Quotes about eye
page 27

“The use of pictures was creeping into the church already in the third century, because the council of Elvira in Spain, held in 305, especially forbids to have any picture in the Christian churches. These pictures were generally representations of some events, either of the New or of the Old Testament, and their object was to instruct the common and illiterate people in sacred history, whilst others were emblems, representing some ideas connected with the doctrines of Christianity. It was certainly a powerful means of producing an impression upon the senses and the imagination of the vulgar, who believe without reasoning, and admit without reflection; it was also the most easy way of converting rude and ignorant nations, because, looking constantly on the representations of some fact, people usually end by believing it. This iconographic teaching was, therefore, recommended by the rulers of the church, as being useful to the ignorant, who had only the understanding of eyes, and could not read writings. Such a practice was, however, fraught with the greatest danger, as experience has but too much proved. It was replacing intellect by sight. Instead of elevating man towards God, it was bringing down the Deity to the level of his finite intellect, and it could not but powerfully contribute to the rapid spread of a pagan anthropomorphism in the church.”

Walerian Krasiński (1795–1855) historian

Introductory dissertation to John Calvin's Treatise on Relics (1854)

Thomas Carlyle photo

“The stupendous Fourth Estate, whose wide world-embracing influences what eye can take in?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1830s, Boswell's Life of Johnson (1832)

Max Scheler photo

“"This law of the release of tension through illusory valuation gains new significance, full of infinite consequences, for the ressentiment attitude. To its very core, the mind of ressentiment man is filled with envy, the impulse to detract, malice, and secret vindictiveness. These affects have become fixed attitudes, detached from all determinate objects. Independently of his will, this man's attention will be instinctively drawn by all events which can set these affects in motion. The ressentiment attitude even plays a role in the formation of perceptions, expectations, and memories. It automatically selects those aspects of experience which can justify the factual application of this pattern of feeling. Therefore such phenomena as joy, splendor, power, happiness, fortune, and strength magically attract the man of ressentiment. He cannot pass by, he has to look at them, whether he “wants” to or not. But at the same time he wants to avert his eyes, for he is tormented by the craving to possess them and knows that his desire is vain. The first result of this inner process is a characteristic falsification of the world view. Regardless of what he observes, his world has a peculiar structure of emotional stress. The more the impulse to turn away from those positive values prevails, the more he turns without transition to their negative opposites, on which he concentrates increasingly. He has an urge to scold, to depreciate, to belittle whatever he can. Thus he involuntarily “slanders” life and the world in order to justify his inner pattern of value experience.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Will Eisner photo
Edgar Bronfman, Sr. photo

“True learning comes from engaging in discourse with those who are profoundly different. Your mind may not be swayed, but the interaction should open up your eyes.”

Edgar Bronfman, Sr. (1929–2013) Canadian-American businessman

http://www.faithstreet.com/onfaith/2012/10/09/bronfman-why-civil-discourse-is-imperative-for-inter-jewish-dialogue/11782.

William Cullen Bryant photo

“Thine eyes are springs in whose serene
And silent waters heaven is seen;
Their lashes are the herbs that look
On their young figures in the brook.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

Oh Fairest of the Rural Maids http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page91 (1820)

Richard Pipes photo

“We need to keep a very keen eye on our own government. It's getting too rich and redistributing wealth is a sure way of robbing us of our private property rights and other rights along with them.”

Richard Pipes (1923–2018) American historian

“Property and Freedom: The Inseparable Connection,” speech at an “Evenings at FEE” event, October 2004. https://fee.org/resources/property-and-freedom-the-inseparable-connection/

Frederick Buechner photo
Jacopone da Todi photo
Julian of Norwich photo
André Breton photo
Ingeborg Refling Hagen photo
Ray Bradbury photo

“Night had come on like the closing of a great but gentle eye.”

Here There Be Tygers (1951)
R Is for Rocket (1962)

Seba Johnson photo

“The Malays should examine the current reality and accept the fact that there is a new environment out there in the country and world stage. Open your eyes, wake up and accept the bitter truth.”

