Quotes about film
page 5

“The interesting part about making these films is that it’s half directing, and half really being a leader, because you have such little time to shoot such a big concept. It’s really like a war against time, and your crew is your platoon. You’re going as hard and as fast as you can to try to get everything on screen.”

Griff Furst (1981) American actor, director and musician

'Ghost Shark' director Griff Furst is ready to ride 'Sharknado' Twitter wave http://www.nola.com/tv/index.ssf/2013/08/ghost_shark_director_griff_fur.html (August 20, 2013)

War, Time, Parting

“The film has written and spoken dialogue in twenty-five languages-English, French, Japanese, Mandarin, Cantonese, Vietnamese, Latin, Hebrew, necrotic Egyptian … and it has written calligraphic text on paper, wood, and flesh, on flat and curved surfaces, vertically and horizontally, on both living and dead flesh, in neon, on screens, in projection, as sub-title, inter-title, and sur-title, as High Art and low art, as advertisement and banker's check and registration plate, on photograph, on blackboard, as letter correspondence, as photocopy facsimile, and spoken, chanted, and sung, with and without music … a mocking challenge. You want text? Cinema wants text? Cinema pretends to eschew text? Then we can give you text to mock that smug suggestion that cinema thinks it is pictures.”

Peter Greenaway (1942) British film director

"105 Years of Illustrated Text" in the Zoetrope All-Story, Vol. 5 No. 1.
105 Years of Illustrated Text

Art, Music, Thinking, Dead

“I don't think there is any difference between fantasy and reality in the way these should be approached in a film. Of course if you live that way you are clinically insane.”

Martin Scorsese (1942) American film director, screenwriter, producer and actor

Scorcese on Scorsese, "Mean Streets—Alice Doesn't Live here Anymore—Taxi Driver".

Way, Thinking, Reality

“It was reported that Guy Ritchie has cast his wife Madonna in a small walk-on role in his new movie, Revolver. Madonna will play the part of the woman who ruins the film.”

Tina Fey (1970) American comedian, writer, producer and actress

citation needed

Guy, Parting

“Finally, the role of sound in these films is very important, and directors give it a lot of attention. We work hard, we try, it is not just enough to illustrate. We must build a character in its own music.”

François-Eudes Chanfrault (1974–2016) Composer and musician

CinemaFantastique.net interview (October 2, 2008)

Music

“When we talk career, we get into an argument. In Hindi films, she is facing the same problems I did. If a K. Balachander hadn't come along to do 'Ek Duuje Ke Liye' with me in Hindi, I wonder what would've happened to me! I would have suffered much worse because Shruti is far more savvy than me.”

Kamal Haasan (1954) Indian actor

Aamir's choice of films makes Kamal Haasan happy

Problem, Suffering

“Between Paoli and Penn Hills, Pennsylvania is Alabama without the blacks. They didn't film The Deer Hunter there for nothing -- the state has the second-highest concentration of NRA members, behind Texas.”

James Carville (1944) political writer, consultant and United States Marine

1986, while working on a gubernatorial race http://www.politico.com/story/2008/04/extreme-makeover-pennsylvania-edition-009323

“Life is very, very complicated and so films should be allowed to be too.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

As quoted in The Los Angeles Times (20 April 2003)

Life

“The only thing I want to do in films is be Mr. Joe Average as well as I know how. Of course, anyone whose face appears often enough on the screen is bound to have bobby-soxers after him for autographs. But what I really get a kick out of is when cab drivers around New York lean out and yell 'Hi Brooklyn' when I walk by. They make me feel I'm putting it across O. K. when I try to be Joe Average.”

Dane Clark (1912–1998) American film actor

New York Times, Dane Clark, Actor, 85, Dies; Starred in World War II Films, September 16, 1998

Feeling, Appearance

“Godzilla 2014 missed the mark primarily because it is not an origins story. Gojira was a monster of our own making. Similarly Gino was supposed to impose nature’s response to our meddling. But G2014 pre-existed genetic modifications and nuclear testing. We have no responsibility for him, nor the mutos either. They come from a time that never was, millions of years ago, “when the world was much more radioactive than it is today”. The story implies that mutos ‘eat radiation’. In the film, they can track it through every kind of protective shielding, and they eat nuclear devices like fruit -metallic peal and all. I guess millions of years ago, nuclear missiles grew on trees, and kaiju were common even though they’re absent from the fossil record -with only one top-secret exception. As an advocate of science education with a deep interest in paleontology, and as someone who would rather see humans held accountable for what they do to their environment, this film was very disappointing. As an atheist, it was even worse. The star of the film not only has impossible dimensions and an inexplicable power, he is also immortal. He’s been alive forever, and spends all his time sleeping. He awakens only he senses submarines or the arrival of other kaiju, because he has a mission to protect humanity. G2014 put the ‘god’ in Godzilla. The director called him a god, and some of the characters in the movie describe him as a god too. So he’s not a lizard, not a dinosaur, but one of the Lovecraftian great old ones like Cthulhu. In a video I made years ago, I too joked about Godzilla being a god. But it was still somewhat disappointing to see him depicted that way.”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

Patheos, Weighing in on Godzilla http://www.patheos.com/blogs/reasonadvocates/2014/06/08/weighing-in-on-godzilla/ (June 8, 2014)

God, Secret, World, Education

“Recognizing that the world is governed by a minority, the sexually active, and that they hold sway of a huge majority of the nonsexual, those people too young or too old or too poor or too homely or sick or crazy or powerless to be able to afford sexual partners (or the luxury of systematic, sustained and shared introspection, so sexual in its own way). All advertisements and films and songs are addressed to sexuals, to their rash whims and finicky tastes.”

Edmund White book A Boy's Own Story

Source: A Boy's Own Story (1982), Chapter Six (p. 167).

People, World, Way, Home

“Movies make hash of the schoolmarm’s approach of how well the artist fulfilled his intentions. Whatever the original intention of the writers and director, it is usually supplanted, as the production gets under way, by the intention to make money — and the industry judges the film by how well it fulfills that intention. But if you could see the "artist’s intentions" you’d probably wish you couldn’t anyway. Nothing is so deathly to enjoyment as the relentless march of a movie to fulfill its obvious purpose. This is, indeed, almost a defining characteristic of the hack director, as distinguished from an artist.”

Pauline Kael book Going Steady

Going Steady (1969), Trash, Art and the Movies (February 1969)

Money, Way

“.. the personification of the close-up detail, the individualisation of the fragment, where the drama takes shape, moves and have it being. Film concurs with this aspect for life. The hand is a multiple, transformable object. Before I saw it in a film, I did not know what a hand was! The object in itself is capable of becoming an absolute, moving, tragic thing.”

