“The all-inclusiveness of the RV in the realm of mythology is also observable in the sphere of poetics. There is hardly a major poetic device in the various IE branches that is not present in the RV. A significant aspect, for example, is that in early Greek poetry (epics of Homer and Hesiod, and some epigraphic material) the fairly strict syllabic meter (the hexameter with its dactylic, iambic and other variants) is preponderant with only traces of alliteration; in Germanic poetry alliteration prevails while the syllabic meter is very loose: both are present in the RV. …Early Irish poetry (6th century CE) has both meter and alliteration (and rhyme) but this hardly counts since the Irish poets knew these poetic devices “from Vergil and Ovid” and, of course, the Romans developed them from the Greek tradition. Of the Vedic poetic art Watkins writes: “The language of India from its earliest documentation in the Rigveda has raised the art of the phonetic figure to what many would consider its highest form.””

"Indo-European Deities and the Rigveda," JIES 29 (2001), p. 257.

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Nicholas Kazanas2

1939

Cyrus H. Gordon (1908–2001) American linguist

Source: The Common Background of Greek and Hebrew Civilizations (1965 [1962]), Ch.VII Further Observations on Homer

“Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced.”

Adrienne Rich (1929–2012) American poet, essayist and feminist

"Legislators of the world" in The Guardian (18 November 2006) http://books.guardian.co.uk/comment/story/0,,1950812,00.html <br class="br">Context: I'm both a poet and one of the "everybodies" of my country. I live with manipulated fear, ignorance, cultural confusion and social antagonism huddling together on the faultline of an empire. I hope never to idealise poetry — it has suffered enough from that. Poetry is not a healing lotion, an emotional massage, a kind of linguistic aromatherapy. Neither is it a blueprint, nor an instruction manual, nor a billboard. There is no universal Poetry, anyway, only poetries and poetics, and the streaming, intertwining histories to which they belong. There is room, indeed necessity, for both Neruda and César Valléjo, for Pier Paolo Pasolini and Alfonsina Storni, for both Ezra Pound and Nelly Sachs. Poetries are no more pure and simple than human histories are pure and simple. And there are colonised poetics and resilient poetics, transmissions across frontiers not easily traced.

“In the beginning was the myth. God, in his search for self-expression, invested the souls of Hindus, Greeks, and Germans with poetic shapes and continues to invest each child's soul with poetry every day.”

Hermann Hesse book Peter Camenzind

Variant translation: In the beginning was the myth. Just as the great god composed and struggled for expression in the souls of the Indians, the Greeks and Germanic peoples, so to it continues to compose daily in the soul of every child.
Peter Camenzind (1904)

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John Hollander (1929–2013) American poet