Quotes about figure
page 6

Michel Foucault photo
John Hennigan photo

“We don't play with action figures at the Palace Of Wisdom.”

John Hennigan (1979) American professional wrestler

The Palace Of Wisdom
Variant: We don't like snakes in the Palace of Wisdom.

Jacques Bertin photo
Nicholas Rescher photo
Willa Cather photo
Mark Zuckerberg photo
Shah Jahan photo
Richard Stallman photo

“I figure that since proprietary software developers use copyright to stop us from sharing, we cooperators can use copyright to give other cooperators an advantage of their own: they can use our code.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

1990s, Copyleft: Pragmatic Idealism (1998)

Bill Gates photo

“About 3 million computers get sold every year in China, but people don't pay for the software. Someday they will, though. As long as they are going to steal it, we want them to steal ours. They'll get sort of addicted, and then we'll somehow figure out how to collect sometime in the next decade.”

Bill Gates (1955) American business magnate and philanthropist

Speech at the University of Washington, as reported in "Gates, Buffett a bit bearish" CNET News (2 July 1998) http://archive.is/20130102062335/http://news.com.com/2100-1023-212942.html
1990s

John Dalton photo
Anna Sui photo

“Be true to yourself and figure out what it is that you are good at.”

Anna Sui (1964) American fashion designer

New York Times Interview (November 11, 2010)

Ernst Ludwig Kirchner photo
Vincent Van Gogh photo

“Your description of Troyon and Rousseau, for instance, is lively enough to give me some idea of which of their manners they are done in. There were other paintings from the time of Troyon's municipal pasture that had a certain 'mood' that one would have to call 'dramatic', even though they aren't figure paintings.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to Theo, from the Hague, c. 11 July 1883 - original manuscript at Van Gogh Museum, location Amsterdam - inv. nos. b322 a-c V/1962, http://vangoghletters.org/vg/letters/let361/letter.html
At the exhibition 'Les cent chefs d'oeuvre' at Galerie Georges Petit - in Paris, 1883 there were 9 paintings of Troyon. Vincent had asked Theo in Paris to give him a description of the works at this exhibition. Vincent already appreciated Troyon's painting style, which he knew from his Paris' years at art-gallery Goupil where he worked
1880s, 1883

John Napier photo
Courtney B. Vance photo
Larry Correia photo

“The one good thing about being forced to read The Great Gatsby was that I discovered Robert E. Howard and H. P. Lovecraft afterwards because I figured that not everybody from that time frame could have been that incredibly annoying.”

Larry Correia (1977) American fantasy writer

"Correia on the Classics", Monster Hunter Nation http://monsterhunternation.com/2011/01/12/correia-on-the-classics/, 2010-01-12

Paul Krugman photo
Alfred Brendel photo
Hadewijch photo

“In the intimacy of the One,
Those souls are pure and inwardly naked,
without images, without figures,
As if liberated from time, uncreated,
Freed from their limits in silent latitude”

Hadewijch (1200–1260) 13th-century Dutch poet and mystic

Mengeldichten 17, in A History of Women in the West: Silences of the Middle Ages, p. 478.
The Mengeldichten (Poems in Couplets) 17-24

Colin Wilson photo
Mercedes Lackey photo
Jordan Peterson photo

“I also don't think it's unsophisticated to think of God the Father as the spirit that arises from the crowd that exists into the future. You make sacrifices in the present so that the future is happy with you. The question is, then, what is that future that would be happy with you? It's the spirit of humanity. That's who you're negotiating with, because you make the assumption that if you forgo impulsive pleasure and get your medical degree, that when you're done in ten years and when you're a physician, humanity as such will honor your sacrifice and commitment, and it will open the doors to you. So you're treating the future as if it's a single being, and you're also treating it as if it's a compassionate judge. You're acting that out. And maybe, once we figured out that there is a future, we needed to imagine God in that form in order to concretize something that we could bargain with so that we could figure out how to use sacrifice so that we could guide ourselves into the future. Because if sacrifice is a contract with the future, but not with any particular person, then it is a contract with the spirit of humanity as such. It's something like that. To come up with the idea that you can bargain with the future is THE major idea of humankind. We suffer. What do we do about it? We figure out how to bargain with the future. And we minimize suffering in that manner.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Edmund Hillary photo

