Quotes about expression
page 25

James K. Morrow photo
Aung San Suu Kyi photo
Hans Freudenthal photo

“No statistician present at this moment will have been in doubt about the meaning of my words when I mentioned the common statistical model. It must be a stochastic device producing random results. Tossing coins or a dice or playing at cards are not flexible enough. The most general chance instrument is the urn filled with balls of different colours or with tickets bearing some ciphers or letters. This model is continuously used in our courses as a didactic tool, and in our statistical analyses as a means of translating realistic problems into mathematical ones. In statistical language " urn model " is a standard expression.”

Hans Freudenthal (1905–1990) Dutch mathematician

Source: The Concept and the Role of the Model in Mathematics and Natural and Social Sciences (1961), p. 79; Partly cited in: Norman L. Johnson and Samuel Kotz (1977) Urn Models and Their Application: an. Approach to Modern Discrete Probability Theory http://dis.unal.edu.co/~gjhernandezp/sim/hide/Urn%20Models%20and%20Their%20Application%20-%20An%20approach%20to%20modern%20discrete%20probability%20theory_Norman%20L.Johnson(Wiley%201977%20413s).pdf, John Wiley & Sons.

Ford Madox Ford photo

“What the artist wishes to do — as far as you are concerned — is to take you out of yourself. As far as he is concerned, he wishes to express himself.”

Ford Madox Ford (1873–1939) English writer and publisher

"Literary Portraits. VIII - Mr. Joseph Conrad," in The Tribune (1907-09-14)

Franz Marc photo
Giorgio Morandi photo

“The feelings and images aroused by the visible world are very difficult to express or are perhaps inexpressible with words because they are determined by forms, colors, space and light.”

Giorgio Morandi (1890–1964) Italian painter

in an interview with L. Vitali, 1957; as quoted in Morandi 1894 – 1964, published by Museo d'Arte Moderna di Bologna, ed: M. C. Bandera & R. Miracco - 2008; p. 295
1945 - 1964

Johann Gottlieb Fichte photo
John Gray photo
John Kenneth Galbraith photo

“It was not hard to persuade people that the market was sound; as always in such times they asked only that the disturbing voices of doubt be muted and that there be tolerably frequent expressions of confidence.”

Source: The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929), Chapter V, The Twilight of Illusion, Section II, p. 70

Henri Matisse photo
Josefa Iloilo photo
Fyodor Tyutchev photo
Géza Révész photo

“Ebbinghaus: Language is a system of conventional signs that can be voluntarily produced at any time.
Croce: Language is articulated, limited sound organized for the purpose of expression.
Dittrich: Language is the totality of expressive abilities of individual human beings and animals capable of being understood by at least one other individual.
Eisler: Language is any expression of experiences by a creature with a soul.
B. Erdmann: Language is not a kind of communication of ideas but a kind of thinking: stated or formulated thinking. Language is a tool, and in fact a tool or organ of thinking that is unique to us as human beings.
Forbes: Language is an ordered sequence of words by which a speaker expresses his thoughts with the intention of making them known to a hearer.
J. Harris : Words are the symbols of ideas both general and particular: of the general, primarily, essentially and immediately; of the particular, only secondarily, accidentally and mediately.
Hegel: Language is the act of theoretical intelligence in its true sense, for it is its outward expression.
Jespersen: Language is human activity which has the aim of communicating ideas and emotions.
Jodl: Verbal language is the ability of man to fashion, by means of combined tones and sounds based on a limited numbers of elements, the total stock of his perceptions and conceptions in this natural tone material in such a way that this psychological process is clear and comprehensible to others to its least detail.
Kainz : Language is a structure of signs, with the help of which the representation of ideas and facts may be effected, so that things that are not present, even things that are completely imperceptible to the senses, may be represented.
De Laguna: Speech is the great medium through which human co-operation is brought about.
Marty: Language is any intentional utterance of sounds as a sign of a psychic state.
Pillsbury-Meader: Language is a means or instrument for the communication of thought, including ideas and emotions.
De Saussure: Language is a system of signs expressive of ideas.
Schuchardt. The essence of language lies in communication.
Sapir: Language is a purely human and non-instinctive method of communicating ideas, emotions and desires by means of a system of voluntarily produced symbols.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Footnote at pp. 126-127; As cited in: Adam Schaff (1962). Introduction to semantics, p. 313-314
The Origins and Prehistory of Language, 1956

