use the compassionate heart of Guan Yin Bodhisattva to love every single being, to live our days well, to look at the bright side of things with no worries and illnesses, to be able to resolve karmic conflicts, to be liberated from suffering, to eliminate karmic obstacles, to embark on the path to the Western Pure Land of Ultimate Bliss and ascend to the Four Sagely Realms - this is Guan Yin Citta Dharma Door.

Nicomachus photo

“Everything that is harmoniously constituted is knit together out of opposites…”

Nicomachus (60–120) Ancient Greek mathematician

Nicomachus of Gerasa: Introduction to Arithmetic (1926)

Lewis Mumford photo

“The wonder is not that so much cacophony appears in our actual individual lives, but that there is any appearance of harmony and progression.”

Lewis Mumford (1895–1990) American historian, sociologist, philosopher of technology, and literary critic

The Conduct Of Life (1951)
Context: Now life is the only art that we are required to practice without preparation, and without being allowed the preliminary trials, the failures and botches, that are essential for the training of a mere beginner. In life, we must begin to give a public performance before we have acquired even a novice's skill; and often our moments of seeming mastery are upset by new demands, for which we have acquired no preparatory facility. Life is a score that we play at sight, not merely before we have divined the intentions of the composer, but even before we have mastered our instruments; even worse, a large part of the score has been only roughly indicated, and we must improvise the music for our particular instrument, over long passages. On these terms, the whole operation seems one of endless difficulty and frustration; and indeed, were it not for the fact that some of the passages have been played so often by our predecessors that, when we come to them, we seem to recall some of the score and can anticipate the natural sequence of the notes, we might often give up in sheer despair. The wonder is not that so much cacophony appears in our actual individual lives, but that there is any appearance of harmony and progression.

Isadora Duncan photo

“The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature.”

Isadora Duncan (1877–1927) American dancer and choreographer

Source: The Art of the Dance (1928), p. 54.
Context: The movement of the waves, of winds, of the earth is ever in the same lasting harmony. We do not stand on the beach and inquire of the ocean what was its movement of the past and what will be its movement of the future. We realize that the movement peculiar to its nature is eternal to its nature. The dancer of the future will be one whose body and soul have grown so harmoniously together that the natural language of that soul will have become the movement of the body.

Happy Rhodes photo

“I am in peace, in love, in harmony,
when the rain comes”

Happy Rhodes (1965) American singer-songwriter

"When The Rain Came Down" (bonus track on 1992 CD) - Live performance at The Tin Angel, Philadelphia, PA (9 May 1996) http://www.youtube.com/watch?v=1zzcMmfGBjY - Visually enhanced fan video of same performance http://www.youtube.com/watch?v=Vz8S31vlw8Q <!-- at some points this sounds more like: I am Peace, in love, in harmony… -->
Ecto (1987)
Context: When the rain came down, I was older than the earth.
I could die right now, and plan another birth
Anytime I choose.
I am in peace, in love, in harmony,
when the rain comes

Margaret Thatcher photo

“Where there is discord, may we bring harmony. Where there is error, may we bring truth. Where there is doubt, may we bring faith. And where there is despair, may we bring hope.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Statement on the doorstep of 10 Downing Street, after her election as Prime Minister, as quoted at On this day (BBC) http://news.bbc.co.uk/onthisday/hi/dates/stories/may/4/newsid_2503000/2503195.stm. (This is a paraphrasing of a prayer commonly misattributed to St. Francis of Assisi.)
First term as Prime Minister
Source: [Who wrote Prayer of St. Francis? Doubtful it was friar, San Diego Union-Tribune, 27 January 2009, 28 July 2019, https://www.sandiegouniontribune.com/sdut-1n27prayer00320-who-wrote-prayer-st-francis-doubtf-2009jan27-htmlstory.html, Lord, make me an instrument of thy peace. Where there is hatred, let me sow love; Where there is injury, pardon; Where there is doubt, faith; Where there is despair, hope; Where there is darkness, light; Where there is sadness, joy.]
Source: [The real prayer of Francis of Assisi, Howse, Christopher, The Daily Telegraph, 12 April 2013, 28 July 2019, https://www.telegraph.co.uk/news/religion/9991301/The-real-prayer-of-Francis-of-Assisi.html, That was written in 1912, in French, and published in a pious magazine edited by Fr Esther Bouquerel. It was attributed to St Francis in 1927 through its having been printed on the back of a picture of the saint.]
Source: [Who wrote Prayer of St. Francis? Doubtful it was friar, San Diego Union-Tribune, 27 January 2009, 28 July 2019, https://www.sandiegouniontribune.com/sdut-1n27prayer00320-who-wrote-prayer-st-francis-doubtf-2009jan27-htmlstory.html, An article published last week in L'Osservatore Romano, the Vatican newspaper, said the prayer in its current form dates only from 1912, when it appeared in a French Catholic periodical. ... Although news to many, the truth about the prayer had apparently been hiding in plain sight. “No one among the Franciscans ever thought it really was by St. Francis,” said Giovanni Maria Vian, the editor of L'Osservatore Romano.]

