Quotes about eye
page 57

Thomas Carlyle photo
Walt Whitman photo
Arthur C. Clarke photo
Jan Assmann photo
Sören Kierkegaard photo

“A Roman emperor sitting at the table surrounded by his bodyguard is a magnificent sight, but when the reason is fear, the magnificence pales. So also when the individual does not dare stand taciturnly by his word, does not stand freely and confidently on the pedestal of a conscious act, but is surrounded by a host of deliberations before and after that render him incapable of getting his eye on the action.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Two Ages: The Age of Revolution and the Present Age. A Literary Review. By Soren Kierkegaard, 1846 edited and translated by Howard V. Hong and Edna H. Hong 1978 Princeton University Press P. 68
1840s, Two Ages: A Literary Review (1846)

Robert Greene photo
Robert Greene photo
Pope Pius X photo
Samuel Adams photo

“The eyes of the people are upon us. […] If we despond, public confidence is destroyed, the people will no longer yield their support to a hopeless contest, and American liberty is no more. […] Despondency becomes not the dignity of our cause, nor the character of those who are its supporters. Let us awaken then, and evince a different spirit, - a spirit that shall inspire the people with confidence in themselves and in us, - a spirit that will encourage them to persevere in this glorious struggle, until their rights and liberties shall be established on a rock. We have proclaimed to the world our determination 'to die freemen, rather than to live slaves.”

Samuel Adams (1722–1803) American statesman, Massachusetts governor, and political philosopher

We have appealed to Heaven for the justice of our cause, and in Heaven we have placed our trust. [...] We shall never be abandoned by Heaven while we act worthy of its aid and protection.
addressing a meeting of delegates to the Continental Congress, assembled at Yorktown, Pennsylvania, September 1777 ; as quoted in The Life and Public Services of Samuel Adams, Volume 2, by William Vincent Wells; Little, Brown, and Company; Boston, 1865 ; pp. 492-493

Ernest Rutherford photo
John Stuart Mill photo
Richard Dawkins photo

“Thus the creationist's favourite question "What is the use of half an eye?"”

Richard Dawkins (1941) English ethologist, evolutionary biologist and author

Actually, this is a lightweight question, a doddle to answer. Half an eye is just 1 per cent better than 49 per cent of an eye.
Part 2: "The Virus of Faith"
The Root of All Evil? (January 2006)

E.M. Forster photo

“Always fatuity, vulgarity, as soon as human passion is touched. […] Just as some poetry is of the eye (form, colour) and some of the ear, so Keats is of the palate. Not only has he constant reference to its pleasures, but the general sensation after reading him is one of tasting. 'What's the harm?”

E.M. Forster (1879–1970) English novelist

Well, taste for some reason or the other can't carry one far into the world of beauty—that reason being perhaps that though you don't want comradership there you do want the possibility of comradership, and A cannot swallow B's mouthful by any possibility:....and this exclusiveness (to maunder on) also attaches to the physical side of sex though not the least to the spiritual.
Letter 162, to Malcolm Darling, 1 December 1916
Selected Letters (1983-1985)

Julio Iglesias photo

“The feeling is the same. You close your eyes and you are on the stage and you feel that warmth from the people.”

Julio Iglesias (1943) Spanish recording artist; singer-songwriter

On performing before a live audience in "Julio Iglesias says 50-year singing career is 'a miracle'" https://www.reuters.com/article/us-people-julio-iglesias/julio-iglesias-says-50-year-singing-career-is-a-miracle-idUSKCN1T60WU in Reuters (2019 Jun 5)

André Aciman photo
Eva Hart photo
Peter Hammill photo

“The streets seemed very crowded, I put on my bravest guise
I know you know that I am acting, I can see it in your eyes.”