John Galsworthy photo
Max Scheler photo

“There is usually no ressentiment just where a superficial view would look for it first: in the criminal. The criminal is essentially an active type. Instead of repressing hatred, revenge, envy, and greed, he releases them in crime. Ressentiment is a basic impulse only in the crimes of spite. These are crimes which require only a minimum of action and risk and from which the criminal draws no advantage, since they are inspired by nothing but the desire to do harm. The arsonist is the purest type in point, provided that he is not motivated by the pathological urge of watching fire (a rare case) or by the wish to collect insurance. Criminals of this type strangely resemble each other. Usually they are quiet, taciturn, shy, quite settled and hostile to all alcoholic or other excesses. Their criminal act is nearly always a sudden outburst of impulses of revenge or envy which have been repressed for years. A typical cause would be the continual deflation of one's ego by the constant sight of the neighbor's rich and beautiful farm. Certain expressions of class ressentiment, which have lately been on the increase, also fall under this heading. I mention a crime committed near Berlin in 1912: in the darkness, the criminal stretched a wire between two trees across the road, so that the heads of passing automobilists would be shorn off. This is a typical case of ressentiment, for any car driver or passenger at all could be the victim, and there is no interested motive. Also in cases of slander and defamation of character, ressentiment often plays a major role...”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Paul Krugman photo
Wahbi Al-Hariri photo

“After working with oil, pastel, and watercolors, I have intentionally returned to working with graphite. It is the most challenging mode of expression to master”

Wahbi Al-Hariri (1914–1994) Artist, architect, author

Wahbi al-Hariri-Rifai (1992), The Spiritual Edifices of Islam: Drawings by Wahbi Al-Hariri-Rifai http://books.google.com/books/about/The_Spiritual_Edifices_of_Islam.html?id=J9sJtwAACAAJ - National Museum (Saudi Arabia) Exhibit Booklet - 2002, Washington, D.C.: GDG Exhibits Trust & National Museum (Saudi Arabia), OCLC:56990773, retrieved on 25 June 2013. Quoted from inside cover.

Donald J. Trump photo
Karlheinz Deschner photo

“The Christians wrested the Old Testament out of the hands of the Jews and used it as a weapon against them. The belief in their own selection by God was turned into an expression of the absolute and exclusive position of Christianity, and Jewish Messianism was twisted into the doctrine of Christ's return.”

Die Christen entwendeten den Juden das Alte Testament und gebrauchten es als Waffe gegen sie. […] Dabei münzte man den Glauben von der Auserwähltheit Israels zum Absolutheitsanspruch des Christentums und den jüdischen Messianismus zur Lehre von der Wiederkunft Christi um.
Abermals krähte der Hahn, btb-Taschenbücher im Goldmann Verlag 1996, ISBN 3-442-72025-7, S. 505

Thomas Hardy photo
Laurent Clerc photo
Marissa Mayer photo

“I think I’ve always thought of culture as DNA. I don’t know a lot about genetics, but I understand some of it and I think that what you really want are the genes that are positive to hyper-express themselves in culture.”

Marissa Mayer (1975) American business executive and engineer, former ceo of Yahoo!

fortune.com http://fortune.com/2013/10/17/transcript-marissa-mayer-at-fortune-mpw/.

Erving Goffman photo

“When an individual appears before others, he wittingly and unwittingly projects a definition of the situation, of which a conception of himself is an important part. When an event occurs which is expressively incompatible with this fostered impression, significant consequences are simultaneously felt in three levels of social reality, each of which involves a different point of reference and a different order of fact.
First, the social interaction, treated here as a dialogue between two teams, may come to an embarrassed and confused halt; the situation may cease to be defined, previous positions may become no longer tenable, and participants may find themselves without a charted course of action…
Secondly, in addition to these disorganizing consequences for action at the moment, performance disruptions may have consequences of a more far-reaching kind. Audiences tend to accept the self projected by the individual performer during any current performance as a responsible representative of his colleague-grouping, of his team, and of his social establishment…
Finally, we often find that the individual may deeply involve his ego in his identification with a particular role, establishment, and group and in his self-conception as someone who does not disrupt social interaction or let down the social units which depend upon that interaction.”