Fernand Léger (1881–1955) French painter

Quote from: 'L'ésthetique de la Machine - l'Ordre Géometrique et le Vrai', in Propos d’Artistes, 1925
Quotes of Fernand Leger, 1920's

Life

“I do quite like hairy things. That probably came out of my growing up in front of the television as a kid in the 50s. I saw a lot of the classic Universal films, and was really attracted to the Wolf Man - I thought that was such a cool idea. And, you know, Mr Hyde. So many things I like had hair on. So I started making hairy things and never stopped, you know?”

Rick Baker (1950) American special makeup effects artist

Rick Baker interview: Men In Black 3, werewolves and Videodrome http://www.denofgeek.com/movies/23258/rick-baker-interview-men-in-black-3-werewolves-and-videodrome (November 5, 2012)

Idea, Universe, Wolf

“I guess my first pilot was February of '96. I did a pilot with Kevin Pollak and his wife, Lucy Webb, for CBS, that was not picked up. And then I kind of started being more in the process. I kind of hung around, looking for work. Didn't do a pilot the next year, but in that time did this film called Southie that we shot in south Boston with these guys that I knew. But really was more focused on doing dramatic stuff. And then every year or couple of years doing, you know [with forced cheer] sitcom pilot!”

Will Arnett (1970) Canadian actor

"The Will Arnett Interview," Television Without Pity (2005) http://www.televisionwithoutpity.com/articles/content/a1005/index-4.html 2005

Guy, Time

“When I asked Amin [Husain] and Katie [Davison] what Occupy Wall Street’s ultimate goal was, they said, “A government accountable to the people, freed up from corporate influence.” … Organizers described Occupy Wall Street as “a way of being,” of “sharing your life together in assembly.” … The ambitions of the core group of activists were more cultural than political, in the sense that they sought to influence the way people think about their lives. “Ours is a transformational movement,” Amin told me with a solemn air. Transformation had to occur face to face; what it offered, especially to the young, was an antidote to the empty gaze of the screen.
In meetings and elsewhere, this Tolstoyan experience of undergoing a personal crisis of meaning, both political and of the soul, seemed deeply shared. Apart from Amin, I’ve met an architect, a film editor, an advertising consultant, an unemployed stock trader, a spattering of lawyers, and people with various other jobs who, after joining OWS, found themselves psychologically unable to go about their lives as before. … Michael Ellick, the minister at Judson Memorial Church in Greenwich Village, said that when he first visited Zuccotti Park he was reminded of his years at a monastery. “When people enter a monastery, they don’t know why they’ve come,” said Ellick. “They are there to find out why they are there, why they were compelled to leave the other world.””

Michael Greenberg (1952) American author

“What Future for Occupy Wall Street?” The New York Review of Books, vol. 59, no. 2, February 9, 2012

Life, People, World, Way

“The first step — especially for young people with energy and drive and talent, but not money — the first step to controlling your world is to control your culture. To model and demonstrate the kind of world you demand to live in. To write the books. Make the music. Shoot the films. Paint the art.”

Chuck Palahniuk (1962) American novelist, essayist

Closing remarks made on an eClass forum (Barnes & Noble University) (2004-12-05)

Money, People, Books, World

“The red-faced president took afternoon tea
With her majesty The Queen
And they watched old films flicker
Across the old palace movie screen
Crying, "What a shame!"
As she slipped in the rain
Poor dancing girl
Well, she won't dance again…”

Pete Doherty (1979) English musician, writer, actor, poet and artist

"Radio America"(with Carl Barat)
Lyrics and poetry

Girl, Dance, Tea, Cry

“Unlike writers or painters, we don't sit down in front of a blank canvas and say, 'How do I start? Where do I start?' We're given the springboard of the text, a plane ticket, told to report to Alabama, and there's a group of people all ready to make a film and it's a marvelous life.”

Albert Finney (1936–2019) English actor

Interview with Paul Fischer at Dark Horizons (2 December 2003).

Life, People

“Music combines the temporal aspects of film and dance with the spatial aspects of painting and sculpture, where pitch space (or frequency space) takes the place of three-dimensional physical space… frequency maps in the auditory cortex… function much the way that spatial maps do in the visual cortex.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)

Music, Way, Dance, Painting

“The Barnum Statements are very famous and well known about and there’s a great experiment… There’s a terrific experiment that was done on this with students. I’ve filmed this myself. We did it with three different groups of people across the world, where you have… everybody in the group is given a reading, a personality reading. Normally beforehand there’s some nonsense about asking for their birth date or getting some objects off them - so there’s some sort of process apparently involved - and they’re given a reading. And it’s a long reading, it’s a very detailed personality reading and they all get one individually, they’re all asked to read it and, invariably, they will all say afterwards that it’s very, very accurate, that it was not at all vague or ambiguous or what people might expect and they’ll give it 85, 90, 95 percent accuracy. I’ve seen this happen and people are amazed by it. And then you get them to swap with each other and say “perhaps you can identify someone else by their reading”. Then they realise they’ve all been given exactly the same thing which was written months ago before I even met them and the statements that fill those sorts of readings are generally Barnum Statements. Barnum statements are things which essentially apply to anybody – this is only part of the cold-reading skill but it’s a major part of it… PT Barnum… “something for everyone” and, famously “a sucker is born every minute””

Derren Brown (1971) British illusionist

Other TV and web appearances, The Enemies of Reason (Richard Dawkins)

People, World, Birth, Reading

“I love Nicole. Nicole and I happen to be very great friends. Besides that, the press never get it straight. They do not print what you say… We were in Venice for Birth at the Venice Film Festival. And you know when you have a day when you go from one room to another with the roundtables with about five journalists sitting around at each table throwing questions at you all the time. So in one of these rooms, I'm sitting there. And one of the journalists said, you're an icon and Nicole Kidman's an icon and what do you think about that? And I said, why do you have to burden her with the category? She's a young woman. She's got her whole career ahead of her. Why does she have to be pegged as an icon or as anything? Let her enjoy her time. Don't, you know, suddenly put her in a slot. And that was all I said. The word "legend" never came up. It was "icon."”