Peter Hammill (1948) British musician

Source: "La Rossa" on Still Life by Van der Graaf Generator (1976)

Dietrich Bonhoeffer photo
Lewis Gompertz photo
Lewis Gompertz photo
Imru' al-Qais photo
Philip Roth photo
Waleed Al-Husseini photo
Townes Van Zandt photo
Townes Van Zandt photo
Victor Hugo photo
Victor Hugo photo
Victor Hugo photo
Pope Pius VI photo

“It is nature herself, therefore, which (decrees) that the usage which each must make of his reason should consist essentially in recognizing his sovereign author. ... In order to make this phantom of unlimited freedom vanish from the eyes of healthy reason, is it not enough to say that this system was that of the Vaudois and the Beguars?”

Pope Pius VI (1717–1799) pope and sovereign of the Papal States

Quod aliquantum (10 March 1791), quoted in André Latreille and Joseph E. Cunneen, 'The Catholic Church and the Secular State: The Church and the Secularization of Modern Societies', CrossCurrents Vol. 13, No. 2 (Spring 1963), p. 221

T.S. Eliot photo
T.S. Eliot photo
Ralph Nader photo
China Miéville photo
John Denham photo
William Wordsworth photo
William Wordsworth photo
William Wordsworth photo
William Wordsworth photo
Richard II of England photo
François Fénelon photo

“If the (COVID-19) infected (patient) droplets were sneezed at you by a patient and enters your eyes, they will eventually be washed from your eyes to your nose, as both are connected through what is known as a nasolacrimal duct.”

Paul Kellam (1965) British virologist

Paul Kellam (2020) cited in " Medical Experts Claim Wuhan Virus May Be Transmitted Through Your Eyes Or By Touch Alone https://www.worldofbuzz.com/medical-experts-claim-wuhan-virus-may-be-transmitted-through-your-eyes-or-by-touch-alone/" on World of Buzz, 31 January 2020.

Ounsi el-Hajj photo
John Prine photo

“I can see the fire burning
Burning right behind your eyes
I can see the fire burning, baby
Burning right behind your eyes
You must've swallowed a candle
Or some other kind of surprise.”

John Prine (1946–2020) American country singer/songwriter

"Daddy’s Little Pumpkin" (Prine, Pat McLaughlin)
Song lyrics, The Missing Years (1991)

John F. MacArthur photo
William Cobbett photo
William Cobbett photo

“It has long been a fashion amongst you, which you have had the complaisance to adopt at the instigation of a corrupt press, to call every friend of reform, every friend of freedom, a Jacobin, and to accuse him of French principles. ... What are these principles?—That governments were made for the people, and not the people for governments.—That sovereigns reign legally only by virtue of the people's choice.—That birth without merit ought not to command merit without birth.--That all men ought to be equal in the eye of the law.—That no man ought to be taxed or punished by any law to which he has not given his assent by himself or by his representative.—That taxation and representation ought to go hand in hand.—That every man ought to be judged by his peers, or equals.—That the press ought to be free. ... Ten thousand times as much has been written on the subject in England as in all the rest of the world put together. Our books are full of these principles. ... There is not a single political principle which you denominate French, which has not been sanctioned by the struggles of ten generations of Englishmen, the names of many of whom you repeat with veneration, because, apparently, you forget the grounds of their fame. To Tooke, Burdett, Cartwright, and a whole host of patriots of England, Scotland and Ireland, imprisoned or banished, during the administration of Pitt, you can give the name of Jacobins, and accuse them of French principles. Yet, not one principle have they ever attempted to maintain that Hampden and Sydney did not seal with their blood.”

William Cobbett (1763–1835) English pamphleteer, farmer and journalist

‘To the Merchants of England’, Political Register (29 April 1815), pp. 518–19
1810s

Marilyn Ferguson photo
Lois McMaster Bujold photo

“Her eyes were full of new; it made them brighter.”

Loc 1972 of 2974
The Sharing Knife, Knife Children (2019)

Jan Mankes photo

“I wanted to paint crows in a big spot of lonely black with a digger head and paws. But stronger was nature which forced me to make a beast, sparkling of blue and purple, a subdued pleasure for the eyes.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Ik wou kraaien schilderen in een groote plek van eenzaam zwart met doodgraverskop en pooten. Maar sterker was de natuur, die me een beest deed maken flonkerend van blauw en paars, een ingetogen oogenlust.

