Quotes about expression
page 26

Ferdinand Hodler photo
Robert N. Proctor photo
Franz Marc photo

“Art is nothing but the expression of our dream; the more we surrender to it the closer we get to the inner truth of things, our dream-life, the true life that scorns questions and does not see them.”

Franz Marc (1880–1916) German painter

quote from Franz Marc's note in 1907, he wrote down on his return from Paris; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 126
1905 - 1910

Ai Weiwei photo

“Myself, I try to search for the new way, always trying to set up a new possibility and to find the new tools to express myself. To reach a broader audience.”

Ai Weiwei (1957) Chinese concept artist

2010-, Ai Weiwei, interview by Christiane Amanpour, 2010

Paul Robeson photo
Ludwig Feuerbach photo
Mark Zuckerberg photo

“It takes courage to choose hope over fear. As I look around the world, I’m starting to see people and nations turning inward, against the idea of a connected world and a global community. The path forward is to bring people together, not push them apart. I hear fearful voices calling for building walls and distancing people they label as ‘others’. I hear them calling for blocking free expression, for slowing immigration, for reducing trade, and in some cases even for cutting access to the internet.”

Mark Zuckerberg (1984) American internet entrepreneur

Quoted: Mark Zuckerberg takes a swipe at Donald Trump telling people to 'choose hope over fear http://www.thesun.co.uk/sol/homepage/news/politics/7071854/Mark-Zuckerberg-takes-a-swipe-at-Donald-Trump-telling-people-to-choose-hope-over-fear.html, The Sun, 13 April 2016
Source: Zuckerberg's speech during Facebook's F8 developers event on 12 April 2016, developers.facebook.com https://developers.facebook.com/videos/f8-2016/keynote/

Georg Simmel photo
John Desmond Bernal photo

“World Encyclopaedia. -- Behind these lies another prospect of greater and more permanent importance; that of an attempt at a comprehensive and continually revised presentation of the whole of science in its social context, an idea most persuasively put forward by H. G. Wells in his appeal for a World Encyclopaedia of which he has already given us a foretaste in his celebrated outlines. The encyclopaedic movement was a great rallying point of the liberal revolution of the eighteenth and nineteenth centuries. The real encyclopaedia should not be what the Encyclopaedia Britannica has degenerated into, a mere mass of unrelated knowledge sold by high-pressure salesmanship, but a coherent expression of the living and changing body of thought; it should sum up what is for the moment the spirit of the age…
The original French Encyclopaedia which did attempt these things was, however, made in the period of relative quiet when the forces of liberation were gathering ready to break their bonds. We have already entered the second period of revolutionary struggle and the quiet thought necessary to make such an effort will not be easy to find, but some effort is worth making because the combined assault on science and humanity by the forces of barbarism has against it, as yet, no general and coherent statement on the part of those who believe in democracy and the need for the people of the world to take over the active control of production and administration for their own safety and welfare.”

John Desmond Bernal (1901–1971) British scientist

Source: The Social Function of Science (1939), p. 306-307. Chapter SCIENTIFIC COMMUNICATION. The Function of Scientific Publication. See also World Brain

John Galsworthy photo
Auguste Rodin photo

“I feel it, but I cannot express it,… I cannot analyse the Celtic genius to my own satisfaction. In the Middle Ages art came from groups, not from individuals. It was anonymous; the sculptors of cathedrals no more put their names to their works than our workmen put theirs on the pavement that they lay. Ah! what an admirable scorn of notoriety! The signature is what destroys us. We do portraits, but what we do is not so great. Thèse kings and queens, on the cathedrals, were not portraits. The fellow-workers stood for one another, and they interpreted; they did not copy. They made clothed figures; the nude and portraiture only date from the Renascence. And then those fellows cut with the tool's end into the block, that is why they were called sculptors. As for us, we are modellers. And what a disgraceful thing that casting from life is, which so many well-known sculptors do not blush to use! It is a mere swindling in art. Art was a vital function to the image-makers of the thirteenth century; they would hâve laughed at the idea of signing what they did, and never dreamed of honours and titles. When once their work was finished, they said no more about it, or else they talked among themselves. How curious it would hâve been to hear them, to be present at their gatherings, where they must hâve discussed in amusing phrases, and with simple, deep ideas!… Whenever the cathedrals disappear civilisation will go down one step. And even now we no longer understand them, we no longer know how to read their silent language. We need to make excavations not in the earth, but towards heaven…”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 63-64; About the genius of the Gothic sculptors.

