Quotes about familiarity
page 3
Source: The Cambridge Encyclopedia of the English Language, 1987, p. 10
"We Must Begin to View the Jews in a Forgiving Light," Middle East Media Research Institute (March 2007)
Source: Democracy Ancient And Modern (Second Edition) (1985), Chapter 1, Leaders and Followers, p. 33
Source: "Presidential Address British Association for the Advancement of Science," 1890, p. 467 : On the theory of numbers
1880s, Speech Nominating John Sherman for President (1880)
page 229.
The God of Small Things (1997)
Variant: It didn't matter that the story had begun, because kathakali discovered long ago that the secrets of the Great Stories is that they have no secrets. The Great Stories are the ones that you have heard and want to hear again. The ones you can enter anywhere and inhabit comfortably. They don't deceive you with thrills and trick endings. They don't surprise you with the unforeseen. They are as familiar as the house you live in. Or the smell of your lover's skin. You know how they end, yet you listen as though you don't. In the way that although you know that one day you will die, you live as though you won't. In the Great Stories you know who lives, who dies, who finds love, who doesn't. And yet you want to know again.
That is their mystery and their magic.
Shakespeare's Memory, (1983); as translated by Andrew Hurley in Collected Fictions (1998)
Letter to Dorothy Canfield Fisher (27 February 1924), published in The Selected Letters of Willa Cather (2013), edited by Andrew Jewell and Janis Stout
“All that happens is as usual and familiar as the rose in spring and the crop in summer.”
IV, 44
Meditations (c. 121–180 AD), Book IV
Vanishing Point (pp. 9-10)
1980s, America (1986)
Source: William Stringfellow: Essential Writings (2013), "Jesus the Criminal" (1969), pp. 65-66
<p>Ô toi, le plus savant et le plus beau des Anges,
Dieu trahi par le sort et privé de louanges,</p><p>Ô Satan, prends pitié de ma longue misère!</p><p>Ô Prince de l'exil, à qui l'on a fait tort
Et qui, vaincu, toujours te redresses plus fort,</p><p>Ô Satan, prends pitié de ma longue misère!</p><p>Toi qui sais tout, grand roi des choses souterraines,
Guérisseur familier des angoisses humaines,</p><p>Ô Satan, prends pitié de ma longue misère!</p><p>Toi qui, même aux lépreux, aux parias maudits,
Enseignes par l'amour le goût du Paradis,</p><p>Ô Satan, prends pitié de ma longue misère!
"Les Litanies de Satan" [Litanies of Satan] http://fr.wikisource.org/wiki/Les_Litanies_de_Satan
Les fleurs du mal (Flowers of Evil) (1857)
version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): ..niet het bekende paradijs, maar het onbekende, ergens in een werelddeel dat nog door geen mensch uit de cultuurstaten is ontdekt – daarheen ben ik gevlucht [in zijn prenten!] omdat het in onze wereld haast niet meer uit te houden is.
in his letter (nr. 143) to Julia Henkels, 15 July 1942; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 120
Werkman is referring to his series prints 'Vrouweneiland / Women-island', D-288 - D-311, he made in 1942]
1940's
Source: Leviathan Wakes (2011), Chapter 43 (p. 437)
The DNA Story (1973, film, VSM Productions)
Source: after 1970, posthumous, Abstract Expressionism, Creators and Critics', 1990, p. 168
How Plants are Trained to Work for Man (1921) Vol. 5 Gardening
Source: Quality Control: Principles, Practice, and Administration. 1951, p. 8; Chapter 1: What is quality control?
[c2nsoc$aqk$1@panix3.panix.com, 2004]
2000s
Source: Object-oriented design: With Applications, (1991), p. 56: Booch is citing: Cox, B. 1986. Object-Oriented Programming An Evolutionary Approach. Reading, MA: Addison-Wesley, p. 69.