In a letter of Mankes to Annie van Beuningen-Eschauzier, 30 Nov. 1919; in particular collection; as cited Jan Mankes – in woord en beeld, ed. Sjoerd van Faassen; Museum Bèlvédère, Heerenveen, 2015 ISBN 1877-0983, n. 22, pp. 49-50
1915 - 1920

Jan Mankes photo

“While holding a keen eye on all the yelling at the markets, let's prefer to stay away from many of those things that attract at times other painters - if necessary, unknown - to be able to continue the work quietly at times.”

Jan Mankes (1889–1920) Dutch painter

translation from original Dutch: Fons Heijnsbroek

(original Dutch: citaat van Jan Mankes, in het Nederlands:) Laten we, scherp oplettende buiten alle marktgeschreeuw te blijven, ons liever buiten veel van die dingen houden die andere schilders soms aantrekken; om desnoods onbekend rustig door te kunnen werken tot tijd en wijle.

Quote of Jan Mankes, c. 1912; as cited by Kasper Niehuys in Dutch art-magazine Levende Nederlandse Kunst, p. 202

Mankes' reaction at the proposal of a large exhibition of his works in 1912
1909 - 1914

Hendrik Willem Mesdag photo

“That splendid, head, in which everything is said that can be said; color, line, tone, expression; the slightly advanced head, with the soft, almost human eyes, I never enter my studio in the morning without my eye falling upon this creature and wishing it 'Good Morning.'”

Hendrik Willem Mesdag (1831–1915) painter from the Northern Netherlands

note of H.W. Mesdag, published in the exhibition catalogue of Corporation Gallery of London, the Guildhall, in 1903; as cited in the catalogue of The American Art Galleries Madison Square South, New York, 3 March 1920 https://ia601600.us.archive.org/29/items/b1470642/b1470642.pdf

remark about the painting 'Ramskop' of Matthijs Maris, painted c. 1860 https://rkd.nl/en/explore/images/26605, which Mesdag bought and hanged in his house for many years
after 1880

William Bartram photo

“Should I say, that the river (in this place) from shore to shore, and perhaps near half a mile above and below me, appeared to be one solid bank of fish, of various kinds, pushing through this narrow pass of San Juan's into the little lake, on their return down the river, and that the alligators were in such incredible numbers, and so close from shore to shore, that it would have easy to have walked across on their heads, had the animals been harmless? What expressions can sufficiently declare the shocking scene that for some minutes continued, whilst this mighty army of fish were forcing the pass? During this attempt, thousands, I may say hundreds of thousands, of them were caught and swallowed by the devouring alligators. I have seen an alligator take up out of the water several great fish at a time, and just squeeze them betwixt his jaws, while the tails of the great trout flapped about his eyes and lips, ere he had swallowed them. The horrid noise of their closing jaws, their plunging amidst the broken banks of fish, and rising with their prey some feet upright above the water, the floods of water and blood rushing out of their mouths, and the clouds of vapor issuing from their wide nostrils, were truly frightful.”

William Bartram (1739–1823) American naturalist

[Van Doren, Mark, The travels of William Bartram, An American Bookshelf, volume 3, 118–119, 1928, New York, Macy-Masius, https://babel.hathitrust.org/cgi/pt?id=uc1.$b281934&view=1up&seq=124]
Travels of William Bartram (1791)

Mara Balls photo
Thomas Merton photo

“If any man love the world, the charity of the Father is not in him. For all that is in the world is the concupiscence of the flesh and the concupiscence of the eyes and the pride of life.”