Source: 1950s-1960s, The Presentation of Self in Everyday Life, 1959, p. 155-6

David Foster Wallace photo
Alex Salmond photo

“While we might always have enjoyed self-expression, we have perhaps at times lacked a little bit of self-belief.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Broadcasting Speech (August 8, 2007)

Meher Baba photo
Nathanael Greene photo
William Wood, 1st Baron Hatherley photo
Georges Bernanos photo
Pauline Kael photo
Paul Klee photo
John Muir photo

“Storms of every sort, torrents, earthquakes, cataclysms, "convulsions of nature," etc., however mysterious and lawless at first sight they may seem, are only harmonious notes in the song of creation, varied expressions of God's love.”

John Muir (1838–1914) Scottish-born American naturalist and author

" The Fountains and Streams of the Yosemite National Park http://books.google.com/books?id=2CsRAAAAMAAJ&pg=PA556", The Atlantic Monthly, volume LXXXVII, number 519 (January 1901) pages 556-565 (at page 565); reprinted in Our National Parks http://www.sierraclub.org/john_muir_exhibit/writings/our_national_parks/ (1901), chapter 8: The Fountains and Streams of the Yosemite National Park
1900s, Our National Parks (1901)

David Low (cartoonist) photo
Gloria Estefan photo

“It taught me that I had a lot more discipline than I thought; a lot more patience. [I became] more expressive, not only personally with my family, but in my music and my way of communicating.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Gayle King XM satellite radio program (October 23, 2006)
2007, 2008

Mikhail Gorbachev photo

“I express the very deepest condolences to the family of the deceased on whose shoulders rest major events for the good of the country and serious mistakes.”

Mikhail Gorbachev (1931) General Secretary of the Communist Party of the Soviet Union

On the death of Boris Yeltsin, in "Russia's former president Yeltsin dies: Kremlin" in Reuters (23 April 2007) http://www.reuters.com/article/topNews/idUSL2330837320070423?src=042307_1016_TOPSTORY_boris_yeltsin_dies
1990s

Timothy Leary photo
Louis Brandeis photo
Konrad Lorenz photo
Nicholas Rowe photo
Hadewijch photo
Maimónides photo
Calvin Coolidge photo
Antonin Scalia photo
Henri Matisse photo
Winston S. Churchill photo

“I think 'No Comment' is a splendid expression. I am using it again and again.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

After using the phrase when interviewed by reporters in Miami on 12 February, 1946; quoted in Churchill's "Iron Curtain" Speech Fifty Years Later by James W. Muller, University of Missouri Press (1999), p. 20 ISBN 0826261221
Post-war years (1945–1955)

W. H. Auden photo
Winston S. Churchill photo
Jackson Pollock photo
Max Scheler photo

“Yet all this is not ressentiment. These are only stages in the development of its sources. Revenge, envy, the impulse to detract, spite, *Schadenfreude*, and malice lead to ressentiment only if there occurs neither a moral self-conquest (such as genuine forgiveness in the case of revenge) nor an act or some other adequate expression of emotion (such as verbal abuse or shaking one's fist), and if this restraint is caused by a pronounced awareness of impotence. There will be no ressentiment if he who thirsts for revenge really acts and avenges himself, if he who is consumed by hatred harms his enemy, gives him “a piece of his mind,” or even merely vents his spleen in the presence of others. Nor will the envious fall under the dominion of ressentiment if he seeks to acquire the envied possession by means of work, barter, crime, or violence. Ressentiment can only arise if these emotions are particularly powerful and yet must be suppressed because they are coupled with the feeling that one is unable to act them out—either because of weakness, physical or mental, or because of fear. Through its very origin, ressentiment is therefore chiefly confined to those who serve and are dominated at the moment, who fruitlessly resent the sting of authority. When it occurs elsewhere, it is either due to psychological contagion—and the spiritual venom of ressentiment is extremely contagious—or to the violent suppression of an impulse which subsequently revolts by “embittering” and “poisoning” the personality. If an ill-treated servant can vent his spleen in the antechamber, he will remain free from the inner venom of ressentiment, but it will engulf him if he must hide his feelings and keep his negative and hostile emotions to himself.”