“If we ask what it is he [ George Orwell] stands for, … the answer is: the virtue of not being a genius, of fronting the world with nothing more than one’s simple, direct, undeceived intelligence, and a respect for the powers one does have. … He communicates to us the sense that what he has done any one of us could do. Or could do if we but made up our mind to do it, if we but surrendered a little of the cant that comforts us, if for a few weeks we paid no attention to the little group with which we habitually exchange opinions, if we took our chance of being wrong or inadequate, if we looked at things simply and directly, having in mind only our intention of finding out what they really are, not the prestige of our great intellectual act of looking at them. He liberates us. He tells us that we can understand our political and social life merely by looking around us; he frees us from the need for the inside dope. He implies that our job is not to be intellectual, certainly not to be intellectual in this fashion or that, but merely to be intelligent according to our own lights—he restores the old sense of the democracy of the mind, releasing us from the belief that the mind can work only in a technical, professional way and that it must work competitively. He has the effect of making us believe that we may become full members of the society of thinking men. That is why he is a figure for us.”

Lionel Trilling (1905–1975) American academic

“George Orwell and the politics of truth,” The Opposing Self (1950), pp. 156-158
The Opposing Self (1950)

Henry Moore photo

“The idea for [his sculpture] 'The Warrior' came to me at the end of 1952 or very early in 1953. It was evolved from a pebble I found on the seashore in the summer of 1952, and which reminded me of the stump of a leg, amputated at the hip. Just as Leonardo says somewhere in his notebooks that a painter can find a battle scene in the lichen marks on a wall, so this gave me the start of The Warrior idea. First I added the body, leg and one arm and it became a wounded warrior, but at first the figure was reclining. A day or two later I added a shield and altered its position and arrangement into a seated figure and so it changed from an inactive pose into a figure which, though wounded, is still defiant... The head has a blunted and bull-like power but also a sort of dumb animal acceptance and forbearance of pain... The figure may be emotionally connected (as one critic has suggested) with one’s feelings and thoughts about England during the crucial and early part of the last war. The position of the shield and its angle gives protection from above. The distance of the shield from the body and the rectangular shape of the space enclosed between the inside surface of the shield and the concave front of the body is important... This sculpture is the first single and separate male figure that I have done in sculpture and carrying it out in its final large scale was almost like the discovery of a new subject matter; the bony, edgy, tense forms were a great excitement to make... Like the bronze 'Draped Reclining Figure' of 1952-3 I think 'The Warrior' has some Greek influence, not consciously wished…”

Henry Moore (1898–1986) English artist

Quote from Moore's letter, (15 Jan. 1955); as cited in Henry Moore on Sculpture: a Collection of the Sculptor's Writings and Spoken Words, ed. Philip James, MacDonald, London 1966, p. 250
1940 - 1955

“Women's desire is a mysterious, feral thing, and if you think you've got it figured out because you've looked at a few Georgia O'Keeffe paintings, you're not even close.”

Stephanie Zacharek (1963) American film critic

Fifty Shades Freed Is a Pleasure. Just Don’t Call It a Guilty One, Time.com, 2018-02-09, 2018-02-09, http://time.com/5139117/fifty-shades-freed-review-movie/, 2018-02-09 http://time.com/5139117/fifty-shades-freed-review-movie/,

Sri Aurobindo photo

“Evolution is not finished; reason is not the last word nor the reasoning animal the supreme figure of Nature. As man emerged out of the animal, so out of man the superman emerges.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Aphorisms (1913)
Thoughts and Aphorisms (1913), Jnana

“At the time, Nixon was normalizing relations with China. I figured that if he could normalize relations, then so could I.”

