“Of all the indignities to have been visited upon Dracula during the past century (including being the "inspiration" for a cereal and a Sesame Street character, and being lampooned by Mel Brooks), none is more unsettling than what has happened to the world's most famous vampire in Dracula 2000. Dimension Films, the exploitation division of Miramax, decided that, with their two horror franchises currently on hold (the Scream and Halloween films), they would turn their attention in another direction. So they sunk their greedy fangs into the most venerable monster they could find and sucked him dry.”

Review http://www.reelviews.net/movies/d/dracula2000.html of Dracula 2000 (2000). <br class="br">One-star reviews

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James Berardinelli64

American film critic 1967

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“George Romero filmed an homage to the book, and he called it Night of the Living Dead. Homage means I can make the picture and I don't have to pay you for your book. As a teen-ager I saw the movie "Dracula," and it occurred to me that if one vampire was scary, a whole world populated by vampires would be really scary.”

Richard Matheson (1926–2013) American fiction writer

On his novel I Am Legend, and the inspiration for it.
The New York Times interview (1994)

“As vampire movies go, few are more memorable than Nosferatu, which is not only the first screen version of Dracula, but, in some ways, remains the best. Unlike many of his predecessors who dabbled in the vampire genre, Murnau was a craftsman, and the care he lavished upon this production is evident in each shot and every scene. Alongside The Cabinet of Dr. Caligari, few motion pictures have had a more profound impact upon an entire genre than Nosferatu has had upon the legion of horror movies that trailed in its wake.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/movies/n/nosferatu.html of Nosferatu (1922). <br class="br">Three-and-a-half star reviews

“We don't deliberately desire to scare anybody - we design our creatures to fit in harmony with the story and, of course, our forte is the grotesque. That's why our films were classified so many times as horror films, which they weren't. I would call a war film a horror film because in those you see guts split and people being slaughtered, but our films deal with fantasy and are more theatrical than realistic.”

Ray Harryhausen (1920–2013) American animator

Harryhausen on Horror

“I absolutely love Bela Lugosi's Count. One thing that always interesting to bear in mind in the great history of Dracula is that, I think almost without exception the film's release has always been surrounded by controversy. Bela Lugosi's Count Dracula at the time was regarded as essentially a kind of B-movie piece of junk. Whereas now, I think it has real luster and appeal to people. I looked at Bella's Count again because Steve was interested in pursuing a sense of the old Universal films, I thought it was kind of good to do that.”

Richard Roxburgh (1962) Australian actor

An Iinterview With Dracula and His Brides http://www.ign.com/articles/2004/05/05/an-interview-with-dracula-and-his-brides (May 5, 2004)

“Well, what is a political film? A film about politicians? Or a film about issues — sexism, racism, the environment, nuclear policy? I decided on the broader definition. If I'd limited myself to films about politicians, it would have been a short list: How many characters in any mainstream American movie seem aware of the political process, or belong to a party?”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Ranking "the 20 best political films of the past two decades" in "The Big Picture: Roger Ebert" in MotherJones (May/June 1996) http://www.motherjones.com/arts/film/1996/05/ebert.html

“Everything that happened prior to and during 2000 was premeditated, well planned with all the personal graffiti being churned out through government offices and business outlets … ludicrous paraphernalia designed to malign the former President's family's character. Some members of the 2000 and current Senate were openly telling the public that the Government was going to be changed soon. So what was the Fijian cause all about?”

Ateca Ganilau (1951) Fijian chief

Reconciliation, Tolerance, and Unity Bill, 24 July, 2005

“Today, Psycho still holds up extraordinarily well (another reason why a remake seems pointless). With the exception of Halloween, no latter-day horror/thriller has been capable of generating as many goosebumps. The black-and-white photography is perfect for the film's tone and mood — the starkness of color would have blurred the nightmarish quality. The painstaking care with which [director Alfred] Hitchcock composed every scene is evident in the quality of the final product.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=669 of Psycho (1960). <br class="br">Three-and-a-half star reviews

“I seem to be the most wordy when it comes to monsters because I'm a bit of a monster freak. I grew up just loving all the Draculas. Especially I just loved watching all the Universal classics. And Bela has been my favorite ever since. I would say though that I have a new favorite Dracula here. I've always loved those movies. And it was such an honor to be cast with this role.”

Silvia Colloca (1977) Singer, actress, author and TV cooking personality

An Interview with Dracula and his Brides (2004)

“When I’m writing music for a film, inspiration will come from the subject matter and visual images, because I don’t agree to any offers of film work unless I believe I can add another dimension to the film. But if l’m writing music purely for myself, inspiration comes naturally, from everything around”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

1984
Context: On inspiration: "Of course, inspiration can come in different ways, depending on what field you’re working in? When I’m writing music for a film, inspiration will come from the subject matter and visual images, because I don’t agree to any offers of film work unless I believe I can add another dimension to the film. But if l’m writing music purely for myself, inspiration comes naturally, from everything around. I absorb every experience in life, every situation, because anything can become a source of inspiration — positive or negative. In general l’m influenced more by everyday concepts — nature, the city and so forth — than by hearing other pieces of music. Neither do I find any special inspiration from working in a studio. Obviously it makes life a lot easier to have 24 tracks to record on, and I use the studio as a tool to help in the writing process. I see the mixing desk really as another instrument, the conductor for all the others. But although the tape recorder and the console are just as important as the keyboards, I haven’t equipped my studio with a lot of hi-tech effects: l’d rather spend time searching through my sound library to get the exact colour I want".

“To me it was more about eight years of bad policy before (Obama) got there that let this happen. It was Dracula running the blood bank in terms of oil and leases. I think that has more to do with it than how the president reacted to it.”

Jimmy Buffett (1946) American singer–songwriter and businessman

Jimmy Buffett Organizes Gulf Benefit, Blames Bush for Spill, foxnews.com, July 6, 2010, January 6, 2011 http://www.foxnews.com/entertainment/2010/07/06/jimmy-buffet-organizes-gulf-benefit-blames-bush-spill/#ixzz1AHyM5yHe,

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James Berardinelli64

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