Quotes about everything
page 57

Philip Plait photo

“What I have discovered in 20 years of studying the universe, from here to there to everywhere, is that the universe is complicated, and when things happen, it is almost never like ‘A happened and therefore B’. No, A happened and therefore B, C, D and E, but then there is this thing F, and that had a 10% effect, and that prompted G to go back and tip over A, and it is always like this – everything is interconnected. And so a lot of these far-right fundamentalist religion people, and a lot of these people who are anti-global warming, anti-evolution, anti-science, what they do is they take advantage of the fact that things are complicated, and their lives are based on things being simple – if we do this, then this will happen – if we invade Iraq, we will be treated as liberators, if we pray, then good things will happen, and this stuff is wrong. But we have a culture where people are brought up to believe in simplicity, and if A then B. And so when you point out that scientists say the earth is warming, but we had a really devastating winter this year, then these people will say “oh, obviously global warming is wrong.””

Philip Plait (1964) astronomer, skeptic

No, global warming can cause worse winters locally. It’s complicated. But people don’t want to hear “it’s complicated”, and boy, the conspiracy theorists and anti-scientists take full advantage of that.
Skepticality http://www.skepticality.com/index.php ep. 52 http://www.skepticality.com/notes/sn_Ep52.php (15 May 2007) 23:11 - 24:46
Interviews

Sören Kierkegaard photo
Sinclair Lewis photo

“Everything seemed confused and contradictory, and he longed for one clear command from a divine martinet.”

Sinclair Lewis (1885–1951) American novelist, short-story writer, and playwright

The God-Seeker (1949), Ch. 7

David Fincher photo
Dylan Moran photo
Tom McCarthy (writer) photo
Gottfried Leibniz photo
Andrei Tarkovsky photo
Mike Tyson photo
Miho Mosulishvili photo

“Everything started by a word and a word will end it all.”

Miho Mosulishvili (1962) Georgian writer

The motto of Miho Mosulishvili
Interviews

Miguel de Unamuno photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Prem Rawat photo
Halldór Laxness photo

“[A]fter I got evicted from the Republican Party, I began reading considerably more of the works of American anarchists, thanks largely to Murray Rothbard…and I was just amazed.When I read Emma Goldman, it was as though everything I had hoped that the Republican Party would stand for suddenly came out crystallised. It was a magnificently clear statement. And another interesting things about reading Emma Goldman is that you immediately see that, consciously or not, she's the source of the best in Ayn Rand. She has the essential points that the Ayn Rand philosophy thinks, but without any of this sort of crazy solipsism that Rand is so fond of, the notion that people accomplish everything all in isolation. Emma Goldman understands that there’s a social element to even science, but she also writes that all history is a struggle of the individual against the institutions, which of course is what I’d always thought Republicans were saying, and so it goes.In other words, in the Old Right, there were a lot of statements that seemed correct, and they appeal to you emotionally, as well; it was why I was a Republican—isolationist, anti-authoritarian positions, but they’re not illuminated by anything more than statement. They just are good statements. But in the writings of the anarchists the same statements are made, but with this long illumination out of experience, analysis, comparison…it's rock-solid, and so I immediately realised that I'd been stumbling around inventing parts of a tradition that was old and thoughtful and already existed, and that's very nice to discover that—I don't think it's necessary to invent everything.”

Karl Hess (1923–1994) American journalist

Anarchism in America http://alexpeak.com/art/films/aia/ (15 January 1983)

Michelle Obama photo

“People who work the day shift, kiss their kids goodnight, and head out for the night shift — without disappointment, without regret — that goodnight kiss a reminder of everything they're working for.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

2000s, Democratic National Convention speech (2008)

Stendhal photo

“One can acquire everything in solitude — except character.”

Stendhal (1783–1842) French writer

On peut tout acquérir dans la solitude, hormis du caractère.
Fragments
De L'Amour (On Love) (1822)

Henry J. Heinz photo

“A wide market awaited the manufacturer of food products who would set purity and quality above everything else in their preparation.”

Henry J. Heinz (1844–1919) American businessman

Attributed to Henry J. Heinz in: J. N. Garfunkel (1910), The American Pure Food and Health Journal. Vol. 2 p. xxxviii

Bawa Muhaiyaddeen photo
Adam Roberts photo
Philip Roth photo
Orson Scott Card photo

“The most evil creatures don’t desire the destruction of everything—they only desire to exploit it for themselves.”

Orson Scott Card (1951) American science fiction novelist

Source: The Tales of Alvin Maker, Seventh Son (1987), Chapter 10.