E. F. Codd (1923–2003) computer scientist

http://www.dba-oracle.com/oracle_tips_codd_obit.htm
Relational Database: A Practical Foundation for Productivity (1982)

Sarah Silverman photo
Clinton Edgar Woods photo

“The actual manufacture of material into a specific product is a sort of digestive process which must have a functioning organization purposed to meet the required ends, just as the human body has, and it is governed by similar conditions. It must also be directed by a specific intelligence and must have internal and external avenues of correspondence to keep it alive; and, like a living organism, must adhere to the eternal economy of things and show a profit by its activities or it cannot progress.
To exemplify this in a simple way, the writer has laid out Figure I, showing the prime elements composing the anatomy of an industrial body. One does not have to draw on the imagination very far to make a comparison of this anatomy with that of man. It has its mind, will power, and brain to direct it, as indicated by the stockholders, directors and executive officers, a heart which keeps in flow the circulating medium internally; and avenues of correspondence with the outside world which furnish to it the very elements of existence.
This chart shows first, that the stockholders are simply elements belonging to the general public who have made an investment for some specific purpose; second, that immediately after this, the election of directors sets into action the first internal factor in the body, which is then divided into different functioning powers by the election of executive officers.”

Clinton Edgar Woods (1863) American engineer

Source: Organizing a factory (1905), p. 24

Camille Paglia photo
Shaquille O'Neal photo

“Now figure it out, Dr. O'Neal, I kill off the big men”

Shaquille O'Neal (1972) American basketball player

evil laugh
O'Neal explaining why there are so many face-up and finesse centers in the game.
Source: Lakers Nation Interviews: Shaq, Dr. J & NBA Legends Discuss New Generation, Entitlement http://www.youtube.com/watch?v=cJgrrBvJbPg&feature=em-uploademail

Christopher Hitchens photo

“In what people irritatingly call "iconic" terms, Bin Laden certainly had no rival. The strange, scrofulous quasi-nobility and bogus spirituality of his appearance was appallingly telegenic, and it will be highly interesting to see whether this charisma survives the alternative definition of revolution that has lately transfigured the Muslim world. The most tenaciously lasting impression of all, however, is that of his sheer irrationality. What had the man thought he was doing? Ten years ago, did he expect, let alone desire, to be in a walled compound in dear little Abbottabad?…Ten years ago, I remind you, he had a gigantic influence in one rogue and failed state—Afghanistan—and was exerting an increasing force over its Pakistani neighbor. Taliban and al-Qaida sympathizers were in senior positions in the Pakistani army and nuclear program and had not yet been detected as such. Huge financial subventions flowed his way, often through official channels, from Saudi Arabia and other gulf states…. Then, not only did he run away from Afghanistan, leaving his deluded followers to be killed in very large numbers, but he chose to remain a furtive and shady figure, on whom the odds of a successful covert "hit," or bought-and-paid-for betrayal, were bound to lengthen every day…It seems thinkable that he truly believed his own mad propaganda, often adumbrated on tapes and videos, especially after the American scuttle from Somalia. The West, he maintained, was rotten with corruption and run by cabals of Jews and homosexuals. It had no will to resist. It had become feminized and cowardly. One devastating psychological blow and the rest of the edifice would gradually follow the Twin Towers in a shower of dust. Well, he and his fellow psychopaths did succeed in killing thousands in North America and Western Europe, but in the past few years, their main military triumphs have been against such targets as Afghan schoolgirls, Shiite Muslim civilians, and defenseless synagogues in Tunisia and Turkey. Has there ever been a more contemptible leader from behind, or a commander who authorized more blanket death sentences on bystanders?”

Christopher Hitchens (1949–2011) British American author and journalist

2011-05-02
http://www.slate.com/articles/news_and_politics/fighting_words/2011/05/death_of_a_madman.html
Death of a Madman
Slate
1091-2339
2010s, 2011

Stanley Baldwin photo
Steve Jobs photo

“We hired truly great people and gave them the room to do great work. A lot of companies […] hire people to tell them what to do. We hire people to tell us what to do. We figure we're paying them all this money; their job is to figure out what to do and tell us.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

The management philosophy here really is to give people enough rope to hang themselves. We hire people to tell us what to do. That's what we pay them for.
1990s
Source: Steve Jobs, 1996, Fresh Air radio interview by Terry Gross, npr.org http://www.npr.org/2011/10/06/141115121/steve-jobs-computer-science-is-a-liberal-art, audio 26:30/31:05
Source: Steve Jobs 1982, interview in InfoWorld March 4, 1982, p.15 books.google https://books.google.fr/books?id=gT4EAAAAMBAJ&pg=PA15&dq=rope