George Grosz photo
J.M. Coetzee photo
Emil Nolde photo
Mark Rothko photo
Fritjof Capra photo
Enver Hoxha photo
Paul Sérusier photo

“[.. according to Gauguin ] the impression of nature must be wedded to the aesthetic sentiment which chooses, arranges, simplifies and synthesizes. The painter ought not to rest until he has given birth to the child of his imagination.... begotten in a union of his mind with reality. Gauguin insisted on a logical construction of composition, on a harmonious apportionment of light and dark colors, the simplification of forms and proportions, so as to endow the outline's of forms with a powerful and eloquent expression.... He also insisted upon luminous and pure colors.”

Paul Sérusier (1864–1927) French painter

Paul Sérusier's quote in 1888, about Paul Gauguin; in Pierre Bonnard, John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 13
Sérusier encountered in his summer vacation in Pont-Aven in Brittany [Summer 1888], briefly Paul Gauguin. He also made there a small landscape, painted under Gauguin's direction. Back in Paris, October 1888, Sérusier explained his Nabis friends (Denis, Pierre Bonnard and Vuillard) the artistic lessons Paul Gauguin taught him - as reported by John Rewald in his book Pierre Bonnard, p. 13-14

David Icke photo
Max Beckmann photo
Louis Sullivan photo
Georg Brandes photo
Piet Mondrian photo
Ringo Starr photo
Marianne von Werefkin photo
Robert Sheckley photo
Leszek Kolakowski photo

“The proletariat thus shared its dictatorship with nobody. As to the question of the "majority", this never troubled Lenin much. In an article "Constitutional Illusions" (Aug. 1917; Works, vol. 25, p. 201) he wrote: "in time of revolution it is not enough to ascertain the ‘ will of the majority’ – you must prove to be stronger at the decisive moment and at the decisive place; you must win … We have seen innumerable examples of the better organized, more politically conscious and better armed minority forcing its will upon the majority and defeating it." (pg. 503) Trotsky, however, answers questions [in The Defence of Terrorism] that Lenin evaded or ignored. "Where is your guarantee, certain wise men ask us, that it is just your party that expresses the interests of historical development? Destroying or driving underground the other parties, you have thereby prevented their political competition with you, and consequently you have deprived yourselves of the possibility of testing your line of action." Trotsky replies: "This idea is dictated by a purely liberal conception of the course of the revolution. In a period in which all antagonisms assume an open character; and the political struggle swiftly passes into a civil war, the ruling party has sufficient material standard by which to test its line of action, without the possible circulation of Menshevik papers. Noske crushes the Communists, but they grow. We have suppressed the Mensheviks and the S. R. s [Socialist Republics] … and they have disappeared. This criterion is sufficient for us" (p. 101). This is one of the most enlightening theoretical formulations of Bolshevism, from which it appears that the "rightness" of a historical movement or a state is to be judged by whether its use of violence is successful. Noske did not succeed in crushing the German Communists, but Hitler did; it would thus follow from Trotsky’ s rule that Hitler "expressed the interests of historical development". Stalin liquidated the Trotskyists in Russia, and they disappeared – so evidently Stalin, and not Trotsky, stood for historical progress.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 510
Main Currents Of Marxism (1978), Three Volume edition, Volume II, The Golden Age