Lauren Bacall (1924–2014) American actress, model

On being quoted in 2004 as saying about Nicole Kidman: "She's not a legend. She's a beginner..."
"She's not a legend," Bacall said. "She can't be a legend at whatever age she is. … You have to be older."
Larry King interview (2005)

Love, Birth, Question, Thinking

“We started out in the middle ages creating music which had certain desirable physical properties (for example, a major chord sounds "nice" because the frequencies are in integer ratios to each other). And then as society evolved, we created these emotional contexts for certain instruments and progressions. Major-chord arpeggios sound "happy", minor chords sound "sad", chromatic scales can sound "scary", et cetera. In the 20th century, film soundtracks reinforced this point as people associated certain kinds of music with certain visual and emotional experiences. It's a giant feedback loop, really; once you grow up in a given culture, it leaves this musical fingerprint on you which colors your experiences.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

Happiness, People, Age, Sadness

“The fighting in western Bosnia intensified as the cease-fire approached. (…) Facing the end of the fighting, the Croats and the Bosnians finally buried their differences, if only momentarily, and took Sanski Most and several other smaller towns. But Prijedor still eluded them. For reasons we never fully undestood, they did not capture this important town, a famous symbol of ethnic cleansing.* (*In March 1997, I attended a showing at the Council on Foreign Relations in New York of a powerful documentary film, Calling the ghosts, that recounted the brual treatmen two Bosnian women from Prijedor had suffered during their incarceration at the notorious Omarska prison camp. Following the film, the two women angrily asked me why they were still unable to return to their hometown. I told them we'd repeatedly encouraged an assault on Prijedor. They were stonished; they said General Dudakovic, the Bosnian commander, had told them personally that "Holbrooke would not let us capture Prijedor and Bosanski Novi". I subsequently learned that this story was widely believed in the region. This revisionism was not surprising; it absolved Dudakovic and his associates of responsibility for the failure to take Prijedor. I suspect the truth is that after the disaster at the Una River the Croatians did not want to fight for a town the would have to turn over to the Muslims - and the Bosnians could not capture it unaided.”

Richard Holbrooke (1941–2010) American diplomat

Source: 1990s, To End a War (1998), p. 206

Women, Truth, Failure, Suffering

“You used to be able to depend on a bad film being poorly made. No longer. The Punisher: War Zone [sic] is one of the best-made bad movies I've seen…Its only flaw is that it's disgusting.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/punisher-war-zone-2008 of Punisher: War Zone (3 December 2008) Reviews, Two star reviews

War, Dependency

“Dawn of the Dead is one of the most prophetic and disturbing films you’ll see, and I challenge you to find anyone who can find another film from that era which provides the same level of social commentary.”

Olly Blackburn Film director and screenwriter

[The Skinny, Scotland, http://www.theskinny.co.uk/film/features/44237-director_olly_blackburn_talks_donkey_punch, Radge Media, 10 November 2008, 23 February 2012, Director Olly Blackburn talks Donkey Punch, Michael, Gillespie]

“You go through different arcs in your career. I think when I was younger, I was very into the performing side of the industry. I came to acting through that way, and then having gone to university and studied cinema studies and watching tons of films and understanding film theory and making a conscious choice of working with auteur director marks a new chapter in my development as an artist.”

Sarah Gadon (1987) Canadian actress

Way, Understanding, Thinking, Study

“Big Shiny Films in your Dinky Little Home”

Patrick Allen (1927–2006) Film, television and voice actor

E4, E4 Films Trails

Home

“[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. … Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/b/batman_begins.html of Batman Begins (2005). Three-and-a-half star reviews

Men, Strong, Waiting

“I don't want to go to another roller-coaster ride of a movie. If I want that, I'll go to Magic Mountain. I'm really interested in the young directors that are doing different things in cinema. I think the movies people will hold onto are the Rushmores and the Being John Malkoviches. Those are the kind of films I want to do; that's what I'm passionate about.”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

Mean magazine http://www.fedge.net/~zdeschanel/articles/index.html (April 2001).

People, Mountain, Thinking, Passion

“I found myself at the top of the the ladder, with everything, but with one thing missing: that one thing was a companion. Because, it's cliché to say, but nothing really means anything in the end unless you're really doing what you want to do, and… I walked off a huge world tour, with a yacht and television specials, and record deals, and film deals. I walked away and my whole thing collapsed. I shocked my business world and walked back to my cottage, which I had been renting to two American girls. One of them was Cynthia, and I stayed with her for two days, then her friend Lori came back from Clapton's house, where there had been a party going on for almost a week. Lori came in with another friend, and it was Linda, my Sunshine Supergirl from 1965 whom I'd written all my songs for. We hadn't married then, because she had a child with Brian Jones and wasn't ready for another relationship. And it was good that we didn't marry back then, because my four years of '60's fame would have wrecked the marriage. But we met again, and I went away from fame and into the arms of my muse, my lover, and then my wife, and then the mother of my children.”

Donovan (1946) Scottish singer, songwriter and guitarist

Grip interview (1997)

Marriage, Children, World, Girl

“If I never make another film, I don't care as long as I'm true to what I believe in, which is being kind.”

Sienna Miller (1981) British-American actress

As reported by ALISON BOSHOFF Evening Standard, http://www.standard.co.uk/news/the-girl-who-wooed-jude-6973678.html

“Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Ranking "the 20 best political films of the past two decades" in "The Big Picture: Roger Ebert" in MotherJones (May/June 1996) http://www.motherjones.com/arts/film/1996/05/ebert.html

“Every night, at exactly a quarter past three, something dreadful happens on the street outside our bedroom window. We peek through the curtains, yawning and shivering in the life-draining chill, and then we clamber back beneath the blankets without exchanging a word, to hug each other tightly and hope for sound sleep before it's time to rise.

Usually what we witness verges on the mundane. Drunken young men fighting, swaying about with outstretched knives, cursing incoherently. Robbery, bashings, rape. We wince to see such violence, but we can hardly be shocked or surprised any more, and we're never tempted to intervene: it's always far too cold, for a start! A single warm exhalation can coat the window pane with mist, transforming the most stomach-wrenching assault into a safely cryptic ballet for abstract blobs of light.

On some nights, though, when the shadows in the room are subtly wrong, when the familiar street looks like an abandoned film set, or a painting of itself perversely come to life, we are confronted by truly disturbing sights, oppressive apparitions which almost make us doubt we're awake, or, if awake, sane. I can't catalogue these visions, for most, mercifully, are blurred by morning, leaving only a vague uneasiness and a reluctance to be alone even in the brightest sunshine.”

Greg Egan (1961) Australian science fiction writer and former computer programmer

Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988) Fiction

Life, Men, Hope, Sleep

“Films make me into some cheap turn…You bet they'll never let me play a part in a film where a Negro is on top.”

Paul Robeson (1898–1976) American singer and actor

As quoted in Paul Robeson : The Whole World in His Hands (1981) by Susan Robeson, p. 92

Parting

“I've made a few films and by the grace of God, you've liked them.”

