“The chief impression left by a study of Crowley's life and works is that he wasted an immense amount of time and energy trying to shock everyone he came into contact with, and his dislike of orthodoxy turned him into an unconsciously comic figure, like Don Quixote.”

Source: Aleister Crowley: The Nature of the Beast (1987), p. 153-154

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Colin Wilson192

author 1931–2013

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“But our Don Quixote, the inward, the immortal Don Quixote, conscious of his own comicness, does not believe that his doctrines will triumph in this world, because they are not of it. And it is better that they should not triumph. And if the world wished to make Don Quixote king, he would retire alone to the mountain, fleeing from the king-making crowds, as Christ retired alone to the mountain when, after the miracle of the loaves and fishes, they sought to proclaim him king. He left the title of king for the inscription written over the cross.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), Conclusion : Don Quixote in the Contemporary European Tragi-Comedy

“The key to understanding Crowley is the same as the key to understanding the Marquis de Sade. Both wasted an immense amount of energy screaming defiance at the authority they resented so much, and lacked the insight to see that they were shaking their fists as at abstraction.”

Colin Wilson (1931–2013) author

Source: Aleister Crowley: The Nature of the Beast (1987), p. 29

“Cervantes confronted typographic man in the figure of Don Quixote.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1960s, The Gutenberg Galaxy (1962), p. 242

“Magnus hoped if he ever went mad like that himself, so mad that he poisoned the very air round him and hurt everyone he came into contact with, that there would be someone ho loved him enough to stop him. To kill him, if it came to that.”

Cassandra Clare (1973) American author

Source: Saving Raphael Santiago

“What is so remarkable about Crowley the 'magician' is that he remains Crowley the scientist, and always applies the same probing intellectual curiosity to every field he surveys. This is ultimately the most impressive quality about his mind, and the one that might -- if he had concentrated on developing it to the full -- have brought him the fame that he craved. Crowley's tragedy was that he never concentrated long enough to develop anything to the full.”

Colin Wilson (1931–2013) author

Source: Aleister Crowley: The Nature of the Beast (1987), p. 150

“The other major impression to emerge from Magick Without Tears is that -- as odd as it sounds -- one of Crowley's chief drawbacks was his sense of humour. This is a disability he shares with Bernard Shaw: both were driven by a strange compulsion to be flippant. But when he becomes absorbed in an idea, Shaw can remain serious for a sufficiently long time to convince the reader of his intellectual stature. In Crowley, the flippancy has the tone of a schoolmaster trying to be funny for the benefit of the sixth form, or a muscular Christian trying to convince you that he isn't really religious. 'How can a yogi ever feel worried?... That question I have been expecting for a very long time!' (Crowley has never learned that exclamation marks give the impression of a gushing schoolgirl.) 'And what you expect is to see my middle stump break the wicket-keeper's nose, with the balls smartly fielded by Third Man and Short Leg!' It makes us aware that there was something wrong with Crowley's 'self-image.”

Colin Wilson (1931–2013) author

He is one of those people who, no matter how hard they try, never feel quite grown up.
Source: Aleister Crowley: The Nature of the Beast (1987), p. 150

“What an absurd amount of energy I have been wasting all my life trying to find out how things 'really are', when all the time they weren't.”

Hugh Prather (1938–2010) American writer

Source: Notes to Myself: My Struggle to Become a Person

“The measure of the creator is the amount of life he puts Into his work. The measure of the critic is the amount of life he finds there.”

Carl Van Doren (1885–1950) American biographer

The Roving Critic (1923), p. 20
Context: Neither creator nor critic can make himself universal by barely taking thought about it. He is what he lives. The measure of the creator is the amount of life he puts Into his work. The measure of the critic is the amount of life he finds there.

“I wanted to touch him, to tell him that even if everyone left everyone, I would never leave him, he talked and talked, his words fell through him, trying to find the floor to his sadness.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Source: Extremely Loud and Incredibly Close

“Don Conroy was larger than life and there was never a room he entered that he left without making his mark. At some point in his life, he passed from being merely memorably to being legendary.”

Pat Conroy (1945–2016) American novelist

Letter to his readers (1998)

“The chief impression left by a study of Crowley's life and works is that he wasted an immense amount of time and energy trying to shock everyone he came into contact with, and his dislike of orthodoxy turned him into an unconsciously comic figure, like Don Quixote.”

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Colin Wilson192

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