Nazrin Muizzuddin Shah (2018) cited in " Change or go extinct, Perak Sultan tells Malays http://www.freemalaysiatoday.com/category/nation/2018/07/21/change-or-go-extinct-perak-sultan-tells-malays/" on Bernama, 21 July 2018

Francis Escudero photo
Jack Vance photo
Ian Fleming photo
Anthony Kennedy photo
Daniel Handler photo
Stevie Wonder photo
Robert Newman photo
Robert G. Ingersoll photo
Abby Sunderland photo

“The winds were blowing from west to east, pushing Abby’s boat toward the rocks as Abby struggled with the autopilots below. If Wild Eyes reached those islands, she wouldn’t run aground, keel in the sand. She would be smashed into pieces.”

Abby Sunderland (1993) Camera Assistant, Inspirational Speaker and Sailor

Source: Unsinkable: A Young Woman's Courageous Battle on the High Seas (2011), p. 111

John Dryden photo

“The fool of nature stood with stupid eyes
And gaping mouth, that testified surprise.”

Source: Fables, Ancient and Modern (1700), Cymon and Iphigenia, Line 107.

L. Frank Baum photo
Walter Scott photo
Mickey Spillane photo
Jean Tinguely photo
Henry Cuyler Bunner photo
Conrad Aiken photo
Marianne von Werefkin photo

“I love Russia as few people do - I've demonstrated it my whole life, but those who plow here in Russia, are not my brothers. I heed a Russian life with my entire existence, I look into the eyes of all the people around me, nothing... And the main horror is that we long for Russia and here no one loves her, they only mimic those feelings.”

Marianne von Werefkin (1860–1938) expressionist painter

Werefkin to Jawlensky, 1909-1910, fond 19-1458, pp. 35–36 as reprinted in Lauchkaite-Surgailene, Lauchkaite-Surgailene, "Marianna Verevkina. Zhizn' v iskusstve," Vilnius, no. 3, sec. 15, 136
1906 - 1911

William Wordsworth photo

“Yon foaming flood seems motionless as ice;
Its dizzy turbulence eludes the eye,
Frozen by distance.”

William Wordsworth (1770–1850) English Romantic poet

Address to Kilchurn Castle.
Bartlett's Familiar Quotations, 10th ed. (1919)

Auguste Rodin photo
Thomas Carlyle photo
Robert Louis Stevenson photo
Hermann Rauschning photo
Thérèse of Lisieux photo
Tomáš Baťa photo
Murasaki Shikibu photo
Sarah Dessen photo
Ginger Stanley photo
Archibald Primrose, 5th Earl of Rosebery photo

“…it is a revolution without any mandate from the people. (Cheers.) Now, gentlemen, it is in the first place a revolution in fiscal methods…this Budget is introduced as a Liberal measure. If so, all I can say is that it is a new Liberalism and not the one that I have known and practised under more illustrious auspices than these. (Cheers.) Who was the greatest, not merely the greatest Liberal, but the greatest financier that this country has ever known? (A voice, "Gladstone.") I mean Mr. Gladstone. (Cheers.) With Sir Robert Peel—he, I think, occupied a position even higher than Sir Robert Peel—for boldness of imagination and scope of financing Mr. Gladstone ranks as the great financial authority of our time. (Cheers.) Now, we have in the Cabinet at this moment several colleagues, several ex-colleagues of mine, who served in the Cabinet with Mr. Gladstone…and I ask them, without a moment's fear or hesitation as to the answer that would follow if they gave it from their conscience, with what feelings would they approach Mr. Gladstone, were he Prime Minister and still living, with such a Budget as this? Mr. Gladstone would be 100 in December if he were alive; but, centenarian as he would be, I venture to say that he would make short work of the deputation of the Cabinet that waited on him with the measure, and they would soon find themselves on the stairs and not in the room. (Laughter and cheers.) In his eyes, and in my eyes, too, as a humble disciple, Liberalism and Liberty were cognate terms. They were twin-sisters. How does the Budget stand the test of Liberalism so understood and of Liberty as we have always comprehended it? This Budget seems to establish an inquisition, unknown previously in Great Britain, and a tyranny, I venture to say, unknown to mankind…I think my friends are moving on the path that leads to Socialism. How far they are advanced on that path I will not say, but on that path I, at any rate, cannot follow them an inch. (Loud cheers.) Any form of protection is an evil, but Socialism is the end of all, the negation of faith, of family, of prosperity, of the monarchy, of Empire.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Loud cheers.
Speech in Glasgow attacking the "People's Budget" (10 September 1909), reported in The Times (11 September 1909), pp. 7-8.