Waheeda Rehman (1938) Indian actress

Quoted in Waheeda: She came, she conquered, 17 January 2005, 15 December 2013, The Hindu http://articles.timesofindia.indiatimes.com/2005-01-17/pune/27839882_1_pune-international-film-festival-piff-waheeda-rehman, Quote

God

“I loved making films. There was something about that lens that I adored, and it adored me back. So we were a great combination.”

Lizabeth Scott (1922–2015) American actress and singer

Colker, David (February 6, 2015). " From the Archives: Lizabeth Scott dies at 92; sultry leading woman of film noir http://www.latimes.com/local/obituaries/la-me-lizabeth-scott-20150206-story.html". Los Angeles Times

Love

“I went to a friend who's a girl and asked her, 'What's it like to have sex for the first time, if you're Irish – so you're modest, and it's the 1950s – so you've never seen it in a film?' I listened carefully to what she said, and I put it in the book. It was an important element, the detail was richly memorable for the person, it had to be in the book.”

Colm Tóibín (1955) Irish novelist and writer

On a heterosexual sex scene in Brooklyn. Let's not talk about sex – why passion is waning in British books http://www.guardian.co.uk/books/2010/oct/16/sex-disappearing-from-novels, The Guardian (16 October 2010)

Books, Sex, Girl, Time

“Films like Speed belong to the genre I call Bruised Forearm Movies, because you're always grabbing the arm of the person sitting next to you. Done wrong, they seem like tired replays of old chase cliches. Done well, they're fun. Done as well as Speed, they generate a kind of manic exhilaration.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/speed-1994 of Speed (10 June 1994) Reviews, Four star reviews

Personality, Speed

“[In Marcel Ophuls' film The Memory of Justice] Mad old Nazis were to be heard deploring modern decadence. 'The difference is, we weren't obsessed with smut,' said one comfortable, retired SS man, all unaware of being up to his neck in blood and pus.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

'The Weld This Week'
Essays and reviews, The Crystal Bucket (1982)

Justice, Memory, Madness

“Live Freaky! Die Freaky! will be, without a shadow of a doubt, the single greatest film of all time about Charles Manson being the savior to all humanity in the year 3069.”

John Roecker (1966) American film director

An Epic Interview with John Roecker, FilmJerk, www.filmjerk.com, Kristopher, Terrell, August 23, 2003 http://www.filmjerk.com/interviews/article.php?id_int=12, About

Time

“The image that creates this thinking gives rise to a feeling of evidence and a conviction that it is not based on reason. This kind of thinking explains the reaction we so often note among our contemporaries: when someone asks them to give the reason for their opinions, they answer: "It’s evident." This thinking, which creates prejudices and stereotypes, is the domain of the unquestionable. Obviously you cannot dispute with an image, and you cannot challenge the hero of a film. But this extends to the mental images produced by the film: there is no criticism or debate possible, because these involve differing methods of thought. What produces immediate assent cannot bear the discussion process. The conviction acquired in this way can only be attacked on its own ground: by other images.”

Jacques Ellul (1912–1994) French sociologist, technology critic, and Christian anarchist

J. Hanks, trans. (1985), p. 213
The Humiliation of the Word (1981)

Way, Feeling, Thinking

“I really don't care that much about "Beauties." What I really like are Talkers. To me, good talkers are beautiful because good talk is what I love. The word itself shows why I like Talkers better than Beauties, why I tape more than I film. It's not "talkies." Talkers are doing something. Beauties are being something. Which isn't necessarily bad, it's just that I don't know what it is they're being. It's more fun to be with people who are doing things.”

Andy Warhol (1928–1987) American artist

Source: 1975, The Philosophy of Andy Warhol (1975), Ch. 4: Beauty

Love, People, Beauty

“I like a film where you can see every penny of the budget up there on the screen.”

Alan Moore (1953) English writer primarily known for his work in comic books

De Abaitua interview (1998)

“In some quarters the films and books are lauded for their wholesome message, which is weird considering Bella is essentially deciding whether she'd rather shag a bat or a wolf. She's got zero interest in honest-to-goodness human-on-human action. No. It's magic farmyard creatures or nothing for her.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

Guardian columns

Books, Wolf

“I have always been interested in the occult, but during the filming of The Mummy I had to keep such things private, especially in those days. I used the occult auto-suggestively…I mean, before I would play a scene I would get into the spirit, so to speak, with certain prayers. As a child my father gave me an Ouija board and soon I started to get messages, then I moved towards the Tarot. By the time I was in Basil Sidney’s company I was asked to read cards all the time for the other players, and Basil himself depended on what I saw in those cards.”

Zita Johann (1904–1993) actress

Camp David: Zita Johann http://filmsinreview.com/2007/02/01/camp-david-february-2007-zita-johann/3/ (1981)

Time, Reading, Dependency

“Does the critic wish to influence the kind of film that costs more than £250,000? It is as if he were to send a postcard to General Motors explaining that he would like them to make a raft next year, or a helicopter, instead of a car.”

Kenneth Tynan (1927–1980) English theatre critic and writer

"Footnote on Cinema" (undated), p. 260
Tynan Right and Left (1967)

Cars

“I could start this review by stating that Dumb and Dumberer lives up to its name, or by calling it stupid, moronic, and idiotic, but I believe that approach is a trap, since a movie like this might relish being the object of such bland invectives. Instead, let me try a few that can't possibly be misconstrued as twisted praise: unfunny, boring, torturous, and unwatchable. … [N]o movie could be more aptly compared to raw sewage than this film - Directed By Troy Miller.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=1484 of Dumb and Dumberer (2003). Zero star reviews

Stupidity

“On the changing face of Indian cinema "At one time I wondered if I was doing the right films, today I know I have made the right choices. Indian cinema is changing, not step by step but by leaps. New blood is coming in, mindsets are changing and our exposure to the world is ever-increasing. I am glad these positive changes are happening when I am in the industry and not ten years from now.”

Preity Zinta (1975) film actress

Famous quotes

World, Change, Time

“If you want to know all about Andy Warhol, just look at the surface; of my paintings and films and me, and there I am. There's nothing behind it... I see everything that way, the surface of things, a kind of mental Braille. I just pass my hands over the surface of things.”

Andy Warhol (1928–1987) American artist

1973
1968 - 1974, Electric chair quote
Source: Warhol in his own words – Untitled Statements ( 1963 – 1987), selected by Neil Printz; as quoted in Andy Warhol, retrospective, Art and Bullfinch Press / Little Brown, 1989, pp. 457 – 467

Way, Painting

“A film is its own thing and in an ideal world I think a film should be discovered knowing nothing and nothing should be added to it and nothing should be subtracted from it.”

