Quotes about first
page 33

Jack Valenti photo

“Her point of view about student work was that of a social worker teaching finger-painting to children or the insane.
I was impressed with how common such an attitude was at Benton: the faculty—insofar as they were real Benton faculty, and not just nomadic barbarians—reasoned with the students, “appreciated their point of view”, used Socratic methods on them, made allowances for them, kept looking into the oven to see if they were done; but there was one allowance they never under any circumstances made—that the students might be right about something, and they wrong. Education, to them, was a psychiatric process: the sign under which they conquered had embroidered at the bottom, in small letters, Canst thou not minister to a mind diseased?—and half of them gave it its Babu paraphrase of Can you wait upon a lunatic? One expected them to refer to former students as psychonanalysts do: “Oh, she’s an old analysand of mine.” They felt that the mind was a delicate plant which, carefully nurtured, judiciously left alone, must inevitably adopt for itself even the slightest of their own beliefs.
One Benton student, a girl noted for her beadth of reading and absence of coöperation, described things in a queer, exaggerated, plausible way. According to her, a professor at an ordinary school tells you “what’s so”, you admit that it is on examination, and what you really believe or come to believe has “that obscurity which is the privilege of young things”. But at Benton, where education was as democratic as in “that book about America by that French writer—de, de—you know the one I mean”; she meant de Tocqueville; there at Benton they wanted you really to believe everything they did, especially if they hadn’t told you what it was. You gave them the facts, the opinions of authorities, what you hoped was their own opinion; but they replied, “That’s not the point. What do you yourself really believe?” If it wasn’t what your professors believed, you and they could go on searching for your real belief forever—unless you stumbled at last upon that primal scene which is, by definition, at the root of anything….
When she said primal scene there was so much youth and knowledge in her face, so much of our first joy in created things, that I could not think of Benton for thinking of life. I suppose she was right: it is as hard to satisfy our elders’ demands of Independence as of Dependence. Harder: how much more complicated and indefinite a rationalization the first usually is!—and in both cases, it is their demands that must be satisfied, not our own. The faculty of Benton had for their students great expectations, and the students shook, sometimes gave, beneath the weight of them. If the intellectual demands were not so great as they might have been, the emotional demands made up for it. Many a girl, about to deliver to one of her teachers a final report on a year’s not-quite-completed project, had wanted to cry out like a child, “Whip me, whip me, Mother, just don’t be Reasonable!””

Source: Pictures from an Institution (1954) [novel], Chapter 3, pp. 81–83

Dana Gioia photo
Louis Agassiz photo

“Every great scientific truth goes through three stages. First, people say it conflicts with the Bible. Next they say it has been discovered before. Lastly they say they always believed it.”

Louis Agassiz (1807–1873) Swiss naturalist

As quoted in A Dictionary of Scientific Quotations (1991) edited by Alan L. Mackay, ( p. 2 http://books.google.com/books?id=KwESE88CGa8C&pg=PA2&lpg=PA2&dq=every+scientific+truth+goes+through+three+stages+first+people+say+it+conflicts+with+the+bible+next+they+say+it+had+been+discovered+before+lastly+they+say+they+always+believed+in+it&source=web&ots=DKSjGVklFG&sig=TGpJ6LSI9CE4s7Nu8wUiGAq3rgI)

Quirinus Kuhlmann photo
Jesse Ventura photo
Godfrey Higgins photo
Neil Armstrong photo
John Maynard Smith photo
China Miéville photo
James Bryce, 1st Viscount Bryce photo
Kirsten Gillibrand photo

“I realize that for many New Yorkers, this is the first time you've heard my name, and you don't know much about me. Over these next two years you will get to know me, but more importantly, I will get to know you.”

Kirsten Gillibrand (1966) United States Senator from New York

At the press conference where New York Governor David Paterson announced Gillibrand's appointment to the senate
[N.Y. Senator Kirsten Gillibrand, Pickert, Kate, Time, Inc., Time, 2009-01-23, 2011-01-28, http://www.time.com/time/politics/article/0,8599,1873589,00.html]

Lawrence M. Schoen photo

“Prophecy is first and foremost a self-serving gift.”