Relational Concepts in Psychoanalysis (Cambridge, Massachusetts: Harvard University Press, 1988), p. 305
Prose Quotations from Socrates to Macaulay, 1880
Source: Eifelheim (2006), Chapter XXIII (p. 399)
Heimsljós (World Light) (1940), Book Four: The Beauty of the Heavens
Source: Truth and Truthfulness (2002), p. 6
Introductory Chapter, p. 2
Mendel's Principles of Heredity (1913)
W. Brian Arthur, quoted in "Complex Questions" in Reason magazine (January 1996) http://reason.com/archives/1996/01/01/complex-questions/2, and in Hayek's Challenge : An Intellectual Biography of F. A. Hayek (2005) by Bruce Caldwell
Review http://www.rogerebert.com/reviews/scary-movie-2000 of Scary Movie (7 July 2000)
Reviews, Three star reviews
Quote of 1942; in Barnett Newman', by Thomas B. Hess, museum of Modern art, New York 1971; as cited in Abstract Expressionism: Creators and Critics, ed. Clifford Ross, Abrahams Publishers, New York 1990, p. 124-125
1940 - 1950
Speech delivered at Calcutta University Convocation on 22nd February 1936.
Source: one crore is equal to ten million
Source: ten lacs is equal to one million
Source: Time's Arrow, Time's Cycle (1987), p. 8
As quoted in "The Mathematician" in The World of Mathematics (1956), by James Roy Newman
quote about Pollock's drip-painting, 1951
1960s, Interview with Barbara Rose', Archives - American Art, 1968
I did not learn my AA-BB-CC's. God-god dammit-dammit.
Mitch All Together (2003)
On his program to purchase iBook computers for Maine public schools, as quoted in "Maine Students Hit the iBooks" by Katie Dean in WIRED (9 January 2002)
"The American Dream and the American Negro" http://www.nytimes.com/books/98/03/29/specials/baldwin-dream.html in The New York Times (7 March 1965)
Speech in Lyons (12 February 1971), from The Common Market: The Case Against (Elliot Right Way Books, 1971), pp. 65-68.
1970s
underdetermination of a theory by observation
Source: "What is the Vienna Circle?" 2006, p. xi
Quote of Vincent, in his letter to sister Willemien van Gogh, from Paris, late October 1887; from letter 574 - original text on vangoghletters online http://vangoghletters.org/vg/letters/let574/letter.html
1880s, 1887
An Interview with Dracula and his Brides (2004)
“A Song for September, reported in Bartlett's Familiar Quotations, 10th ed.”
1919
Variant: On a Bust of Dante, reported in Bartlett's Familiar Quotations, 10th ed. (1919).
Speech http://hansard.millbanksystems.com/commons/1931/jan/26/india-1 in the House of Commons (26 January 1931).
1931
Source: Propaganda & The Ethics Of Persuasion (2002), Chapter Eight, Propaganda, Democracy, And the Internet, p. 284
Source: A Writer's Notebook (1946), p. 48
"Quotations".
Sketches from Life (1846)
"Affirmations: As for Imagism", The New Age, January 1915
On debut in show Orange Is the New Black, interviewed in: — [December 4, 2014, http://www.rollingstone.com/movies/news/q-a-jason-biggs-changes-stripes-in-orange-is-the-new-black-20130710, Rolling Stone, Q&A: Jason Biggs Changes Stripes in 'Orange Is the New Black', July 10, 2013, James Sullivan]
“Nor can anyone rightly choose his own doctrine from all, unless he has first made himself familiar with all of them. Moreover, there is in each school something distinctive, which it has not in common with any other.”
Nec potest ex omnibus sibi recte propriam selegisse, qui omnes prius familiariter non agnoverit. Adde quod in una quaque familia est aliquid insigne, quod non sit ei commune cum caeteris.
