Quotes about film
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“Guide, Pyaasa — these are my films that can be remade with current actors. But the music and lyrics should not be changed. Because you cannot have a samba or bhangra beat for the seduction scene in Pyaasa…the beauty will be lost.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Beauty, Music, Change

“It's a god-awful small affair
To the girl with the mousy hair
But her mummy is yelling "No"
And her daddy has told her to go
But her friend is nowhere to be seen
Now she walks through her sunken dream
To the seat with the clearest view
And she's hooked to the silver screen.
But the film is a saddening bore
'Cause she's lived it ten times or more.”

David Bowie (1947–2016) British musician, actor, record producer and arranger

Life on Mars?
Song lyrics, Hunky Dory (1971)

God, Dreams, Girl, Time

“Usually, terrorists film their attacks for future information operations and social media use. They may have had terrorist videographers in specific locations for that purpose during this attack as well. Those videos may appear in the future, but until then French citizens posting YouTube videos contribute to the terrorists' information campaign.”

Mark Hertling (1953) United States Army general

As quoted in "What videos reveal about Paris killers" http://www.cnn.com/2015/01/07/opinion/hertling-paris-attack/index.html, CNN, 7 January 2015

Appearance, Future

“On the other hand, I view the whole matter from a cosmic perspective. I don't take a position. I believe that there are no more positions to take, no certainties, no facts. Many people find this confusing about my films; they say I am hiding out behind irony. But from a cosmic viewpoint, it is eternally unimportant whether one lives or not.”

Peter Greenaway (1942) British film director

In an interview in Die Zeit, 24 Nov 1989
Interviews

People

“I never thought of it (becoming a classic). It never occurred to me. I was going to be happy if it had a good, strong run, if it was a popular film. I thought it would run its course and that would be that. But it just kept rolling along and it keeps rolling along, and generation after generation keeps showing up to see it. It’s a wonderful thing to be a part of something that means so much to so many people and that just keeps thriving.”

Christopher Lloyd (1938) American actor

Christopher Lloyd Interview http://www.startrek.com/article/christopher-lloyd-interview (October 22, 2010)

Happiness, People, Strong, Parting

“It amazes me that filmmakers will still film, and audiences will still watch, relationships so bankrupt of human feeling that the characters could be reading dialogue written by a computer.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/summer-school-1987 of Summer School (22 July 1987) Reviews, Half-star reviews

Feeling, Reading

“And the Lord Rupert looked at his work, and even he saw that it was a load of crap, but this was the enterprise culture and it sold millions so it was good. And on the same basis he decided to take over the television too, and the earth itself wept, and little robins vomited, and cuddly furry animals threw themselves under trains, and the whole thing was filmed by Sky Channel for a horror nature programme, and the most awful thing of all was that this was just the beginning.”

Attila the Stockbroker (1957) punk poet, folk punk musician and songwriter

"The Bible according to Rupert Murdoch", from attilathestockbroker.com http://www.attilathestockbroker.com. Retrieved 2007-03-26.

Nature, Animals, Training

“With the passage of time, I guess my priorities have changed and so have the parameters on the basis of which I decide to do a film. Today I look for a lot more mature roles, with a lot of substance. I want to do different things, or rather -- things differently.”

Nastassja Kinski (1961) German actress

Interview with actress Nastassja Kinski, Indiantelevision.com, 23 August, 2003

Change, Time

“I decided not to score GODZILLA VS. SPACE GODZILLA (1994) when I read the script for the film. The atmosphere was very different. However, when I read the screenplay for GODZILLA VS. DESTROYER, I discovered that it was directly related to GODZILLA - KING OF THE MONSTERS. There was even going to be footage from GODZILLA - KING OF THE MONSTERS in the movie! I felt that since I'd been involved in Godzilla's birth, it was fitting for me to be involved in his death.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview III" http://www.davmil.org/www.kaijuconversations.com/ifukub3.htm, Kaiju Conversations (December 1995)

Death, Birth, Reading

“I don't know, we played a show for like, ten kids, but those ten kids were just insane. It's really quantity, not quality, and that's what I really -- (Pete cuts him off) Pete: It's quality, not quantity. You said it backwards. I don't want you to look like a dumbass… on film.”

Patrick Stump (1984) American musician

My Heart Will Always be the B-Side to My Tongue DVD

“I don't like the new trends in horror. All this torture stuff seems really mean-spirited. People have forgotten how to laugh, and I don't see anybody who's using it as allegory. The guy I love right now is Guillermo del Toro. I'd love to make a film like Pan's Labyrinth.”

George A. Romero (1940–2017) American-Canadian film director, film producer, screenwriter and editor

As quoted in "10 Questions for George Romero", TIME, (June 07, 2010) http://content.time.com/time/magazine/article/0,9171,1992390,00.html

Love, People, Guy

“I like the idea of making films about ostensibly absolutely nothing. I like the irrelevant, the tangential, the sidebar excursion to nowhere that suddenly becomes revelatory. That's what all my movies are about. That and the idea that we're in possession of certainty, truth, infallible knowledge, when actually we're just a bunch of apes running around. My films are about people who think they're connected to something, although they're really not.”

Errol Morris (1948) American filmmaker and writer

Source: Predilections by Mark Singer http://www.errolmorris.com/content/profile/singer_predilections.html

People, Truth, Idea, Knowledge

“I don't come out on film. I get the red eye. Blokes like that: [imitates knocking someone out] "You fuckin' will in a minute, ya twat!"”

Lee Evans (1964) English stand-up comedian and actor

The Different Planet Tour (1996)

“It changes colour every time I do a film but I have this great guy called Rosario who works at a London salon called Hair Expressions who really knows what he’s doing. I’ve been told 80 times that I’ll have to have it all cut off because it’s ruined and then he fixes it. He’s the best hair man in the world.”

Sienna Guillory (1975) British actress

Sienna Guillory Interview by Jenni Baden Howard http://www.kappakoi.com/copy/archives/2007/06/sienna_guillory.html. The Sunday Times. 2001. Guillory speaks about coloring her hair for film roles.

World, Guy, Change, Time

“My films are the expression of momentary desires. I follow my instincts, but in a disciplined way.”