David Lynch (1946) American filmmaker, television director, visual artist, musician and occasional actor

Scene by Scene interview BBC 2 (1999) http://web.archive.org/20040210020322/members.fortunecity.com/vanessa77/index2005.html

World, Thinking

“I just don’t get the time [to watch films], earlier I used to watch. Once I saw Paa on its launching with Amitabhji, and once with Anupamji I saw A Wednesday!. These two films in the past 10 years, and a film [that was] made on Swami Vivekanand on his 150[th birth] anniversary, that I saw because I also worked to make it successful. […] It was good. It is good for giving a message to the young generation, on an international level too. I liked that they did not show any miracles but kept it simple, the story of a social worker.”

Narendra Modi (1950) Prime Minister of India

2014, "GhoshanaPatra with Narendra Modi", 2014

Birth, Time, Success, Past

“Study your craft and know who you are and what's special about you. Find out what everyone does on a film set, ask questions and listen. Make sure you live life, which means don't do things where you court celebrity, and give something positive back to our society.”

Paul Newman (1925–2008) American actor and film director

Quoted in Craig Modderno, "Newman remains animated at 81," Reuters (2006-06-12)

Life, Question, Study

“I think it’s important for anyone who takes cinema seriously not to limit yourself to just optimistic or happy movies. I think that’s a problem. You’ve got to be willing to let the art of cinema take you into some darker places if you’re going to make full use of it. There are some people who shouldn’t watch horror films, and I’m all right with that. It’s not about putting something evil in the world. It’s about reckoning with evil. We don’t need any more evil in the world. We need a lot more reckoning with it.”

Scott Derrickson (1966) American screenwriter and film director

Interview: Filmmaker Scott Derrickson on Horror, Faith, Chesterton and His New Movie http://www.ncregister.com/daily-news/interview-scott-derrickson (July 1, 2014)

Happiness, People, World, Art

“I’m so thankful that all that stuff made it to the screen, because a lot of the time studio executives say that there’s no time, or ask why we should feel sympathy for this bad guy. I joke that I’m the romantic lead in the movie, I just happened to pick the wrong girl. Imhotep is kind of the tragic villain, I guess, and a lot of people have come up to me and said I was hating you, but then I reach a point when I was feeling sorry for you too. It's those different facets that help explain why this film is such a success”

Arnold Vosloo (1962) South African-American actor

Interview: Arnold Vosloo http://www.bbc.co.uk/films/2001/05/11/arnold_vosloo_article.shtml (May 11, 2001)

Hate, People, Guy, Feeling

“As you go through history, I didn't think it was going to get quite this close. So it's just one of those recurring things… I hope this doesn't come true in our country. Maybe the film will waken people to the situation. … When I wrote it [Star Wars Episode III: Revenge of the Sith], Iraq didn't exist… We were just funding Saddam Hussein and giving him weapons of mass destruction. We didn't think of him as an enemy at that time. We were going after Iran and using him as our surrogate, just as we were doing in Vietnam… The parallels between what we did in Vietnam and what we're doing in Iraq now are unbelievable…”

George Lucas (1944) American film producer

"Star Wars Raises Questions On U.S. Policy" WBZTV CBS 4 Boston (2005)

War, People, Hope, History

“Film composing is a splendid discipline, and I recommend a course of it to all composition teachers whose pupils are apt to be dawdling in their ideas, or whose every bar is sacred and must not be cut or altered.”

Ralph Vaughan Williams (1872–1958) English composer

"Film Music", The R. C. M. Magazine, February 1944.

Idea, Teachers

“When I had my own company on Traffic and Coonskin, all metaphors were able to get to the screen clearly. In Cool World, with the producer and Paramount watching me carefully to make sure I was in good taste, I instinctively poured stuff into the picture that I wanted to talk about. But when you force stuff, it's not really very clear. But, I have a great love for Max Fleischer, especially some of his Black & White Betty Boops with their strange Cab Calloway and Louis Armstrong black folk tale jazz hipness that part of Cool World was a homage in style to those films and that style of cartooning. The Grim Reaper is right out of a Max Fleischer cartoon or old Terrytoons, which is why I hired and love Milton Knight the artist. He understands totally the Uncle Remus fable like qualities behind Fleischer and Terrytoons. Milton Knight is probably the purest artist of that style in the business. He has a hard time because studios think he is old fashioned…but that's the point.”

Ralph Bakshi (1938) Animator, filmmaker

[c. 17 September 2004, http://www.wild-things.com/bray/documents/ralphb.doc, Questions for Ralph Bakshi, DOC, Ralph Bakshi Forum, 2007-11-27]

Love, World, Fashion, Understanding

“The film is about what happens when real people do ghastly things to each other, and sure, it shows those things because that's the tone of the film — fairly realistic.”

Olly Blackburn Film director and screenwriter

[Washington City Paper, Creative Loafing Inc., Tricia, Olszewski, http://www.washingtoncitypaper.com/blogs/citydesk/2009/02/13/interview-with-donkey-punch-director-olly-blackburn/, 13 February 2009, 23 February 2012, Interview With Donkey Punch Director Olly Blackburn]

People

“When you review an exhibition of paintings you don't compose a painting about it, when you review a film you don't make a film about it and when you review a new CD you don't make a little CD about it. But when you review a prose-narrative then you write a prose-narrative about that prose-narrative and those who write the secondary prose-narrative, let's face it, must have once had dreams of writing the primary prose-narrative. And so there is a kind of hierarchy of envy and all those other things.”

Martin Amis (1949) Welsh novelist

Interview with Ramona Koval on Radio National (4 September 1999) http://www.abc.net.au/rn/arts/bwriting/stories/s21638.htm

Dreams, Envy, Painting

“[On The Sea being filmed] It's not a blockbuster and it's not going to earn half a billion in the first weekend, but it's a work of art and I'm very pleased with it.”

John Banville (1945) Irish writer

John Banville: Who cares whodunnit? (2013)

Art, Sea

“George Romero filmed an homage to the book, and he called it Night of the Living Dead. Homage means I can make the picture and I don't have to pay you for your book. As a teen-ager I saw the movie "Dracula," and it occurred to me that if one vampire was scary, a whole world populated by vampires would be really scary.”

Richard Matheson (1926–2013) American fiction writer

On his novel I Am Legend, and the inspiration for it.
The New York Times interview (1994)

Books, World, Night, Dead

“One world and then another, running like a chain. One world treading on the heels of another world that plodded just ahead. One world’s tomorrow, another world’s today. And yesterday is tomorrow, and tomorrow is the past.
Except, there wasn’t any past. No past, that was, except the figment of remembrance that flitted like a night-winged thing in the shadow of one’s mind. No past that one could reach. No pictures painted on the wall of time. No film that one could run backwards and see what-once-had-been…
One road was open, but another road was closed. Not closed, of course, for it had never been. For there wasn’t any past, there never had been any, there wasn’t room for one. Where there should have been a past there was another world.”