Lawrence M. Schoen (1959) American writer and klingonist

Source: Barsk: The Elephants' Graveyard (2015), Chapter 38, “Loose Ends” (p. 354)

Jacques Herzog photo
James Russell Lowell photo
Letitia Elizabeth Landon photo
Zia Haider Rahman photo
George William Curtis photo
William Ernest Henley photo

“And in this, that philosophy begins in wonder [Plato, Theaetetus 155d], lies the, so to speak, non-bourgeois character of philosophy; for to feel astonishment and wonder is something non-bourgeois (if we can be allowed, for a moment, to use this all-too-easy terminology). For what does it mean to become bourgeois in the intellectual sense? More than anything else, it means that someone takes one's immediate surroundings (the world determined by the immediate purposes of life) so "tightly" and "densely," as if bearing an ultimate value, that the things of experience no longer become transparent. The greater, deeper, more real, and (at first) invisible world of essences is no longer even suspected to exist; the "wonder" is no longer there, it has no place to come from; the human being can no longer feel wonder. The commonplace mind, rendered deaf-mute, finds everything self-explanatory. But what really is self-explanatory? Is it self-explanatory, then, that we exist? Is it self-explanatory that there is such a thing as "seeing"? These are questions that someone who is locked into the daily world cannot ask; and that is so because such a person has not succeeded, as anyone whose senses (like a deaf person) are simply not functioning — has not managed even for once to forget the immediate needs of life, whereas the one who experiences wonder is one who, astounded by the deeper aspect of the world, cannot hear the immediate demands of life — if even for a moment, that moment when he gazes on the astounding vision of the world.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 101–102

“We all become great explorers during our first few days in a new city, or a new love affair.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Austen Chamberlain photo
Henry Suso photo
Roger Ebert photo

“To me, there are two different types of musicians. Those who are display oriented and those who are content oriented, Bill Evans being a prime example of the content orientation. I am not interested in the displayers—guys who want to be playing a lot of notes to try to impress you that they got a lot of things that they can lay in there. I'm more interested in somebody picking something that has some really great feeling and laying it in, in a really good time concept. Jimmy Rowles is a perfectly good example of that. His choice of notes may not be uncommon, but boy where he lays them down is so individual that I will go for that every time. The same thing applies with composers. When you're a young composer and you first have a chance—and this goes with everybody—you write your most complex works when you're a young man. And then, as you get a little bit older, you find that you can lot simpler things [sic] and still enjoy the devil out of what you're doing.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Radio interview, circa 1985, by Ben Sidran, as quoted in Talking Jazz With Ben Sidran, Volume 1: The Rhythm Section https://books.google.com/books?id=O3hZDQAAQBAJ&pg=PT461&lpg=PT461&dq=%22It+seems+that+today,+particularly+with+younger+piano%22&source=bl&ots=vkOwylFb7q&sig=zPFSLx48xHOhugAAlpcRNKTxUlQ&hl=en&sa=X&ved=0ahUKEwjY_Zay4cbRAhWLKiYKHdVRC3gQ6AEIFDAA#v=onepage&q&f=false (1992, 2006, 2014)

George Steiner photo
George Santayana photo
Abraham Isaac Kook photo

“The difference between the Jewish soul, in all its independence, inner desires, longings, character and standing, and the soul of all the Gentiles, on all of their levels, is greater and deeper than the difference between the soul of a man and the soul of an animal, for the difference in the latter case is one of quantity, while the difference in the first case is one of essential quality.”

Orot Yisrael, Ch. 5, article 10, p. 156; as quoted in "The Distinction between Jews and Gentiles in Torah" by Rabbi David Bar Chaim http://www.daatemet.org.il/articles/article.cfm?article_id=119&lang=en
Variant:
The dissimilarity between the Jewish soul, in all its independence, inner desires, longings, character and standing vis-à-vis the soul of all the Gentiles — on all of their levels — is greater and deeper than the difference between the soul of a man and the soul of an animal, for the difference in the latter case is one of quantity, while the difference in the first case is one of essential quality
As quoted in "A British Synagogue Bans a Famous Hassidic Text!" (February 2010) by Rabbi Michael Leo Samuel http://rabbimichaelsamuel.com/2010/02/2744/#_ftn1.
Orot

George Pólya photo
Wilkie Collins photo

“I confess I have often fancied myself transformed into some other person, and have felt a certian pleasure in seeing myself in my new chracter. One of our first amusements as children (if we have any imagination at all) is to get out of our own characters, and to try the characters of other personages as a change—to be fairies, to be queens, to be anything, in short, but what we really are.”