Roman Polanski (1933) Polish-French film director, producer, writer, actor, and rapist

As quoted in The Everything Cryptograms Book (2005) by Nikki Katz

Way

“One of the first things I did when I came on, I said, “I do not want this Kong to be a quadruped. I want him to stand upright, I want a throwback to the 1933 film where he is a biped, because he is a monster. He’s not just a big silverback gorilla, he’s a movie monster.” So I wanted to stand him upright, I wanted to make him tall, and part of that is because I wanted him to feel like this fusion between a god, a man, and a beast. I wanted to make him big enough that, if any of us stood at this table and we looked up at this thing, towered over us, how big does that thing have to be for the first thing that your brain says is, “That’s a god. I’m looking at a god.””

Jordan Vogt-Roberts (1984) American film director

Interview: Director Jordan Vogt-Roberts on Resurrecting an Icon for KONG: SKULL ISLAND http://dailydead.com/interview-director-jordan-vogt-roberts-on-resurrecting-an-icon-for-kong-skull-island/ (March 9, 2017)

God, Feeling, Parting

“I never made a film which fully satisfied me.”

Roman Polanski (1933) Polish-French film director, producer, writer, actor, and rapist

Polanski : His Life and Films (1982)

“When you get a cut and think, 'I'm going to make a halfway decent film.”

Peter Weir (1944) Australian film director

When asked for his 'high point'
Portrait of the artist: Peter Weir, director (2011)

Thinking

“There's a freedom there and an understanding of my career and the things I've done. I'm seen here as primarily a comic actor, which is OK, but I can go to New York and I do something that's very emotional. It would be lovely at some point to do something like that on film.”

Nathan Lane (1956) American actor

Betsy Pickle (December 17, 1999) "If there's a mouse, call Lane - Actor didn't 'paws' before taking on film", The Knoxville News-Sentinel, p. 4.

Love, Understanding, Freedom

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti (1953) American horror author

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Love, Life, Pleasure, Fear

“Of course, fairies are all imported in North America. We have no native fairies. The Little People do not long survive importation — unless they go to California and grow large and beautiful, but haven't much flavour, like the fruit and the film stars.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

Scottish Folklore and Opera (1992).

People, Beauty, Star

“I recently published a book about movies I hated, and people have been asking me which reviews are harder to write — those about great movies, or those about terrible ones. The answer is neither. The most unreviewable movies are those belonging to the spoof genre — movies like Airplane! and The Naked Gun and all the countless spin-offs and retreads of the same basic idea… the bottom line in reviewing a movie like this is, does it work? Is it funny? Yes, it is. Not funny with the shocking impact of Airplane! which had the advantage of breaking new ground. But also not a tired wheeze like some of the lesser and later Leslie Nielsen films. To get your money's worth, you need to be familiar with the various teenage horror franchises, and if you are, Scary Movie delivers the goods.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/scary-movie-2000 of Scary Movie (7 July 2000) Reviews, Three star reviews

Money, Hate, People, Books

“I started those [the 'Elisabeth Taylor' pictures, Warhol made from a publicity photo of her 1960 film 'BUtterfield 8 a long time ago when she was so sick and everybody said she was going to die [but she recovered]. Now I'm doing them all over, putting bright colors on her lips and eyes. My next series will be pornographic pictures, they will look blank; when you turn on the black lights, then you will see them - big breast and... If a cop came in, then you could just flick out the lights or turn to the regular lights. How could you say that was pornography?... Segal did a sculpture of two people making love, but he cut it all up, I guess because he thought it was too pornographic to be art... The thing I like about it is that it makes you forget about style and that sort of things; style isn't really important.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Love, People, Making love, Art

“At the Everyman Cinema there is a season of Satyajit Ray. He watches the Apu trilogy on successive nights in a state of rapt absorption. In Apu's bitter, trapped mother, his engaging, feckless father he recognizes, with a pang of guilt, his own parents. But it is the music above all that grips him, dizzyingly complex interplays between drums and stringed instruments, long arias on the flute whose scale or mode — he does not know enough about music theory to be sure which — catches at his heart, sending him into a mood of sensual melancholy that last long after the film has ended.”

J.M. Coetzee (1940) South African writer

Youth (2002)

Music, Mood, Parent, Success

“The tragedy of Africa seemingly has no end. Viewing it from afar, the casual Western onlooker can be forgiven if the scenes begin to meld: Ethiopian famine in 1987, Somalian civil war and ensuing famine in 1992, and now Central Africa in 1997. The pictures and footage assume the role of media footnotes: snapshots of hopelessness, disaster, and death that seem as far away as the moon and as unrealistic as some science fiction film. Yet, like the African crises before it, the tragedy of Central Africa is very real and, in a global age, perhaps not as distant as some would like to think. With a foreign policy appropriately rooted in some sense of humanitarian decency, the Central African crisis will not be easily ignored by American policymakers. It screams for remedy.”

Michael Johns (1964) American businessman

"Africa Deserves a Closer Look," The World and I, February 1997, by Michael Johns.

Death, War, Age, Thinking

“I didn’t like what I was seeing, so I decided that was it. I never thought I was a good actress in pictures—but later I became an actress on TV. I kept every W2 for every show or film I did. I had them in a huge box which I took to SAG, dropped on their desk and asked for my pension!”

June Vincent (1920–2008) actress

An Interview with June Vincent (1996)

Box

“I always figured that once I wrapped a film, then anything beyond that is none of my business. If I can avoid seeing the final product, then all I have in my head is feeling good about the experience.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Ron Dicker, "Going deep with rebel Johnny Depp," http://www.johnnydeppfan.com/interviews/sunpotcarticle.htm Baltimore Sun (2003-07-08)

Feeling, Business

“We had forgotten the art of using silence to convey emotions in our films and that's what you seem to have mastered. You've used silence to great advantage in the film. It's brilliant.”

Amitabh Bachchan (1942) Indian actor

To Farhan Akhtar, after a private screening of the film, Lakshya, reported in Cine Blitz‎ (2004).

Art, Silence

“This is a film about — and also for — not only obsessed clerks in record stores, but the video store clerks who have seen all the movies, and the bookstore employees who have read all the books. Also for bartenders, waitresses, greengrocers in health food stores, kitchen slaves at vegetarian restaurants, the people at GNC who know all the herbs, writers for alternative weeklies, disc jockeys on college stations, salespeople in retro clothing shops, tattoo artists and those they tattoo, poets, artists, musicians, novelists, and the hip, the pierced and the lonely. They may not see themselves but they will recognize people they know.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review of http://www.rogerebert.com/reviews/high-fidelity-2000 High Fidelity (31 March 2000) Reviews, Four star reviews

People, Health, Books, Food

“When I was in films, we pretended to kiss but we didn't. It was considered unsanitary. Now they swallow each others' tonsils. It's disgusting.”