Clifford D. Simak book City

Source: City (1952), Chapter 7, “Aesop” (pp. 195-196)

World, Time, Past, Painting

“Svenson taught me how to speak German in this film! I didn't know anything, and this guy, who used to be a Swedish ice-hockey player who went to Vietnam as a Marine, he stood there with me, coaching me things like `Bringen Sie die Gefangenen in mein Buro!' Williamson also was a very nice person. I had one wonderful scene in this movie, where I…I was outranking them, they are my prisoners, I walk in front of the prisoners, and I have to say something like, in a very contemptuous way: `Americans…Italians…Jews…Irish!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

I felt like a traitor!
Euro Trash Cinema magazine interview (March 1996)

Way, Guy, Personality, Hockey

“I mean, there is a certain amount of exposition you have to have in films and how that exposition is handled tells you whether it's a good script or not, whether it's a good filmmaker or not. You know, the more exposition that can be handled without a character speaking it, the more thematic metaphors that you can do visually, to me that’s a better situation.”

Clancy Brown (1959) American actor and voice actor

“The drug hit him like an express train, a white-hot column of light mounting his spine from the region of his prostate, illuminating the sutures of his skull with x-rays of short-circuited sexual energy. His teeth sang in their individual sockets like tuning forks, each one pitch-perfect and clear as ethanol. His bones, beneath the hazy envelope of flesh, were chromed and polished, the joints lubricated with a film of silicone. Sandstorms raged across the scoured floor of his skull, generating waves of high thin static that broke behind his eyes, spheres of purest crystal, expanding…The anger was expanding, relentless, exponential, riding out behind the betaphenethylamine rush like a carrier wave, a seismic fluid, rich and corrosive.”

William Gibson book Neuromancer

Neuromancer (1984)

Light, Rage, Perfection, Training

“It seems to me that the comprehension and enjoyment of the reader, as opposed to the viewer, is best served in printing this version rather than a slavish definitive transcription. Besides, what film is truly definitive? By the time you see the film it may very well be sub-titled, re-edited, shortened, even censored, and every film is viewed at the discretion of the projectionist, the cinema manager, the architect of the cinema, the comfort of your seat and the attention of your neighbour.”

Peter Greenaway (1942) British film director

From the Author's Note to the published script.
A Zed and Two Noughts

Time

“For 40 years, I didn't miss a single deadline, but since July, I have missed every one. I also, to my intense disappointment, missed the Telluride and Toronto film festivals. Having just written my first review since June (The Queen), I think an update is in order.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

"Roger writes to readers" Chicago Sun Times (11 October 2006) http://www.rogerebert.com/interviews/roger-writes-to-readers

Disappointment, Thinking

“I'm not a part of the glamour industry. I would like to focus on my game, and there are minimal chances of me getting into films.”

Sania Mirza (1986) Indian tennis player

Source: Ekta Yadav Bhopal's adulation has energised me: Sania Mirza http://timesofindia.indiatimes.com/sports/tennis/interviews/Bhopals-adulation-has-energised-me-Sania-Mirza/articleshow/24608895.cms The Times of India, 24 October 2013

Game, Chance, Parting

“One of the biggest box-office successes in movie history — probably because for young audiences it's like getting a box of Cracker Jack that is all prizes. Written and directed by George Lucas, the film is enjoyable in its own terms, but it's exhausting, too: like taking a pack of kids to the circus. There's no breather in the picture, no lyricism; the only attempt at beauty is in the image of a double sunset. The loudness, the smash-and-grab editing, and the relentless pacing drive every idea out of your head, and even if you've been entertained, you may feel cheated of some dimension — a sense of wonder, perhaps. It's an epic without a dream.”

Pauline Kael (1919–2001) American film critic

"Star Wars," p. 714.
5001 Nights at the Movies (1982)

Beauty, Dreams, Feeling, History

“If Bharatanatyam helped my movies, I cannot say the same about films helping my Bharatanatyam.”

Vyjayanthimala (1936) Indian actress, politician & dancer

In "There's no slowing down for Vyjayanthimala".

Help

“I have to keep making films in my country so that it gets established as an industry at home.”

Dadasaheb Phalke (1870–1944) Indian producer-director-screenwriter

When he refused to go to London to make films quoted in Marathi film on Phalke is India’s Oscar Entry, 21 September 2009, 25 December 2013, Indian Express http://www.indianexpress.com/news/marathi-film-on-phalke-is-indias-oscar-entr/519670/, Quote

Home, Country

“…this is not the only time that I have stuck out my neck for a Greek film director. With Nikos Nikolaides I introduced him to Mr Constantini as well, and undertook to send his XXX-rated movie "Singapore Sling" to two of the top film agents in the UK, Jenny Cassarotto and PDF who have now changed their name on account of a merger. Ms Cassarotto was indulgent, but the other agent was so shocked that he treated me as if I was peddling porn. The things I've done for Greece!”

Angelique Rockas South African actress and founder of Internationalist Theatre, London

On helping Greek film directors find funding
Interview on Helenism .net (September 2011)

Change, Time

“I am looking for excellence. Anyone can struggle but they cannot make a ‘perfect’ film.”

Kamal Haasan (1954) Indian actor

Kamal Hassan: A universal legend

Perfection

“I took a fortnight off. But I'm not a great believer in breaks. I don't want to be rattling around inside my own head. I did feel I was spiralling into a Kathy Burke character and tried going out, but I prefer it here. Filming keeps me busy. It absorbs me.”

Nigella Lawson (1960) British food writer, journalist and broadcaster

Regarding the death of her husband, John Diamond.
A woman of extremes (2001)

Feeling, Business

“Thank you very much. Good Heavens. Um, I can't thank you enough, Hollywood Foreign Press, for honouring me in this capacity. I don't wish to burden you with my debts, which are heavy and numerous but, um, I think that everybody involved in the making of this film knows that we owe all our pride and all our joy to the genius of Jane Austen. And, um, it occurred to me to wonder how she would react to an evening like this… [Puts down statue on stage, reads paper] This is what I came up with”

Emma Thompson (1959) British actress and writer

Golden Globe Award Speech

Thinking, Reading, Joy

“The movie delights me with its cocky confidence that the audience can keep up. Primer is a film for nerds, geeks, brainiacs, Academic Decathlon winners, programmers, philosophers and the kinds of people who have made it this far into the review. It will surely be hated by those who 'go to the movies to be entertained', and embraced and debated by others, who will find it entertains the parts the others do not reach.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/primer-2004 of Primer (29 October 2004) Reviews, Three-and-a-half star reviews

Hate, People, Confidence, Parting

“In 1982, the main problems were getting something out in front of the public and then figuring out how to sell it. Today, it is much easier to solve the mechanical problems of self-publishing and to reach an audience, but the fact that it’s easier creates another problem: how can you be heard above all the noise? The mass of information that is available today, through film, television, books, magazines, newspapers, and the Internet is really intimidating.”