Hermann Weyl photo

“It is the nature of a real thing to be inexhaustible in content; we can get an ever deeper insight into this content by the continual addition of new experiences, partly in apparent contradiction, by bringing them into harmony with one another.”

Hermann Weyl (1885–1955) German mathematician

Introduction<!-- p. 5 -->
Space—Time—Matter (1952)
Context: It is the nature of a real thing to be inexhaustible in content; we can get an ever deeper insight into this content by the continual addition of new experiences, partly in apparent contradiction, by bringing them into harmony with one another. In this interpretation, things of the real world are approximate ideas. From this arises the empirical character of all our knowledge of reality.

Edwin Abbott Abbott photo

“I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.”

Source: Flatland: A Romance of Many Dimensions (1884), PART II: OTHER WORLDS, Chapter 18. How I came to Spaceland, and What I Saw There
Context: An unspeakable horror seized me. There was a darkness; then a dizzy, sickening sensation of sight that was not like seeing; I saw a Line that was no Line; Space that was not Space: I was myself, and not myself. When I could find voice, I shrieked aloud in agony, "Either this is madness or it is Hell." "It is neither," calmly replied the voice of the Sphere, "it is Knowledge; it is Three Dimensions: open your eye once again and try to look steadily."I looked, and, behold, a new world! There stood before me, visibly incorporate, all that I had before inferred, conjectured, dreamed, of perfect Circular beauty. What seemed the centre of the Stranger's form lay open to my view: yet I could see no heart, nor lungs, nor arteries, only a beautiful harmonious Something — for which I had no words; but you, my Readers in Spaceland, would call it the surface of the Sphere.

John D. Barrow photo

“There is a good deal more to Pythagorean musical theory than celestial harmony.”

John D. Barrow (1952–2020) British scientist

The Artful Universe (1995)
Context: Ancient belief in a cosmos composed of spheres, producing music as angels guided them through the heavens, was still fluorishing in Elizabethan times.... There is a good deal more to Pythagorean musical theory than celestial harmony. Besides the music of the celestial spheres (musica mundana), two other varieties of music were distinguished: the sound of instruments...(musica instrumentalis), and the continuous unheard music that emanated from the human body (musica humana), which arises from a resonance between the body and the soul.... In the medieval world, the status of music is revealed by its position within the Quadrivium—the fourfold curriculum—alongside arithmetic, geometry, and astronomy. Medieval students... believed all forms of harmony to derive from a common source. Before Boethius' studies in the ninth century, the idea of musical harmony was not considered independently of wider matters of celestial or ethical harmony.<!-- Ch. 5, pp. 201-202

Isadora Duncan photo

“The harmony of music exists equally with the harmony of movement in nature.
Man has not invented the harmony of music. It is one of the underlying principles of life.”

Isadora Duncan (1877–1927) American dancer and choreographer

Source: The Art of the Dance (1928), p. 78.
Context: The harmony of music exists equally with the harmony of movement in nature.
Man has not invented the harmony of music. It is one of the underlying principles of life. Neither could the harmony of movement be invented: it is essential to draw one’s conception of it from Nature herself, and to see the rhythm of human movement from the rhythm of water in motion, from the blowing of the winds on the world, in all the earth’s movements, in the motions of animals, fish, birds, reptiles, and even in primitive man, whose body still moved in harmony with nature….. All the movements of the earth follow the lines of wave motion. Both sound and light travel in waves. The motion of water, winds, trees and plants progresses in waves. The flight of a bird and the movements of all animals follow lines like undulating waves. If then one seeks a point of physical beginning for the movement of the human body, there is a clue in the undulating motion of the wave.

Ludwig Van Beethoven photo
H. H. Asquith photo
Karl Pearson photo
Kakuzo Okakura photo

“Teaism is a cult founded on the adoration of the beautiful among the sordid facts of everyday existence. It inculcates purity and harmony, the mystery of mutual charity, the romanticism of social order.”