Lillian Gish (1893–1993) American actress

http://www.people.com/people/archive/article/0,,20097815,00.html

Kiss

“[While filming 'Ashes to Ashes'] So we're on the beach shooting this scene with a giant bulldozer. The camera was on a very long lens. [The camera is along way away, but the artist fills the frame] In this video I'm dressed from head to toe in a clown suit. Why not. I hear playback and the music starts. So off I go, I start singing and walking, but as soon as I do this old geezer with an old dog walk right between me and the camera… Well, knowing this is gonna take a while I walked past the old guy and sat next to camera in my full costume waiting for him to pass. As he is walking by camera the director said, excuse me Mr do you know who this is? The old guy looks at me from bottom to top and looks back to the director and said… "Of course I do!!!! its some cunt in a clown suit."”

David Bowie (1947–2016) British musician, actor, record producer and arranger

That was a huge moment for me, It put me back in my place and made me realize, yes I'm just a cunt in a clown suit. I think about that old guy all the time.
http://tonythegigguy.com/queen-bitch-beat-city-bowie-special-sleeve-notes

Dogs, Music, Way, Guy

“The man who has stolen in order never to thieve again remains a thief. Nobody who has ever betrayed his principles can have a pure relationship with life. Therefore when a film-maker says he will produce a pot-boiler in order to give himself the strength and the means to make the film of his dreams — that is so much deception, or worse, self-deception. He will never now make his film.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 124

Life, Dreams

“The Johnson film wasn't terrible. I just didn't agree with the politics. I'm not a fan of big government and propaganda films are distasteful.”

George Lucas (1944) American film producer

On a United States Information Agency Film about President Lyndon Johnson's trip to Asia, which he worked on as an editor
1970s, Interview with Judy Stone (1971)

“We lunched in Fregene: grilled sardines sprinkled with parsley and lemon. Federico ate daintily, like someone with no appetite. The beach was deserted, the wind brisk. In the distance stood the abandoned lighthouse he filmed for 8 1/2. Like someone about to propose a toast, he stood up and "recited" from King Lear :
Hark! Have you heard the news? The king fell off a cliff.
O horrible! Were you very close to him?
Indeed, sir. Close enough to push.
We laughed until he brusquely sat down again, scraping the fish scales off his fingers, staring at the age spots that covered his hands. The beautiful adolescent waitress asked for his autograph. He drew himself as a man-lion in a hat and scarf with huge paws chasing her, and signed it "Féfé." We spent the afternoon visiting Ostia and returned to Rome in a sweltering twilight. He asked to be driven home for a change of clothes. We invited Giulietta, who wore a green velvet turban, to join us for dinner. (Had she already lost her hair from chemotherapy?) Graciously, she declined while smoking cigarette after cigarette. At Cesarina's, Federico drew hilarious, pornographic sketches on the table napkin saying, "If you have not made love today then you have lost a day!"”

Damian Pettigrew Canadian filmmaker

The entire restaurant was at his feet. He was twenty years old now and as thin as Kafka. He was Rome. He had adopted us the way Rome adopts everyone, and we loved him.
On Fellini's final years
Federico Fellini: Sou um Grande Mentiroso (2008)

Love, Age, Beauty, Way

“All of my films constitute a reaction against mainstream cinema. Every serious form of art sees the receiver as a partner in the undertaking. In fact, that's one of the preconditions of humanistic thought. In cinema, this fact, which should be self-evident, has been overlooked and replaced by an emphasis on the commercial aspects of the medium.”

Michael Haneke (1942) Austrian film director and screenwriter

In response to the question, "You're well known for not wanting to impose interpretations on your films. Is this because you believe that audiences have become accustomed to being spoon-fed and told what to think?"
as interviewed by Richard Porton, "Collective Guilt and Individual Responsibility: An Interview with Michael Haneke," Cineaste, Vol. 31, No. 1 (Winter 2005), pp. 50-51

Art

“As I watch television films on my own set I am continually aware that I do not have a complete control of the end results. For there is an engineer in every television station control booth who can change the screen image according to his instructions and depending upon the condition of his equipment. And there are the TV viewers who are their own "engineers." I believe that the time is not too distant when the only engineers will be the technicians who actually create the film that is transmitted. Only when that day arrives will we really have film quality comparable to motion picture standards as we know them today.”

Karl Freund (1890–1969) German film director and cinematographer

Filming The Lucy Show (December 1953)

Distant, Change, Time, Dependency

“There's no particular complex that I have about acting in a Hollywood movie if offered. Some would say there's a lot here in our industry for us to go there and suck up to them. I don't consider it sucking up. If I am offered a blink and you miss appearance in a Hollywood film starring Brando, De Niro, Pacino or Nicholson, where I just have to go and hand a suitcase to them, I would simply do it out of sheer veneration for these great and renowned artists. And yes, despite all my success and fame in our industry and nation. There's no vanity I harbour in my mind in order to do that.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Star, Appearance, Success

“It was a tough subject to deal with, Bala has deftly handled the film. Frankly, I never expected a film like Naan Kadavul from Tamil. That shows how different Bala is in his thinking and approach.”

Bala (1966) Indian film director

Shaji N. Karun on Bala's work in Naan Kadavul http://movies.rediff.com/report/2010/jan/28/why-bala-got-his-national-award.htm (28 January 2010

Thinking

“I am glad I got to be part of such a historic film,” she says and pauses to think. And then adds, “The movie is still popular and that’s great. It also means that for as long as people remember the film, I will also be there in their memories. That’s special. And of course, it is not just Sholay but people also remember me for Seeta Aur Geeta. When I am in the U. S., I love travelling in cabs. And there have been times when Russian cab drivers recognised me and hummed a few tunes from the movie!”

Hema Malini (1948) Indian actress, dancer and politician

Above two quotes in I can do western dance: Hema Malini, 30 December 2012, 6 December 2013, The Hindu http://www.thehindu.com/todays-paper/tp-features/tp-cinemaplus/i-can-do-western-dance-hema-malini/article4254364.ece,

Love, People, Travel, Thinking

“People often repeat the fallacy that "film is a passive medium". The statement is usually elaborated like this: "When I read a story in a book, I have to use my imagination to conjure up what the characters look like, the sound of their voices, the appearance of their surroundings, the house, the landscape. When I see a movie, those things are all nailed down for me, so I don't feel as involved." What the person is describing are the most obvious aspects of a given story, that is, its physical properties. They are, in fact, the least interesting and least important components of a story. I do not read books in order to imagine the physical appearance of things.”