Donald J. Trump photo
David Brewster photo
S. H. Raza photo
Alice A. Bailey photo
John McCain photo

“What our enemies have sought to destroy is beyond their reach. It cannot be taken from us. It can only be surrendered.
My friends, we are again met on the field of political competition with our fellow countrymen. It is more than appropriate, it is necessary that even in times of crisis we have these contests, and engage in spirited disagreement over the shape and course of our government.
We have nothing to fear from each other. We are arguing over the means to better secure our freedom, and promote the general welfare. But it should remain an argument among friends who share an unshaken belief in our great cause, and in the goodness of each other.
We are Americans first, Americans last, Americans always. Let us argue our differences. But remember we are not enemies, but comrades in a war against a real enemy, and take courage from the knowledge that our military superiority is matched only by the superiority of our ideals, and our unconquerable love for them.
Our adversaries are weaker than us in arms and men, but weaker still in causes. They fight to express a hatred for all that is good in humanity.
We fight for love of freedom and justice, a love that is invincible. Keep that faith. Keep your courage. Stick together. Stay strong.
Do not yield. Do not flinch. Stand up. Stand up with our President and fight.
We're Americans.
We're Americans, and we'll never surrender.
They will.”

John McCain (1936–2018) politician from the United States

2000s, 2004, Speech at the Republican National Convention (2004)

Mike Huckabee photo

“I may not be the expert as some people on foreign policy, but I did stay at a Holiday Inn Express last night.”

Mike Huckabee (1955) Arkansas politician

Huckabee Says What His Opponents Won’t
Niall
Stanage
2007-12-18
http://www.observer.com/2007/huckabee-says-what-his-opponents-won-t
New York Observer
2007-12-15

Maimónides photo
Henri Matisse photo

“A picture must possess a real power to generate light.... for a long time now I've been conscious of expressing myself through light or rather in light.”

Henri Matisse (1869–1954) French artist

As quoted in Matisse (1984) by Pierre Schneider
posthumous quotes

Antoni Gaudí photo

“Men may be divided into two types: men of words and men of action. The first speaks; the latter act. I am of the second group. I lack the means to express myself adequately. I would not be able to explain to anyone my artistic concepts. I have not yet concretised them. I never had time to reflect on them. My hours have been spent in my work.”

Antoni Gaudí (1852–1926) Catalan architect

La Razón, 1913 in: Gaudi by Gijs Van Hensbergen, introduction p.xxxii http://books.google.com/books?hl=en&id=unF5kAX0xCwC&dq=Gaudi+on+Gaudi&printsec=frontcover&source=web&ots=c0iOxQzVGj&sig=88zRY-TOlnChRUBQTHzDnrtLDEs&sa=X&oi=book_result&resnum=3&ct=result#PPR32,M1

Enoch Powell photo

“Have you ever wondered, perhaps, why opinions which the majority of people quite naturally hold are, if anyone dares express them publicly, denounced as 'controversial, 'extremist', 'explosive', 'disgraceful', and overwhelmed with a violence and venom quite unknown to debate on mere political issues? It is because the whole power of the aggressor depends upon preventing people from seeing what is happening and from saying what they see.

The most perfect, and the most dangerous, example of this process is the subject miscalled, and deliberately miscalled, 'race'. The people of this country are told that they must feel neither alarm nor objection to a West Indian, African and Asian population which will rise to several millions being introduced into this country. If they do, they are 'prejudiced', 'racialist'... A current situation, and a future prospect, which only a few years ago would have appeared to everyone not merely intolerable but frankly incredible, has to be represented as if welcomed by all rational and right-thinking people. The public are literally made to say that black is white. Newspapers like the Sunday Times denounce it as 'spouting the fantasies of racial purity' to say that a child born of English parents in Peking is not Chinese but English, or that a child born of Indian parents in Birmingham is not English but Indian. It is even heresy to assert the plain fact that the English are a white nation. Whether those who take part know it or not, this process of brainwashing by repetition of manifest absurdities is a sinister and deadly weapon. In the end, it renders the majority, who are marked down to be the victims of violence or revolution or tyranny, incapable of self-defence by depriving them of their wits and convincing them that what they thought was right is wrong. The process has already gone perilously far, when political parties at a general election dare not discuss a subject which results from and depends on political action and which for millions of electors transcends all others in importance; or when party leaders can be mesmerised into accepting from the enemy the slogans of 'racialist' and 'unChristian' and applying them to lifelong political colleagues...