The Book of Tea. Kakuzo Okakura, in Green Gold: The Empire of Tea (30 November 2011) http://books.google.co.in/books?id=4SCZJFFf6ZsC&pg=PT64, p. 64.

Helena Petrovna Blavatsky photo
Robert LeFevre photo

“Translation from Bulgarian: Someone said that human harmony is achieved when the body and the soul are at the same place. For me, this situation has not existed since I can remember. I am more of a polyphonic person: I live in several dimensions and I like it.”

Lea Cohen (1942)

Някой беше казал, че хармонията на човека се постига, когато душата и тялото са на едно място. За мен такава ситуация не съществува откак се помня. Май съм повече полифонична личност: живея в няколко измерения и това ми харесва.
Interview with Lea Cohen, Mila, June 2019

Gregory of Nazianzus photo
Margaret Fuller photo
Marcus Aurelius photo
Frank Wilczek photo
J. Howard Moore photo
J. Howard Moore photo
J. Howard Moore photo
James Madison photo
Arrian photo
Werner Herzog photo
William Quan Judge photo
William Quan Judge photo
Alfred von Waldersee photo
Zulfikar Ali Bhutto photo
James Eastland photo

“Rhodesia has an ingredient which is sadly lacking in America. This is racial harmony.”

James Eastland (1904–1986) American politician

After travelling in Rhodesia, on 1969. Quoted in the Clarion-Ledger.
The Senator and the Sharecropper: The Freedom Struggles of James O. Eastland and Fannie Lou Hamer https://books.google.fr/books?id=B_2E5pIyB3kC&pg=PA266&dq=%22Rhodesia+has+an+ingredient%22+james+eastland+%22racial+harmony%22&hl=fr&sa=X&ved=0ahUKEwiFzcrD-4_kAhVJx4UKHc-VCfwQ6AEIKzAA#v=onepage&q=%22Rhodesia%20has%20an%20ingredient%22%20james%20eastland%20%22racial%20harmony%22&f=false, page 266
1960s

Seneca the Younger photo
Alexander Herzen photo
Johann Gottlieb Fichte photo
Johann Gottlieb Fichte photo
Wilhelm Reich photo

“You should never revile people who are satisfied with their own religion… Listen you disciples of Christ! I, solicitous of your own welfare, tell you this truthfully… Diminution of Hari’s religion, anger, cruelty, subversion of authority and dissensions among the populace would result from reviling the religion of others. Increase of God’s religion, contentment, gentleness, harmony between the ranks would result from praising all religions. For each person his own religion is best; the same religion would be perilous for another person.”

John Muir (indologist) (1810–1882) Scottish Sanskrit scholar and Indologist

Subaji Bapu, MataparIkshAsikshA, from his reply to John Muirs Matapariksha, Cited by R.F. Young and quoted from Goel, S. R. (2016). History of Hindu-Christian encounters, AD 304 to 1996. Chapter 10. ISBN 9788185990354 https://web.archive.org/web/20120501043412/http://voiceofdharma.org/books/hhce/
About John Muirs Matapariksha

Alexandra Kollontai photo

“I am still far from being the type of the positively new women who take their experience as females with a relative lightness and, one could say, with an enviable superficiality, whose feelings and mental energies are directed upon all other things in life but sentimental love feelings. After all I still belong to the generation of women who grew up at a turning point in history. Love with its many disappointments, with its tragedies and eternal demands for perfect happiness still played a very great role in my life. An all-too-great role! It was an expenditure of precious time and energy, fruitless and, in the final analysis, utterly worthless. We, the women of the past generation, did not yet understand how to be free. The whole thing was an absolutely incredible squandering of our mental energy, a diminution of our labor power which was dissipated in barren emotional experiences. It is certainly true that we, myself as well as many other activists, militants and working women contemporaries, were able to understand that love was not the main goal of our life and that we knew how to place work at its center. Nevertheless we would have been able to create and achieve much more had our energies not been fragmentized in the eternal struggle with our egos and with our feelings for another. It was, in fact, an eternal defensive war against the intervention of the male into our ego, a struggle revolving around the problem-complex: work or marriage and love? We, the older generation, did not yet understand, as most men do and as young women are learning today, that work and the longing for love can be harmoniously combined so that work remains as the main goal of existence. Our mistake was that each time we succumbed to the belief that we had finally found the one and only in the man we loved, the person with whom we believed we could blend our soul, one who was ready fully to recognize us as a spiritual-physical force. But over and over again things turned out differently, since the man always tried to impose his ego upon us and adapt us fully to his purposes. Thus despite everything the inevitable inner rebellion ensued, over and over again since love became a fetter. We felt enslaved and tried to loosen the love-bond. And after the eternally recurring struggle with the beloved man, we finally tore ourselves away and rushed toward freedom. Thereupon we were again alone, unhappy, lonesome, but free–free to pursue our beloved, chosen ideal …work. Fortunately young people, the present generation, no longer have to go through this kind of struggle which is absolutely unnecessary to human society. Their abilities, their work-energy will be reserved for their creative activity. Thus the existence of barriers will become a spur.”