Max Scheler (1874–1928) German philosopher

Das Ressentiment im Aufbau der Moralen (1912)

Arthur Guirdham photo
Carl Maria von Weber photo
Leszek Kolakowski photo

“To prevent the starving peasants from fleeing to the towns an internal passport system was introduced and unauthorized change of residence was made punishable with imprisonment. Peasants were not allowed passports at all, and were therefore tied to the soil as in the worst days of feudal serfdom: this state of things was not altered until the 1970s. The concentration camps filled with new hordes of prisoners sentenced to hard labour. The object of destroying the peasants’ independence and herding them into collective farms was to create a population of slaves, the benefit of whose labour would accrue to industry. The immediate effect was to reduce Soviet agriculture to a state of decline from which it has not yet recovered, despite innumerable measures of reorganization and reform. At the time of Stalin’ s death, almost a quarter of a century after mass collectivization was initiated, the output of grain per head of population was still below the 1913 level; yet throughout this period, despite misery and starvation, large quantities of farm produce were exported all over the world for the sake of Soviet industry. The terror and oppression of those years cannot be expressed merely by the figures for loss of human life, enormous as these are; perhaps the most vivid picture of what collectivization meant is in Vasily Grossman’ s posthumous novel Forever Flowing.”

Leszek Kolakowski (1927–2009) Philosopher, historian of ideas

pg. 39
Main Currents Of Marxism (1978), Three Volume edition, Volume III: The Breakdown

Jared Diamond photo
Enoch Powell photo
Henry Clay photo
Brian W. Aldiss photo
Julia Serano photo
Richard A. Posner photo

“I wish in closing to emphasize how little corporate philanthrophy (the practical meaning of “creative capitalism,” a terrible expression that implies nonaltruistic capitalism is uncreative) is actually philanthropic, in the sense of being driven by altruism rather than by profit maximization.”

Richard A. Posner (1939) United States federal judge

" Against Creative Capitalism, Part Two https://web.archive.org/web/20080821055810/http://creativecapitalism.typepad.com:80/creative_capitalism/2008/08/against-creativ.html" (2008), published in Creative Capitalism: A Conversation with Bill Gates, Warren Buffett, and Other Economic Leaders.

Richard Blackmore photo

“Fame, which is the opinion the World expresses of any Man's excellent Endowments, is the Idol to which the finest spirits have, in all Ages, burnt their Incense.”

Richard Blackmore (1654–1729) English poet and physician

"An Essay upon False Vertue", p. 262
Essays Upon Several Subjects (1716)

Nastassja Kinski photo
Barbara Hepworth photo
Fethullah Gülen photo
Arthur Schopenhauer photo
Fred Rogers photo
Enver Hoxha photo

“Our only "crime" is that in Bucharest we did not agree that a fraternal communist party like the Chinese Communist Party should be unjustly condemned; our only "crime" is that we had the courage to oppose openly, at an international communist meeting (and not in the marketplace) the unjust action of Comrade Khrushchev, our only "crime" is that we are a small Party of a small and poor country which, according to Comrade Khrushchev, should merely applaud and approve but express no opinion of its own. But this is neither Marxist nor acceptable. Marxism-Leninism has granted us the right to have our say and we will not give up this right for any one, neither on account of political and economic pressure nor on account of the threats and epithets that they might hurl at us. On this occasion we would like to ask Comrade Khrushchev why he did not make such a statement to us instead of to a representative of a third party. Or does Comrade Khrushchev think that the Party of Labor of Albania has no views of its own but has made common cause with the Communist Party of China in an unprincipled manner, and therefore, on matters pertaining to our Party, one can talk with the Chinese comrades? No, Comrade Khrushchev, you continue to blunder and hold very wrong opinions about our Party. The Party of Labor of Albania has its own views and will answer for them both to its own people as well as to the international communist and workers' movement.”