That is to say, all men who live only according to their five senses, and seek nothing beyond the gratification of their natural appetites for pleasure and reputation and power, cut themselves off from that charity which is the principle of all spiritual vitality and happiness because it alone saves us from the barren wilderness of our own abominable selfishness.

p. 147
The Seven Storey Mountain (1948)

Jackson Browne photo

“I thought I knew where I was going, until I heard your laughter flowing
And came upon the wisdom in your eyes”

Jackson Browne (1948) American singer-songwriter

I Thought I was Child For Everyman (1973)

Apuleius photo

“Darkness will be preferred to light, and death will be thought more profitable than life; no one will raise his eyes to heaven.”

Apuleius (125–170) Berber prose writer in Latin

The Prophecy of Hermes Trismegistus

Prince photo
Alex Grey photo

“A raindrop stuck up in my lashes
and sank in the eye.”

Parveen Shakir (1952–1994) Pakistani writer and poet

Sessions of Sweet, Silent Thought: translated by Mirza A. B. Baig, p.4
Poetry, Couplet

Ronnie James Dio photo
Francis Bacon photo

“The poets make Fame a monster. They describe her in part finely and elegantly, and in part gravely and sententiously. They say, look how many feathers she hath, so many eyes she hath underneath; so many tongues; so many voices; she pricks up so many ears.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Fame

Francis Bacon photo

“In causes of life and death, judges ought (as far as the law permitteth) in justice to remember mercy; and to cast a severe eye upon the example, but a merciful eye upon the person.”

Francis Bacon (1561–1626) English philosopher, statesman, scientist, jurist, and author

The Essays Or Counsels, Civil And Moral, Of Francis Ld. Verulam Viscount St. Albans (1625), Of Judicature

Happy Rhodes photo

“I wish I could promise I'll
Be there when you dream
I wish that when you spoke to me
I'd know what you mean But you can't bring me comfort
By filling up my eyes
They don't stay dry
Hard as I try
Can't figure why
Made I this choice”

Happy Rhodes (1965) American singer-songwriter

"If Wishes Were Horses, How Beggars Would Ride" - Live performance (29 June 1999) http://www.youtube.com/watch?v=gyG_g73R0wY
Many Worlds Are Born Tonight (1998)

“When the bands and the Seattle scene started taking off, I had been at it for so long that it felt very natural - it was just 'this is another day in the life'. Not having been through it before, there wasn't the perspective to say,' Oh my God, we're in the eye of the hurricane.'”

Susan Silver (1958) American music manager

It was just, 'This is what we do today. Okay, just one more thing. One more thing to accomplish today'. I guess the part that felt...the only thing that started to feel strange, this could be strange or this could be detrimental to people, was when the press started taking pot shots at people personally. Digging for dirt in the artists' private lives, being exploitative of the artist. That was the hardest part. Suddenly this private world that we had was public. Which was okay, that was exciting, except when the press got...when they looked for sensational avenues to report on. Which there wasn't for a long time. There really wasn't [any]. They had to keep coming back and saying, 'I guess all they know how to do up there is make amazing music'. Which is what continues to happen. The Seattle backlash and highly circulated reports that there was nothing new in Seattle after '93 just keep getting proved wrong again and again. I love that.
Source: Article written by Susan Silver for RIP Magazine, January 1996 http://web.stargate.net/soundgarden/articles/rip_1-96.shtml,

William Mason (poet) photo

“When'er with soft serenity she smiled,
Or caught the orient blush of quick surprise,
How sweetly mutable, how brightly wild,
The liquid lustre darted from her eyes?”

William Mason (poet) (1724–1797) poet

Source: On the Death of a Lady (1760), The poems of William Mason, vol. 1, 1822, p. 86 https://babel.hathitrust.org/cgi/pt?id=njp.32101032743732&view=1up&seq=94

Lois McMaster Bujold photo
Zhou Fengsuo photo

“We were at the eye of a storm. We heard gunshots from all directions. I saw armored vehicles rushing on the square and troops pouring in. We were surrounded.”