Alexandra Kollontai (1872–1952) Soviet diplomat

The Autobiography of a Sexually Emancipated Communist Woman (1926)

“It was Pythagoras who discovered that the 5th and the octave of a note could be produced on the same string by stopping at 2⁄3 and ½ of its length respectively. Harmony therefore depends on a numerical proportion. It was this discovery, according to Hankel, which led Pythagoras to his philosophy of number. It is probable at least that the name harmonical proportion was due to it, since1:½ :: (1-½):(2⁄3-½).Iamblichus says that this proportion was called ύπ eναντία originally and that Archytas and Hippasus first called it harmonic.”

James Gow (scholar) (1854–1923) scholar

Nicomachus gives another reason for the name, viz. that a cube being of 3 equal dimensions, was the pattern &#940;&rho;&mu;&omicron;&nu;&#943;&alpha;: and having 12 edges, 8 corners, 6 faces, it gave its name to harmonic proportion, since:<center>12:6 :: 12-8:8-6</center>
Footnote, citing Vide Cantor, Vorles [Vorlesüngen über Geschichte der Mathematik ?] p 152. Nesselmann p. 214 n. Hankel. p. 105 sqq.
A Short History of Greek Mathematics (1884)

Vātsyāyana photo
Zakir Hussain (politician) photo
Chandra Shekhar photo
Tyagaraja photo

“With…passionate devotion to the ideals of beauty, harmony, freedom, and aspiration… had the strongest impact on society.”

Tyagaraja (1767–1847) Carnatic musician and composer

Dr Radhakrishnan in “Sri Thyagaraja’s life and work have moved multitudes in South India to spiritual ecstasy and noble living", page=169

William John Macquorn Rankine photo

“Voyaging into the night, one knows exactly where, on a known vessel, an absolute harmony with the elements of the unreal.”

Ad Reinhardt (1913–1967) American painter

1959, reacting on a remark of Robert Motherwell
1956 - 1967
Source: Pax, no. 13, 1960; as quoted in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 152

Tristan Tzara photo
Teal Swan photo
Amit Ray photo

“Breathing is our participation with the cosmic dance. When our breath is in harmony, cosmos nourishes us in every sense.”

Amit Ray (1960) Indian author

Beautify your Breath - Beautify your Life (2015)

Huey P. Newton photo
Alexander Hamilton photo
William Wordsworth photo
Alastair Reynolds photo
Le Corbusier photo
Ulysses S. Grant photo

“I feel that we are on the eve of a new era, when there is to be great harmony between the Federal and Confederate. I cannot stay to be a living witness to the correctness of this prophecy; but I feel it within me that it is to be so. The universally kind feeling expressed for me at a time when it was supposed that each day would prove my last, seemed to me the beginning of the answer to "Let us have peace."”

Ulysses S. Grant (1822–1885) 18th President of the United States

The expression of these kindly feelings were not restricted to a section of the country, nor to a division of the people. They came from individual citizens of all nationalities; from all denominations — the Protestant, the Catholic, and the Jew; and from the various societies of the land — scientific, educational, religious or otherwise. Politics did not enter into the matter at all.
I am not egotist enough to suppose all this significance should be given because I was the object of it. But the war between the States was a very bloody and a very costly war. One side or the other had to yield principles they deemed dearer than life before it could be brought to an end. I commanded the whole of the mighty host engaged on the victorious side. I was, no matter whether deservedly so or not, a representative of that side of the controversy. It is a significant and gratifying fact that Confederates should have joined heartily in this spontaneous move. I hope the good feeling inaugurated may continue to the end.

Conclusion
1880s, Personal Memoirs of General U. S. Grant (1885)

Ennio Morricone photo
Arthur Stanley Eddington photo
Paulo Coelho photo
Dorothy Thompson photo
E.M. Forster photo

“As for 'story' I never yet did enjoy a novel or play in which someone didn't tell me afterward that there was something wrong with the story, so that's going to be no drawback as far as I'm concerned. "Good Lord, why am I so bored"—"I know; it must be the plot developing harmoniously."”