Asger Jorn photo

“It is said that my art has some typically Nordic features: the curving lines, the convolutions, the magical masks and staring eyes that appear in myths and folk art. This may be. My interest in the dynamics of Jugend style probably also comes into it.”

Asger Jorn (1914–1973) Danish artist

Quote of Jorn, from: Tecken för liv, tecken till liv [Signs of life, the characters to life], interview by Marita Lindgren-Fridell, in Konstrevy (1963)
1959 - 1973, Various sources

Paramahansa Yogananda photo
Lloyd Kenyon, 1st Baron Kenyon photo
William Wordsworth photo
Barbara Hepworth photo
Columella photo

“He allows very readily, that the eyes and footsteps of the master are things most salutary to the land.”
Oculos et vestigia domini, res agro saluberrimas, facilius admittit.

Columella (4–70) Roman writer on agriculture

De Re Rustica, IV. 18: Quoted in Hoyt's New Cyclopedia Of Practical Quotations (1922), Lemma "Agriculture" p. 18-19.

“No more starry eyes from behind these dusty spectacles. I’ll wipe them and follow my own shadow for a change.”

Dawud Wharnsby (1972) Canadian musician

"Upon My Shelf"
Blue Walls and The Big Sky (1995)

Francis Bacon photo
Paul Gauguin photo
Mike Malloy photo

“In the run-up to World War II, they helped Hitler build the death camps to take the Jews and kill them. Take the gays and kill them. Take the socialists and kill them. Take the Polish partisans and kill them. Take the gypsies and kill them. The Bush Family is eye-ball deep in blood, blood, blood.”

Mike Malloy (1942) American radio broadcaster

http://server7.whiterosesociety.org/content/malloy/MalloyMemories/Red_Rum.mp3
presumably a reference to the financial support given to Hitler by Prescott Bush, George W. Bush's grandfather
On the Bush family and their associates

Tobias Smollett photo
Camille Pissarro photo
Theodore Dreiser photo

“Parents are frequently inclined, because of a time-flattered sense of security, to take their children for granted. Nothing ever has happened, so nothing ever will happen. They see their children every day, and through the eyes of affection; and despite their natural charm and their own strong parental love, the children are apt to become not only commonplaces, but ineffably secure against evil. […] The astonishment of most parents at the sudden accidental revelation of evil in connection with any of their children is almost invariably pathetic. […] But it is possible. Very possible. Decidedly likely. Some, through lack of experience or understanding, or both, grow hard and bitter on the instant. They feel themselves astonishingly abased in the face of notable tenderness and sacrifice. Others collapse before the grave manifestation of the insecurity and uncertainty of life—the mystic chemistry of our being. Still others, taught roughly by life, or endowed with understanding or intuition, or both, see in this the latest manifestation of that incomprehensible chemistry which we call life and personality, and, knowing that it is quite vain to hope to gainsay it, save by greater subtlety, put the best face they can upon the matter and call a truce until they can think. We all know that life is unsolvable—we who think. The remainder imagine a vain thing, and are full of sound and fury signifying nothing.”

Source: The Financier (1912), Ch. XXVI

Edie Brickell photo

“He made me mess the song up when I looked at him… We can show the kids the tape and say, "Look, that's when we first laid eyes on each other."”