Peter Chung (1961) Korean-American animator

The State of Visual Narrative In Film And Comics http://www.awn.com/mag/issue3.4/3.4pages/3.4chung.html

People, Books, Feeling, Imagination

“We were only together for a part of my career, and for every film we did, I did another three on my own. The studio was working me too hard. Fred would rush off for a holiday and call me and say: "Hey, ready to do another?" And I didn't have the sense to say that I was too tired. Those times were murder for me. Oh, I adored Mr. A but all the hard work… the 5 a. m. calls, the months of non-stop dancing, singing and acting. We just worked it out and had a lot of fun and got very exhausted. And Mr A was quite divine.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Ginger Rogers quoted in Satchell, Tim. Astaire, The Biography. Hutchinson, London. 1987. . p. 132.

Sense, Singing, Time, Holiday

“Every screenwriter worthy of the name has already directed his film when he has written his script.”

Joseph L. Mankiewicz (1909–1993) American film director, screenwriter, and producer

Quoted in Leslie Halliwell, Halliwell's Who's Who in the Movies, 15th edition (Harper Collins, 2003, ISBN 0-060-53423-0, p. 312

“I invariably, after great familiarity with a film, concoct a personal way of reading it that relies entirely on information which a public audience would, I feel, have scant interest. I might travel from a casual unrehearsed glance of a minor character to a detail of folded cloth, from a rhyme in the dialogue to an over-excited high note in the music, from a misplaced shadow to a patch of rogue colour, from a shine on a furniture leg to a curious accidental photographic haze around a street lamp, from the examination of a cloud that looks like a snail to the discomfort of an actress who I know is stifling a sneeze.”

Peter Greenaway (1942) British film director

Watching Water

Music, Way, Travel, Feeling

“It's not important to me… people will see my films if they want to. Also, I cannot deal with so many things, I have bandwidth only for that much.”

Aamir Khan (1965) Indian film actor, director, and producer of Hindi Cinema

Aamir Khan turns down Madam Tussauds http://www.ibosnetwork.com/newsmanager/templates/template1.aspx?a=21052&z=4.

People

“The fact that Fred and I were in no way similar - nor were we the best male dancers around never occurred to the public or the journalists who wrote about us…Fred and I got the cream of the publicity and naturally we were compared. And while I personally was proud of the comparison, because there was no-one to touch Fred when it came to "popular" dance, we felt that people, especially film critics at the time, should have made an attempt to differentiate between our two styles. Fred and I both got a bit edgy after our names were mentioned in the same breath. I was the Marlon Brando of dancers, and he the Cary Grant. My approach was completely different from his, and we wanted the world to realise this, and not lump us together like peas in a pod. If there was any resentment on our behalf, it certainly wasn't with each other, but with people who talked about two highly individual dancers as if they were one person. For a start, the sort of wardrobe I wore - blue jeans, sweatshirt, sneakers - Fred wouldn't have been caught dead in. Fred always looked immaculate in rehearsals, I was always in an old shirt. Fred's steps were small, neat, graceful and intimate - mine were ballet-oriented and very athletic. The two of us couldn't have been more different, yet the public insisted on thinking of us as rivals…I persuaded him to put on his dancing shoes again, and replace me in Easter Parade after I'd broken my ankle. If we'd been rivals, I certainly wouldn't have encouraged him to make a comeback.”

Fred Astaire (1899–1987) American dancer, singer, actor, choreographer and television presenter

Gene Kelly interviewed in Hirschhorn, Clive. Gene Kelly, A Biography. W.H Allen, London, 1984. p. 117. ISBN 0491031823.

People, World, Shoe, Way

“Imagine, if you will, the dispiriting experience of listening to an awful cover of one of your favorite songs. That's how I felt sitting through Die Another Day, the 20th official outing for [James Bond]. This is a train wreck of an action film … What's missing from this movie? Any real sense that we're watching 007 rather than a generic spy in a tuxedo.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=745 of Die Another Day (2002). Two star reviews

Imagination, Sense, Training

“My father was an engineer and I intended to follow in his footsteps, but movies became my real passion. Careful planning is important in engineering, so I used that experience to focus on film preproduction. With the low budgets I had, I couldn’t afford to have the cast and crew waiting around for days on a 10-day picture while I figured out how and what to shoot.”

Roger Corman (1926) American film director and film producer

Roger Corman still the Cult Classic King http://www.thespectrum.com/story/entertainment/2016/10/17/roger-corman-still-cult-classic-king/92296836/ (October 17, 2016)

Passion, Waiting

“I’ve also been on a pretty strict plant-based diet for 4 months now – feeling stronger, fitter, healthier and more productive. I ride longer distances on my bike, can do more pull-ups than ever, and my brain seems to have a larger capacity for new projects, problem solving, songwriting, and fielding random questions. My health and strength make me a better performer and all that combined gives me more confidence to go out in the world and shine my light. It also makes me a lot better in bed. … For those curious or concerned about a plant-based diet, check out the film Forks Over Knives. It’s a life changer. You can get all the protein you need from greens, quinoa, and hemp seed.”

Jason Mraz (1977) American singer-songwriter

" Plant-Based", in JasonMraz.com (19 January 2012) http://jasonmraz.com/journal/2012/plant-based/, quoted in " Jason Mraz Is 'Stronger' and 'Better in Bed' on Vegan Diet", in Ecorazzi (21 January 2012) http://www.ecorazzi.com/2012/01/21/jason-mraz-is-stronger-and-better-in-bed-on-vegan-diet/

Life, Health, World, Feeling

“When Hussainji narrated the script [on Gaja Gamini] to me, I couldn´t understand it. And I told him so. So, he worked out a storyboard and then I could visualize the whole film. You know the film is like a painting on celluloid.”

Madhuri Dixit (1967) Indian actress

Quote, When personality comes first.....

Understanding, Painting

“Troy: Hi, I'm Troy McClure. You may remember me from such other medical films as "Mommy, What's On That Man's Face?" and "Alice Doesn't Live Anymore".”