E.M. Forster (1879–1970) English novelist

So I often reply to myself, and there rises before me my special nightmare—that of the writer as craftsman, natty and deft.
Letter 104, to Forrest Reid, 19 June 1912
Selected Letters (1983-1985)

Prevale photo

“People are like music; few, pure harmony... many, only noise.”

Prevale (1983) Italian DJ and producer

Original: (it) Le persone sono come la musica; poche, pura armonia... tante, solo rumore.
Source: prevale.net

Prevale photo

“Music is the most ancient instrument in the world, the best medicine, harmony and the pure expression of every soul.”

Prevale (1983) Italian DJ and producer

Original: (it) La musica è lo strumento più antico al mondo, la miglior medicina, l'armonia e la pura espressione di ogni anima.
Source: prevale.net

Prevale photo

“Music is the beating that puts hearts in harmony.”

Prevale (1983) Italian DJ and producer

Original: (it) La musica è il battito che mette i cuori in armonia.
Source: prevale.net

J. Howard Moore photo

“Social scientists … have begun to think that “social animal” means “harmoniously belonging.””

They do not like to think that fighting and dissenting are proper social functions, nor that rebelling or initiating fundamental change is a social function. Rather, if something does not run smoothly, they say it has been improperly socialized; there has been a failure in communication. … But perhaps there has not been a failure in communication. Perhaps the social message has been communicated clearly to the young men and is unacceptable. … We must ask the question, “Is the harmonious organization to which the young are inadequately socialized perhaps against human nature, or not worthy of human nature, and therefore there is difficulty in growing up?”
Source: Growing Up Absurd (1956), pp. 10-11.

Ray Harryhausen photo
Mahatma Gandhi photo
Mary Baker Eddy photo
Prevale photo

“In life, the smile gives harmony to existence.”

Prevale (1983) Italian DJ and producer

Original: (it) ​Nella vita, il sorriso dona armonia all'esistenza.
Source: prevale.net

Paulo Coelho photo
Prevale photo

“Is the harmony that keeps the daily harmony between two people alive.”

Prevale (1983) Italian DJ and producer

Original: (it) È la sintonia a tenere in vita la quotidiana armonia tra due persone.
Source: prevale.net

Prevale photo

“I would like every day to feel the scent of your skin, like the taste of your kiss, admire your sensuality, perceive your sweetness, listen to the beating of your heart, understand the depth of your soul, rejoice with your smile, have fun with your liking and be able to fully live your harmony.”

Prevale (1983) Italian DJ and producer

Original: (it) Vorrei ogni giorno poter sentire il profumo della tua pelle, gradire il sapore di un tuo bacio, ammirare la tua sensualità, percepire la tua dolcezza, ascoltare il battito del tuo cuore, comprendere la profondità della tua anima, gioire con il tuo sorriso, divertirmi con la tua simpatia e poter vivere appieno la tua armonia.
Source: prevale.net

Herbert Read photo

“Nothing conduces so emphatically to the harmony of sounds as perfect classical piano play.”

Olga Rotari (1989) Moldovan classical pianist and chamber musician

https://www.youtube.com/watch?v=QoTrlcR4KyA Youtube

Walmor Oliveira de Azevedo photo

“The church does not encourage clashes but harmony, based on a principle that must guide the world going forward, as there is no other possible way. This principle is that of solidarity.”

Walmor Oliveira de Azevedo (1954) Catholic bishop

Brazil’s top bishop: Without solidarity, Brazil could become new epicenter of the coronavirus pandemic https://www.americamagazine.org/politics-society/2020/05/18/brazils-top-bishop-without-solidarity-brazil-could-become-new-epicenter (May 18, 2020)

Yingluck Shinawatra photo

“Every religion has basic principles that is designed to uplift people's mind and teaches good morals and ethics, the tools which lead to a harmonious society where people do not encroach, but help one another.”

Yingluck Shinawatra (1967) Thai businesswoman and politician

"Speech On The Occasion Of The End Of Ramadan H. 1432" https://www.thaiembassy.sg/announcements/speech-by-prime-minister-yingluck-shinawatra-on-the-occasion-of-the-end-of-ramadan-h-1 (2011)

Napoleon Hill photo

“Men take on the nature and the habits and the power of thought of those with whom they associate in a spirit of sympathy and harmony.”

Napoleon Hill (1883–1970) American author

Power of the Master Mind
Source: Think & Grow Rich, January 1963, p. 150.

Napoleon Hill photo