Edie Brickell (1966) singer from the United States

Of her performance of "What I Am" on Saturday Night Live, when she noticed Paul Simon standing in front of a cameraman. "Whatever happened to Edie Brickell?" CNN.com (7 January 2004)

Scott Clifton photo

“It's always a source of anxiety, come Emmy time… People are so supportive and so kind, but they put ideas in your head that you don't want to hear. They go, 'I know you're going to win,' and then when you lose, those same people don't want to make eye contact with you. I don't know who's more embarrassed, me or them.”

Scott Clifton (1984) American television actor, musician, internet personality.

Responding to an interviewer's question, "What's going on in your head leading up to tonight?" at the 38th Annual Daytime Emmy Awards ceremony. (19 June 2011) http://www.soapoperanetwork.com/interviews/item/4926-backstage-interview-with-daytime-emmy-award-winner-scott-clifton

George William Russell photo
Stella Vine photo

“I will look through 200 photographs of Kate Moss and there will be just one that I connect with for some reason, maybe because of the composition or something in the eye… Something touches me and I know I have to paint it, in the way a child knows it wants something.”

Stella Vine (1969) English artist

Eyre, Hermione. "Stars in her eyes" http://findarticles.com/p/articles/mi_qn4159/is_20070715/ai_n19372031, The Independent on Sunday (2007-07-15), retrieved from findarticles.com
On Kate Moss.

Steven Erikson photo
Aron Ra photo
Diogenes Laërtius photo
Leo Tolstoy photo

“I longed for activity, instead of an even flow of existence. I wanted excitement and danger and the chance to renounce self for the sake of my love. I was conscious of a superabundance of energy which found no outlet in our quiet life. I had bouts of depression, which I tried to hide, as something to be ashamed of…My mind, even my senses were occupied, but there was another feeling – the feeling of youth and a craving for activity – which found no scope in our quiet life…So time went by, the snow piled higher and higher round the house, and there we remained together, always and for ever alone and just the same in each other’s eyes; while somewhere far away amidst glitter and noise multitudes of people thrilled, suffered and rejoiced, without one thought of us and our existence which was ebbing away. Worst of all, I felt that every day that passed riveted another link to the chain of habit which was binding our life into a fixed shape, that our emotions, ceasing to be spontaneous, were being subordinated to the even, passionless flow of time… ‘It’s all very well … ‘ I thought, ‘it’s all very well to do good and lead upright lives, as he says, but we’ll have plenty of time for that later, and there are other things for which the time is now or never.’ I wanted, not what I had got, but a life of challenge; I wanted feeling to guide us in life, and not life to guide us in feeling.”

Family Happiness (1859)

Arthur Schopenhauer photo

“The cheapest form of pride however is national pride. For it reveals in the one thus afflicted the lack of individual qualities of which he could be proud, while he would not otherwise reach for what he shares with so many millions. He who possesses significant personal merits will rather recognise the defects of his own nation, as he has them constantly before his eyes, most clearly. But that poor blighter who has nothing in the world of which he can be proud, latches onto the last means of being proud, the nation to which he belongs to. Thus he recovers and is now in gratitude ready to defend with hands and feet all errors and follies which are its own.”

Die wohlfeilste Art des Stolzes hingegen ist der Nationalstolz. Denn er verrät in dem damit Behafteten den Mangel an individuellen Eigenschaften, auf die er stolz sein könnte, indem er sonst nicht zu dem greifen würde, was er mit so vielen Millionen teilt. Wer bedeutende persönliche Vorzüge besitzt, wird vielmehr die Fehler seiner eigenen Nation, da er sie beständig vor Augen hat, am deutlichsten erkennen. Aber jeder erbärmliche Tropf, der nichts in der Welt hat, darauf er stolz sein könnte, ergreift das letzte Mittel, auf die Nation, der er gerade angehört, stolz zu sein. Hieran erholt er sich und ist nun dankbarlich bereit, alle Fehler und Torheiten, die ihr eigen sind, mit Händen und Füßen zu verteidigen.
Kap. II
Parerga and Paralipomena (1851), Aphorisms on the Wisdom of Life