In the universities, we are told that education and the discipline ought to be determined by the students, and that the representatives of the students ought effectively to manage the institutions. This is nonsense—manifest, arrant nonsense; but it is nonsense which it is already obligatory for academics and journalists, politicians and parties, to accept and mouth upon pain of verbal denunciation and physical duress.

We are told that the economic achievement of the Western countries has been at the expense of the rest of the world and has impoverished them, so that what are called the 'developed' countries owe a duty to hand over tax-produced 'aid' to the governments of the undeveloped countries. It is nonsense—manifest, arrant nonsense; but it is nonsense with which the people of the Western countries, clergy and laity, but clergy especially—have been so deluged and saturated that in the end they feel ashamed of what the brains and energy of Western mankind have done, and sink on their knees to apologise for being civilised and ask to be insulted and humiliated.

Then there is the 'civil rights' nonsense. In Ulster we are told that the deliberate destruction by fire and riot of areas of ordinary property is due to the dissatisfaction over allocation of council houses and opportunities for employment. It is nonsense—manifest, arrant nonsense; but that has not prevented the Parliament and government of the United Kingdom from undermining the morale of civil government in Northern Ireland by imputing to it the blame for anarchy and violence.

Most cynically of all, we are told, and told by bishops forsooth, that communist countries are the upholders of human rights and guardians of individual liberty, but that large numbers of people in this country would be outraged by the spectacle of cricket matches being played here against South Africans. It is nonsense—manifest, arrant nonsense; but that did not prevent a British Prime Minister and a British Home Secretary from adopting it as acknowledged fact.”

Enoch Powell (1912–1998) British politician

The "enemy within" speech during the 1970 general election campaign; speech to the Turves Green Girls School, Northfield, Birmingham (13 June 1970), from Still to Decide (Eliot Right Way Books, 1972), pp. 36-37.
1970s

Ken Livingstone photo
Pat Condell photo
Thomas Szasz photo

“In English-speaking countries, the connection between heresy and homosexuality is expressed through the use of a single word to denote both concepts: buggery. … Webster’s Unabridged Dictionary (Third Edition) defines “buggery” as “heresy, sodomy.””

Thomas Szasz (1920–2012) Hungarian psychiatrist

Source: The Manufacture of Madness: A Comparative Study of the Inquisition and the Mental Health Movement (1997), p. 165.

“For as long as I can remember,' I said, continuing to speak to the figure standing in the archway, 'I have had an intense and highly aesthetic perception of what I call the icy bleakness of things. At the same time I have felt a great loneliness in this perception. This conjunction of feelings seems paradoxical, since such a perception, such a view of things, would seem to preclude the emotion of loneliness, or any sense of a killing sadness, as I think of it. All such heartbreaking sentiment, as usually considered, would seem to be on its knees before artworks such as yours, which so powerfully express what I have called the icy bleakness of things, submerging or devastating all sentiment in an atmosphere potent with desolate truths, permeated throughout with a visionary stagnation and lifelessness. Yet I must observe that the effect, as I now consider it, has been just the opposite. If it was your intent to evoke the icy bleakness of things with your dream monologues, then you have totally failed on both an artistic and an extra-artistic level. You have failed your art, you have failed yourself, and you have also failed me. If your artworks had really evoked the bleakness of things, then I would not have felt this need to know who you are, this killing sadness that there was actually someone who experienced the same sensations and mental states that I did and who could share them with me in the form of tape-recorded dream monologues. Who are you that I should feel this need to go to work hours before the sun comes up, that I should feel this was something I had to do and that you were someone that I had to know? This behavior violates every principle by which I have lived for as long as I can remember. Who are you to cause me to violate these long-lived principles?”