Zhou Fengsuo (1967) Chinese human rights activist

Source: June 4, 2019 Remembering Tiananmen Square Massacre 30 Years Later https://www.npr.org/2019/06/04/729510958/remembering-tiananmen-square-massacre-30-years-later?t=1589711301756

Robert O'Hara photo

“I did, not only because of that, but also because there was no value placed on education in my family. My mother just assumed I was smart, and I had glasses so I was called “four eyes,” and I was always reading a book, and so the outsider feeling came from the fact that I really loved school…”

Robert O'Hara American playwright and theatre director

Source: On feeling like an outsider both at his school and in his home life in “Artist Interview with Robert O'Hara” https://www.playwrightshorizons.org/shows/trailers/artist-interview-robert-ohara/ in Playwrights Horizon

Hans Rosling photo
Bhagawan Nityananda photo
John Vance Cheney photo
Anna Akhmatova photo
Alice Meynell photo
Thom Yorke photo
Giordano Bruno photo

“Cause, Principle, and One eternal
From whom being, life, and movement are suspended,
And which extends itself in length, breadth, and depth,
To whatever is in Heaven, on Earth, and Hell;
With sense, with reason, with mind, I discern,
That there is no act, measure, nor calculation, which can comprehend
That force, that vastness and that number,
Which exceeds whatever is inferior, middle, and highest;
Blind error, avaricious time, adverse fortune,
Deaf envy, vile madness, jealous iniquity,
Crude heart, perverse spirit, insane audacity,
Will not be sufficient to obscure the air for me,
Will not place the veil before my eyes,
Will never bring it about that I shall not
Contemplate my beautiful Sun.”

Giordano Bruno (1548–1600) Italian philosopher, mathematician and astronomer

"Of Love" as translated in The Infinite in Giordano Bruno : With a Translation of His Dialogue, Concerning the Cause, Principle, and One (1978) by Sidney Thomas Greenburg, p. 89
Variant translation:
<p>Cause, Principle and One, the Sempiterne,
On whom all being, motion, life, depend.
From whom, in length, breadth, depth, their paths extend
As far as heaven, earth, hell their faces turn :
With sense, with mind, with reason, I discern
That not, rule, reckoning, may not comprehend
That power and bulk and multitude which tend
Beyond all lower, middle, and superne.</p><p> Blind error, ruthless time, ungentle doom,
Deaf envy, villain madness, zeal unwise,
Hard heart, unholy craft, bold deeds begun,
Shall never fill for one the air with gloom,
Or ever thrust a veil before these eyes,
Or ever hide from me my glorious sun.</p>
As quoted in "Giordano Bruno" by Thomas Davidson, The Index Vol. VI. No. 36 (4 March 1886), p. 429
Cause, Principle, and Unity (1584)

Luís de Camões photo

“But an old man of venerable look
(Standing upon the shore amongst the crowds)
His eyes fixed upon us (on ship-board), shook
His head three times, overcast with sorrow's clouds:
And (straining his voice more, than well could brook
His aged lungs: it rattled in our shrouds)
Out of a science, practice did attest,
Let fly these words from an oraculous breast:O glory of commanding! O vain thirst
Of that same empty nothing we call fame!”

Stanzas 94–95 (tr. Richard Fanshawe); the Old Man of Restelo.
Epic poetry, Os Lusíadas (1572), Canto IV
Original: (pt) <p>Mas um velho d'aspeito venerando,
Que ficava nas praias, entre a gente,
Postos em nós os olhos, meneando
Três vezes a cabeça, descontente,
A voz pesada um pouco alevantando,
Que nós no mar ouvimos claramente,
C'um saber só de experiências feito,
Tais palavras tirou do experto peito:</p><p>Ó glória de mandar! Ó vã cobiça
Desta vaidade, a quem chamamos Fama!</p>O glory of commanding! O vain thirst
Of that same empty nothing we call fame!

George Carlin photo

“I hate groups of people but I love individuals. Every single person, you can see the universe in their eyes if you're really looking.”

George Carlin (1937–2008) American stand-up comedian

George Carlin: 40 Years of Comedy (HBO, 1997)
Interviews, Television Appearances

Coventry Patmore photo

“The beauty in her lover's eyes
Was admiration of her own.”