Ralph Nader photo
Agatha Christie photo
Stanisław Lem photo
Kent Hovind photo

“All men are warriors. And life for everything in our universe is nothing but war.”

David Zindell (1952) American writer

Source: The Wild (1995), p. 81

Johannes Bosboom photo

“.. how with the [Dutch] Romantic movement after 1830 also the love awakened for everything that recalled former times to the mind - including the period of the middle-ages -, and how the sigh grew from it to collect all kind of objects that reassured the taste of those times. Here too, the celebrated [Dutch romantic painter] Nuyen stood in front.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): ..hoe met de Romantische beweging na 1830 ook de liefde ontwaakte voor alles wat vroegere tijden — ook het tijdvak der middeneeuwen — voor den geest riepen en hoe daaruit de zucht ontsproot tot het verzamelen van voorwerpen, die van den smaak dier tijden getuigden. Ook hierin stond de gevierde Nuyen vooraan.
Quote of J. Bosboom, c. 1890; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, p. 108 translation from the original Dutch: Fons Heijnsbroek)
the studio of Bosboom was more or less a small museum, exposing his collected objects from the middle-ages
1890's

Neal Stephenson photo
Marcus Aurelius photo

“The rottenness of the matter which is the foundation of everything!”

IX, 36
Meditations (c. 121–180 AD), Book IX

Jozef Israëls photo

“No, the Dutchman is not cold, not insensitive, our people are still full of enthusiasm for what is noble and good. Holland above all! We artists, from Rembrandt to Maris, rave over our country. We find our Holland a delicious beautiful country with its meadows, its beaches, its sea, its domestic interiors, its figures, peasants, farmers, Jews, merchants, everything is similar picturesque as it is all just up for grabs. The most beautifully in the Netherlands is however Amsterdam, that delicious spacious Amsterdam, which is expressing so much and uniting so much in itself.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van Jozef Israëls, in Nederlands): Neen, de Nederlander is niet koud, niet ongevoelig, ons volk is nog steeds vol geestdrift voor wat edel en goed is. Holland bovenal! Wij kunstenaars, van Rembrandt tot Maris, dwepen met ons land. Wij vinden ons Holland een heerlijk mooi land met zijn weiden, zijn stranden, zijn zee, zijn binnenhuizen, zijn figuren, boeren, landlieden, joden, kooplieden, alles is even schilderachtig, als maar voor het grijpen. Het mooiste van Nederland is echter Amsterdam, het heerlijk ruim Amsterdam, waarvan zoveel uitgaat en dat zooveel in zich vereenigt.
Quote from Israëls' speech of thanks at the honoring-party for his 70th birthday in Arti et Amacitiae in Amsterdam, Feb 1885; as cited in 'Jozef Israëls in Arti', in Algemeen Hadelsblad, 6 Feb. 1895
Quotes of Jozef Israels, 1871 - 1900

H. Rider Haggard photo

“We white people think that we know everything.”

Child of Storm (1913), CHAPTER I, ALLAN QUATERMAIN HEARS OF MAMEENA

Bawa Muhaiyaddeen photo
M. Balamuralikrishna photo
Stewart Lee photo
William Hazlitt photo

“There is a feeling of Eternity in youth which makes us amends for everything. To be young is to be as one of the Immortals.”

William Hazlitt (1778–1830) English writer

"On the Feeling of Immortality in Youth"
Table Talk: Essays On Men And Manners http://www.blupete.com/Literature/Essays/TableHazIV.htm (1821-1822)

Victor Villaseñor photo
Peter Jackson photo
Rupert Boneham photo
Ann Coulter photo

“Only in the case of immigration is the public systematically lied to from every major news outlet. The media lie about everything, but immigration constitutes their finest hour of collective lying.”

Ann Coulter (1961) author, political commentator

2015, Adios, America: The Left's Plan to Turn Our Country into a Third World Hellhole (2015)

Benito Mussolini photo
Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Herman Cain photo
Oliver Sacks photo
Friedrich Hayek photo
Fyodor Dostoyevsky photo
Rick Warren photo
Rob Enderle photo

“I was recently at a meeting of analysts and vendors, and got into a conversation about Apple with one of the ex-Apple executives at the meeting. I got the sense that Tim Cook was hired because he was good at everything Jobs didn't like to do, and Phil Schiller was basically Jobs' internal fan club chairman. In other words, you really don't have a viable company without someone doing what Jobs did.”