Thomas Ligotti (1953) American horror author

The Bungalow House

William H. McNeill photo
Francis Galton photo
Paul Cézanne photo
Adolf Eichmann photo

“As my chief, Gruppenführer Müller expressed it, they were sending in the master himself, so I wanted to behave like a master.”

Adolf Eichmann (1906–1962) German Nazi SS-Obersturmbannführer

Argentina Audiotapes (1957)

Vladimir Lenin photo
Max Ernst photo

“A series of powers are at work within the great stream of Expressionism who have no outward similarity to one another but a common direction of thrust, namely the intention to give expression to things of the psyche [Seelisches] through form alone.”

Max Ernst (1891–1976) German painter, sculptor and graphic artist

Quote of Max Ernst in a newspaper review of 'Rhenish Expressionists', Bonn (1913); as cited in Expressionism, by Norbert Wolf (2004)
1910 - 1935

Sandra Day O'Connor photo
William Styron photo

“In many of Albrecht Dürer’s engravings there are harrowing depictions of his own melancholia; the manic wheeling stars of Van Gogh are the precursors of the artist’s plunge into dementia and the extinction of self. It is a suffering that often tinges the music of Beethoven, of Schumann and Mahler, and permeates the darker cantatas of Bach. The vast metaphor which most faithfully represents this fathomless ordeal, however, is that of Dante, and his all-too-familiar lines still arrest the imagination with their augury of the unknowable, the black struggle to come:
Nel mezzo del cammin di nostra vita
Mi ritrovai per una selva oscura,
Ché la diritta via era smarrita.
In the middle of the journey of our life
I found myself in a dark wood,
For I had lost the right path.
One can be sure that these words have been more than once employed to conjure the ravages of melancholia, but their somber foreboding has often overshadowed the last lines of the best-known part of that poem, with their evocation of hope. To most of those who have experienced it, the horror of depression is so overwhelming as to be quite beyond expression, hence the frustrated sense of inadequacy found in the work of even the greatest artists. But in science and art the search will doubtless go on for a clear representation of its meaning, which sometimes, for those who have known it, is a simulacrum of all the evil of our world: of our everyday discord and chaos, our irrationality, warfare and crime, torture and violence, our impulse toward death and our flight from it held in the intolerable equipoise of history. If our lives had no other configuration but this, we should want, and perhaps deserve, to perish; if depression had no termination, then suicide would, indeed, be the only remedy. But one need not sound the false or inspirational note to stress the truth that depression is not the soul’s annihilation; men and women who have recovered from the disease — and they are countless — bear witness to what is probably its only saving grace: it is conquerable.”

Source: Darkness Visible (1990), X

Gabriele Münter photo
Jozef Israëls photo

“The picture of the 'New Flower' ['Het Bloempje', 1880] is really one of those I did with much idea of having to express loveliness and youth both in human feeling and in the naturally plants of flowers, and If I may say don't you find, that I have succeed in this composition?”

Jozef Israëls (1824–1911) Dutch painter

Quote from his letter, 23 March 1906, to F.W. Gusaulus in Toledo, (TMA); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 306
This remark Israëls wrote 26 years after finishing the watercolor; probably it was a gift to the American art-critic
Quotes of Jozef Israels, after 1900

George Boole photo
Ossip Zadkine photo
Anaïs Nin photo
Hubert H. Humphrey photo
Sir Alexander Cockburn, 12th Baronet photo
Carl von Clausewitz photo
Paul Cézanne photo
Alexis De Tocqueville photo
Peter Akinola photo

“The Church commends the law-makers for their prompt reaction to outlaw same-sex relationships in Nigeria and calls for the bill to be passed since the idea expressed in the bill is the moral position of Nigerians regarding human sexuality.”