John R. Erickson (1942) American author

John R. Erickson on the discipline of writing, the world of publishing, and (of course) dogs http://www.lonestarliterary.com/john-r.-erickson-061415.html (June 14, 2015)

Books, Problem

“I had to wear an oxygen mask both in the water and on land because of the carbon monoxide. I fainted four times during the first day of filming. We were shooting the scene in which Godzilla emerges from the water as he approaches Hong Kong. I wasn't warned about the carbon monoxide, so I wasn't wearing an oxygen mask. We were shooting in water, so nobody could just run up to me when they saw me acting strangely. We were filming a long shot, so nobody was very close to me. The members of the staff didn't realize I'd fainted that first time until they started opening up the costume so I could get out.”

Kenpachiro Satsuma (1947) Japanese actor

As quoted by David Milner, "Kenpachiro Satsuma Interview III" http://www.davmil.org/www.kaijuconversations.com/satsum3.htm, Kaiju Conversations (December 1995)

Water, Time

“Without once compromising his artistic integrity, Fellini imagined a body of work -- as opposed to a suite of spin-offs, remakes, potboilers and so on -- where each production can be ranked as among the finest of experimental films ever to reach and influence an international public. There is a breathtaking scope to that achievement and great courage in the process: surmounting unbelievable resistance from producers, enemies of all kinds and jealous colleagues, career reversals, and poor health, Fellini held true to his own vision of cinema forged in the smithy of his soul.”

Damian Pettigrew Canadian filmmaker

On Fellini's artistic integrity, in Indiewire (April, 2003)

Health, Soul, Imagination, Courage

“The history of dance on film begins with Astaire.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Gene Kelly in Heeley, David, producer and director. Fred Astaire: Puttin' on his Top Hat and Fred Astaire: Change Partners and Dance (two television programs written by John L. Miller), PBS, March 1980. (M).

History, Dance

“Normal civilized people don’t abuse the way we see in films.”

Pahlaj Nihalani

On the depiction of verbal abuse in films, as quoted in " Pahlaj Nihalani: Normal people don’t abuse the way we see in films http://indianexpress.com/article/entertainment/bollywood/normal-people-dont-abuse-the-way-we-see-in-films-pahlaj-nihalani/" The Indian Express (29 January 2015)

People, Way

“Every play which is produced—and for that matter, every book that is published, every picture which is exhibited, every film which is turned—is subjected to the Board of Censors… Romantic love in even its purest phases is not thought to be a fitting subject for consideration of citizens of a communist state;... the sex play is unknown in modern Russia… There remains as the ubiquitous theme for plays: revolution, with all the patriotic and nationalistic connotations which have grown up around it; heroism, sacrifice for the nation and class; consciousness of solidarity with one’s fellow proletarians; common suffering; great adventures with new ideas; great prospects for future machine age which is to be a sort of Russian-communist Americanism.”

Dorothy Thompson (1893–1961) American journalist and radio broadcaster

Source: "The New Russia" 1928, pp. 27-28

Love, Books, Age, Sex

“On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report. Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/m/minority_report.html of Minority Report (2002). Four star reviews

Money, Intelligence, Lovers, Fashion

“Modern 3D cinema technology works by ensuring your left eye sees one image while your right sees another. But they could, presumably, issue one pair of specs comprising two left-eye lenses (for children to wear), and another with two right-eye lenses (for adults). This would make it possible for parents to take their offspring to the cinema and watch two entirely different films at the same time. So while the kiddywinks are being placated by an animated CGI doodle about rabbits entering the Winter Olympics or something, their parents will be bearing witness to some apocalyptically degrading pornography. The tricky thing would be making the soundtracks match. Those cartoon rabbits would have to spend a lot of time slapping their bellies and moaning.”

Charlie Brooker (1971) journalist, broadcaster and writer from England

The Guardian 15 February 2010. http://www.guardian.co.uk/commentisfree/2010/feb/15/charlie-brooker-ebook-convert Guardian columns

Children, Parent, Winter, Time

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

Way, Game, Time, Parting

“No film ever ends up exactly as you would like it to, but with minor exceptions, THX came out pretty much as I had visualized it, thanks to some excellent assistance — and a whole lot of luck.”

George Lucas (1944) American film producer

American Cinematographer (October 1971)

“Mahatma Buddha has also left a deep imprint on my life. In my personal room also, there are three-four statues of the Buddha…. In Buddhism, I see dharma entrenched in karuna (compassion). I believe compassion is the most valuable essence of life. When I formed the government, these values got ingrained even deeper. What attracts me about Buddha is his inclusive philosophy; secondly, his modernity; and thirdly, his belief in the importance of Sangathan—the idea of Sangha. This underlies all his philosophy. I would often wonder how Buddha managed to reach all over the world. What was it about him that lit sparks everywhere he went, took ordinary human beings towards their kartavya (duty) and appealed to the lower status groups as well? Buddhism does not have too much tam-jham or celebration of big utsavs. There is a direct connect of the individual with the Divine. That entire thought system touches me deeply. Moreover, wherever Buddha went, the region witnessed prosperity. Even though China had a different belief system but Buddha has maintained his influence on China as well. Recently, I went to China and found that their government was introducing me to Buddhist elements of their culture with great pride. I got to know that China is making a film on Hiuen-Tsang. I took a pro-active role and wrote to those people saying that they should not forget the part about his stay in Gujarat. Hiuen-Tsang lived for a long time in the village where I was born. He has written about a hostel in that village where 1,000 student monks resided. After I became chief minister, I got the area excavated and found archeological evidence of things described by Hiuen-Tsang. This means Mahatma Buddha’s philosophy would have had some influence on my ancestors.”