The Law and the Lady [Harper & Brothers Publishers, 1875] ( p. 195)
Also in Gothic Returns in Collins, Dickens, Zola, and Hitchcock by Eleanor Salotto [Springer, 2016, ISBN 1-137-11770-2 https://books.google.com/books?id=qPmE-w86r0AC&pg=PA195 ( p. 39 https://books.google.com/books?id=recYDAAAQBAJ&pg=PA39)
The Law and the Lady (1875)

George Friedman photo
Eric Holder photo
John Napier photo
Oliver Wendell Holmes photo
Albert Marquet photo

“Our first Salon des Independants, where I think we [Matisse and Marquet] were the only two painters to express ourselves in pure colors, was in 1901.”

Albert Marquet (1875–1947) French artist

Gordon Brown, 'Albert Marquet', Arts Magazine Vol. 46, November 1971, p. 49.

Amir Khusrow photo
Harry V. Jaffa photo
Marshall McLuhan photo

“Typography as the first mechanization of a handicraft is itself the perfect instance not of a new knowledge, but of applied knowledge.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 171

Earl Warren photo

“I always turn to the sports section first. The sports section records people's accomplishments; the front page nothing but man's failures.”

Earl Warren (1891–1974) United States federal judge

As quoted in Sports Illustrated (22 July 1968)
Variants:
I always turn to the sports page first, which records people's accomplishments. The front page has nothing but man's failures.
As quoted in Best Sports Stories : 1975 (1976) by Irving T. Marsh
I always turn to the sports pages first, which records people's accomplishments. The front page has nothing but man's failures.
As quoted in The Norton Book of Sports (1992) by George Plimpton, p. 470
1960s

Bob Dylan photo

“The first two lines, which rhymed 'kiddin' you' and 'didn't you,' just about knocked me out, and later on, when I got to the jugglers and the chrome horse and the princess on the steeple, it all just about got to be too much.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Discussing the song "Like a Rolling Stone" in Rolling Stone magazine (1988)

Andrew Paterson photo
Alexandra Kollontai photo
Hunter S. Thompson photo
Jean-Pierre Willem photo

“In 1913, Nobel price Otto Heinrich Warburg was the first to observe that cancer can not develop in a rich stace full of oxygen. Nobel price Roy Walford also observed that caloric restriction, could increase longevity and health.”

Jean-Pierre Willem (1938) French humanitarian

Dès 1913, le prix Nobel Otto Heinrich Warburg fut le premier à observer et expliquer que le cancer ne peut se développer dans un milieu riche en oxygène, donc acide. Le prix Nobel Roy Walford observa également que les restrictions caloriques pouvaient augmenter la longevité et la santé.
Une technique de jeûne annuel: L'ACIDOSE, prévention n°1 des maladies dégénératives, Jean-Pierre Willem (Paris, La vie naturelle, 1990), n°56.

Calvin Coolidge photo
K. R. Narayanan photo
Patrick Buchanan photo
Pol Pot photo

“First, I would like to tell you that I came to carry out the struggle, not to kill people. Even now, and you can look at me, am I savage person? My conscience is clear.”

Pol Pot (1925–1998) former General Secretary of the Communist Party of Kampuchea

Nate Thayer interview (1997)

Hugo Chávez photo
Tawakkol Karman photo
Bret Easton Ellis photo
Robert T. Bakker photo
N. Gregory Mankiw photo
Joseph Smith, Jr. photo
Charles Sanders Peirce photo
Charles Cooley photo
Jeremy Clarkson photo

“It’s terrible. Biblically terrible. Possibly the worst new car money can buy. It’s the first car I’ve ever considered crashing into a tree, on purpose, so I didn’t have to drive it any more.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

Sunday Times May 17, 2009, reviewing the Honda Insight 1.3 IMA SE Hybrid http://www.timesonline.co.uk/tol/driving/jeremy_clarkson/article6294116.ece

Akshay Agrawal photo

“Don’t wait for a plan to materialize. Don’t expect perfection in your very first try. Just jump In. No idea is too big or small, it’s just the mindset which matters. Life is short, startup now!”

Akshay Agrawal (1998) Serial Social Entrepreneur

Akshay Agarwal, a 16-year-old entrepreneur talks about his crowdfunding platform Ukhadlo.com http://startoholics.in/2014/06/akshay-agarwal-16-year-old-entrepreneur-talks-crowdfunding-platform-ukhadlo-com/

Erik Naggum photo

“I guess there are some things that are so gross you just have to forget, or it'll destroy something within you. Perl is the first such thing I have known.”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: can lisp do what perl does easily? http://groups.google.com/group/comp.lang.lisp/msg/fc76ebab1cb2f863 (Usenet article).
Usenet articles, Perl

“First he gathered what he needed. Then he needed to keep gathering what he used to need.”