Peter Akinola (1944) Anglican Primate of the Church of Nigeria

(Communique on the Same Sex Marriage (Prohibition) Bill 2006
The 2006 Bill, as well as criminalising same-sex marriage, also proposed to criminalise "Registration of Gay Clubs, Societies and organizations" and "Publicity, procession and public show of same-sex amorous relationship through the electronic or print media physically, directly, indirectly or otherwise", on penalty of up to 5 years imprisonment.

“The product of movement and counter-movement is tension. When tension — working strength — is expressed, it endows the work of art with the living effect of coordinated, though opposing, forces.”

Hans Hofmann (1880–1966) American artist

"Excerpts from the Teaching of Hans Hofmann", p. 66
Search for the Real and Other Essays (1948)

Ai Weiwei photo

“I think restrictions are an essential condition in the fight for freedom of expression. It’s also a source for any kind of creativity.”

Ai Weiwei (1957) Chinese concept artist

Solway, Diane. “Enforced Disappearance.” W Magazine, November 2011.
2010-, 2011

Yehuda Ashlag photo
Ernest Bramah photo
Marsden Hartley photo
Samuel Beckett photo

“The expression that there is nothing to express, nothing with which to express, nothing from which to express, no power to express, no desire to express, together with the obligation to express.”

Also quoted in "Conversations with Samuel Beckett and Bram van Velde by Charles Juliet" by Nicholas Lezard, in The Guardian (23 January 2010) http://www.theguardian.com/books/2010/jan/23/conversations-samuel-beckett-van-velde
Three Dialogues (1949)

Dana Gioia photo
Bjarne Stroustrup photo

“I do not think that safety should be bought at the cost of complicating the expression of good solutions to real-life problems.”

Bjarne Stroustrup (1950) Danish computer scientist, creator of C++

Interview with Bjarne Stroustrup, 2011-02-07 http://www.eptacom.net/pubblicazioni/pub_eng/stroustr.html,

Alexej von Jawlensky photo
Ibn Warraq photo
Mahmud of Ghazni photo

“Mahmood having reached Tahnesur before the Hindoos had time to take measures for its defence, the city was plundered, the idols broken, and the idol Jugsom was sent to Ghizny to be trodden under foot…Mahmood having refreshed his troops, and understanding that at some distance stood the rich city of Mutra [Mathura], consecrated to Krishn-Vasdew, whom the Hindoos venerate as an emanation of God, directed his march thither and entering it with little opposition from the troops of the Raja of Delhy, to whom it belonged, gave it up to plunder. He broke down or burned all the idols, and amassed a vast quantity of gold and silver, of which the idols were mostly composed. He would have destroyed the temples also, but he found the labour would have been excessive; while some say that he was averted from his purpose by their admirable beauty. He certainly extravagantly extolled the magnificence of the buildings and city in a letter to the governor of Ghizny, in which the following passage occurs: "There are here a thousand edifices as firm as the faith of the faithful; most of them of marble, besides innumerable temples; nor is it likely that this city has attained its present condition but at the expense of many millions of deenars, nor could such another be constructed under a period of two centuries."…The King tarried in Mutra 20 days; in which time the city suffered greatly from fire, beside the damage it sustained by being pillaged. At length he continued his march along the course of a stream on whose banks were seven strong fortifications, all of which fell in succession: there were also discovered some very ancient temples, which, according to the Hindoos, had existed for 4000 years. Having sacked these temples and forts, the troops were led against the fort of Munj…The King, on his return, ordered a magnificent mosque to be built of marble and granite, of such beauty as struck every beholder with astonishment, and furnished it with rich carpets, and with candelabras and other ornaments of silver and gold. This mosque was universally known by the name of the Celestial Bride. In its neighbourhood the King founded an university, supplied with a vast collection of curious books in various languages. It contained also a museum of natural curiosities. For the maintenance of this establishment he appropriated a large sum of money, besides a sufficient fund for the maintenance of the students, and proper persons to instruct youth in the arts and sciences…The King, in the year AH 410 (AD 1019), caused an account of his exploits to be written and sent to the Caliph, who ordered it to be read to the people of Bagdad, making a great festival upon the occasion, expressive of his joy at the propagation of the faith.”