Phil Hartman (1948–1998) Canadian American actor, comedian, screenwriter, and graphic artist

On the Simpsons, Troy McClure

“The instant myth of Amy Fisher turned feminist dogma on on is head: as in the hit films Fatal Attraction, Basic Instinct, and The Hand That Rocks the Cradle, woman rules and destroys. The femme fatale is for real.”

Camille Paglia (1947) American writer

Source: Vamps and Tramps (1994), "No Law in the Arena: A Pagan Theory of Sexuality", p. 134

“We are not the people we are in films. I am not an alcoholic. But I portray that. I can't bash up 20 guys at a time in real life. It's just that I do it well on-screen.”

Amitabh Bachchan (1942) Indian actor

Quotable quotes by Amitabh Bachchan.

Life, People, Alcohol, Guy

“Earlier the films were given an 'A' certificate simply because they had lots of violence and horror, but nowadays there are a lot of sex and double-meaning dialogues. The themes become so predominantly vulgar and we can't possibly edit out a film's theme. So how do we re-censor these films to make them U or U/A?”

Pahlaj Nihalani

On implementing a new policy under which A-rated film cannot be recut and released for television, as quoted in " Shocker! Adult Films Won't Be Re-Censored For TV! http://www.9xe.com/3574" 9xe (9 July 2015)

Sex

“I love money! Just because it's free doesn't mean I don't like money. And actually I've made more money this way than any distributor said I could possibly make, which isn't much because independent distributors are notoriously without money. So the most money any distributor told me I could possibly hope to make on this film, total, maximum, in my wildest dreams was $50,000, and they said much more realistic would be $10,000 or $25,000 and the biggest advance I was offered, I think, was $20,000 and that's for locking up all the rights.”

Nina Paley (1968) US animator, cartoonist and free culture activist

5m05s https://www.youtube.com/watch?v=eazIth4orfM#t=5m05s Power to the Pixel (2009)

Love, Money, Dreams, Hope

“Why must a film explain everything? Why must every motivation be spelled out? Aren't many films fundamentally the same film, with only the specifics changed? Aren't many of them telling the same story? Seeking perfection, we see what our dreams and hopes might look like. We realize they come as a gift through no power of our own, and if we lose them, isn't that almost worse than never having had them in the first place?There will be many who find "To the Wonder" elusive and too effervescent. They'll be dissatisfied by a film that would rather evoke than supply. I understand that, and I think Terrence Malick does, too. But here he has attempted to reach more deeply than that: to reach beneath the surface, and find the soul in need.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/to-the-wonder-2013 of To the Wonder (April 6, 2013) NOTE: This was the last movie review Roger Ebert filed. Reviews, Three-and-a-half star reviews

Dreams, Hope, Soul, Motivation

“For me, from the moment when the first, still unformed, idea comes into my head until the projection of the rushes, the process of making a film constitutes a single piece of work. I mean that I cannot become interested in anything, day or night, which is not that film. Let no one imagine that this is a romantic pose — on the contrary. I become relatively more lucid, more attentive, and almost feel as if I were intelligent and more ready to understand.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Cahiers du Cinema (1960)

Feeling, Imagination, Intelligence, Idea

“The acting was always disappointing. Silly stories about nonsense people. I felt really cheated by acting, because I've never really felt anything from it. I don't wanna be the women on television, who are always nice and do the right thing. I want to be the woman who makes mistakes and gets away with it. The Night Porter is my favourite film. Charlotte Rampling is boiling with rage and going, "I can do it worse. I'm badder, and dirtier than you will ever be, and you'll never break me."”

Sienna Guillory (1975) British actress

And I just love that. FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004.

Love, Women, People, Disappointment

“I'm not sure what this means and if it can be replicated, but we did something very unique and none of it was planned. There wasn't a $20 million marketing budget designed to make this; it just happened. The audience took the movie for its own and decided to make it an event, and that's pretty awesome. And by the way, there were people who liked the movie so much they were defending the film against people who were thrashing it. Completely mind-blowing. I've never had that happen, either.”

Anthony C. Ferrante American film director

'Sharknado' Director on Secrets, Sequels and Success of the Social Media Sensation http://www.hollywoodreporter.com/live-feed/sharknado-director-secrets-sequels-success-social-media-sensation-584636 (July 12, 2013)

People, Way

“Dirty Love wasn't written and directed, it was committed. Here is a film so pitiful, it doesn't rise to the level of badness. It is hopelessly incompetent… I am not certain that anyone involved has ever seen a movie, or knows what one is.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050922/REVIEWS/509220303/1023 of Dirty Love (23 September 2005) Reviews, Zero star reviews

Love

“I really love seeing things go sour, because that’s the way dread creeps into life. A lot of horror films start with a great shock scene. I grew up on that model and it’s great fun, but very perversely, I’m interested in setting up something else, where you’re really engaged with the humanity of the characters — you could be in a normal drama with its own set of problems — and then something else develops. I like this philosophical question: what comes first, reality or your interpretation of it? However interesting that is, and whether it fits in with the horror genre, I don’t know, but I think it makes perfect sense.”

Larry Fessenden (1963) American actor, producer, writer, director, film editor, and cinematographer

Larry Fessenden’s Arty Horror Picture Show Continues with “Wendigo” http://www.indiewire.com/2002/02/interview-larry-fessendens-arty-horror-picture-show-continues-with-wendigo-80532/ (February 14, 2002)

Love, Life, Way, Question

“This film was pivotal in my life, not so much because it was my first successful effort as a producer and director, but because Hitler was so fascinated by this film that he insisted I make a documentary about the Party rally in Nuremberg. The result was Triumph of the Will.”

Leni Riefenstahl (1902–2003) German film director, photographer, actress and dancer

On The Blue Light: Partly quoted in: Leni Riefenstahl (1992) The sieve of time: the memoirs of Leni Riefenstahl. p. 210

Life, Effort, Success

“I didn’t know I was doing film noir, I thought they were detective stories with low lighting! Even Kubrick, in 1955 during filming of The Killing, never used the term film noir to my knowledge.”