Jacob deGrom photo
Joshua Lawrence Chamberlain photo

“The momentous meaning of this occasion impressed me deeply. I resolved to mark it by some token of recognition, which could be no other than a salute of arms. Well aware of the responsibility assumed, and of the criticisms that would follow, as the sequel proved, nothing of that kind could move me in the least. The act could be defended, if needful, by the suggestion that such a salute was not to the cause for which the flag of the Confederacy stood, but to its going down before the flag of the Union. My main reason, however, was one for which I sought no authority nor asked forgiveness. Before us in proud humiliation stood the embodiment of manhood: men whom neither toils and sufferings, nor the fact of death, nor disaster, nor hopelessness could bend from their resolve; standing before us now, thin, worn, and famished, but erect, and with eyes looking level into ours, waking memories that bound us together as no other bond;—was not such manhood to be welcomed back into a Union so tested and assured? Instructions had been given; and when the head of each division column comes opposite our group, our bugle sounds the signal and instantly our whole line from right to left, regiment by regiment in succession, gives the soldier's salutation, from the "order arms" to the old "carry"—the marching salute. Gordon at the head of the column, riding with heavy spirit and downcast face, catches the sound of shifting arms, looks up, and, taking the meaning, wheels superbly, making with himself and his horse one uplifted figure, with profound salutation as he drops the point of his sword to the boot toe; then facing to his own command, gives word for his successive brigades to pass us with the same position of the manual, honor answering honor. On our part not a sound of trumpet more, nor roll of drum; not a cheer, nor word nor whisper of vain-glorying, nor motion of man standing again at the order, but an awed stillness rather, and breath-holding, as if it were the passing of the dead!”

Joshua Lawrence Chamberlain (1828–1914) Union Army general and Medal of Honor recipient

The Passing of the Armies: An account of the Army of the Potomac, based upon personal reminiscences of the Fifth Army Corps (1915), p. 260

Cory Doctorow photo
Eve Kosofsky Sedgwick photo
James Rivière photo

“After three years spent in a small goldsmith factory, I had nothing left to learn. A colleague who was looking for a new job as goldsmith, tells me: look I went to a small shop, figured that they do not even use the electric drill, but they make holes with bows, like the primitives. I understood that this was the place for me.”

James Rivière (1949) Italian Jewellery and sculptor

Marta Bravi in : [s.n.] (2009). " Dalla bottega al Vaticano con i gioielli per il Papa http://www.ilgiornale.it/news/bottega-vaticano-i-gioielli-papa.html" in ilgiornale.it

Mark Skousen photo

“The next monument visited was the great Jain temple built only a few years before by Shantidas Jhaveri, one of the wealthiest men of Gujarat in his day and high in favour both with Shah Jahan and after him with Aurangzeb. …In 1638, however, when Mandelslo visited the place, this temple which he calls ‘ the principal mosque of the Banyas ’ was in all its pristine splendour and ‘ without dispute one of the noblest structures that could be seen’. ‘It was then new,’ he adds, ‘ for the Founder, who was a rich Banya merchant, named Shantidas, was living in my time.
As Mandelslo’s description is the earliest account we have of this famous monument, which was desecrated only seven years after visit by the Orders of Aurangzeb, then viceroy of Gujarat (1645), we shall reproduce it at some length. It stood in the middle of a great court which was enclosed by a high wall of freestone. All about this wall on the inner side was a gallery, similar to the cloisters of the monasteries in Europe, with a large number of cells, in each of which was placed a statue in white or black marble. These figures no doubt represented the Jain Tirthankars, but Mandelslo may be forgiven when he speaks of each of them as ‘ representing a woman naked, sitting, and having her legs lying cross under her, according to the mode of the country. Some of the cells had three statues in them, namely, a large one between two smaller ones.’ At the entrance to the temple stood two elephants of black marble in life- size and on one of them was seated an effigy of the builder. The walls of the temple were adorned with figures of men and animals. At the further end of the building were the shrines consisting of three chapels divided from each other by wooden rails. In these were placed marble statues of the Tirthankars with a lighted lamp before that which stood in the central shrine. One of the priests attending the temple was busy receiving from the votaries flowers which were placed round the images, as also oil for the lamps that hung before the rails, and wheat and salt as a sacrifice. The priest had covered his mouth and nose with a piece of linen cloth so that the impurity of his breath should not profane the images.”