Mahmud of Ghazni (971–1030) Sultan of Ghazni

Tarikh-i-Firishta, translated by John Briggs under the title History of the Rise of the Mahomedan Power in India, first published in 1829, New Delhi Reprint 1981, Vol. I, pp. 27-37.
Quotes from Muslim medieval histories

Pope Benedict XVI photo
Hermann Hesse photo

“In the beginning was the myth. God, in his search for self-expression, invested the souls of Hindus, Greeks, and Germans with poetic shapes and continues to invest each child's soul with poetry every day.”

Variant translation: In the beginning was the myth. Just as the great god composed and struggled for expression in the souls of the Indians, the Greeks and Germanic peoples, so to it continues to compose daily in the soul of every child.
Peter Camenzind (1904)

William Carlos Williams photo
Thomas Fuller (writer) photo
Thom Yorke photo

“(about people's image of him) "I think that has a lot to do with the expression that's on my face. People are born with certain faces, like my father was born with a face that people want to hit.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

laughs
http://www.followmearound.com/presscuttings.php?year=1995&cutting=19 source

Anton Chekhov photo

“Can words such as Orthodox, Jew, or Catholic really express some sort of exclusive personal virtues or merits?”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Source: Letter to A.S. Suvorin (November 18, 1891)

“That is a Nazi expression. The Nazis called Germans who defended Jewish rights self-hating Germans.”

Israel Shahak (1933–2001) Israeli academic

On the accusation of being a self-hating Jew, in "Personality: Dr. Israel Shahak" by Richard H. Curtiss" in the Washington Report on Middle East Affairs (June 1989) http://www.washington-report.org/backissues/0689/8906019.htm.

Gustave Courbet photo
Andrei Sakharov photo
Witter Bynner photo

“The problems of subject search on the Internet are no different in principle: search engines may permit easy location of verbally expressed topics, but we still seek to improve our methods of navigation.”

Brian Campbell Vickery (1918–2009) British information theorist

Source: A Long Search for Information (2004), p. 11; As cited in: Lyn Robinson and David Bawden (2011).

Paul Signac photo
Anthony Scaramucci photo

“It's absolutely, completely and totally reprehensible. And as you know from the Italian expression: The fish stinks from the head down. But I can tell you two fish that don't stink, and that's me and the President.”

Anthony Scaramucci (1964) American financier and political figure

Quoted in " Scaramucci: 'If Reince wants to explain he's not a leaker, let him do that' http://www.cnn.com/2017/07/27/politics/anthony-scaramucci-reince-priebus/index.html" by Dan Merica, Elizabeth Landers and Eugene Scott, CNN (July 27, 2017).

Alain-René Lesage photo

“Isocrates was in the right to insinuate, in his elegant Greek expression, that what is got over the Devil's back is spent under his belly.”

Book VIII, ch. 9. Compare: "What is got over the Devil's back is spent under the belly", François Rabelais, Works, Book V, ch. 11.
Gil Blas (1715-1735)

David Eugene Smith photo
Andrew Sega photo
Calvin Coolidge photo
Attila the Stockbroker photo

“It first was a rumour dismissed as a lie
but then came the evidence none could deny:
a double page spread in the Sunday Express —
The Russians are running the DHSS!”

Attila the Stockbroker (1957) punk poet, folk punk musician and songwriter

"Russians in the DHSS", from Cautionary Tales for Dead Commuters (1985)
DHSS = Department of Health and Social Security, a British government department.