Marie Windsor (1919–2000) American actress

Interview with The Perfect Vision http://www.moderntimes.com/windsor/ (1992)

Knowledge, Light

“I always said I’d never go to New York until someone pays me—because I’ve seen people come back from New York like desiccated, broken… New York is a tough place if you’re coming out of Port Authority or from Oregon, and they were paying me 356 dollars a day to be on the set [of Sid and Nancy] so that was really wonderful. Then I did Straight To Hell which went straight to video (but) then Andy Warhol noticed me from those two films. Then I got to be in Interview magazine and I got this little measure of celebrity, but with no money (laughs) that sucks… (but) it feels great if you’ve been wanting it. A lot of people like to say, ‘oh I didn’t ask for this, it just happened. I’m the luckiest guy in the world…’ I always wanted it.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her first exposure to fame after appearing in Alex Cox's films Sid and Nancy (1986) and Straight to Hell (1987), Dazed (22 March 2016)
2014–2017

Money, People, World, Guy

“I was approached to do a film script for the Beatles. I said it would have to be an absolutely original script. Paul McCartney said do whatever you like. I said that means you'll never be able to do it.”

Joe Orton (1933–1967) English playwright and author

Interview with Barry Hanson, programme notes of Peter Gill's Royal Court production of The Erpingham Camp and The Ruffian on the Stair http://dspace.dial.pipex.com/town/parade/abj76/PG/pieces/joe_orton.shtml (June 1967)

“I went brunette for a film called Fascination and I loved it.”

Alice Evans (1971) British actress

Alice Evans' March 2007 Glamour Magazine column "Bright Lights, Big Hair".

Love

“The first Elm Street was such a fresh idea and it absolutely blew me away. But the second one didn’t have Wes involved and I think it suffered as a result of that. With the third one Wes and his writing partner Bruce Wagner already had a script before I came onboard. Then me and Frank Darabont did some re-writes. We thought ‘why can’t we make this film wilder and much more fun that the first one’. I realised that the heart of it was these adolescent kids. These 15/16 year old kids who are just at that age when you start to realise that bad things happen in the world. Of course, none of the adults believe the kids about Freddy so going to them always makes things worse in these films.”

Chuck Russell (1958) American film director

THN Exclusive: Chuck Russell talks I Am Wrath, The Mask and Freddy Krueger http://www.thehollywoodnews.com/2016/05/23/thn-exclusive-chuck-russell-talks/ (May 23, 2016)

Age, World, Idea, Thinking

“But there are constants. The first is anxiety, because you have to reinvent an entire personal universe from that of another, understanding the film, its form, its rhythm, its colors.”

François-Eudes Chanfrault (1974–2016) Composer and musician

CinemaFantastique.net interview (October 2, 2008)

Color, Understanding, Universe, Personality

“In 1990, the MPAA introduced the NC-17 rating to provide an outlet for legitimate adult fare — non-pornographic motion pictures with content deemed too strong for the under-17 crowd. The first movie released with an NC-17 was Henry & June, whose financial failure was widely blamed on the new rating. After that, all potentially-lucrative films receiving an NC-17 made the cuts required by the MPAA to earn an R. Now, in 1995, there's Showgirls, the most significant test of the NC-17's commercial viability to date. Helmed by Paul Verhoeven (Total Recall, Basic Instinct) and written by Joe Eszterhas (Jagged Edge, Basic Instinct), this movie is going into wide release with the adult rating. Too bad it's one of the worst films of the year.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=221 of Showgirls (1995). Half-star reviews

Failure, Strong

“I have fundamental reservations to this adaptation. First of all I would have liked to see the planet Solaris which the director unfortunately denied me as the film was to be a cinematically subdued work. And secondly — as I told Tarkovsky during one of our quarrels — he didn't make Solaris at all, he made Crime and Punishment. What we get in the film is only how this abominable Kelvin has driven poor Harey to suicide and then he has pangs of conscience which are amplified by her appearance; a strange and incomprehensible appearance. […]”

Stanisław Lem (1921–2006) Polish science fiction author

On Solaris screening (1972)

Suicide, Appearance

“Violence is a fact of life in today’s society and therefore it has its place in books and films, but I strongly believe that the people who create those books and films have a duty to treat the subject seriously and to show the terrible consequences.”

Lois Duncan (1934–2016) American young-adult and children's writer

On violence in the arts, 1998 interview, reprinted in The Telegraph http://www.telegraph.co.uk/obituaries/2016/08/25/lois-duncan-author-of-teenage-fiction--obituary/ (2016) 1990–2002

Life, People, Books

“We were all in awe of Penny [Woolcock]. You feel so safe with her, you end up doing things that might seem offensive to other people. It's almost like being in a therapy session. You go a little bit further than you would normally. But in the orgy scene, where Marc's really getting a blowjob, I was like, `You've crossed the line!' Me and Alec were acting, and being loving and safe and showing the feeling of wanting to climb under someone's skin. For it to suddenly become something purely physical - I didn't think that needed to be real. But it was a situation that got out of hand. They filmed it at a swingers' club. There wasn't any way of stopping things, once they'd started. It's really gruesome and awful. But for the story, it's perfect. That scene was out of control. But by that point, so are the characters.”

Sienna Guillory (1975) British actress

FILM: Beauty and the Beasts Article http://findarticles.com/p/articles/mi_qn4158/is_20040312/ai_n12769890/pg_1. The London Independent. March 12, 2004. Guillory speaks about Sorted and director Penny Woolcock.

Love, People, Way, Feeling

“I staggered through my career and came out the other end, alive. I made some films that meant something to me. In my opinion, they weren’t all great, and they weren’t all successful, but they sure were ‘me’. And this is what I was going through or thinking or feeling as a director at the time, and I’m very proud of them. A lot of great directors just never had the chance to have their work appreciated and celebrated and watched, all these years after they were made. So, man, what do you want out of life? It’s great!”

John Carpenter (1948) American film director, screenwriter and producer

The Den of Geek interview: John Carpenter http://www.denofgeek.com/movies/halloween/13379/the-den-of-geek-interview-john-carpenter (June 3, 2008)

Life, Feeling, Thinking, Chance

“Film is more appealing in a lot of ways, especially with the relationship with the audience. They’ve paid to come and see it, they’re more prepared to see characters develop. With television, there’s a different criteria. You still want to have all the qualities of film but there are things you have to work against. It’s much quicker, it has to be more dynamic in maintaining an audience’s interest.”