Geert Wilders photo
Sri Aurobindo photo

“It is not by these means [modern humanism and humanitarianism, idealism, etc. ] that humanity can get that radical change of its ways of life which is yet becoming imperative, but only by reaching the bed-rock of Reality behind,… not through mere ideas and mental formations, but by a change of the consciousness, an inner and spiritual conversion. But that is a truth for which it would be difficult to get a hearing in the present noise of all kinds of many-voiced clamour and confusion and catastrophe…. Science has missed something essential; it has seen and scrutinised what has happened and in a way how it has happened, but it has shut its eyes to something that made this impossible possible, something it is there to express. There is no fundamental significance in things if you miss the Divine Reality; for you remain embedded in a huge surface crust of manageable and utilisable appearance. It is the magic of the Magician you are trying to analyse, but only when you enter into the consciousness of the Magician himself can you begin to experience the true origination, significance and circles of the Lila…. Another danger may then arise [once materialism begins to give way]… not of a final denial of the Truth, but the repetition in old or new forms of a past mistake, on one side some revival of blind fanatical obscurantist sectarian religionism, on the other a stumbling into the pits and quagmires of the vitalistic occult and the pseudo-spiritual'mistakes that made the whole real strength of the materialistic attack on the past and its credos. But these are phantasms that meet us always on the border line or in the intervening country between the material darkness and the perfect Splendour. In spite of all, the victory of the supreme Light even in the darkened earth-consciousness stands as the one ultimate certitude….”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Undated
India's Rebirth

Constantine P. Cavafy photo
Orson Scott Card photo
Mark Akenside photo
Benjamin H. Freedman photo
Anne Brontë photo
W. Edwards Deming photo
St. Vincent (musician) photo
Thomas Bradwardine photo
James K. Morrow photo

““In the end Humankind destroyed the heaven and the earth,” Soapstone began…
“And Humankind said, ‘Let there be security,’ and there was security. And Humankind tested the security, that it would detonate. And Humankind divided the U-235 from the U-238. And the evening and the morning were the first strike.” Soapstone looked up from the book. “Some commentators feel that the author should have inserted, ‘And Humankind saw the security, that it was evil.’ Others point out that such a view was not universally shared.”…
Casting his eyes heavenward, Soapstone continued. “And Humankind said, ‘Let there be a holocaust in the midst of the dry land.’ And Humankind poisoned the aquifers that were below the dry land and scorched the ozone that was above the dry land. And the evening and the morning were the second strike.”…
“And Humankind said, ‘Let the ultraviolet light destroy the food chains that bring forth the moving creature!’ And the evening and the morning—”…
“And Humankind said, ‘Let there be rays in the firmament to fall upon the survivors!’ And Humankind made two great rays, the greater gamma radiation to give penetrating whole-body doses, and the lesser beta radiation to burn the plants and the bowels of animals! And Humankind sterilized each living creature, saying, ‘Be fruitless, and barren, and cease to—’””

James K. Morrow (1947) (1947-) science fiction author

Source: This Is the Way the World Ends (1986), Chapter 9, “In Which by Taking a Step Backward the City of New York Brings Our Hero a Step Forward” (pp. 115-116; ellipses not in the original)

Thomas Carlyle photo

“For is not a Symbol ever, to him who has eyes for it, some dimmer or clearer revelation of the God-like?”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. III, ch. 3.
1830s, Sartor Resartus (1833–1834)

Wallace Stevens photo
Percy Bysshe Shelley photo
Halldór Laxness photo

“Slowly, slowly winter day opens his arctic eye.”

Halldór Laxness (1902–1998) Icelandic author

Sjálfstætt fólk (Independent People) (1935), Book One, Part II: Free of Debt

John Campbell Shairp photo
Bruno Schulz photo
Robert Silverberg photo
George William Russell photo

“Thy tender kiss hath memory we are kings
For all our wanderings.
Thy shining eyes already see the after
In hidden light and laughter.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)