James Richardson (1950) American poet

#314
Vectors: Aphorisms and Ten Second Essays (2001)

Emil M. Cioran photo
James Whitbread Lee Glaisher photo
William James photo
Damian Pettigrew photo
P.G. Wodehouse photo
Pauline Kael photo
Hans Reichenbach photo
Peter F. Drucker photo
C. N. R. Rao photo
W. Edwards Deming photo
Femi Taylor photo
Mumia Abu-Jamal photo

“Once again, my family and I find ourselves being assaulted by the obscenity that is Mumia Abu-Jamal. On Sunday October 5th, my husband's killer will once again air his voice from what masquerades as a prison, and spew his thoughts and ideas at another college commencement. Mumia Abu-Jamal will be heard and honored as a victim and a hero by a pack of adolescent sycophants at Goddard College in Vermont. Despite the fact that 33 years ago, he loaded his gun with special high-velocity ammunition designed to kill in the most devastating fashion, then used that gun to rip my husband's freedom from him--today, Mumia Abu-Jamal will be lauded as a freedom fighter. Undoubtedly the administrators at Goddard who first accepted, then enthusiastically supported Abu-Jamal as their speaker will be moved by his "important message" when, if one distills that message to its basic meaning, it amounts to nothing more than the same worn out hatred for this country and everyone in law enforcement that Mumia Abu-Jamal has harbored his entire life. Many at Goddard College have said that this is a matter of Abu-Jamal's First Amendment right to speak and be heard. What a convenient way to dodge their responsibility to take a moral position on this situation. This is not a matter of First Amendment rights -- it's a matter of right and wrong. Across the country, people have been voicing their disgust with the wrong that the college is about to commit by allowing a convicted cop-killer to speak to them. Is this the message to be heard? How could they allow him to speak when Danny no longer has a voice? It is my opinion that all murderers should forfeit their right to free speech when they take the life of an innocent person. I have repeatedly seen college administrators deny conservative and religious speakers access to their campuses when even the tiniest minority feel their message is in some way offensive. What could be more offensive than having a person who violently took the life of another imparting his "unique perspective" on your students? Let's be honest. The instructors, administrators and graduates at Goddard College embrace having this killer as their commencement speaker not despite the fact that he brutally murdered a cop, but because he brutally murdered a cop. Otherwise, like so many other speakers that have been denied access to college campuses across the country, Goddard's administration would have lived up to their moral responsibility and pulled the plug on this travesty long ago. Shame on Goddard College and all associated with that school for choosing to honor an arrogant remorseless killer as their commencement speaker. Unfortunately, this is something that I am certain they will be proud of for the rest of their lives.”

Mumia Abu-Jamal (1954) Prisoner, Journalist, Broadcaster, Author, Activist

Statement http://6abc.com/news/mumia-abu-jamal-speech-met-with-vigil-for-slain-officer/337357/ by Maureen Faulkner, widow of Daniel Faulkner, upon Abu-Jamal's delivering the Commencement Address at Goddard College in 2014
About

William Styron photo
John of St. Samson photo
Vitruvius photo
Glenn Beck photo

“But at some point, you know that— you know what poem keeps going through my mind is, "first they came for the Jews." People, all of us, are like, "Well, this news doesn't really affect me." "Well, I'm not a bondholder." "Well, I'm not in the banking industry." "Well, I'm not a big CEO." "Well, I'm not on Wall Street." "Well, I'm not a car dealer." "I'm not an auto worker."”

Glenn Beck (1964) U.S. talk radio and television host

Gang, at some point, they're going to come for you!
The Glenn Beck Program
Premiere Radio Networks
2009-06-10
Beck compares car dealership closures to Nazis; warns "Gang, at some point, they're going to come for you"
Media Matters for America
2009-06-10
http://mediamatters.org/mmtv/200906100012
2000s, 2009

Lloyd Kaufman photo
Tim Powers photo
T. E. Lawrence photo
Warren Buffett photo
Wendell Phillips photo

“I think the first duty of society is justice.”

Wendell Phillips (1811–1884) American abolitionist, advocate for Native Americans, orator and lawyer

Disunion (21 January 1861).
1860s

Will Arnett photo
Everett Dean Martin photo
Nat Turner photo
Ray Bradbury photo
Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

Joel Bakan photo