30. 196-197
Oration on the Dignity of Man (1496)
Chris Nolan Q&A About 'Inception' http://deadline.com/2011/01/oscar-christopher-nolan-qa-inceptions-writer-director-is-a-hollwood-original-94704
Indian Spirituality and Life (1919)
Die Walkure, Act III
Page 96
The Listening Composer
Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense
As quoted in "Former president Jiang Zemin unleashes a long tirade after a Hong Kong reporter asks him if Beijing had issued an "imperial order" to support Tung Chee-hwa in his bid to seek a second term as Chief Executive" https://www.facebook.com/shanghaiist/videos/10152728897091030 (October 2014), Facebook.
2000s, Hong Kong reporters make Jiang see red
Source: Rules for Radicals: A Practical Primer for Realistic Radicals (1971), p. xxi-xxii
Species and Varieties: Their Origin by Mutation (1904), The Open Court Publishing Company, Chicago, p. 5-6
The London Literary Gazette (28th February 1835)
Translations, From the German
Donald Judd (1965) in Artforum interview, as quoted in: Richard Shiff (2012) Doubt,
1960s
Is human information processing conscious?, 1991
Entry (1951)
Eric Hoffer and the Art of the Notebook (2005)
Source: Ideas have Consequences (1948), p. 77.
Source: 1880s, Incidents and Anecdotes of the Civil War (1885), p. 282
Dat ik [met het maken van mijn kunst] vertrok uit mijn onmiddellijke omgeving vond ik uiterst belangrijk. Alleen de dingen die ik kende, waarmee ik vertrouwd was, die ik op hun werkelijkheidswaarde had betrapt konden vrij van extra-picturale esthetiek en van bleek romantisme door mij benaderd worden. De vraag bleef natuurlijk hoe ik, die het moderne leven in mijn kunst wou betrekken, mijn inspiratie kon blijven zoeken te Machelen-aan-de-Leie, een dorp op het platteland, ver van de stad en van de drukte. Waar kan men beter het infiltreren van het moderne leven gewaar worden dan in een dorp op het platteland? In de stad wordt alles onmiddellijk geïntegreerd, ziet men niet zo scherp de isolerende en tevens contrasterend-bevreemdende werking van de publiciteit, het benzinestation, het beton, de auto, enz. Aan de andere kant blijf ik ervan overtuigd dat ook het gras, het koren en de koe nog moeten gezien worden. Niet binnen een animistische eenheid, maar wel vanuit een mentaliteit die vrij en meedogenloos deze dingen in ons tijdperk nog zou durven benaderen. Wat de gewone man van het leven maakt, dat boeit mij.
Quote of Raveel, 1969, in the text 'In gesprek met mezelf' ('In conversation with myself'), in the exhibition-catalog of his exhibition in 'De Hallen' (museum in Haarlem, The Netherlands; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 3-4
1960's
Aids to Reflection (1873), Sequelae to Aphorism 107
as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p . 232
1908 - 1920, On Mystery and Creation, Paris 1913
Breaking Down the Wall of Silence (Abbruch der Schweigemauer) (1990)
"The Youngest and Brightest Thing Around", p. 13
The Medusa and the Snail: More Notes of a Biology Watcher (1979)
Source: 1840s, Three Discourses on Imagined Occasions (1845), p. 48
What sympathy is demanded of the viewer! He is asked to 'see' the future links
1961 - 1980, ARTnews Annual', October 1966
Scatter My Ashes http://gregegan.customer.netspace.net.au/HORROR/SCATTER/Scatter.html, published in Interzone (Spring 1988)
Fiction
"On Familiar Style" (1821)
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)
A Plaine Discovery of the Whole Revelation of St. John (1593) Preface, as quoted by David Stewart Erskine Earl of Buchan, Walter Minto, An Account of the Life, Writings, and Inventions of John Napier, of Merchiston (1787) a reference to his education at the University of St. Andrews
Source: Truth and Truthfulness (2002), p. 1; Chapter 1: The problem
From a letter to Robert W. Gordon (February 4, 1925)
Letters
Ill Fares the Land (2010), Ch. 5 : What Is to be Done?