Rob Enderle (1954) American financial analyst

No magic, no Apple: Cupertino's identity crisis in the fading afterglow of Jobs http://digitaltrends.com/opinion/no-magic-no-apple-cupertinos-identity-crisis-in-the-fading-afterglow-of-jobs in Digital Trends (10 August 2013)

Frank Herbert photo
Georges Braque photo

“You see, I have made a great discovery. I no longer believe in anything. Objects don't exist for me except in so far as a rapport exists between them or between them and myself. When one attains this harmony, one reaches a sort of intellectual non-existence — what I can only describe as a sense of peace, which makes everything possible and right. Life then becomes a perpetual revelation. That is true poetry.”

Georges Braque (1882–1963) French painter and sculptor

Quote from The Power of Mystery (7 December 1957), a London Observer interview with John Richardson, as quoted in Braque: The Late Works (1997), by John Golding, Introduction, p. 10
unsourced variant translation: I made a great discovery. I don't believe in anything anymore. Objects do not exist for me, except that there is a harmonious relationship among them, and also between them and myself. When one reaches this harmony, one reaches a sort of intellectual void. This was everything becomes possible, everything becomes legitimate, and life is a perpetual revelation. This is true song.
1946 - 1963

Sarah Bakewell photo
Jack Kerouac photo
David Oistrakh photo
Barbara Jordan photo

“You need a core inside you—a core that directs everything you do. You confer with it for guidance. It is not negotiable.”

Barbara Jordan (1936–1996) American politician

Scott Williams, “Jordan Praises Stockman,” Daily Texan (23 November 1981), as cited in Let me tell you what I've learned https://en.wikiquote.org/wiki/Special:BookSources/0292787901: Texas Wisewomen Speak, PJ Pierce, University of Texas Press (2010), p. 17

Anne Morrow Lindbergh photo
Babe Ruth photo
Pat Murphy photo
Max Stirner photo

“Everything sacred is a tie, a fetter.”

Cambridge 1995, p. 192
The Ego and Its Own (1845)

Ai Weiwei photo

“From my experience dealing with Sichuan [after the 2008 earthquake] I started to understand very clearly the character of local government. They will do anything. You will never really wrongly accuse them of anything because they do everything.”

Ai Weiwei (1957) Chinese concept artist

Branigan, Tania. “ Accounts Invaded, Computers Infected—Human Rights Activists Tell of Cyber Attacks http://www.guardian.co.uk/world/2010/jan/14/china-human-rights-activists-cyber-attack.” Guardian, January 14, 2010.
2010-, 2010

Piet Mondrian photo
Neil Gaiman photo
Tariq Ali photo

“Even if you reject everything, it is always better to know what it is you are rejecting.”

Tariq Ali (1943) British Pakistani writer, journalist, and historian

The Clash of Fundamentalism

Alphonse Daudet photo

“You will see that the only liar in the Midi, if there is one, is the sun; everything that he touches he exaggerates.”

Le seul menteur du Midi, s'il y en a un, c'est le soleil. Tout ce qu'il touche, il l'exagère!
Source: Tartarin de Tarascon (1872), P. 40; translation p. 17.

Robert E. Howard photo
Basshunter photo

“The album is very different from the all the other albums today. First of all, the album was one year delayed because I wasn’t happy and every time I did an album it was unofficially finished. I had some time to listen to some new songs and plug into some music programs and discovered this new song and delayed the release for a month, because I wanted to update the new tracks to these new sounds I found… so then when I did that all the other songs sounded like crap compared to the new ones! So I said f*** this I need to reproduce the other ones as well. Then I scrapped a few songs and produced new ones. So to produce this album I pretty much produced maybe about 50 tracks and picked out the best of them. You know when you buy an album from a producer/artist, you kind of hear the same sound repeating in each song, you hear the same sound repeating, but this album is like every song is individual. Like you wont find two songs which have the same sound. Each song is completely different which I think kind of represents what I do because I produce everything and I love producing everything. Sometimes I’m in the mood to produce you know a dance song, sometimes I’m in the mood to produce an R&B song, it’s just interesting because I just want to show people that I can deliver to all ears.”

Guestlist interview with Ria Talsania (10 July 2013) https://guestlist.net/article/9219/catching-up-with-basshunter
Calling Time

Anthony Watts photo

“Often we lose sight of our place in the universe, some never knew at all just how miniscule we humans are compared to everything else.”