John Hannah (actor) (1962) Scottish actor

The Inspector's Call http://www.johnhannah.net/interview00.php#tic (April 17, 2000)

Way

“With The Dark Knight you had to strike a balance of familiarity with the audience. It is a sequel, and they want familiar elements, things they liked from the first film. But you always have to be very aware that the audience is extremely ruthless in its demand for newness, novelty and freshness. At script stage, we really tried to thrash that out—are we striking that right balance?”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chris Nolan Q&A About 'Inception' http://deadline.com/2011/01/oscar-christopher-nolan-qa-inceptions-writer-director-is-a-hollwood-original-94704

“The Seventh Seal is one of the few films really close to my heart. Actually, I don't know why. It's certainly far from perfect. I had to contend with all sorts of madness, and one can detect here and there the speed with which it was made. But I find it even, strong, and vital.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Images : My Life in Films (1990)

Strong, Heart, Speed, Perfection

“No! But they were here [in Los Angeles]. Here they were surprised, because it was difficult to finance, the film. A lot of the executives would say, 'I just don't get it.”

Meryl Streep (1949) American actress

Her indignant comments on the runaway success of her musical Mamma Mia!, which grossed a $575m across the globe.
"Meryl Streep: Movies, marriage, and turning sixty," 2009

Angels

“I'm appearing in a new Working Title film. It's going to be my first big film and I'm really excited. The film itself will feature Simon Pegg, Jim Broadbent, Timothy Dalton and myself. Filming has just started.”

Joseph McManners (1992) British singer, actor

Appearance

“Well, if you take a roll of film and instead of making pictures on it, you process it by pickling it in vinegar and putting it in a jar and presenting it for people to look at that way, projected through the lens of the fluid around it, this is so distorted and such a monstrous disfigurement of the normal way in which you are 'supposed to use' film, that it is a kind of pathology; it’s a sickness in the sense of a virus being inserted in the system. I think wellness and change are measured by comparison to potential for extremes of illness or death. I was trying to kill film. I wanted to let it lay over and die.”

Tony Conrad (1940–2016) American filmmaker, violinist and composer

Tony Conrad cited in: Jean-Michel Maulpoix (2005) A Matter of Blue Vol 92-94. p. 35.

Death, People, Way, Thinking

“Music has no differences. We played alongside each other; it was not in fusion but in unison. I have enjoyed playing with all the artists. I have collaborated with musicians from the west and fellow Indians, including Ravi Shankar, Allah Rakha (father of Zakir Hussain), George Harrison, Jean Pierre Ramphal, Jethro Tull, John McLaughlin, Jan Gabarek, Yehudi Menuhin and others. I composed for Bollywood. It made me affluent. It was Pandit Shiv Kumar Sharma who asked me one day if playing in Bollywood films was all I was going to do in my life. I was not growing as an artist. I needed more. What did I have to show in terms of personal creativity, or growth? He was right.”

Hariprasad Chaurasia (1938) Indian bansuri player

On Western Culture and the so-called Revolution.
Melodies of Brindavan: Pandit Hariprasad Chourasia

Life, Music, Personality

“Of all the indignities to have been visited upon Dracula during the past century (including being the "inspiration" for a cereal and a Sesame Street character, and being lampooned by Mel Brooks), none is more unsettling than what has happened to the world's most famous vampire in Dracula 2000. Dimension Films, the exploitation division of Miramax, decided that, with their two horror franchises currently on hold (the Scream and Halloween films), they would turn their attention in another direction. So they sunk their greedy fangs into the most venerable monster they could find and sucked him dry.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/d/dracula2000.html of Dracula 2000 (2000). One-star reviews

World, Past

“What did I think about this movie? As a film critic, I liked it. I liked the in-jokes and the self-aware characters. At the same time, I was aware of the incredible level of gore in this film. It is *really* violent. Is the violence defused by the ironic way the film uses it and comments on it? For me, it was. For some viewers, it will not be, and they will be horrified. Which category do you fall in? Here's an easy test: When I mentioned Fangoria, did you know what I was talking about?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/scream-1996 of Scream (20 December 1996) Reviews, Three star reviews

Way, Thinking, Time

“I am bored to talk of my films. I cannot even bear to see most of them.”

Mumtaz (actress) (1947) Indian film actress

Mumtaz, November, 1966 (Filmfare, December 7, 2011) Quotes from Mumtaz Variant: Women are meant to be loved and not understood. Source: Best of Filmfare http://www.angelfire.com/celeb/mumtaz/spicerack.htm

“A good film is one that requires the viewer to create, through an orchestration of impressions, the meaning of its events. It is, in the end, our ability to create meaning out of the raw experience of life that makes us human. It is the exercise of our faculty to discover meaning which is the purpose of art. The didactic imparting of moral or political messages is emphatically not the purpose of art -- that is what we call propaganda.”

Peter Chung (1961) Korean-American animator

The State of Visual Narrative In Film And Comics http://www.awn.com/mag/issue3.4/3.4pages/3.4chung.html

Life, Art, Exercises

“Education, journalism, technology, entertainment and business may also find better methods for their purpose than books and writing. But this does not mean that tapes and films have made books obsolescent—the contention is almost too ludicrous to be taken seriously. Books are certainly old fashioned, but only people with a very limited perception are silly enough to condemn ideas because of their age. It is, of course, equally silly to condemn the new fangled simply because it is strange, and I am full of admiration for the technologists who have developed all sorts of gadgets for the purpose of improving communications. However, I believe that all these fascinating machines are complementary to, and not substitutes for, books and the printed word.”

Prince Philip, Duke of Edinburgh (1921) member of the British Royal Family, consort to Queen Elizabeth II

Do Books Matter? (ed. Brian Baumfield), ISBN 0705700143, p. 15 (1973)
1970s

People, Books, Age, Education

“I was sitting on the seashore, half listening to a friend arguing violently about something which merely bored me. Unconsciously to myself, I looked at a film, of sand I had picked up on my hand, when I suddenly saw the exquisite beauty of every little grain of it; instead of being dull, I saw that each particle was made up on a perfect geometrical pattern, with sharp angles, from each of which a brilliant shaft of light was reflected, while each tiny crystal shone like a rainbow.... The rays crossed and recrossed, making exquisite patterns of such beauty that they left me breathless. … Then, suddenly, my consciousness was lighted up from within and I saw in a vivid way how the whole universe was made up of particles of material which, no matter how dull and lifeless they might seem, were nevertheless filled with this intense and vital beauty. For a second or two the whole world appeared as a blaze of glory. When it died down, it left me with something I have never forgotten and which constantly reminds me of the beauty locked up in every minute speck of material around us.”

Aldous Huxley book Heaven and Hell

Source: Heaven and Hell (essay) (1954), p. 77-78

World, Beauty, Way, Light

“I want to do kiddie movies now. I'm fed up with adult movies — most of them stink. At a certain point with movies it becomes all about mathematics: this has to lead up to this, this has to lead up to that — you're always bound by some kind of formula. But since having kids and watching lots of animated cartoons and all those great old Disney films, I think they're better, they're much better. They're more fun and they take more risks.”