Shantidas Jhaveri (1580–1659) Indian jewellery and bullion trader during Mughal era

Description of the temple built by Shantidas Jhaveri. Mandelslo’s Travels In Western India (a.d.1638-9) https://archive.org/details/in.ernet.dli.2015.531053 p. 23-25

Alain Finkielkraut photo
Marie-Louise von Franz photo
Suzanne Collins photo

“It's better than hunting them down in the jungle, anyway. And I doubt they'll figure out our plan, since we can barely understand it ourselves.”

Suzanne Collins (1962) American television writer and novelist

Johanna Mason, p. 361
The Hunger Games trilogy, Catching Fire (2009)

Theodore Parker photo

“Look at the facts of the world. You see a continual and progressive triumph of the right. I do not pretend to understand the moral universe; the arc is a long one, my eye reaches but little ways; I cannot calculate the curve and complete the figure by the experience of sight; I can divine it by conscience. And from what I see I am sure it bends towards justice.”

Theodore Parker (1810–1860) abolitionist

This portion of Parker's sermon is thought to have inspired Martin Luther King, Jr.‎'s famous assertion of similar sentiments: "The arc of the moral universe is long, but it bends towards justice".
Ten Sermons of Religion (1853), III : Of Justice and the Conscience https://en.wikisource.org/wiki/Ten_Sermons_of_Religion/Of_Justice_and_the_Conscience

Paul Klee photo
Pierre-Auguste Renoir photo
Henry Moore photo

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

Barbara Hepworth photo
Ben Carson photo

“If we know human anatomy and we are reasonably intelligent, he assumes that we can figure out how to do almost anything.”

Ben Carson (1951) 17th and current United States Secretary of Housing and Urban Development; American neurosurgeon

Source: Think Big (1996), p. 84

Bob Dylan photo
Ronald Fisher photo
Jacques Derrida photo
Philippe Kahn photo

“We focus on building innovation and inventing technology futures and we figure that it will take care of the rest. So far, it's done wonders.”

Philippe Kahn (1952) Entrepreneur, camera phone creator

On financial planning at a speech at the Smithsonian.

Harold Wilson photo
Clive Staples Lewis photo
Robert Charles Winthrop photo

“I confess, Sir, I am at a loss to conceive how any man, who has ever read our Constitution as originally framed, or as it now exists, can listen a moment to such an argument. If anything be clearer than another on its face, it is, that it was intended to constitute a Christian State. I deny totally the gentleman's position, that the religious expressions it contains were intended only to show forth the pious sentiments of those who framed it. They were intended to incorporate into our system the principles of Christianity, — principles which belonged not only to those who framed, but to the whole people who adopted it. Sir, the people of that day were a Christian people; they adopted a Christian Constitution; they no more contemplated the existence of infidelity than the Athenian laws provided against the perpetration of parricide. They established a Christian Commonwealth; they wrote upon its walls, Salvation, and upon its gates, Praise; and Christianity is as clearly now its corner-stone, as if the initial letter of every page of our Statute Book, like that of some monkish manuscript, were illuminated with the figure of the Cross!”

Robert Charles Winthrop (1809–1894) American politician

Speech, "The Testimony of Infidels" (1836-02-11), delivered before the Massachusetts House of Representatives in opposition to a bill that would allow atheists to testify in court, quoted in Robert Winthrop, Addresses and Speeches on Various Occasions, Little, Brown and Company, 1852, pp 194-195 http://books.google.com/books?id=NUizWSNaJpsC&pg=PA195&dq=robert+winthrop+christianity+addresses+and+speeches+on+various+occasions#PPA194,M1

Johann Wolfgang von Goethe photo
Nicholas Sparks photo

“.. without any deformation caused by the silly fashion of the corset... she stands somewhat uneasily, with her arms out and knees bent, as if she is balancing. Shadows play over her body and highlight her womanly figure.”

