“It is very difficult to edit something that I direct. It’s having to remake decisions that I’ve already made on set and now have to undo or reimagine. I always warn Directors sitting down with me to edit not to watch the film and footage too much. The ability to have fresh eyes and be able to watch the movie as a viewer is the most valuable tool a director has.”

—  Misty Talley

Source: The Shark Lady: An Interview with Misty Talley https://www.bigeasymagazine.com/2019/07/01/the-shark-lady-an-interview-with-misty-talley/ (July 1, 2019)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "It is very difficult to edit something that I direct. It’s having to remake decisions that I’ve already made on set and…" by Misty Talley?
Misty Talley photo
Misty Talley2
American film director and editor

Related quotes

Steve Martin photo

“People come up to me and say "Steve, what is film editing?" And I say "How should I know? You're the director."”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

Introducing the film editing award at the Oscars.

Marwan Kenzari photo

“I find it quite difficult to watch the film once it is done, because in your head or imagination it is totally different. In the beginning it is quite hard, and I don't mean hard as in a negative or a positive. It is difficult to see the film being edited and see the real images for the first time coming out of your head and onto the screen. Sometimes you are surprised that he left something in and he took something out. The director is the creator; he's the captain of the ship when it comes to the creative journey of the film, along of course with the producer. So when you start out acting you have to find a way to understand and to deal with that. But as I say I don't mean it as a negative or a positive.”

Marwan Kenzari (1983) Dutch Tunesian actor

Fight Cub: Marwan Kenzari and Nasrdin Dchar Talk Wolf http://thequietus.com/articles/16646-wolf-kenzari-dchar-interview (November 8th, 2014)

John Carpenter photo

“I staggered through my career and came out the other end, alive. I made some films that meant something to me. In my opinion, they weren’t all great, and they weren’t all successful, but they sure were ‘me’. And this is what I was going through or thinking or feeling as a director at the time, and I’m very proud of them. A lot of great directors just never had the chance to have their work appreciated and celebrated and watched, all these years after they were made. So, man, what do you want out of life? It’s great!”

John Carpenter (1948) American film director, screenwriter and producer

The Den of Geek interview: John Carpenter http://www.denofgeek.com/movies/halloween/13379/the-den-of-geek-interview-john-carpenter (June 3, 2008)

Joan Bennett photo

“I don't think much of most of the films I made, but being a movie star was something I liked very much.”

Joan Bennett (1910–1990) American actress

Flint, Peter B. (December 9, 1990). " Joan Bennett, Whose Roles Ripened From Sweet to Siren, Dies at 80 https://www.nytimes.com/1990/12/09/obituaries/joan-bennett-whose-roles-ripened-from-sweet-to-siren-dies-at-80.html". The New York Times.

Akira Kubo photo

“All directors always try to do their best. The kind of movie on which they are working does not matter. Directors are limited by the size of the production budget and the amount of time that they have to shoot a film, but they always try to do their best within those constraints.”

Akira Kubo (1936) Japanese actor

M.I.A. photo

“I used to see songwriting like editing a film or something. You can edit music like you can edit a film. Or if I was painting or making a picture or something, that night I could sit down and write a song. I think it really helps to break things up. Sometimes when you sit down to write songs, you write three or four songs in a row feeling the same sort of vibe. But if you stop in-between that time and change something, you break the pattern – you prevent yourself from unconsciously falling into a format.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Interview http://blogs.westword.com/backbeat/2008/05/qa_with_mia.php to Westword (2008) <br class="br">Sourced quotes

Abbas Kiarostami photo

“Believe me, I am still very surprised that I managed to make that film [Close-Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience. Because the film made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

https://www.theguardian.com/film/2005/apr/28/hayfilmfestival2005.guardianhayfestival

John Carpenter photo

“There were two times in my life that inspired me the most. The first was when I was a kid, probably the most emotionally influential time, when you’re naïve and innocent. I went to movie theaters and fell in love with genre films in the 1950s, when there was a big wave of monster movies. My passion came from the young guy who was watching The Fly back in 1958. Then, going to USC I began to watch movies in a different way and was exposed to different kinds of movies, foreign films. We had directors like Orson Welles, Alfred Hitchcock, Howard Hawks and John Ford come down and lecture us. It was unbelievable!”

John Carpenter (1948) American film director, screenwriter and producer

John Carpenter Q&amp;A: Why ‘Halloween’ Didn’t Need Sequels &amp; What Scares The Master Of Horror http://deadline.com/2014/10/john-carpenter-qa-halloween-sequels-michael-myers-861942/ (October 31, 2014)

Roger Ebert photo

“To see strong acting like this is exhilarating. In a time of flashy directors who slice and dice their films in a dizzy editing rhythm, it is important to remember that films can look and listen and attentively sympathize with their characters. Directors grow great by subtracting, not adding, and Eastwood does nothing for show, everything for effect.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Reviews, Four star reviews <br class="br">Source: Review http://www.rogerebert.com/reviews/mystic-river-2003 of Mystic River (8 October 2003)

Related topics