Enver Hoxha (1908–1985) the Communist leader of Albania from 1944 until his death in 1985, as the First Secretary of the Party of L…

Speeches, Moscow Address

Roberto Mangabeira Unger photo

“The extreme moment of shock in battle presents in heightened and distorted form some of the distinctive characteristics of a whole society involved in war. These characteristics in turn represent a heightening and distortion of many of the traits of a social world cracked open by transformative politics. The threats to survival are immediate and shifting; no mode of association or activity can be held fixed if it stands as an obstacle to success. The existence of stable boundaries between passionate and calculating relationships disappears in the terror of the struggle. All settled ties and preconceptions shake or collapse under the weight of fear, violence, and surprise. What the experience of combat sharply diminishes is the sense of variety in the opportunities of self-expression and attachment, the value given to the bonds of community and to life itself, the chance for reflective withdrawal and for love. In all these ways, it is a deformed expression of the circumstance of society shaken up and restored to indefinition. Yet the features of this circumstance that the battle situation does share often suffice to make the boldest associative experiments seem acceptable in battle even if they depart sharply from the tenor of life in the surrounding society. Vanguardist warfare is the extreme case. It is the response of unprejudiced intelligence and organized collaboration to violence and contingency.”

Roberto Mangabeira Unger (1947) Brazilian philosopher and politician

Source: Plasticity Into Power: Comparative-Historical Studies on the Institutional Conditions of Economic and Military Success (1987), p. 160

Hans Reichenbach photo

“Whereas the conception of space and time as a four-dimensional manifold has been very fruitful for mathematical physicists, its effect in the field of epistemology has been only to confuse the issue. Calling time the fourth dimension gives it an air of mystery. One might think that time can now be conceived as a kind of space and try in vain to add visually a fourth dimension to the three dimensions of space. It is essential to guard against such a misunderstanding of mathematical concepts. If we add time to space as a fourth dimension it does not lose any of its peculiar character as time. …Musical tones can be ordered according to volume and pitch and are thus brought into a two dimensional manifold. Similarly colors can be determined by the three basic colors red, green and blue… Such an ordering does not change either tones or colors; it is merely a mathematical expression of something that we have known and visualized for a long time. Our schematization of time as a fourth dimension therefore does not imply any changes in the conception of time. …the space of visualization is only one of many possible forms that add content to the conceptual frame. We would therefore not call the representation of the tone manifold by a plane the visual representation of the two dimensional tone manifold.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

James Madison photo
Alfred de Zayas photo
Auguste Rodin photo
Yurii Andrukhovych photo
Hans Reichenbach photo
Jozef Israëls photo

“No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900

M. Balamuralikrishna photo
Phyllis Chesler photo
Willem de Sitter photo
Shunryu Suzuki photo

“All descriptions of reality are limited expressions of the world of emptiness. Yet we attach to the descriptions and think they are reality. That is a mistake.”

Shunryu Suzuki (1904–1971) Japanese Buddhist missionary

Letters From Emptiness (page 33)
Not Always So, practicing the true spirit of Zen (2002)

Friedrich Engels photo
Albert Camus photo

“The most elementary form of rebellion, paradoxically, expresses an aspiration for order.”

Part 2: Metaphysical Rebellion
The Rebel (1951)

Aron Ra photo
Clive Staples Lewis photo
Keith Richards photo

“I thought rock and roll was an unassailable outlet for some pure and natural expression of rebellion. It used to be one channel you could take without ever havin' to kiss arse, you know?”

Keith Richards (1943) British rock musician, member of The Rolling Stones

Rolling Stone; reported in " In quotes: Keith Richards http://news.bbc.co.uk/1/hi/entertainment/6526133.stm", BBC (April 4, 2007).

Anthony Stewart Head photo

“We all sing about the things we're thinking; musicals are about expressing those emotions that you can't talk about.”

Anthony Stewart Head (1954) English actor

Giles Ahead Time Out - London's Living Guide January 9-16 2002 http://www.gilesfanfic.de/default.php?url=artikel_11_oton

Eugène Delacroix photo
Patrick Modiano photo

“A photograph can express silence.”

Patrick Modiano (1945) French writer

Suspended Sentences (1993)

Douglas Hofstadter photo
Wassily Kandinsky photo
Hans Gude photo