Johnny Depp (1963) American actor, film producer, and musician

Quoted in Jessamy Calkin, "One That Got Away," http://www.johnnydeppfan.com/interviews/telegraphmag.htm The Daily Telegraph Magazine (2002-08-03)

Mathematics, Thinking, Animals

“I got very frustrated when I was reading so-called classic books or films, or listening to underground music which is trying to tell you something. it´s all nonsense, and it´s disillusioning. So it would be a paradox for me to then decide I´m going to communicate something.”

Robert Smith (musician) (1959) English singer, songwriter and musician

Sounds, August 24, 1985

Books, Music, Communication, Reading

“Films like Fargo are why I love the movies.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/fargo-1996 of Fargo (8 March 1996) Reviews, Four star reviews

Love

“If you want to know all about Andy Warhol, just look at the surface; of my paintings and films and me, and there I am. There's nothing behind it.”

Andy Warhol (1928–1987) American artist

1963 - 1967
Source: Andy, My true Story 3, Gretchen Berg, Los Angeles Free Press (17 March 1967); as quoted in Andy Warhol, retrospective, New York and Boston Museum of modern Art & Bullfinch Press / Little Brown, 1989, pp. 457 – 67

Painting

“I had felt sick before and had been saved by Sekt. Now I was beginning to feel sick of the Sekt. I would, I knew, shortly have to vomit…. I started gently to move towards one of the open windows. The aims of the artistic policy enunciated by the National Chamber of Film might, said Goebbels, be expressed under seven headings. Oh Christ. First, the articulation of the sense of racial pride, which might, without reprehensible arrogance, be construed as a just sense of racial superiority. Just, I thought, moving towards the breath of the autumn dark, like the Jews, just like the. This signified, Goebbels went on, not narrow German chauvinism but a pride in being of the great original Aryan race, once master of the heartland and to be so again. The Aryan destiny was enshrined in the immemorial Aryan myths, preserved without doubt in their purest form in the ancient tongue of the heartland. Second. But at this point I had made the open window. With relief the Sekt that seethed within me bore itself mouthward on waves of reverse peristalsis. Below me a great flag with a swastika on flapped gently in the night breeze of autumn. It did not now lift my heart; it was not my heart that was lifting. I gave it, with gargoyling mouth, a litre or so of undigested Sekt. And then some strings of spittle. It was not, perhaps, as good as pissing on the flag, but, in retrospect, it takes on a mild quality of emblematic defiance…”

Anthony Burgess (1917–1993) English writer

Fiction, Earthly Powers (1980)

Feeling, Autumn, Sense, Heart

“I remember that, as a kid. I never really understood how movies were made, until that movie, because it was such a technical accomplishment. Since then, you’ve seen more and more and more, for all different kids of films, about what goes into the process. If people enjoy the film, it can be really intriguing to see what created that film, how each one of those unique components came together, who the people are who did it and what it meant to them to do it. That’s a great thing to put out there, especially if it is a film that has different technological aspects that are unique. There’s not a lot of that that’s been done before, so I think it’s good for people to see.”

Patrick Lussier (1964) Canadian-American film director, screenwriter and film editor

Exclusive: Director Patrick Lussier Talks Drive Angry DVD/Blu-ray, Hallraiser and Halloween 3 http://collider.com/patrick-lussier-drive-angry-hellraiser-halloween-3/ (May 31, 2011)

People, Thinking

“The advanced arithmetical machines of the future will be electrical in nature, and they will perform at 100 times present speeds, or more.
Moreover, they will be far more versatile than present commercial machines, so that they may readily be adapted for a wide variety of operations. They will be controlled by a control card or film, they will select their own data and manipulate it in accordance with the instructions thus inserted, they will perform complex arithmetical computations at exceedingly high speeds, and they will record results in such form as to be readily available for distribution or for later further manipulation.”

Vannevar Bush book As We May Think

As We May Think (1945)

Nature, Time, Future, Speed

“Someone like Jean-Luc Godard is for me intellectual counterfeit money when compared to a good kung fu film.”

Werner Herzog (1942) German film director, producer, screenwriter, actor and opera director

Herzog on Herzog (2002)

Money

“I’m a big fan of the Creature from the Black Lagoon. I love them all, and the Wolf Man would be my second favorite. I really love them all but there’s something so unique about the Creature and I just love him. You know, I think they made a mistake in the third part of the trilogy when they converted him into a land beast because it really limited him. You’ll notice that was the end of the story of the Creature, ironically enough. I keep hearing they are looking to remake the film, but I hope they are planning on keeping him as he was- keep him in the lagoon!”

Rich Koz (1952) American actor and comedian

A Chicago legend: My interview with Rich Koz- Svengoolie! https://mangledmatters.wordpress.com/2015/10/19/a-chicago-legend-my-interview-with-rich-koz-svengoolie/ (October 19, 2015)

Love, Hope, Thinking, Wolf

“The demolition of the Babri Masjid was the last straw. Naseem (1995) was almost like an epitaph. After the film, I had really nothing to say. I needed to regain my faith and retain my sanity. So I decided to travel around India and document it on a video camera”

Saeed Akhtar Mirza (1943) Indian film director

‘Once again, I feel I have something to say’, Interview, Page 1 http://www.indianexpress.com/news/-Once-again--I-feel-I-have-something-to-say-/471304 Indian Express, Jun 07, 2009.

Faith, Travel

“Good films flop, atrocious films do well. Uncertainty is the only certainty in this business.”

Madhuri Dixit (1967) Indian actress

Quote, When personality comes first.....

Business

“Blue Velvet contains scenes of such raw emotional energy that it's easy to understand why some critics have hailed it as a masterpiece. A film this painful and wounding has to be given special consideration. And yet those scenes of stark sexual despair are the tipoff to what's wrong with the movie. They're so strong that they deserve to be in a movie that is sincere, honest and true. But Blue Velvet surrounds them with a story that's marred by sophomoric satire and cheap shots. The director is either denying the strength of his material or trying to defuse it by pretending it's all part of a campy in-joke. … What's worse? Slapping somebody around, or standing back and finding the whole thing funny?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/blue-velvet-1986 of Blue Velvet (19 September 1986) Reviews, One-star reviews

Pain, Understanding, Strong, Parting