Narendra Modi (1950) Prime Minister of India

Narendra Modi quoted from Kishwar, Madhu (2014). Modi, Muslims and media: Voices from Narendra Modi's Gujarat. p.388-389
2013

Life, People, World, Idea

“The best shot in this film is the first one. Not a good sign… After the screening was over and the lights went up, I observed a couple of my colleagues in deep and earnest conversation, trying to resolve twists in the plot. They were applying more thought to the movie than the makers did. A critic's mind is a terrible thing to waste.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/i-know-what-you-did-last-summer-1997 of I Know What You Did Last Summer (17 October 1997) Reviews, One-star reviews

Light

“There is no obligation for the author of a film to believe in, or to sympathise with, the moral behaviour of his characters. Nor is he necessarily to be accredited with the same opinions as his characters. Nor is it necessary or obligatory for him to believe in the tenet of his construction -- all of which is a disclaimer to the notion that the author of Drowning by Numbers believes that all men are weak, enfeebled, loutish, boorish and generally inadequate and incompetent as partners for women. But it's a thought.”

Peter Greenaway (1942) British film director

Fear of Drowning By Numbers

Women, Men

“The tendency in the media is to portray everyone in the film industry as sex-starved creatures. Please spare us.”

Madhuri Dixit (1967) Indian actress

Quote, When personality comes first.....

Sex

“More and more film scores are being recorded the way television scores are recorded. The performers are not shown any footage. I personally don't like working that way because if you do not allow the members of the orchestra to see footage on a big screen, they will tend to perform as if they are in a concert hall. They will try not to stand out. They will try to perform as members of an orchestra. What is needed when scoring a movie such as GODZILLA VS. MECHAGODZILLA is playing that is much more aggressive. No matter how much you explain the character of Godzilla to the performers and urge them to play aggressively, they still will play as if they are in a concert hall. However, if you show the performers footage of Godzilla, their playing will dramatically change. That is why I insisted on being allowed to show footage to the performers before I agreed to score GODZILLA VS. GHIDRAH.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview II" http://www.davmil.org/www.kaijuconversations.com/ifukub2.htm, Kaiju Conversations (December 1993)

Way, Change, Personality

“[Director James] Cameron manhandles the real story, scavenging it for his own puny narrative purposes. It's a film made with boorish confidence and zero sensitivity, big and dumb and hulking.”

Stephanie Zacharek (1963) American film critic

Review http://www.salon.com/ent/movies/1997/12/cov_17titanic.html of Titanic (1997)

Confidence

“I have never had great expectations of my performance or of a film. I try not to think about the outcome. If you look that far ahead, it sort of taints your choices as an actor. I try as hard as I can to believe that no one is ever going to see it and that it's not even a movie. Then you can allow yourself to bare more. Then, once a project is done, I tend to forget about it until it comes out.”

Heath Ledger (1979–2008) Australian actor

Interview remarks quoted by Honie Stevens, "Squaring the Ledger" https://archive.is/20121206021747/www.news.com.au/dailytelegraph/story/0,22049,22763328-5006011,00.html, The Daily Telegraph, November 18, 2007.

Thinking, Forgetting

“It takes a little more time to get into the role, but not very much more. In making a record you don't have the sense of projection over a distance as in an opera house. We have this microphone and this magnifies all details of a performance, all exaggerations. In the theater, you can get away with a very large, very grand phrase. For the microphone, you have to tone it down. It's the same as making a film, your gestures will be seen in close-up, so they cannot be exaggerated as they would be in a theater.”

Maria Callas (1923–1977) American-born Greek operatic soprano

On making studio recordings
Callas : The Art and the Life (1974)

Sense, Time, Housing

“It occurred to me how very tired I sometimes feel as an outspoken feminist. … Trolls are trying to silence women, and I've installed a fiery declaration within myself to never give in, but it's incredibly hard, and gets harder as my platform as a writer grows. What didn’t occur to me initially is that West has spent years in the trenches fighting this endless, thankless fight, and maybe she needs a goddamn break. I had this revelation again, much more profoundly and emotionally, about my own mother while watching Greta Gerwig’s new film, Lady Bird. … Often, my mother and I clashed when she denied me freedom, but only because she had been harmed by the dangers she knew lay ahead for her daughter. I did so many risky, awful things, and then lied to her about them, because I never felt I could be honest with her. I should have known she wasn’t judging me. I should have known that she had done it all before, that even though she wouldn’t have used the word "feminist" to describe herself at the time, mostly she just didn’t want me to have to be so very tired. … Walking home from Lady Bird on the kind of night that New York fall fantasies are made of, I resisted the urge to call my mother, because I thought I might cry until the universe ripped apart at the seams. But then I called her anyway. I sobbed as I told her I had no idea how impossibly hard she had been trying.”

Lauren Duca (1991) American journalist

Sexism, Remembered and Forgotten (November 17, 2017)

Women, Feeling, Home, Idea

“I guess there's some sort of unspoken show business rule, [speaks in British accent] 'You do the theater, and then you move into television, and then, of course, that is your steppingstone to film stardom.' I've done it every which way. I've done theater for many, many years and then had some success in films. I would do television sporadically. I thought this was a good time to try it.”

Nathan Lane (1956) American actor

On his role in the television series Encore! Encore! — reported in Susan King, Los Angeles Times (October 27, 1998) "In Sitcom, Nathan Lane Isn't Taking Steppingstones In Order", St. Louis Post-Dispatch, p. D6.

Way, Business, Time, Success

“Of all the actors and actresses I've ever worked with, the hardest worker is Fred Astaire. He behaved like he was a young man whose whole destiny depended on being successful in his first film. He rehearses between takes, after takes - there's no limit to his professionalism.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Rouben Mamoulian in Lecture and discussion at University of Southern California, December 7, 1975. Tape recording, Special Collections, University of Southern California. (M).

Success, Dependency

“I don't want Cambodia to be a carbon copy of the Philippines, Formosa, South Vietnam or South Korea. I don't even want a Cambodia which exports cameras like Japan. I want a decent Cambodia, a Cambodia like China. If that makes it a bit too austere, too bad. If this takes away the happiness I cultivated with my films and my songs, too bad. But, they say, there's the problem of individual freedom, freedom of thought. Yes, that's true. But where's the alternative? Nowhere. Let's use our common sense here: even if there was another solution, the Cambodian communists would never relenquish power.”

Norodom Sihanouk (1922–2012) Cambodian King

Said during his exile in Peking, as quoted by Oriana Fallaci (June 1973), Intervista con la Storia (sixth edition, 2011). page 128.
Interviews

Happiness, Problem, Sense, Freedom

“I believe that the use of noise to make music will continue and increase until we reach a music produced through the use of electrical instruments which will make available for musical purposes any and all sounds that can be heard. Photoelectric, film and mechanical mediums for the synthetic production of music will be explored.”

John Cage (1912–1992) American avant-garde composer

Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE 3-4
1930s

Music

Quotes about film page 5

Quotes about film
page 5