Coventry Patmore (1823–1896) English poet

Book II, Canto II, III Lais and Lucretia.
The Angel In The House (1854)

Warren Farrell photo

“Fatherhood was about your dad trading in the old glint in his eye—what he loved to do—for the new glint in his eye: his love for you.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: The Boy Crisis (2018), pp. 48

J.B. Priestley photo
Edmund Burke photo

“I tell you again that the recollection of the manner in which I saw the Queen of France in the year 1774 and the contrast between that brilliancy, Splendour, and beauty, with the prostrate Homage of a Nation to her, compared with the abominable Scene of 1789 which I was describing did draw Tears from me and wetted my Paper. These Tears came again into my Eyes almost as often as I lookd at the description. They may again. You do not believe this fact, or that these are my real feelings, but that the whole is affected, or as you express it, 'downright Foppery.'”

Edmund Burke (1729–1797) Anglo-Irish statesman

My friend, I tell you it is truth—and that it is true, and will be true, when you and I are no more, and will exist as long as men—with their Natural feelings exist.
Letter to Philip Francis (20 February 1790), quoted in Alfred Cobban and Robert A. Smith (eds.), The Correspondence of Edmund Burke, Volume VI: July 1789–December 1791 (1967), p. 91
1790s

Hugo Chávez photo

“Capitalism is the way of the devil and exploitation, of the kind of misery and inequality that destroys social values. If you really look at things through the eyes of Jesus Christ - who I think was the first socialist - only socialism can really create a genuine society.”

Hugo Chávez (1954–2013) 48th President of Venezuela

Source: As quoted in Reformism or Revolution: Marxism and socialism of the 21st Century (Reply to Heinz Dieterich) https://books.google.it/books?id=YHN9DwAAQBAJ&pg=PT149&dq=%22Capitalism+is+the+way+of+the+devil+and+exploitation%22 (24 September 2006)

Stephen Vincent Benét photo
Stephen Vincent Benét photo

“Now I tell what is very strong magic. I woke in the midst of the night. When I woke, the fire had gone out and I was cold. It seemed to me that all around me there were whisperings and voices. I closed my eyes to shut them out. Some will say that I slept again, but I do not think that I slept. I could feel the spirits drawing my spirit out of my body as a fish is drawn on a line.
Why should I lie about it? I am a priest and the son of a priest. If there are spirits, as they say, in the small Dead Places near us, what spirits must there not be in that great Place of the Gods? And would not they wish to speak? After such long years? I know that I felt myself drawn as a fish is drawn on a line. I had stepped out of my body — I could see my body asleep in front of the cold fire, but it was not I. I was drawn to look out upon the city of the gods.
It should have been dark, for it was night, but it was not dark. Everywhere there were lights — lines of light — circles and blurs of light — ten thousand torches would not have been the same. The sky itself was alight — you could barely see the stars for the glow in the sky. I thought to myself "This is strong magic" and trembled. There was a roaring in my ears like the rushing of rivers. Then my eyes grew used to the light and my ears to the sound. I knew that I was seeing the city as it had been when the gods were alive.”

Source: By the Waters of Babylon (1937)

Stephen Vincent Benét photo
Stephen Vincent Benét photo
Stephen Vincent Benét photo
Stephen Vincent Benét photo
Daniel Abraham photo
Donna Tartt photo

“As a writer, I think I’m more an eye than an ear — the world comes mainly in for me at the eye. So I’m glad the visuals came through for you. As I’m writing my books, I really do see them almost literally — I experience scenes almost as an onlooker, watching from the outside.”

Donna Tartt (1963) American writer

Source: On how she uses visualization in her writings in “Interview with Donna Tartt” https://medium.com/@Powells/interview-with-donna-tartt-8d86a2438b41 in Medium (2015 Jul 13)

John Lewis (civil rights leader) photo
Annie Besant photo
Khwaja Abdullah Ansari photo
Uwais al-Qarani photo
Willis Allan Ramsey photo