Anthony Watts (1958) American television meteorologist

Galactic Perspective http://wattsupwiththat.com/2007/05/04/galactic-perspective/, wattsupwiththat.com, May 4 2007.
2007

Sarada Devi photo
Richard Long photo
Salvador Dalí photo
Phil Brooks photo

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

Gabriel García Márquez photo
John Stuart Mill photo
Ann Coulter photo
Salvador Dalí photo
John Major photo

“John Major: What I don't understand, Michael, is why such a complete wimp like me keeps winning everything.
Michael Brunson: You've said it, you said precisely that.
Major: I suppose Gus will tell me off for saying that, won't you Gus?
Brunson: No, no, no … it's a fair point. The trouble is that people are not perceiving you as winning.
Major: Oh, I know … why not? Because…
Brunson: Because rotten sods like me, I suppose, don't get the message clear [laughs].
Major: No, no, no. I wasn't going to say that - well partly that, yes, partly because of S-H-one-Ts like you, yes, that's perfectly right. But also because those people who are opposing our European policy have said the way to oppose the Government on the European policy is to attack me personally. The Labour Party started before the last election. It has been picked up and it is just one of these fashionable things that slips into the Parliamentary system and it is an easy way to proceed.
Brunson: But I mean you … has been overshadowed … my point is there, not just the fact that you have been overshadowed by Maastricht and people don't…
Major: The real problem is this…
Brunson: But you've also had all the other problems on top - the Mellors, the Mates … and it's like a blanket - you use the phrase 'masking tape' but I mean that's it, isn't it?
Major: Even, even, even, as an ex-whip I can't stop people sleeping with other people if they ought not, and various things like that. But the real problem is…
Brunson: I've heard other people in the Cabinet say 'Why the hell didn't he get rid of Mates on Day One?' Mates was a fly, you could have swatted him away.
Major: Yeah, well, they did not say that at the time, I have to tell you. And I can tell you what they would have said if I had. They'd have said 'This man was being set up. He was trying to do his job for his constituent. He had done nothing improper, as the Cabinet Secretary told me. It was an act of gross injustice to have got rid of him'. Nobody knew what I knew at the time. But the real problem is that one has a tiny majority. Don't overlook that. I could have all these clever and decisive things that people wanted me to do and I would have split the Conservative Party into smithereens. And you would have said, Aren't you a ham-fisted leader? You've broken up the Conservative Party.
Brunson: No, well would you? If people come along and…
Major: Most people in the Cabinet, if you ask them sensibly, would tell you that, yes. Don't underestimate the bitterness of European policy until it is settled - It is settled now.
Brunson: Three of them - perhaps we had better not mention open names in this room - perhaps the three of them would have - if you'd done certain things, they would have come along and said, 'Prime Minister, we resign'. So you say 'Fine, you resign'.
Major: We all know which three that is. Now think that through. Think it through from my perspective. You are Prime Minister. You have got a majority of 18. You have got a party still harking back to a golden age that never was but is now invented. And you have three rightwing members of the Cabinet actually resigned. What happens in the parliamentary party?
Brunson: They create a lot of fuss but you have probably got three damn good ministers in the Cabinet to replace them.
Major: Oh, I can bring in other people into the Cabinet, that is right, but where do you think most of this poison has come from? It is coming from the dispossessed and the never-possessed. You and I can both think of ex-ministers who are going around causing all sorts of trouble. Would you like three more of the bastards out there? What's the Lyndon Johnson, er, maxim?
Brunson: If you've got them by the balls their hearts and minds will follow.
Major: No, that's not what I had in mind, though it's pretty good.”

John Major (1943) Former Prime Minister of the United Kingdom

Andrew Culf, "What the `wimp' really said to the S-H-one-T", The Guardian, 26 July 1993.
'Off-the-record' exchange with ITN reporter Michael Brunson following videotaped interview, 23 July 1993. Neither Major nor Brunson realised their microphones were still live and being recorded by BBC staff preparing for a subsequent interview; the tape was swiftly leaked to the Daily Mirror.

Jacqueline Kennedy Onassis photo
Gertrude Stein photo
Rand Paul photo
H. G. Wells photo
Ernesto Che Guevara photo
Mata Amritanandamayi photo
José Ortega Y Gasset photo
Anselme Bellegarrigue photo
Alice A. Bailey photo
Roy Lichtenstein photo
Hilary Hahn photo
Louis C.K. photo

“Everything that’s difficult you should be able to laugh about.”

Louis C.K. (1967) American comedian and actor

Vulture http://www.vulture.com/2010/06/louis_ck_interview.html

Kuruvilla Pandikattu photo
Viktor Schauberger photo

“Human body can do everything”

The lecture in Ashland, Oregon (8th of July 2005)

Karel Appel photo
Francis Galton photo
Mohamed Morsi photo