Fritz Bleyl (1880–1966) German artist

c. 1906; as quoted in Ernst Kirchner's Streetwalkers: Art, Luxury, and Immorality in Berlin, 1913 - 1916, Simmons, Sherwin, in 'The Art Bulletin', Vol. 82, No. 1. March 2000, p. 121
Bleyl stated that he favored this model Isabella due to her natural body. Using only two tones of yellow in the poster, Bleyl was able to impart a clear sense of this woman's physique. It is precisely this that got Bleyl in trouble: the police censored this image because they saw pubic hair in the shadow below the belly, apparently giving it an inappropriate sexual power

Alastair Reynolds photo

“It was one of the oldest tricks of mob-management: give them a hate figure.”

Source: Redemption Ark (2002), Chapter 4 (p. 66)

Raymond Poincaré photo
Richard Rodríguez photo
Arthur James Balfour photo
Winston S. Churchill photo

“First there are the Jews who, dwelling in every country throughout the world, identify themselves with that country, enter into its national life and, while adhering faithfully to their own religion, regard themselves as citizens in the fullest sense of the State which has received them. Such a Jew living in England would say, 'I am an English man practising the Jewish faith.' This is a worthy conception, and useful in the highest degree. We in Great Britain well know that during the great struggle the influence of what may be called the 'National Jews' in many lands was cast preponderatingly on the side of the Allies; and in our own Army Jewish soldiers have played a most distinguished part, some rising to the command of armies, others winning the Victoria Cross for valour. There is no need to exaggerate the part played in the creation of Bolshevism and in the actual bringing about of the Russian Revolution, by these international and for the most part atheistical Jews, it is certainly a very great one; it probably outweighs all others. With the notable exception of Lenin, the majority of the leading figures are Jews. Moreover, the principal inspiration and driving power comes from the Jewish leaders. Thus Tchitcherin, a pure Russian, is eclipsed by his nominal subordinate Litvinoff, and the influence of Russians like Bukharin or Lunacharski cannot be compared with the power of Trotsky, or of Zinovieff, the Dictator of the Red Citadel (Petrograd) or of Krassin or Radek -- all Jews. In the Soviet institutions the predominance of Jews is even more astonishing. And the prominent, if not indeed the principal, part in the system of terrorism applied by the Extraordinary Commissions for Combating Counter-Revolution has been taken by Jews, and in some notable cases by Jewesses. The same evil prominence was obtained by Jews in the brief period of terror during which Bela Kun ruled in Hungary. The same phenomenon has been presented in Germany (especially in Bavaria), so far as this madness has been allowed to prey upon the temporary prostration of the German people. Although in all these countries there are many non-Jews every whit as bad as the worst of the Jewish revolutionaries, the part played by the latter in proportion to their numbers in the population is astonishing.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

"Zionism versus Bolshevism", Illustrated Sunday Herald (February 1920)
Early career years (1898–1929)

Francis Escudero photo
Thomas Eakins photo
Ed Bradley photo

“Most of us know Ed Bradley from his 25 years of work on the CBS news magazine 60 Minutes, and his many interviews with world figures, celebrities and cultural icons. The men and the women who sat in the chair across from Bradley doing his 60 Minutes interviews were figures of importance, people to whom we should pay attention, and we could rely on Bradley to make sure that no skeleton in the darkest corner of his subject's closet was safe from the tenacious journalists.”

Ed Bradley (1941–2006) News correspondent

[Congressman Danny K. Davis, Congressional Record, http://www.gpo.gov/fdsys/pkg/CREC-2006-12-06/html/CREC-2006-12-06-pt2-PgH8798-3.htm, Honoring the Contributions and Life of Edward R. Bradley, H8798-H8800; Volume 152, Number 133, December 6, 2006, United States House of Representatives , printed by the United States Government Printing Office]
About

Zoran Đinđić photo
Chris Cornell photo

“I remember seeing how Layne [Staley] reacted to Andy [Andrew Wood] dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt [Cobain] shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write [when I was younger], and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if there was a lesson to be learned from his friends' deaths caused by substance abuse and if it was not enough to scare everyone ** The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273,
Solo career Era

Henry Moore photo

“I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc… To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world”

Henry Moore (1898–1986) English artist

critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114

Michael Swanwick photo

““I can’t figure you out.”
“You’re not supposed to.””

Source: The Iron Dragon's Daughter (1993), Chapter 13 (p. 220)

Gaurav Sharma (author) photo
Stefan Szczesny photo
Charlotte Salomon photo

“.. Thus in the presence of the scorching sun, purple sea, and luxuriant blossoms, the memory of an experience of her fervid early love [Daberlohn = Alfred Wolfsohn ] came back to her. And she tried to visualize that face, that figure. And Io, she succeeded, and she noticed that this was a very interesting occupation. For she discovered that that figure…”

Charlotte Salomon (1917–1943) German painter

Charlotte's 6th ending, written page in brush, related to JHM no. 4922v https://charlotte.jck.nl/detail/M004922/part/character/theme/keyword/M004922: (553) 'Life? or Theater..', p. 818
Charlotte Salomon - Life? or Theater?

Walt Disney photo
Alison Lohman photo
Jack Kerouac photo
P. D. Ouspensky photo
Will Eisner photo
Oriana Fallaci photo

“To make you cry I’ll tell you about the twelve young impure men I saw executed at Dacca at the end of the Bangladesh war. They executed them on the field of Dacca stadium, with bayonet blows to the torso or abdomen, in the presence of twenty thousand faithful who applauded in the name of God from the bleachers. They thundered "Allah akbar, Allah akbar." Yes, I know: the ancient Romans, those ancient Romans of whom my culture is so proud, entertained themselves in the Coliseum by watching the deaths of Christians fed to the lions. I know, I know: in every country of Europe the Christians, those Christians whose contribution to the History of Thought I recognize despite my atheism, entertained themselves by watching the burning of heretics. But a lot of time has passed since then, we have become a little more civilized, and even the sons of Allah ought to have figured out by now that certain things are just not done. After the twelve impure young men they killed a little boy who had thrown himself at the executioners to save his brother who had been condemned to death. They smashed his head with their combat boots. And if you don’t believe it, well, reread my report or the reports of the French and German journalists who, horrified as I was, were there with me. Or better: look at the photographs that one of them took. Anyway this isn’t even what I want to underline. It’s that, at the conclusion of the slaughter, the twenty thousand faithful (many of whom were women) left the bleachers and went down on the field. Not as a disorganized mob, no. In an orderly manner, with solemnity. They slowly formed a line and, again in the name of God, walked over the cadavers. All the while thundering Allah–akbar, Allah–akbar. They destroyed them like the Twin Towers of New York. They reduced them to a bleeding carpet of smashed bones.”

Oriana Fallaci (1929–2006) Italian writer

Rage and the Pride">

Paul Gauguin photo
Thomas Carlyle photo

“For, in fact, I say the degree of vision that dwells in a man is a correct measure of the man. If called to define Shakspeare's faculty, I should say superiority of Intellect, and think I had included all under that. What indeed are faculties? We talk of faculties as if they were distinct, things separable; as if a man had intellect, imagination, fancy, &c., as he has hands, feet and arms. That is a capital error. Then again, we hear of a man's "intellectual nature," and of his "moral nature," as if these again were divisible, and existed apart. Necessities of language do perhaps prescribe such forms of utterance; we must speak, I am aware, in that way, if we are to speak at all. But words ought not to harden into things for us. It seems to me, our apprehension of this matter is, for most part, radically falsified thereby. We ought to know withal, and to keep forever in mind, that these divisions are at bottom but names; that man's spiritual nature, the vital Force which dwells in him, is essentially one and indivisible; that what we call imagination, fancy, understanding, and so forth, are but different figures of the same Power of Insight, all indissolubly connected with each other, physiognomically related; that if we knew one of them, we might know all of them. Morality itself, what we call the moral quality of a man, what is this but another side of the one vital Force whereby he is and works? All that a man does is physiognomical of him. You may see how a man would fight, by the way in which he sings; his courage, or want of courage, is visible in the word he utters, in the opinion he has formed, no less than in the stroke he strikes. He is one; and preaches the same Self abroad in all these ways.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Anastacia photo

“I'm not that deep, I'm not that mysterious. Don't try to figure me out. I'm a very open book. What you see is what you get.”

Anastacia (1968) American singer-songwriter

p. 18 Dues Paid, Anastacia reapproches to U.S. https://books.google.it/books?id=Ug8EAAAAMBAJ&pg=PA18, Billboard, June 1, 2002.
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